beer

#442: Oktoberfest

GETTING MORE TALE #442: Oktoberfest

Gemütlichkeit and willkommen!  Love it or hate it, it’s that time of year again:  Oktoberfest!

Based on the original 200 year old Bavarian festival in Germany, Kitchener-Waterloo Oktoberfest attracts thousands every year to bask in our glorious beer, Polka music, sausage and fall weather.

It’s also the time of year that parts of the downtown gets closed to traffic, and congestion increases to an undesired, maddening level.  With all the construction and destruction this year, Oktoberfest 2015 will be the hardest yet to navigate with your vehicle.  I dread my daily commute in and out of town.  Add in the potential for drunk drivers and you have a great old time lined up, right?  Approximately one million people will show up for the celebrations here, the second largest Oktoberfest in the world.


The climax of the movie Strange Brew was filmed and takes place at Kitchener Oktoberfest.  “Take the 401 to Kitchener,” says Doug McKenzie in this clip.

It’s not all bad.  Sausage and schnitzel on a bun is always a treat, but people don’t come all this way for anything except the beer.  Sample one of the many, many brews while you are here…just don’t make an ass of yourself while you do it.   As a local, I’ve never been fond of this time of year.  I don’t drink beer anymore so there is very little to draw me to the downtown core during Oktoberfest.  However, there are plenty of draws for the rest of you.

Polka music and dancing!  If that’s your thing, then put on your lederhosen and dirndls!  Get ready to do the Bird Dance and check out the accordion of Walter Ostanek.  Sometimes there are some good Oktoberfest shows to be seen, such as the year I Mother Earth played (with Ostanek!).  There are beer exhibits and dining experiences.  There’s Onkel Hans, Tante Frieda and the tapping of the keg.  There’s Miss Oktoberfest and the annual parade.

Actually, forget it – I don’t care about any of these things!  I’ve gone to the parade before, but it’s always so cold that you wished you stayed home and watched it on TV.  I have done my fair share of Polka dancing.  In fact, Polka dancing was compulsory in grade school.  Learning such cultural cornerstones as the Bird Dance was deemed important enough to justify teaching kids about a beer festival in grade school.  While my opinion is certainly not held by all residents, I was burned out on Oktoberfest before I was even old enough to drink.

By the way:  There are plenty of safe transportation options for drinkers, including free busses from the festhallen, free soft drinks for designated drivers, and the excellent company Over the Limit Designated Drivers (1-888-594-9144), who will drive you and your car home safely.

Working the Record Store days, I always hated the seasonal requests for Polka or “Oom-pah-pah” music.  Our used Polka CD selection (filed under World Music) rarely had anything in it, and when it did, it would be snapped up long before Oktoberfest.  Once, Walter Ostanek came into the store himself looking for Polka music.  When I responded that we had nothing in stock, he handed me his card and said, “If you need any, let me know.”  I responded, “Hey, I know you!  You’re the guy who won all those Juno awards.”  He paused and looked at me gravely.  “They were Grammies,” he corrected me.  Whoops!

Oktoberfest 2015 runs from October 9-17.  Come to the festhallen and biergartens, get your Polka on, and get pissed.  But please, don’t drink and drive.  Use one of the options listed above to make sure everyone gets home safely.

REVIEW: Kim Mitchell – Fill Your Head With Rock (CD/DVD set)

Happy long weekend, Canada! Here’s a bonafide Canadian content bonus review for ya! Party on.
FILL YOUR HEAD WITH ROCK_0001KIM MITCHELL – Fill Your Head With Rock – Greatest Hits (2005 Sweden Rock CD/DVD set)

If you’re gonna buy this, you’re gonna buy this for the DVD, not the CD.  There’s so little live Mitchell material out there, and it’s somewhat surprising that this great nugget of a live show (1989 Rockland tour) came out as part of a weird Swedish greatest hits set.  Included on the CD is a new song written for the Sweden Rock Festival called “Fill Your Head With Rock”.  It was later included on Mitchell’s studio album Ain’t Life Amazing, rendering this CD obsolete.  Since the CD is little more than an extra to me, I’ll start by reviewing the included live DVD.

What kind of solo artist opens his show with five minutes of drum solos before taking the stage himself?  I can only think of one:  Kim Mitchell.

This live DVD, recorded in 1989 at the Kee to Bala opens exactly that way.  Astoundingly, it’s a triple drum solo!  Three drum kits, from left to right, keyboardist Greg Wells, drummer Lou Milano, and bassist Peter Fredette! The stage is so crowded that Wells is hidden behind Mitchell’s amplifiers!  And the party-ready crowd loved it.  When Mitchell entered the stage at the start of “That’s the Hold”, they were already in the palm of his hand.  Mitchell sports his neon pink baseball hat, a duplicate of which I owned at the same time!  Mitchell’s guitar solo is extended and suitably gonzo.

A really bad edit goes into the single “Rocklandwonderland”, opened with yet another solo, this time on keyboards.  Keep in mind this is a radio-friendly commercial rock artist that appealed to old-school prog rock fans, but also every beer-slurping hoser in the 1980’s.  To their credit the audience seems to be digging every note.  But then again, this is no band of slouches.  “Rocklandwonderland” was a huge hit in Canada.  If the studio version is a little too light on guitar, Mitchell compensates live.

