Sunday Chuckle: At Least They Tried?

If you’re going to quote my work, at least give me credit.

If you’re going to give me credit, at least spell my name right.

At least they tried?

Iron Maiden Deep Cuts Gonna Get Ya No Matter How Far

Picking a favourite episode among the 41 (!) shows we’ve done is a bit like picking a favourite child.  Impossible to do!  But I took a real shine to this week’s instalment:  the Nigel Tufnel Top Ten Iron Maiden Deep Cuts.

Each of us had our own personal criteria to determine if a song was a “deep cut”.  For example, I chose no songs from Live After Death, or any leading tracks from an album.  Harrison the Mad Metal Man decided that he would include no single A-sides, and no songs that were played live…ever.

As an added bonus to this episode, we brought back Geoff from 1001albumsin10years.  The Graph Alchemist himself had to be involved, to track all these crucial Iron Maiden songs.  In particular I wanted to see what albums were dominant.  Geoff then went above and beyond the call of duty by bringing us a four-way Venn diagram showing all the songs that the panel had in common.  Ever seen a four-way oval Venn before?  You will!

The panel tonight consisted of:

  • LeBrain (Yours truly)
  • Harrison the Mad Metal Man
  • Aaron from KeepsMeAlive (in absentium)
  • Uncle Meat

These four lists were all graphed and included in the episode’s statistics.

We also had three “bonus lists” that we ran right at the top of the show.  These bonus lists were submitted by:

  • Reader KK
  • The Mighty Holen
  • Michael the Box Set Wizard

Finally this episode also marked the debut of the brand new LeBrain Train theme song by T-Bone.  So good that I played it three times.  Everybody loves the song and video — let me know what you think too.

Best show ever?  Definitely top five.

Shoot, do I have to do a Nigel Tufnel Top Ten LeBrain Trains now?*

Click to enlarge the graphs:

 

 

* Foreshadowing.

 

 

 

Iron Maiden Deep Cuts with Harrison on the LeBrain Train Tonight!

The LeBrain Train:  2000 Words or More with Mike Ladano

Episode 41

It had to happen eventually:  the return of Harrison the Mad Metal Man, and our first Iron Maiden list show!  It’s the Iron Maiden Deep Cuts this time, a subject sure to generate tons of discussion.  Of course, B-sides are fair game, as are Blaze Bayley cuts!

No spoilers but I can tell you that Harrison is being very stringent about what certifies as a “deep cut”.  However, this is a “no disqualifications” episode, so nobody will be getting killed by Eddie tonight.

Iron Maiden’s gonna get ya no matter how far.

The Nigel Tufnel Top Ten lists (concept by Uncle Meat) are always a pleasurable diversion, especially when we keep track of the stats!  To that end, Geoff from 1001albumsin10years will be back tonight to bring us more graphs!  We also hope that the Meat Man himself will be joining the fun with his hard-laboured list.

We have not had Harrison on the show since May, when we counted down the Nigel Tufnel Top Ten Judas Priest albums.*  Because of the time difference between Canada and Australia, Harrison and I did the last show in the morning here.  He also had an awesome moustache.  This time we’re doing it at the usual 7:00 PM E.S.T.  (He can be the one to get up early this time.)  Will the moustache remain?

 

7:00 PM E.S.T.
Facebook:  MikeLeBrain  YouTube:  Mike LeBrain

 

Nigel Tufnel Top Ten Judas Priest albums

 

 

* The last time Harrison was on also happened to the first show broadcast from the cottage.  A very special show for me because of both location and guest.

 

 

 

REVIEW: Leatherwolf – Endangered Species (1984)

LEATHERWOLF – Endangered Species (1984 Tropical Records / 1985 Heavy Metal America)

Leatherwolf carry on today but their origins are found on a humble indi debut from Heavy Metal America records back in 1984.  The Florida band’s original lineup boasted lead vocalist/guitarist Michael Olivieri, who was finding his feet here on the first album.  His voice was enviable; the fact that he could play guitar led to a gimmick called the “triple axe attack” long before Iron Maiden were able to execute the concept themselves.

Opening track “Spiter” takes influence from the aforementioned Iron Maiden as well as the thrash scene on the west coast.  Its blast of metal power serves to open the album with gusto.  The title track “Endangered Species” has a cool layered riff that is almost buried beneath the heavy production.  This is a busy band, with drummer Dean “Drum Machine” Roberts keeping all limbs in a flurry.  A great vintage heavy metal track here, just begging for a recording less flat and brittle.  Plenty of hooks and ideas packed into five minutes.

