cassettes

#1220: The Maxell Tapes and the Rules of Acquisition

RECORD STORE TALES #1220: The Maxell Tapes and the Rules of Acquisition

The year was 1997.  We carried blank tapes at the Beat Goes On, and had for some time.  I believe in 1997 we were carrying Maxell tapes of various grades.  After that, we switched to Sony.  We only carried two lengths, which were the most popular:  60 minutes, and 90 minutes.

We sold them as singles, and we also created “bricks” of three tapes, by using Scotch tape to package them together.  We would sell the “bricks” for a discount compared to single tapes.  Obviously with this being so long ago, I cannot remember the exact pricing, so let’s say it went like this:

  • Maxell UR60 – $1.59 each
  • Maxell UR90 – $1.99 each
  • 3 pack brick of Maxell UR60 – $3.99 each
  • 3 pack brick of Maxell UR90 – $4.99 each

We also sold the Maxell XL-II tapes which were more expensive, but let’s keep things simple for these purposes.  We’ll just talk about the UR tapes.

One afternoon, we were running low on tapes and waiting for a restock order.  I had sold out of the UR90 bricks, but still had some singles for sale.

A girl walked up to the counter and asked if she could get a deal if she bought three Maxell UR90 tapes.  I said sure, and grabbed my calculator so see what it would be.  I punched in some numbers, and didn’t check my math.  Having clumsy fingers, I have learned I need to punch in numbers twice when adding on a calculator, but back then I wasn’t in this habit.

“$5.99 for three tapes,” I told her.

“Sounds good,” she said.  We processed the transaction and she left happily with her three Maxell UR90 tapes.

Only then did I realize that I charged her more than the three tapes would have sold for originally.

“Damn!!” I said out loud.  I ripped her off.

We had a saying for when we ripped off a customer, either on purpose or by accident.  (An example of “on purpose” would include selling a “used” copy of a CD as “new”, which we sometimes did when a sufficiently mint “used/new” copy came in.)  The saying was this:

“Pure profit.”

Like a Ferengi reciting the rules of acquisition, I consoled myself with the knowledge that the bossman made an extra three cents that day on some Maxell blank tapes.

FERENGI RULES OF ACQUISITION (which the Beat Goes On usually followed where applicable):

 

