Blu-ray REVIEW: Dune (1984) by Holen MaGroin

Guest review by Holen MaGroin


DUNE (1984 Universal)

Directed by David Lynch

Frank Herbert’s seminal Dune is one of the most beloved and influential works of science fiction ever committed to paper. Despite its convoluted plot, world specific dialogue, and the presence of enough supporting characters to fill a football arena, readers have been captivated by the tale of lost humanity and political turmoil for over half a century.* The book’s epic length gave it the time it needed to develop compelling three-dimensional characters. Adapting such a complex story into a feature film proved to be so challenging that Arthur P. Jacobs, Alejandro Jodorowsky, and Ridley Scott all tried and failed to bring the book to the big screen. After three misfires, American surrealist director David Lynch was hired to helm the project in 1981. The film took three challenging years to produce, and upon completion, was a substantial critical and commercial failure.

In the years since its release in 1984, the film has developed a cult following, and for good reason. While it’s not everything a fan of the book would hope for, it’s certainly not as bad as it was made out to be upon its release. For people new to the series, the sheer amount of characters, alliances, and jargon can be overwhelming. Especially when Lynch was only given two hours with which to tell a five-hundred page novel. This is easily the weakest aspect of the movie. Much of the exposition is crammed in at the beginning of the film, and its delivery can best be described as clunky. The scene in which Emperor Shaddam IV explains his plan to destroy House Atreides to the Spacing Guild is so poorly written that it calls to mind a moment from Mel Brooks’ Spaceballs in which the evil Lord Helmet turns to the camera after excessive exposition and asks the audience if they caught it all.

The sloppy exposition is exacerbated by the literal interpretation of Frank Herbert’s use of internal dialogue. Lynch’s decision to literally adapt the book’s internal dialogue by having the actors narrate each character’s thoughts and motivations is belligerent and awkward. The film too often relies on this internal dialogue that robs the movie of surprise and subtlety for the sake of clarity that it ironically fails to bring. Much of the dialogue is used to further the plot, as opposed to developing the characters. Certain characters are simplified out of necessity due to the relatively brief runtime, such as the formidable Harkonnens of the novel being turned into the disgusting cartoonish characters seen in this film. However, at only one-hundred thirty-seven minutes, the story could have been much more incoherent and disjointed than it ultimately was, but that doesn’t excuse it from being an underdeveloped mess.

While the story falters somewhat in comparison to the novel, it works surprisingly well taken on its own. Many of the theological questions of the book remain unexplored in the film adaptation, but the complex themes of political strife, globalism, and corruption are all addressed in the conflicts between the many groups gifted with power.  Each entity mistrusts the other, but must form uneasy alliances to stay afloat or to destroy common enemies covertly. The film balances these relationships remarkably well. Every group’s selfish motivation is made abundantly clear, yet each motivation prompts thought over their individual plans within plans.

Another area that the movie excels at is its tone. The novel had a very regal atmosphere, which the film captures in strides. It does a remarkable job at humanizing the bombast of the occasion. In a society where humans are trained more and more to act and perform like machines, the protagonist Paul Atreides triumphs with his innate sense of human morality and communal bonds with the Fremen. Kyle MacLachlan perfectly captures the innocence, the exuberance, and the pride of the character in the novel. Dune has a rich supporting cast including Max von Sydow, Patrick Stewart, and José Ferrer that help to elevate the material and capture its humanity.

Part of the film’s emotional success can be credited to the excellent score, contributed by Toto with one beautiful piece by Brian Eno. Toto fused orchestral arrangements with their instrumental rock prowess to create a hybrid score that is surprisingly exciting. It frames the most overblown scenes in a way that seems triumphant instead of pompous, and prevents the quiet emotional moments from buckling under the weight of the jargon. At the heart of all this technical jargon and political strife is a story about human characters, filled with human virtue, human emotions, and human desires. This score pulsates with humanity, and is something that Toto and Brian Eno should look at with pride.