“Tonight’s the Night” isn’t as memorable, though Olivieri sure gives the vocal his all.  I can’t but laugh at “The Hook”.  “Hey honey, looking for a date?”  Songs about the world’s oldest occupation oh so often veer into cringe territory.  This is no “Charlotte the Harlot” though that seems to be the intent.  “Keep your eye out for the hook!” sings Michael.  The quiet section in the middle is pretty cool and there are multiple nifty riffs, but the song is a clanker.

Side two begins with acoustic guitars, a needed change of tone, and soon it’s back to hammering riffs.  “Season of the Witch” isn’t half bad.  As usual one riff just isn’t enough.  An amped-up Beast-era Iron Maiden seems to be the primary influence.  “Off the Track” has a shouted chorus that passes for a hook.  Not bad, but somehow incomplete like its parts weren’t fully assembled.  A slower tempo and sonic effects make “Kill and Kill Again” an effectively heavy change of pace.  A lot of Maiden in the faster outro, though.  Then accelerate into “Vagrant” which is further into the thrash side, but the production renders the guitars too tinny and without depth.  Fortunately the album closes on title track “Leatherwolf”, a mighty strong Priest-like street fight.

Though they still remained a heavy metal band with three lead guitarists, Leatherwolf added considerably more commercial elements such as ballads and keyboards by the time of their major label debut.  Michael Olivieri would tone down the screamy side of his style, which is used excessively here.  The band had a lot of room to grow, but their youthful exuberance helps make up for it.  There are a few worthwhile tracks that may have a place in your collection, and any fan of the heavier side of vintage metal will enjoy a spin.

2/5 stars

VIDEO: LeBrain Train theme song by T-Bone!

Thank you to T-BONE for this awesome new theme song and video for the LeBrain Train!

This is a wonderful surprise, and complete with lyrics. All we need to do is get it in the right file format and this will be the intro clip to the LeBrain Train each week! Thank you T-Bone for going above and beyond the call of duty!!  (He must really have enjoyed being on the show.)

REVIEW: Harem Scarem – Change the World (2020 Japanese import)

HAREM SCAREM – Change the World (2020 Frontiers Japanese import)

One of the greatest melodic rock bands in the world is Canadian and 30 years since their inception, they still got what it takes.  Pete Lesperance, Harry Hess, Creighton Doane and Darren Smith can be counted on to deliver some great professional singalong tuneage every time.  Not every album has been brilliant (some people don’t like the Rubber era, I’m not big on Voice of Reason) but with their latest Change the World, Harem Scarem is back on top.

The upbeat title track opens the celebration with chiming guitar notes wrung from the neck.  “You and I are gonna change the world,” sings Harry with an uplifting melody.  Pete’s got his back with hooky guitar fills.  A track like this could have easily come from peak period HS, like 93’s Mood Swings.  “Aftershock” has a little more bite, but the same kind of killer chorus.  For those unfamiliar, expect thick, heavily layered choruses with all four guys singing multitracked backing vocals.  It’s like Def Leppard with more balls.  Yet it’s also their own song because Harry Hess’ voice has not changed one iota.  It’s just as powerful as it was on 1985’s Blind Vengeance debut, only better!  “Searching For Meaning” hearkens back to the pop sensibilities of Rubber, but richer in tone and with a heavier slam.

Things go darker on “The Death of Me” without losing the edge.  It’s not about defeat, it’s about keeping up the fight.  “I know you won’t be the death of me!”  An apt tune for 2020.  “Hit the panic override!” urges Harry.  Keep calm and carry on!

The piano comes out for the first ballad “Mother of Invention”.  The vocal arrangement here is quite nice though the song isn’t all that memorable.  The bass-driven “No Man’s Land” is more unique, and has one of those choruses that is so hard for forget.  Then head for space on “In the Unknown”, a softer burner of a track that launches into the stratosphere, fuelled by killer hooks.  This is Harem Scarem’s bread and butter.

If you think a song with a title like “Riot In My Head” should be faster and more intense, then you got your wish.  The riff sounds as if lifted from a classic 80s racing song.  Great track, as is the ballad “No Me Without You”, with its slight nods to the Beatles.  It’s back to the racetrack with “Fire & Gasoline”, an absolute smoker of a song.  There’s a classic Lesperance guitar solo to savour and a bangin’ beat to bash your head to.  The standard album then concludes on “Swallowed By the Machine”, another defiant fist pumping rocker.  Get psyched with lyrics such as “We all have dreams, we all have doubts, be careful which you feed, and don’t get swallowed by the machine.”  A rip-roaring guitar workout a-la Nuno Bettencourt takes it to another level.  Talk about ending the album on an up!