Number Rule Episode
1 Once you have their money, you never give it back. DS9: “The Nagus“, “Heart of Stone“; PRO: “First Con-tact“
3 Never spend more for an acquisition than you have to. DS9: “The Maquis, Part II“
6 Never allow family to stand in the way of opportunity. DS9: “The Nagus“; ENT: “Acquisition“
7 Keep your ears open. DS9: “In the Hands of the Prophets“
8 Small print leads to large risk. LD: “Parth Ferengi’s Heart Place“
9 Opportunity plus instinct equals profit. DS9: “The Storyteller“; LD: “Hear All, Trust Nothing“
10 Greed is eternal. DS9: “Prophet Motive“; VOY: “False Profits“
16 A deal is a deal. DS9: “Melora“
17 A contract is a contract is a contract… but only between Ferengi. DS9: “Body Parts“
18 A Ferengi without profit is no Ferengi at all. DS9: “Heart of Stone“, “Ferengi Love Songs“
21 Never place friendship above profit. DS9: “Rules of Acquisition“; PRO: “First Con-tact“
22 A wise man can hear profit in the wind. DS9: “Rules of Acquisition“; VOY: “False Profits“
23 Nothing is more important than your health… except for your money. ENT: “Acquisition“
31 Never make fun of a Ferengi’s mother. DS9: “The Siege“
33 It never hurts to suck up to the boss. DS9: “Rules of Acquisition“, “The Dogs of War“
34 War is good for business. DS9: “Destiny“, “The Siege of AR-558“
35 Peace is good for business. TNG: “The Perfect Mate“; DS9: “Destiny“
45 Expand or die. ENT: “Acquisition“; VOY: “False Profits“
47 Don’t trust a man wearing a better suit than your own. DS9: “Rivals“
48 The bigger the smile, the sharper the knife. DS9: “Rules of Acquisition“
57 Good customers are as rare as latinum. Treasure them. DS9: “Armageddon Game“
59 Free advice is seldom cheap. DS9: “Rules of Acquisition“
62 The riskier the road, the greater the profit. DS9: “Rules of Acquisition“, “Little Green Men“, “Business as Usual“; LD: “Parth Ferengi’s Heart Place“
74 Knowledge equals profit. VOY: “Inside Man“
75 Home is where the heart is, but the stars are made of latinum. DS9: “Civil Defense“
76 Every once in a while, declare peace. It confuses the hell out of your enemies. DS9: “The Homecoming“
91 Your boss is only worth what he pays you. LD: “Old Friends, New Planets“
94 Females and finances don’t mix. DS9: “Ferengi Love Songs“, “Profit and Lace“
95 Expand or die. VOY: “False Profits“; ENT: “Acquisition“
98 Every man has his price. DS9: “In the Pale Moonlight“
102 Nature decays, but latinum lasts forever. DS9: “The Jem’Hadar“
103 Sleep can interfere with… DS9: “Rules of Acquisition“
109 Dignity and an empty sack is worth the sack. DS9: “Rivals“
111 Treat people in your debt like family… exploit them. DS9: “Past Tense, Part I“, “The Darkness and the Light“
112 Never have sex with the boss’ sister. DS9: “Playing God“
125 You can’t make a deal if you’re dead. DS9: “The Siege of AR-558“
139 Wives serve, brothers inherit. DS9: “Necessary Evil“
168 Whisper your way to success. DS9: “Treachery, Faith and the Great River“
190 Hear all, trust nothing. DS9: “Call to Arms“
194 It’s always good business to know about new customers before they walk in your door. DS9: “Whispers“
203 New customers are like razor-toothed gree-worms. They can be succulent, but sometimes they bite back. DS9: “Little Green Men“
208 Sometimes the only thing more dangerous than a question is an answer. DS9: “Ferengi Love Songs“; PRO: “First Con-tact“
211 Employees are the rungs on the ladder of success. Don’t hesitate to step on them. DS9: “Bar Association“
214 Never begin a business negotiation on an empty stomach. DS9: “The Maquis, Part I“
217 You can’t free a fish from water. DS9: “Past Tense, Part I“
223 Unknown, but presumably concerned the relationship between “keeping busy” and “being successful”. DS9: “Profit and Loss“
229 Latinum lasts longer than lust. DS9: “Ferengi Love Songs“
239 Never be afraid to mislabel a product. DS9: “Body Parts“
263 Never allow doubt to tarnish your lust for latinum. DS9: “Bar Association“
285 No good deed ever goes unpunished. DS9: “The Collaborator“, “The Sound of Her Voice“
289? Shoot first, count profits later. LD: “Old Friends, New Planets“
Unknown A man is only worth the sum of his possessions. ENT: “Acquisition“

From the Star Trek Memory Alpha wiki

 

Found Musical Treasures! Last Video Before House Renos! [VIDEO]

At long last, it is time for house renovations!  We are receiving new windows and doors, as Phase One of this long awaited project.  It begins today, July 28 2025.

In preparation for this project, I have dug up and rediscovered some cool treasures.  We will be taking a look at more of them at a later time, but for this video, I decided to take advantage of the calm before the storm.  Before the dust starts a-flyin’, let’s have a quick look at some fun re-discovered items in the Grab A Stack collection.

This video is for fans of toys, cassettes, Harrison Kopp, Kiss, Tim Durling, or country music.  That’s a lot of people, so I hope you check it out!  It’s live now on YouTube, so give the link a click!

 

50 Years of IRON MAIDEN bonus episode: The Coolest Iron Maiden Cassette You’ve Ever Seen!

50 Years of IRON MAIDEN bonus episode:
Fear of the Cassette?  The Coolest Iron Maiden Cassette You’ve Ever Seen!

GRAB A STACK OF ROCK bonus episode

Lamentably, sometimes we acquire an Iron Maiden goodie well after the episode for that album airs.  In this case, the aforementioned goodie was acquired because of a specific episode.

In episode 15, Fear of the Dark, I showed Harrison an image of the 1992 Canadian cassette edition, which to our eyes, featured a superior front cover design.  Wanting one for himself, Harrison went shopping on Discogs for cassettes.

