the wicker man

50 Years of IRON MAIDEN episode 26: Dance of Death with Lana Teramae

50 Years of IRON MAIDEN episode 26:  Dance of Death

With special guest Lana Teramae

GRAB A STACK OF ROCK #127

Brave New World was a new beginning for Iron Maiden, but the real test to any reunion (or new lineup, for that matter) is “can they do it twice”.  Dance of Death was Iron Maiden’s chance to repeat or exceed.  The road-seasoned lineup was hot with new ideas and got back to work with Kevin Shirley producing once again, but the new album was no re-hash.  The band pushed boldly on.

Joining us for the first time on Grab A Stack of Rock is Lana Teramae, an old friend and writer for Metal Express Radio.  Time zones once again collide in new ways, as Lana is the only guest from the state of Hawaii to ever join us!  Harrison and I have not worked with Lana since our old show (the LeBrain Train), so it is wonderful to have her on with us once again.  Her interviews with many of our heroes on Metal Express Radio might make us jealous, but when we started this series we wanted to include Lana.  She chose Dance of Death of the albums up for grabs.  In her words:

Check me out on Grab A Stack of Rock with Michael Ladano and Harrison Kopp as we discuss one of my favorite Iron Maiden albums, Dance of Death! The episode is set to premiere on YouTube on Friday, November 28, at 2:00 p.m. Hawaii Standard Time. I’m nowhere near as educated as these lovely gentlemen when it comes to Iron Maiden. I was just there for moral support!

Lana offered a new perspective that we have not often seen on the show:  that of a fan that is not a “super-fan” like Harrison and myself.  Lana may prefer Judas Priest to Iron Maiden, but she brings a new voice to the series and several insightful observations on this album that might be considered one that sometimes falls through the cracks.

After finishing an exhausting discussion on the 11 album tracks, we break down every B-side from the three singles:  “Wildest Dreams” (including DVD single), “Rainmaker” (Japanese CD single with two extra tracks), and “No More Lies” (boxed single with unlisted bonus track).  There is a lot to talk about with these B-sides as they included rare Iron Maiden jams, exclusive live versions, and unusual remixes.

As usual, Harrison takes us through the tour, though not too too much, since we will cover the live album Death on the Road in a future episode with special returning guest Jex Russell.  And, of course…we have to address the atrocious cover art.

On a personal note, this was the final episode recorded at the cottage in the 2025 season.  Will 50 Years of Iron Maiden still be going when we re-open in April 2026?  It might be possible as there is still a flurry of albums, live records, singles and compilations left to go.

Join Mike, Harrison and special guest Lana Teramae tonight.  We always try to comment along with you.

Friday November 28 at 7:00 P.M. E.S.T., 2:00 PM Hawaii Standard Time.  Enjoy on YouTube.


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50 Years of IRON MAIDEN episode 25: Visions of the Beast featuring Bob Cesca from Camp Chaos

50 Years of IRON MAIDEN episode 25:  Visions of the Beast featuring Bob Cesca from Camp Chaos

GRAB A STACK OF ROCK #124

Back in 1999/2000, a little video called “Napster Bad!” went viral.  You know it, you shared it, you loved it.  Well, not Harrison because he was not born yet.  Bob Cesca (founder of Camp Chaos) created that video and many others, including official music videos for bands such as Motley Crue, Yes, and…Iron Maiden!

Bob is a talented jack of many trades, and also a massive Rush fan.  In this effortless interview, Bob tells us everything you wanted to know about him and Iron Maiden.  2003’s Visions of the Beast double DVD was a massive collection, and Camp Chaos did six music videos for it.  These videos mixed animation with the original familiar music video footage.  We break them all down in detail, including how to access the Easter Eggs.  How was he contacted by the Maiden camp?  How much input did Iron Maiden have on his creative process?  Why did he choose certain Eddies and settings, and how did he decide what to edit out of the originals to make way for animation?  It is a fascinating trip back in time, as current events impacted some of the videos, even though the songs themselves were oldies.  Hey…are there 10 ME-109s out of the sun…or not?