One of the more rocking new songs is next, “The Crossroads”, and no it’s not a blues.  While there’s no argument it’s a party atmosphere (beach balls passed around), it’s also an extravaganza of Mitchell’s always classy guitar.  Fredette is suitably solid yet goofy at the same time, and backing Kim up on vocals with range to spare.  In my opinion, Peter Fredette has always been the secret weapon of this band.

FILL YOUR HEAD WITH ROCK_0005“Crossroads” merges into the ballad “Lost Lovers Found”, not one of Mitchell’s best songs.  His vocal range on the chorus is still remarkable, and the duo of Wells and Fredette harmonize with just a hint of twang.  Once again the highlight is Kim’s soulful, brilliant guitar solo.  Yet all of this pales to the majesty of “Battle Scar”.  The three drum kits return for this Max Webster/Rush classic.  Fredette easily handles Geddy’s powerful vocal part.  “Battle Scar” remains one of Mitchell’s greatest compositions, heavy and relentless.

Another of Kim’s greatest, “All We All”, easily follows “Battle Scar”.  Once again, the solos are brilliant, as is Fredette’s lead vocal.  The Akimbo Alogo classic “That’s A Man” is a smooth showcase of Kim’s bluesier playing, on top of a cool ZZ Top style rock song.  Beers are hoisted into the air.  Fredette switches to guitar to accompany Mitchell on the lead solo, and several mustachioed audience members play air guitar.  One bearded man even attempts the air-drums.

“O Mercy Louise” isn’t exactly a standout, but the poodle-haired girls in the audience seem to like to bob and dance to it.  The whole room seems to sing along to the gleeful country of “Easy to Tame”.  Same story with the summer classic “Patio Lanterns”.  It’s nothing but the hits from here in, “Go For Soda” and “Rock N Roll Duty” inspiring plenty of sing-alongs.

As for the CD, I’m not sure if I follow the logic of its track selection.  While many of the biggest hits are included (“Rock N Roll Duty”, “I Am A Wild Party”, “Get Lucky”, “Go For Soda”), many are not.  Some of Kim’s best later material is included, such as “Kimosabe”, “World’s Such A Wonder” and “Find the Will”.  Even though the album concentrates on later Mitchell material, I’m baffled by the lack of inclusion of singles such as “America” and “Acrimony”.

There are, among the later songs, a lot of good tunes worth a revisit.  “Human Condition” is a grinding blues rocker, and “Wonder Where & Why” smokes from start to finish.  I think “Big Smoke” is one of the better tunes from the Aural Fixations album, an often overlooked record.

Of course we have to talk about the “new” song, “Fill Your Head With Rock”.  It’s very much in the mold of the later Kim Mitchell material included.  It’s hard, with a gritty guitar riff and slippery solos.  It won’t go down in history as a classic, but it’s a workmanlike Kim Mitchell rocker.  A year or two later, Helix wrote their own song called “Fill Your Head With Rock” for the Sweden Rock festival as well!

With Amazon.ca asking an absolutely ridiculous $124.75 right now, I would say snag this one if you find it used.

FILL YOUR HEAD

CD:  2.5/5 stars

DVD:  5/5 stars

REVIEW: Coleman Biowipes (Sausagefest XII)

SAM_2872

COLEMAN BIOWIPES
$3.99 for resealable package of 30

July 5-6 2013 was the weekend:  the annual all-rock, all dude Countdown event known as SAUSAGEFEST.   This particular installment being Sausagefest XII.  As discussed in Record Store Tales Part 30, and as seen in last year’s video, I suffer from a certain level of anxiety regarding the restroom arrangements.  As in, there aren’t any.  And I’m not as young as I once was, and the plumbing doesn’t always work as well as it used to when I was in my 20’s.

To the rescue came Biowipes, by Coleman!  Not only can you shit with a clean bottom, but also a clean conscience:  the Biowipes completely biodegrade in just 21 days.  (Less I’m sure if you ate the bacon-wrapped jalapenos that we consumed.)

The Biowipes are large enough (20 x 25 cm) and tough enough to handle whatever you need to do.  There are 30 of these moistened towelettes in each package, by my estimation and usage, probably enough to get you through 10 days in the woods.

6/5 stars

Seen below:  Some of the many reasons these wipes were necessary!

For related reading material, please go to BOOK REVIEW: What’s Your Poo Telling You? by Josh Richman and Anish Sheth M.D.

Part 81: Beer

We used to get a lot of DJ’s coming in.  They’d buy a lot of stuff (at a discounted price) but they’d also require a lot of extra customer service.  Most DJ’s already had a substantial collection of essential discs for every occasion, so they’d come in looking for obscure requests.

I can’t remember the request in this story, but I do remember the DJ.  He went in to see Trevor at his store first, looking for this rare CD.

Trevor called me, and I did have it, so I set it aside.  Then Trevor asked the DJ’s name so I could hold it.  The only issue here was the DJ (a very nice guy actually) had a thick, unidentified accent.

“Can I get your first name?” Trevor asked.

“Beer,” the man seemingly answered.

Trevor must have blinked when he asked, “Sorry, what was that?”

“Beer!” came the answer.

Trevor responded, “Really, your name is Beer?  That’s cool!”

“No no no.  BEER!  B-I-L-L.  Beer!”

“OH!  Bill.  Sorry.  Got it,” Trevor answered, glad to have gotten to the bottom of it, but no doubt disappointed that the man’s name was not in fact Beer.

However that’s the kind of thing that creates a nickname, so Bill was always Beer between us.  You’d put a CD on hold, you’d write “Beer” on it.  You’d know who it was for!  It was for Bill, obviously.