Of course, those who go the extra mile and purchase the Japanese CD get the extra track, an acoustic recording of “No Man’s Land”.  It’s an interesting alternative though not as impressive as the original.  Still a cool little coda, and still ending the album on an up note.

For a humble band from Canada that a lot of people aren’t even aware of, Harem Scarem have a remarkably huge discography.  There are more peaks than valleys, but Change the World is definitely evidence that this band has more to give.  One of the finer rock records of 2020.

4.5/5 stars

REVIEW: Sword – “In Kommand” (2020 single)

SWORD – “In Kommand” (2020 Combat single)

For only two bucks, you could be the owner of the first new Sword single in 32 years.  The Quebec band made up of Rick and Dan Hughes, Mike LaRock, and Mike Plant have not released a new song since 1988’s Sweet Dreams.  Yes, that’s all four original members, intact and back for Round Two.  Don’t say nothing good came from 2020!  New Sword — betcha didn’t see that coming.

Sword reverted straight to their trash roots on “In Kommand”, a blitzkrieg of a tune with all the necessary goods:  riffs, chugs, and heavy drum blasts.  It would have been among Sword’s heaviest songs if it was on one of their older albums.  How have they not aged?  Over the course of 32 years, it is usually the singer who has changed the most.  Rick Hughes can still get the job done, even throwing in some screams for old times’ sake.  Incidentally, Mike Plant has never gotten his due as a lead guitarist either, and it’s like he hasn’t skipped a beat since 1988.  If there is only one highlight to “In Kommand”, it is the guitar playing of Mike Plant.

According to Rick Hughes, there is an album coming.  They have Dave Ellefson and Combat Records behind them.  “In Kommand” will have to tide us over until then, but things are sounding good so far.  While Sword albums have always been diverse with an assortment of different kinds of heavy, this track is a good sign.  It means they can still do what the fans expect.  If “In Kommand” is anything to judge by, we have an excellently heavy Sword album in our futures.

3.75/5 stars

Support the artist!  Buy the track, don’t just Spotify!

 

#869: Piece of Mind

GETTING MORE TALE #869: Piece of Mind

Trying to remember exact details is a bit like filling in the blanks, but here are the facts that I know I can state with confidence:

  1. The vinyl copy of Piece of Mind by Iron Maiden is the original that I bought back for Bob Schipper as a gift in the mid-80s.
  2. It was purchased at a music store in Kincardine, Ontario.
  3. It ended up becoming my property because he already had it.

I think it had to be the summer of 1985.  I remember being on vacation at the cottage.  I was just getting into heavy metal.  I know the basics but not the details.  Being away from home, I missed my best friend Bob, but I looked forward to getting him a birthday present.  I wanted to get him an Iron Maiden album.  I thought that he didn’t own Piece of Mind, and there it was in stock at this little music store on the main street of Kincardine.  I got it for him, or, more likely, I picked it out and my parents paid for it.  I was 12 turning 13.

For some reason, I think the record did not come sealed.  Again, memories are hazy here.  I might have known two songs:  “The Trooper” and “Flight of Icarus”.  I seem to remember looking at the credits and wanting to tell Bob about these two guys pictured inside named Martin “Black Night” Birch and Derek “Dr. Death” Riggs.  Bob knew the names of the band members, sure, but did he know these two guys?  I actually didn’t note that it was spelled “Black Night” instead of “Black Knight”, nor would I have caught the Deep Purple reference if I did.

On the other side of the inner sleeve, I thought Bob would love the photo of the band at the banquet table, Bruce wielding a mean looking blade.  At that point, I at least knew who Bruce was.  I also recall that the neighbour kids liked Dave Murray least because they thought he looked kind of goofy.  Meanwhile, Adrian Smith appears absolutely flabbergasted at the feast before them.

I looked forward to giving Bob the record, but there was a hiccup of some kind.  Either he already got Piece of Mind, or the LP format wasn’t good for him anymore.  He would have had to play LPs on the living room stereo rather than his own bedroom’s tape deck.  It could even have been both those things.  Either way, because of that well-intentioned gift, I ended up with my first Iron Maiden.

I consider myself lucky to have this record so early in my life.

By ’86-87, I was spinning it pretty regularly on the turntable.  I was lucky enough not only own this album as a young teen, but to even have a turntable in my own bedroom.  My parents weren’t going to use it anymore, so they handed it down.  Any time they wanted to hear a song from their records, I would tape it for them.