The film also succeeds in its unique visual aesthetic that perfectly brings the spiritual and transcendental aspects of the novel to the screen with style. Thanks to the surrealistic tendencies of its director, this film is full of striking visual moments, particularly those that depict Paul’s prescient visions. The scene in which Paul takes the water of life in the desert and unlocks his full mental potential is especially breathtaking. It lacks the narrative depth of the novel, but makes up for it by explaining visually what the film’s clunky dialogue often failed to clarify on its own.

Dune is by no means a great film, and it doesn’t live up to the timeless reputation of the novel it’s based on. It is a cult classic from a decade known for producing its fair share of cult cinema. While many fans of the book and members of the general public look at this movie with disdain, I always walk away from it having been entertained, if left yearning for a better adaptation. We may get this adaptation now that Dennis Villeneuve is directing a new version of the film set to release in 2020. This 1984 version is flawed, and even its director calls it his worst film (I disagree; I think 1990’s Wild at Heart would take that position). The fact that I originally sought out the Dune novel because I was such a big David Lynch fan and wanted to read the book before seeing the film may paint me as a biased source, but I consider the positive attributes of the film Dune to (just barely) counteract the many negatives.

3/5 Sandworms

Author’s Note: Get the Blu-Ray if you’re going to watch it. It is a substantial improvement over any other version of the film. Dune was always a bit of an ugly duckling, but this Blu-Ray edition has gone the distance to clean up the visuals to present what is by far the best looking version of this film ever released. And whatever you do stay away from the 3 hour extended/T.V. cut that is so bad the director removed his name from the credits. It’s a butchered mess that mixes up the musical cues and needlessly edits material back in from the cutting room floor. The theatrical cut is the only version available on Blu-Ray, so it shouldn’t be too hard to avoid the bastardized extended version.

 

* Because of its generous detail and epic world-buildingLeBrain

 

 

Advertisements

13 comments

    1. I’ve been having an existential life crisis lately, so I’ve stuck to reading mostly. Rest assured Harrison is still #1.

      Hey, LeBrain. If Harrison and I vacation in Canada during the summer time are we on the invite list to Sausage Fest?

      Liked by 2 people

      1. Ah, well you have been missed. Chances of me going to Canada are quite slim this year, although I appreciate whatever response LeBrain gives

        Like

  1. I really hope Villeneuve doesn’t fumble his adaptation. I thought Blade Runner 2049 was just okay, unlike the original masterpiece. I think they should just recast Patrick Stewart as Gurney since he doesn’t look much older now than he did in 1984.

    This will always be the best adaptation though.

    Liked by 1 person

    1. I was thinking of this one the whole time. And of your previous movie review. When I saw you were guesting I was like “here we go again”. Turns out your as good at serious reviewing as you are satire (for lack of a better term)

      Liked by 1 person

      1. Thanks for the dual compliment. I don’t know what the hell I was thinking with my Shining review. Maybe I should give Barry Lyndon a similar treatment, since that’s a Kubrick movie that just begs to be made fun of.

        I’m pretty proud of all my reviews here except the one I did for Helloween’s Keeper of the Seven Keys Pt. 1. That album is a masterpiece and it deserved a better review, but I was on a deadline at 2 AM the night before I was to send the review and my brain was toast from midterms. Should have done it better, as it’s a metal masterpiece as far as I’m concerned.

        I think Fastway’s Trick Or Treat is my most underrated review. I thought that write up was quite the non sequitur Zodiac Mindwarp style masterpiece. I’d appreciate any belated feedback you could give on that one.

        Liked by 1 person

        1. There’s nothing wrong with the Shining reviewThe first paragraph was really good. I thought it was really well written. As a straight man though, I like my reviews to be truthful and factual (boring, basically), so the Fastway review wasn’t my favourite. Nothing to do with you or it, just my personal preference

          Liked by 1 person

        2. “Straight” in this context meaning logical, rational and information loving. And liking pre existing tried and true ways of doing things

          Like

      1. I didn’t even know it was happening. Great timing. Out in the vineyard. He looks less old now than they made old man Picard appear in the last episode of season 7. Great news, I love Sir Patrick Stewart.

        Planes, Trains rules. Hard to mess up a review to such a funny beautiful film.

        Like

Rock a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s