What he got wasn’t just Fear of the Dark.  He got more.  Alot more.  But enough of our yackin’!  Go check out the episode, which is live now on YouTube as an Iron Maiden bonus this week.

 

Enjoy on YouTube.

 

Handy YouTube Playlist:

#1169: Discontinuing the Tapes

RECORD STORE TALES #1169: Discontinuing the Tapes

In 1995, the writing was on the wall.  After struggling for years as a new CD/tape store, the boss discovered a goldmine:  selling used CDs.  The story has been told a dozen times or more, but the short version is this.  In early 1994, the boss brought a small tray of used CDs into the store, priced them, and they sold out immediately.  I think the discs came from his own collection with a few from his brother.  He realized that he could buy used CDs from the public for a few bucks, and then flip them for double or triple the price.  The hunger days ended soon after.

Profit margins on new CDs and tapes was slim.  After you factor in shipping, overhead, paying the part-timers, and an expensive magnetic security system, the boss was left with little for himself, if nothing at all.  He could not survive like that forever.  With used CDs, he could control his own costs.  This was something rare in retail.  Costs are usually determined by your supplier.  You could negotiate for better rates, but it was nothing compared to used CDs.  We could pay five or six bucks for a CD, and sell it for ten or twelve bucks.

You know what happened next.  Expansion!  Waterloo opened, followed by a second store in Kitchener.  These stores had 90% used stock, with a small chart for new releases.  They didn’t carry cassette tapes, at all.  While this surprised me, it was a smart move.  We were ahead of the curve by not carrying cassettes in those stores.   We didn’t even carry used tapes.  For one, it was harder to check them for quality compared to CDs.  For second, it simplified things greatly by only focusing on discs.  One product, one display system, one storage system.  You could take the disc out of the case, hide it behind the counter, and put the empty case on the shelf.  The security system was replaced in this simple way.

Eventually the original Stanley Park Mall store had to close.  Rent in malls is higher than that in plazas.  It was the only store that still carried a full selection of new CDs and tapes.  It closed at the end of 1995, right after Christmas.  And we weren’t allowed to tell people we were closing.  Technically, it was a move.  A new location had been procured in Cambridge.  It too was to follow the 90% used model.  Although we called it a move for the purpose of good optics, the reality was that one store closed and another very different store opened in another city.  The manager was the same, and they took the unsold stock and sold it as used, but it was a new store.

Closing Stanley Park put us in an awkward position.  In 1995, we lived in what was essentially a two format world:  CDs first and foremost, with cassettes still strong, but dying off bit by bit every year.  More and more releases were coming out on CD only.  Vinyl?  In 1994, only Pearl Jam had a mainstream vinyl release.  We carried Vitalogy on vinyl.  It was beautiful.  The boss opened a copy to look at it.  He ended up selling that one to his brother.  But what about that awkward position?  Here we were, going into the Christmas season and selling gift certificates to a small but significant number of people who still only had cassettes players.  We were selling gift certificates to people who were not going to be able to redeem them for cassettes except for a small window:  the six days following Christmas.  Many of those people had been customers for five years, since we opened.

“If someone complains about it, tell them to talk to me, I’ll take care of it.”  The boss was not the kind of person who relished giving people their money back, but I am sure he handled those cases as best he could.  We did special order cassettes for customers for a short period of time in some of these cases; they were isolated cases.  We had some cassettes returned in the new year as well, which had to be dealt with.

I do remember some angry customers.  “Where am I gonna buy my tapes now?” asked one guy who was unhappy, to say the least, that we were closing up, moving to a new location, and ceasing cassettes completely.  I suggested the HMV store at the other mall, but even they were noticeably cutting back.

For me, it was interesting to have lived through these changes in formats.  As a fan, I watched vinyl decline in importance to the point where nobody in highschool bought records anymore.  That was 1986.  Then I lived through the advent of CD, and its eventual replacement of the cassette.  I was working in the front lines at the Beat Goes On when Napster came along, and I saw shelf space once reserved for CDs now showcasing bobbleheads.

I wouldn’t trade it for the world.  All apologies to the inconvenienced!