I can recall studying for exams in the 9th grade playing Piece of Mind, and a Triumph single, in constant rotation.  Although I should have had my mind on other things, I ended up memorizing the lyrics of the Dave Murray tune “Still Life” instead.  It was one of my first love affairs with a deep cut.  I mostly memorized “Sun and Steel” too.  I practiced singing these songs in my bedroom.

I had the writing credits committed to memory.  I liked all the songs.  It was an extraordinary album to me.  Few were the albums where I truly liked all the songs.  Some more than others, (“Quest For Fire” is perhaps not as good as “Revelations”, yeah?) but I liked them all for their own reasons.  Even the twisting, complex “To Tame a Land” was a cool Iron Maiden epic, though certainly not as accessible as “Rime of the Ancient Mariner” or “Alexander the Great”.

20 years later I went full circle back to Piece of Mind once again dominating a time in my life.  I had finally quit the Record Store and was working a blissful job in the mail room at United Rentals.  I had just started reading Frank Herbert, starting of course with Dune.  This led me right back to Piece of Mind and “To Tame a Land”.  And finally, I memorized those lyrics too.  “He is the Kwizatz Haderach, he is born of Caladan, and will take the Gom Jabbar”.  I finally understand what the shit those words meant!  Insofar as a layman in the Herbert world, anyway.  The lyrics are a bit ham-fisted, but did it matter?  No, of course not, as I sang the words over the incessant rattle of that mail machine.

It was a contraption of aligned (or mis-aligned more often than not) components, at least 10 feet long.  Place a carefully sorted stack of invoices in one end, load a handful of windowed envelopes somewhere in the middle, and in theory, the thing would fold, insert, seal and stamp all the mail.  In reality it required constant babysitting at almost every step, but I soon became its master.  And I sang away in victory:

The time will come for him
To lay claim his crown
And then the foe yes
They’ll be cut down
You’ll see he’ll be the
Best that there’s been
Messiah supreme
True leader of men
And when the time
For judgement’s at hand
Don’t fret he’s strong
And he’ll make a stand
Against evil and fire
That spreads through the land
He has the power
To make it all eeeeeend!

Even over the clanking of that machine, I could still be heard.  I knew that, and I kept singing anyway.  I actually loved that job and wanted the world to know it.  I was so happy to be free of the Record Store.

Playing back Piece of Mind today is like putting on an old familiar T-shirt.  It fits just right, no adjustments needed.  Eventually you forget that it’s there, except that for persistent smile on your face.  Peace of mind indeed.

 

 

 

 

Sunday Screening: Davey 504 – 36 string bass solo

Davey 504 is a phenomenal Youtube bassist from Italy. How many strings is too many for a bass? Don’t ask that question of Davey or he’ll slap ya!

“36 strings?!” you exclaim. “Sounds like a gimmick.”

I agree, it is a gimmick. It’s not a practical instrument in any way. But just listen to the guy play! Davey writes really catchy bass instrumental songs, and he uses the entire neck/body/whatever of this bass. The bass is set up to play like it is four 9-string basses in one. Leave a comment after you pick up your jaw from the floor.

Scraping the Skies of Thunder Bay with Tee Bone

Thank you Tee Bone for an awesome Friday night on the LeBrain Train! Tee Bone, an original member of Thunder Bay’s own Current River, has plenty of great stories which we only scratched the surface of in this almost three-hour chat!

Topics discussed and their locations in the stream:

  • T-Bone Tales – scattered throughout.
  • Shaun of the Dead challenge – 0:33:20.  The zombie apocalypse has come and you are unarmed.  All you have to save yourself from the horde is your record collection.  Choose five records from your collection to throw at the zombies to save yourself.  Harder than it sounds!  This segment includes a highly disputed meltdown over Tenacious D’s debut.
  • Beer de-canning from Sleeping Giant brewery’s 2020 advent calendar – 0:35:00
  • A special Def Leppard box set unwrapping and story from someone involved with the making of it – 1:27:25
  • An hour-long track by track discussion of David Lee Roth’s Skyscraper LP – 1:50:00

Truly, some of the most fun I’ve had on a Friday night.  Good stories, good times, good beverages.  Good friends.  Spend your Friday nights with us, or catch us on Youtube after the fact.  Give the videos a share if you think your friends would like watching too.  It’s all about community and thanks for being a part of it.  Special appreciation to Harrison the Mad Metal Man for hilarious commentary.  I shall dub thee:  Hilarrison.