Bob also answered all our non-Maiden questions, such as why James Hetfield and Lars Ulrich have no noses in “Napster Bad”?

After Bob had answered all our questions, Harrison and Mike took a deep dive on the rest of the contents of the DVD set.  If you owned Visions of the Beast back in the day, own it now, or not yet…you will want to pop it in after this episode.

Please welcome Mr. Bob Cesca to Grab A Stack of Rock, and 50 Years of Iron Maiden!  Join us at the premiere in the comments tonight – we love interacting with you!

A big thanks to Tim Durling for introducing us to Bob!

Friday November 7 at 7:00 P.M. E.S.T.  Enjoy on YouTube.


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50 Years of IRON MAIDEN episode 24: Eddie’s Archive and Edward the Great

50 Years of IRON MAIDEN episode 24: Eddie’s Archive and Edward the Great

GRAB A STACK OF ROCK #121

Post-Brave New World, Iron Maiden were back on top.  With the struggles of the 1990s well behind them, Iron Maiden forged forward with new releases such as Rock In Rio, Edward the Great, and Eddie’s ArchiveRock in Rio was a double-live, the likes not seen since last Bruce was in.  We covered this in our previous episode.  The latter two were Iron Maiden collections aimed at two very different groups of fans.

Edward the Great was a “hits compilation” aimed at new fans.  As a single disc compilation, it was limited by its length, and an interesting selection of tracks.  As a whole, it offered nothing besides new artwork for the seasoned Iron Maiden fan.  They were advised to save their money and buy the massive, limited edition Eddie’s Archive instead.

The Archive was a generous six-disc collection of three:

Discs 1 & 2 – BBC Archives.  We covered the first four songs in this set on our debut episode of 50 Years of Iron Maiden, so we won’t be tackling these again tonight.  These discs span professional BBC recordings from 1980 to ’88.

Discs 3 & 4 – Beast Over Hammersmith.  Episode 6 of 50 Years of Iron Maiden was dedicated to this double-live album, so there is little need to repeat our praise.

Discs 5 & 6 – Best of the B’Sides.  We already critiqued all of these songs on the relevant albums, so our commentary here is focused more on value to the fan.

Mike and Harrison will break down the above releases, including Edward the Great, and have lots to show as well.  The goodies on display include two complete Eddie’s Archives:  One pre-ordered and delivered back in 2002, with rear sticker still intact, and one “Archive of Theseus” that Harrison will explain the origins of.

This magnificent metal episode is brought to you by the letter E, not to mention Mike and Harrison.  Please check out the premiere tonight if you can!  We love to interact in the comments section.

Friday October 17 at 7:00 P.M. E.S.T.  Enjoy on YouTube.


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🅻🅸🆅🅴 50 Years of IRON MAIDEN episode 23: Rock in Rio

50 Years of IRON MAIDEN episode 23: Rock in Rio

Special 🅻🅸🆅🅴 Episode

GRAB A STACK OF ROCK #120

It was with great joy that we anticipated Iron Maiden’s first live album since Donington 1992Rock In Rio!  A decade had passed, and with it, three new studio albums, all of which are represented in the live set.  The new six-man Iron Maiden lineup was on fire, and little did we know it would become the most stable lineup in the band’s history.  Though they had released live B-sides from the Ed Hunter tour, Rock In Rio was the first full live album with the new lineup, and of course, new songs!  We even got a live DVD out of it.

In Rio, Iron Maiden played to approximately 250,000 people; the second largest crowd of their entire career, only topped by the 350,000 people who saw them in Rio in 1985.  They hit the stage with a setlist generous on new songs, classic hits, and respectful nods to the Blaze era.

Harrison and I will break down the album, produced by Kevin Shirley, track by track in tonight’s special live episode.  Don’t miss this one as we always enjoy interacting with the comments, and we can do this best when we are live.

Much like Iron Maiden, we are best when we are live.  Check it out tonight!

Friday October 10 at 7:00 P.M. E.S.T.  Enjoy on YouTube or Facebook.