 

#1151: An Egg of a Deal: End of August Scores

RECORD STORE TALES #1151: An Egg of a Day: End of August Scores

I have a coworker whose parents recently passed.  This is always sad, but the time came for my coworker to purge her mom’s music collection.  Periodically when this happens, people come to me to ask my opinion.  Essentially, she wanted to know:  “is there anything here that I shouldn’t take to the local Beat Goes On because it might be worth more?”  She didn’t think much of her chances, but wanted to be sure.

“Sure, I’ll pop over and have a look,” I said.  “I can’t promise you anything but I can at least have a look.”

That was good enough for her.

“I bet I find a bunch of Lawrence Welk!” I joked to Tim Durling and Jex Russell.  You know the kind of record collection I mean.

Indeed, I did find Lawrence Welk in the very first box of vinyl.  I had a laugh and kept digging.  To everyone’s surprise, I found things that might indeed have been valuable, and they had no idea how it got into that collection.

First of all, she had a really nice stack of 78s.  Big Crosby was the first one I saw.  I have no idea on value of 78s, but this were stored well and all seemed in good condition.  It might have been my first time handling a stack of 78’s like that.  They are thicker than an LP, and much heavier.  They require a special stylus as well as a turntable that can go up to 78.  I used to have that equipment.  She even had a cylinder, whether Edison or a competing brand, that was out for professional appraisal.  So, this collection I was looking at had these formats:

  • LPs
  • 45s
  • 78s
  • Cassettes
  • 8-tracks
  • CDs
  • and one cylinder

Pretty wild scope.  The genres were all over the place, from easy listening and country (the usual suspects) to disco, jazz, oldies, and even progressive rock and heavy metal, as you’ll see.  This, I did not expect.

Then I spied an album called Egg.  Something about it jumped out at me.  I flipped it around and there were black and white photos of long haired guys jamming.  That struck me as out of place in this collection, so I set it aside.  Somebody looked it up, and it can sell for easily over $100.  Everyone seemed really impressed by my ability to sniff this out.  I am no expert, folks.  Not at all.  But it looked out of place, which is why I took a second glance.  It turns out Egg were an English progressive rock band, and the album was released in 1970.  Very surprising, but they felt that this one find justified me coming over and looking at their records, so I was happy.

Original price:  $6.99

I found some things I wanted for myself and made an offer.  I left with the following titles:

  • Guns N’ Roses – “You Could Be Mine” 1991 Geffen cassette single.  I own it on CD, but never on cassette.  Why not?  In this day and age of owning everything on every format, why not?
  • The Best Of ZZ Top 1977 Wea Music cassette.  A staple, but one that I somehow have never owned before on any format.  Stone cold classic compilation.
  • John Williams and the Boston Pops – Pops In Space 1980, Philips, made in Holland.  This contains music from some of Williams science fiction classics:  Superman, The Empire Strikes Back (which was brand new in 1980), Star Wars, and Close Encounters.  I haven’t seen this one before.
  • Oscar Peterson – The Trio – Live from Chicago 1961 Verve/1986 Polygram CD.  My second Oscar Peterson score this summer.  You rarely find Oscar in the wild, and never this one.
  • Johnny Cash – His Greatest Hits, Volume II 1971 Columbia 8-track.   This was the Cash album I grew up with in the car with my dad, albeit on cassette.  This cartridge is in great shape, and resides in a bright red shell.  This is my first red shell 8-track tape.

When I called my dad to tell him of my musical scores, he was surprised at the 8-track.  While he clearly remembers that Cash album, he asked me “Do you have anything that plays an 8-track?”  This is a common question that we collectors get.  No I do not.  I don’t have a way to play a Minidisc, a DAT, or a DCC either but I would love to have some in my collection.  My collecting desires are no longer strictly just to have music to play.  Now I collect music I can’t even play too!  Just to have a piece of history.

After we completely examined the collection and left some advice, I departed with my treasures.  Since we were in the neighbourhood, I decided to visit the old Toys R Us/HMV store.  There, I finally decided to pick up Iron Maiden’s Powerslave on vinyl, edging me closer to completing the 1980s collection.  Now, all I should need are the first two Di’Anno albums (I think).  Powerslave was $36 and hard to pull the trigger on, since I can distinctly remember a time when Sam the Record Man was swinning in new copies for $6.99 each, and that sticks with you.  I finally have it now.

A successful Saturday.  Time to listen to some music!

#1117: I Admit It: I Miss My Cassettes

RECORD STORE TALES #1117: I Admit It: I Miss My Cassettes

Hey, it’s me, the guy who has talked about how much he hates cassettes, again and again ad nauseum.  I don’t know why, but I’m feeling a lot of nostalgia for tapes these days.  While CD remains my go-to format, with vinyl in second, I am now on the lookout for old 80s metal cassettes that still play well.  What the hell happened to me?

It’s true that I have a lot of bad memories about cassettes, to go with the good.  I have my own system and language when it comes to my collection, but I abandoned cassette back in 1995 because the sound quality wasn’t there and got noticeably worse the more you played the tape.  I considered cassette to be a “soft copy”, with the longer-lasting CD and vinyl being “hard copies”.  You simply have more control in keeping those two formats in good shape.  Cassettes are another story.  It’s just magnetic particles stuck to a ribbon, and every time you play it, those particles wear off bit by bit.  In effect, you wreck your favourite tapes fastest because you simply love listening to them!  There were other complications.  Different decks played at different speeds, with my “ghetto blaster” playing the slowest and most warbly.  I had two Sanyos and then a Sony, and the Sanyos were by far the worst.  Only my Sony Walkman was able to play almost every tape in my collection at something close to the right speed.  Once I learned to drive, I found that the car deck could play pretty much anything, but it did eat a few tapes too.  It was like every time you wanted to listen to music, you had to pick the right equipment and cross your fingers.  I remember wrecking a copy of Black Sabbath Tyr by accidentally pushing two buttons at once on my Sanyo.  This created a loud squeal right during the start of “Anno Mundi” that was impossible to ignore.  Playing tapes was like walking a minefield sometimes!  I always prayed that nothing would go wrong.

CD solved most of the problems I had with cassettes.  Heck, even the artwork was back to being a square!  Cassette cover art was either cropped or “pan-and-scanned” (to coin a phrase) to make a square fit into a rectangle.  Everything about CD was better.  Bonus tracks, better sound, longer life, larger (and square!) artwork…even the ability to skip through songs in an instant.  What wasn’t there to prefer?  And why the hell do I miss cassettes right now?

It’s all nostalgia.  There was something about buying a new album on cassette, and being basically forced to listen to the whole thing.  There was a certain appreciation for the album, with an actual side break, that connected us to the vinyl age in a way that CD did not.  Or, maybe it was just the glory time of our youths that made it feel that way.  The act of closing the door, pressing “play” on a new tape, and laying on your bed to listen with intent.  How often is music just background noise in our modern lives now?  How frequently do we sit and spend time just listening to the music while staring at the packaging today?  Are we listening, or are we multitasking?  I’m multitasking right now, listening to Trilogy by Yngwie J. Malmsteen on my speakers.

I picked that recording for a reason.  I got on cassette from my grandma in 1987.  It was on Capitol Records and it played for shit out of the box.  Many Capitol tapes did around 1986-87.  my W.A.S.P. and Iron Maiden all had similar problems, which them priorities to upgrade on CD when the time came.  I know not everybody likes Yngwie.  Some find him grating.  He does take some adjustment, but imagine listening to your first Yngwie on a slow, warbly cassette.

I do miss some things though.

I miss opening up a new tape and seeing what colour or design the shell was.  Usually they were black, but as the 90s progressed they were frequently clear.  Some were white, and my Helix was glow-in-the dark!  With CD there was the occasional thrill when we got a picture disc, but soon that became the standard.  The clunky cassette, with its little wheels and windows, was physically just cooler than a CD and you didn’t have to be as careful.

The lyric sheets were easier to read.  All you had to do was unfold the J-card and lay it out.  CDs often had pages stapled into a little booklet that you had to hold open.  Cassettes may have had smaller print, but the paradox was that the format made it physically easier to read!

Cassettes were perfect for the pocket.  You could easily slide a couple (maybe even three) into a jacket pocket.  CDs never fit right and if you got one in your pocket, it was a tight fit.  And jewel cases were easy to crack and break.

That’s another thing!  Cassette cases had their weaknesses too.  They could crack like a CD case, and the little arms could snap off.  However this is far more common on the CD case, which also have those annoyingly fragile teeth that hold the disc in place.  Cassette cases were just slightly more sturdy than their CD counterparts.