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50 Years of IRON MAIDEN episode 22: Brave New World with Davey Cretin

50 Years of IRON MAIDEN episode 22:  Brave New World

Special Guest:  Davey Cretin from Cretin Classics

GRAB A STACK OF ROCK #118

How do you move on from a special interview with former Maiden frontman Blaze Bayley?  By going to the next album, of course!  After the wildly successful Ed Hunter reunion tour, the new six-man Iron Maiden lineup of Bruce Dickinson, Steve Harris, Dave Murray, Janick Gers, Adrian Smith and Nicko McBrain were tasked with creating a new Iron Maiden studio album.  With new producer Kevin “Caveman” Shirley at the boards (whom they tested out on “Wrathchild 1999” – see Episode 21), the band had to capture their classic sound with modern production and a new three-guitar configuration.

The band toiled away in the studio as fans speculated.  Finally we were given a preview of the new Maiden sound on the first single “The Wicker Man”.  This was followed by the rapturous release of Brave New World on 29 May 2000.  Together, with the legendary Davey Cretin of Cretin Classics, Harrison and Mike break down the album’s 10 tracks in incredible detail.  You simply will not find a better analysis of this album anywhere else on the internet.

We don’t just dive deep into the album.  As usual, you can expect us to tackle all the live B-sides from “The Wicker Man” and “Out of the Silent Planet”.  We will also look at some very rare CD singles, including the elusive remix of “The Wicker Man” with additional lyrics.  We will also have a good look at the album and singles artwork, and even a special edition DVD of the Wicker Man movie with Edward Woodward and Sir Christopher Lee.

Before we’re done, Harrison will take us through the Brave New World tour, the setlists and the performances.  Expect the level of detail, analysis and pure love that you have come to know from 50 Years of Iron Maiden.  It’s all here as we enter the brave new world of the Maiden reunion era!

 

Friday September 26 at 7:00 P.M. E.S.T.  Enjoy on YouTube.


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#903: Online Dating in the Brave New World (2000)

Attention:  Mike’s mom.  You don’t need to read this one.  Skip it please.

RECORD STORE TALES #903: Online Dating in the Brave New World (2000)

It was the year 2000 and the world seemed new to me again.  Iron Maiden had a fresh reunion album on the horizon, ushering in a long-awaited rebirth of classic heavy metal.  The snow was melting, and spring was in the air.  Things were going really, really well.  Especially at the Record Store.  My store had a “head office” (actually a broom closet) in its back room.  That’s why the upper management was always breathing down my neck.  But I had heard through the grapevine (actually Tom) that head office was moving to a new location across town.  They never told me, but Tom did.  I was elated.  Things were looking way up.

I also had what at the time I called “the best first date I’d ever been on”.  I even washed my car before driving to Hamilton to see her.  That’s how my parents knew something was up!  Her name was Terra and she fancied herself a photographer.  Strangely her apartment was filled with photos of herself.  That should have served as a warning.  T-Rev also dated a girl who was obsessed with photos of herself, and that didn’t work.  His story was told in a song by local band The Candidates called “Who’s Your Daddy Now?”  “Sold your soul for a photograph, I tore it up and had the last laugh.  Who’s your daddy now? He ain’t got nothin’ on me!”

But I had to take my chances.  The first date went so well that I called up T-Rev on my cell phone and told him I thought I met “the one”.

I did confide in T-Rev one thing that was unusual about Terra.  She didn’t drink or do any drugs, which I liked.  I rarely drank and had never touched a drug.  What was unusual was that Terra was a member of Alcoholics Anonymous.  In my mind, trying to ease my concerns, I said “that means neither of us drink or do drugs – so that’s a good thing.”  I wouldn’t be heading out to bars with her, or anything like that.  I had to give her a chance for date #2.

She thought it would be fun to catch a sunrise together.  She lived in Hamilton so it would take me an hour to get there before the sun came.  I had never watched the sunrise with a girl before, so I was on board.  The people at the Record Store thought I had a screw loose.