Finally, cassette spines were wider and easier to read.  Period!

I do miss cassettes.  I have better equipment today, and though not an audiophile setup, I get by.  There are some releases I’d like to have on cassette again, or for the first time.  I guess I’m a changed man.  I’m not the format snob I used to be.  However, if they start jacking up the prices of cassettes the way vinyl is today, we’ll have to talk again.

 

#1110: Happy Winter Memories Vol. 3 – Rocking the Basement

RECORD STORE TALES #1110: Happy Winter Memories Vol. 3 – Rocking the Basement

To an unsporty Canadian kid, growing up in a cold climate had its disadvantages.  I didn’t give a fuck about hockey (to coin a phrase from Gord Downie), and nobody likes to shovel.  The only good thing about fall and winter to me were Christmas and the return of my TV shows, like the Transformers and GI Joe.  Otherwise, it was like hibernation.  There were a lot of things I wanted to do and could only do outdoors, so I passed the time inside with my music and shows.

In a sense, winter was the best time for my friendship with Bob Schipper to flourish.  In the summer we’d be outside a lot, riding bikes or hitting balls.  Or, just getting into trouble as we often did.  During the colder months, we spent more time being creative.

A typical Mike & Bob winter Saturday morning would go as follows:

Around 10 AM, Bob would pop by my place.  Our creative Saturday mornings would usually happen at my house.  Bob’s parents were more strict than mine, and we could listen to music in the basement.  The basement was the best place because that is where the big TV with the VCR was.  That was where MuchMusic lived.  My VHS collection would grow video by video, week by week.  The Pepsi Power hour ran twice a week (“Molten” Mondays, and Thursdays) and I would collect music, clip by clip, on my VHS collection.  It would be my responsibility to show him what was new in music.

We did not always agree!

Savatage struck me from the moment I saw “Hall of the Mountain King”.  It was the riff, the singer, and of course the little guy running through the caves looking for the king’s treasure.  I had to record it.  I thought Bob would really be into this song.  It had a lot of what we both liked:  nice, heavy melody metal with a screamin’ singer.  Disappointingly, he was not as impressed as I was.  He thought the video was less than great, and the singer not as impressive as I hyped him.

On the other hand, one viewing of “We Came to Rock” by Brighton Rock had him hooked immediately.  In this case, singer Gerald McGhee really did blow him away.  That scream at the end of “We Came to Rock” made his jaw actually drop.

If music videos were not on the menu that morning, I would bring my “ghetto blaster” downstairs and we would play whatever newest tape one of us had acquired.  If it was a good one, we’d dub each other a copy.

Then, out came the paper and we would get down to creating.  We were very much into drawing military vehicles, cars, and muscle-type men with warrior’s garb and jagged guitars.  Our self-portraits were always masked, muscled, and flexing.

We would fantasise about being on stage.  We’d picture the drum riser, and why not have it elevate?  We would both be singers and guitar players, sharing lead duties from song to song.  It had to be democratic.  We came up with cool melodies and song titles.  Mostly though, we sang our lyrics to other peoples’ songs.  Of course, I can’t repeat the lyrics to anyone.

The two of us had enough creativity to power the world for decades.  If only we had the technology to do the things we really wanted to do!

Still, it was in that basement during the coldest of months that Bob and I amassed binders full of drawings and cassette tapes full of our goof-offs.  I kept everything I could.  Of course, some things couldn’t last forever, such as the cardboard guitars or silly sketches.  As unofficial archivist, I kept a lot.  I have almost all my VHS tapes with those special music videos.  When I play them, the memories return.  These things matter to me.  They show a snapshot of the best childhood anyone could have.

Retro is the word! 80s and 90s cassettes, cassingles and beyond with Dr. Kathryn, Jex and John!

Happy 50th episode to us!  This was a special episode to me.  Watching it back now, what made last night’s show really special wasn’t so much the cassettes.  Rather, it was the stories!  The memories came flooding back as we looked at piles of cassettes from ages past.  With Dr. Kathryn’s recently exhumed cassingle collection on hand, we were joined by Jex Russell and John T. Snow for a nostalgic evening.

  • Playing “Bad Boys” by Inner Circle at a fancy wedding.
  • Buying cassingles by Van Halen in Frankenmuth, Michigan.
  • The value of Bryan Adams’ live B-sides.
  • Collecting a rare Cult cassette box set with all the extras.
  • Bands that Kathryn has seen live and owns on cassette, such as Roxette and Rod Stewart.
  • A US version of a Def Leppard single vs. the Canadian.
  • Songs/version that are still exclusive to the cassette format.
  • Whitesnake every Christmas.
  • Collecting bonus tracks on cassette and throwing temper tantrums when the CD didn’t have the bonus track.
  • Summery memories of Bon Jovi, ZZ Top, Cheap Trick, Britny Fox and Poison.
  • Ratt, Dangerous Toys, “Digalog”, “Q-Sound” and more.

We also took a peak at Tri-Con in Kitchener, where Dr. Kathryn met members of the Degrassi cast, Rob Daniels, and some Mandalorians.  She had much praise for the Degrassi folks, and you’ll have to make sure you don’t miss this segment at the end.

Congratulations to Marco D’Auria, last week’s special guest, for the nomination of his film Mystique:  Standing on the Firing Line at the Canadian Independent Film Festival!  The DVD is on sale all February.

Stay tuned for John Snow’s “The Collection” starting February 20.

Bonus:  We unboxed the recent reissue of the rare Starchild album Children of the Stars (featuring Greg “Fritz” Hinz of Helix), and a recent Rock Candy reissue of Europe’s The Final Countdown with more bonus tracks than before.

Apologies to Facebook; the Streamyard streams have not been working on Facebook at all and their team is still looking into it.

See you again next week for Too Much Music Part 2!

Upcoming Schedule:

 

#1070: Guilty of Vinyl Abuse (1987) – Kiss Killers (VIDEO)

RECORD STORE TALES #1070:
Guilty of Vinyl Abuse (1987) – Kiss Killers

Not much backstory here to tell!  I was a bored kid at the cottage, away from my best friend Bob.  We had an ongoing (and absolutely terrible) series of comedy sketch tapes called Mike & Bob.  The video you are about to watch contains some audio from Mike & Bob Vol. II, and some explanations as to what you’re hearing.

The cottage could be very boring when you’re a teenager.  I was either 14 or 15.  Typically I packed all my records, all my tapes, my ghetto blaster, my turntable, my microphones, and every piece of equipment I had to bring to the lake when we went for a lengthy time.  I missed my friend Bob.  Normally, we always recorded together.  This is a rare example of some of the only stuff I recorded without him.

We did a lot of really bad sketch comedy but some of the listenable ones were parody ads.  In this one, I advertise Casablanca Records & Tapes…for those who don’t have money to buy the best.  I abused my copy of Kiss Killers in order to do this.  My only excuse is boredom.

That summer, my sister’s friends were renting the cottage next door.  They figure in at the end of the video, if you choose to go that far….

Enjoy this blast from the past, brought to you by TDK D90 cassettes, and my new Kenwood tape deck from Max the Axe!

One record was harmed in the making of this video.

That was fun! Snow & Tell Cassette Friday

Though John and I both have diminished cassette collections compared to the glory days, we had more than enough to show off for an hour.  John has acquired some lovely copies of some of his favourites from Def Leppard, Bon Jovi, Billy Idol, Needtobreath, Kiss, and many more.  I had some oldies from Quiet Riot, Judas Priest, Bonham, and more, but I think much more interesting were the homebrew tapes I have left.  Some are “bootlegs” that I made and some are copies of albums, but the artwork in some cases were pretty cool.  I spent a lot of time making cassette copies of things like the two Blackjack albums, 24 kt Purple by Deep Purple, and Guns N’ Roses Live at the Ritz.  We also looked at a whack of cassingles by a variety of bands, some newer releases, some cassette box sets, and more.

After the cassettes, we played a quiz game and had John guess the identity of surprise mystery guest “X”.  Well, John guessed after one clue.  But we thank “X” – aka Lana! – for joining and talking about the new Def Leppard Diamond Star Halos, and the news of a Spinal Tap farewell film.

Thanks for an awesome night John & Lana, and all who watched and participated in the comments!  See you next week – CanadianGrooves and Uncle Meat will be back for a Tenacious D – Nigel Tufnel Top Ten list show!