“You’re going to drive to Hamilton at 5:00 in the morning, to watch a sunrise?” asked one of the supervisors.  They didn’t get why I thought it was such a cool idea.  It sounded romantic to me and I’d never done anything like that before.

I called Terra up the night before our sunrise date and she had suddenly changed her tune.  “That’s reeeaally early,” she complained about her own idea.

So that idea was off.  Instead I came down in the afternoon.  We hung out and watched MuchMusic.  Britney Spears had just come out with “Oops! I Did It Again” and I can remember watching that video in her apartment.  “I want a PVC bodysuit!” said Terra.  I just wanted to do anything but sit around watching MuchMusic.  After a few hours of watching Static X, Disturbed and other staples of the era, I headed home.

Date #3 was the weird one.  She had an AA meeting that night and didn’t want to miss it.  I offered to drop her off on my way home, and that turned into her inviting me to the meeting.  Going to it was one of the most regrettable decisions I’ve ever made in my life.

I didn’t know what I was doing.  I did not realize it was a “closed meeting” or what that meant.  I don’t know why she thought bringing me along was a good idea.  I was curious, and I liked Terra.  I trusted her that this was OK.

The AA meeting was in the basement of a nice church.  We all sat in a circle.  “When it comes your turn to talk, just pass,” said Terra.  So I did.  Instead I listened to stories that, quite frankly, I never should have heard.  Me being there was an invasion of the group’s privacy and I felt uncomfortable immediately.  I wanted out that door.  I waited for an appropriate break.

When the group leader broke the meeting into smaller groups, I said to Terra, “I have to go, I’m not comfortable, I’m really sorry.”  She said it was OK and that we would leave together.  We briefly spoke to the group leader.  His name was Mike too.  “We have groups for beginners too, if you feel you’d like to come back and talk about whatever is going on.”  This made me feel even worse.  I was masquerading as someone I was not, for the sake of sitting next to a girl in this room.  I thanked him and we left together.

I decided that would be our last date.

Which is why I am still surprised I went on date #4.  Mother’s Day weekend 2000.

The phone rang on the Friday night.  “What are you doing this weekend?  Do you want to come and hang out at my mom’s place in Huntsville?”

I silenced the alarm bells going off in my head.  The suddenness of the invite was strange but if she was introducing me to her mom, that sounded alright.  I packed a small bag and headed to Hamilton to pick her up.  A few hours later we were in Huntsville.  We went to a bar where her friends were.  There was a covers band playing.  I found a spot to watch.  They played “War Pigs”.  I was happy.  But where was Terra?  She left me there watching this band while she hung out with her friends.  Outside, one of them passed her a joint and she had a haul.  On the way back to her mom’s place, she said “I really shouldn’t have smoked that joint,” and I was shaking my head wondering what the hell I was thinking.

Her mom was really nice and made me feel very welcome.  They had a beautiful place up in Huntsville.  Huge, with a guest house in the back where I slept.  But by the end of the weekend, her mom was giving her shit for hanging out with her friends instead of the guy who brought her to Huntsville.  I felt the same way.  The whole weekend was her hanging out with friends, and me tagging along.  We never did anything just the two of us.  I felt good that her mom at least recognized there was something fucked up about it.  They had a big argument in the kitchen while I sat in the living room with one of her friends, not speaking, just staring at the newspaper.

I raced back to Kitchener barely in time for Mother’s Day dinner.  This time I really did mean it:  that was the last date.  That was the end of it.  No more.  I never saw her again.  I could tell when I’ve been hosed.  She promised me $50 in gas money that I knew I was never going to see.  I shot off an email mentioning the $50 debt, and that was our last communication.

Iron Maiden came out with a brand new single called “The Wicker Man” which served as my cheer-up.  I bought the CDs and the vinyl and immersed myself in new music.  I always turned back to music when stuff went sour with a girl.  In this case, one of my favourite bands were triumphantly returning with their strongest lineup.  Three lead guitars.  I couldn’t wait to hear it.  Terra was the past, but the “Wicker Man” was the future!  I felt that jolt of energy again.  The life-giving electricity of rock and roll.

Valuable lessons learned here.  Not many of my friends can say that they’ve been to an AA meeting.  I’ve been there and I know it’s not a place for outsiders.  A learning experience and not one I’ll repeat.

 

To be continued….

 

DVD REVIEW: The Wicker Man (1973, Anchor Bay limited edition)

Rest in peace, Christopher Lee — one of my favourite actors. Please check out Sean Munger’s excellent tribute to this fine performer.  Weirdly enough, he had a heavy metal career too.  Check Sean’s site for the scoop.

THE WICKER MAN (1973, Anchor Bay numbered box)

Directed by Robin Hardy

Please, whatever you do — do not see the Nicholas Cage “remake” (I use that term loosely) of The Wicker Man. Do not waste your time. See this version, the classic Christopher Lee/Edward Woodward original.

Police Sgt. Howie (a young Woodward) receives a tip about a missing girl on Summerisle, a fictitious island in the north of Scotland. He takes a seaplane to the island where he is greeted very cooly by the locals. Strangely, none of the elders claim to know of the girl, Rowan Morrison. Howie is not dissuaded and refuses to leave. He sets up in a local hotel to learn more about the island and the girl.

Nothing adds up, as he finds her desk at the school and her name in the school registers, proof that the girl did exist.  Howie, a devout Christian, is horrified to find that there are no Christians on Summerisle — only Pagans. Their rituals are strange and disgusting to him, and the local church is rundown and obviously unused for quite some time. The things he witnesses on Summerisle are some of the most interesting images in the film, qualifying it a work of true art, and impossible for serious cinema fans to ignore.

Howie finds the grave of Rowan Morrison and wishes to exhume the body, but to do that he needs permission from the owner of the island, Lord Summerisle (Lee). Lee’s presence in this film is magnificent. Some consider this to be the best work of his career. As Lord Summerisle, he is regal, mysterious and dignified. But is he guilty of obstructing justice, or even accessory to murder? What is the secret history of Summerisle, which has suffered failed crops in the recent past? Who sent Howie the tip about the missing girl, and why?

Disturbingly and suddenly, Howie’s seaplane will not start and he cannot return to the mainland. As the plot slowly begins to unfold, and stranger and stranger things are witnessed upon the island, Howie comes to believe that young Rowan is not dead, but soon will be if he does not act. He aims to stop her sacrifice, and comes face to face with the wicker man himself. (If you don’t know what a wicker man is, look it up.) By the end of the movie, you will be haunted by the song “The Lord is My Shepherd” and the words, “Oh Jesus Christ!”

WICKER MAN_0004

Movie card included in the box set

The horror in this movie is not gore, or monsters, or traditional horror frights. It lies in the situations that Howie gets himself into, by refusing to leave. The film is not for everybody. I know some people who watch it regularly, and others (like my dad) who have found it so chilling that they will never watch it again. Check it out cautiously. Only then will you know if you have the fortitude to face The Wicker Man!

This DVD edition by Anchor Bay is excellent. Two cuts of the film are included. The extended cut features some of the once-lost footage that enhances the experience. The extended version is the version to watch. There is also documentary footage on the DVD, including speculation as to where the last, lost bits of film may be hidden!

The only thing about The Wicker Man that I find hard to swallow is some of the music (some). Music is critical to the film, yes, but face it…Britt Ekland couldn’t sing!

This is a work of fiction. It is not meant to offend anybody of any religion. It is a simply a horror movie, or more accurately a thriller. The only thing offensive about The Wicker Man is that an American film studio thought it was a good idea to try to remake it!

5/5 stars

KOBRA AND THE LOTUS cover IRON MAIDEN’s “The Wicker Man”

I’m not sure where I stand on this band.  Brittany Paige’s vocals are hit or miss for me.  I realize she’s classically trained and all that.  Doesn’t mean I have to automatically like it.

Regardless, I think it’s cool that they chose “The Wicker Man” to cover.  Check it out below, starting at the 9 minute mark.  It’s not a bad cover, but nobody can touch Bruce Dickinson.