This week we had Sean Kelly on the LeBrain Train. In order to highlight one of his many fun works, here is his version of “The Warrior” performed by Trapper with Emm Gryner on lead vocals. The classic Scandal cover features a great guitar solo — a “composition within a composition” as Sean might say. Check it some Trapper!
It’s a LeBrain/Superdekes two-fer! Check out his Trapper review by clicking here.
Trapper are a Canadian supergroup who gained a bit of extra attention when they got to open for Def Leppard. Sean Kelly (guitar), Emm Gryner (vocals/bass), Frank Gryner (bass/guitar) and Tim Timleck (drums) impressed everyone with their version of “Illégal” by Corbeau on the concert stage. Their only EP sold out long ago, but now Trapper are back with a studio version of “Illégal”. The two-track iTunes single is backed by a surprising cover: “Bye bye mon cowboy” by Mitsou. Two Canadian covers, both in French…ballsy move for a single!
“Illégal” has a beautifully chunky riff, and Kelly captures that with a nice crunchy guitar tone. Emm Gryner’s lead vocal is to die for, squealing in all the right parts, shouting it out loud, and delivering the goods. She has depth, grit, power — the whole package. The drums are huge. When you hear it you’ll be wondering where this song has been your whole life. And that’s all before you hit the guitar solo, a treat in itself, like something from a classic Bon Jovi track that you never heard before.
Now I’ll be honest about something here. As a snobbish rock fan in the 1980s, I hated “Bye bye mon cowboy”. It was on MuchMusic all the time and I grew weary of Mitsou. But I like Trapper’s version! I am pretty sure Mitsou didn’t have this much guitar. Transformed into a rock song, “Bye bye mon cowboy” works! The groove is perfect and Emm’s delivery is just right. Big rock hooks, while still retaining everything important about the original.
As for that guitar crunch? Sean Kelly says “Can’t beat a Les Paul and a Marshall! (Actually the Headrush Plexi amp simulator.)” There you have it, players!
I wholeheartedly endorse Trapper’s “Illégal” and “Bye bye mon cowboy” for your patio this summer. I knew this was going to be good, but I didn’t expect to like “Bye bye mon cowboy” as much as I do. They rocked it up, put it in my ballpark, and I’m pumping my fists to Mitsou! Grab ’em on iTunes today, and cross your fingers and hope Trapper have more music coming in the future.
Thank God for Alice Cooper! 50 years ago, he was considered by the mainstream to be nothing more than an untalented shock rocker. In 2020, he is inspiring people to keep on keepin’ on. He’s got a powerful message for anyone who needs to hear it.
“Don’t Give Up” is the most direct, the most topical and the least “Alice” song that the Coop has ever done. Why the “least” Alice? Because this time he is not playing a character. He’s not telling some horrifying bedtime story. Or is he? “Don’t Give Up” is about Coronavirus and blatantly so.
“Yeah, I know you’re struggling right now. We all are, in different ways. It’s like a new world that we don’t even know. It’s hard to sleep, even harder to dream. But look, you got seven billion brothers and sisters all in the same boat! So don’t panic. Life has a way of surviving and going on and on. We’re not fragile and we sure don’t break easy.”
This single was recorded in home studios. It’s accompanied by a cool video expertly produced by Canuck Frank Gryner, using footage sent in by fans. It is so rare for Alice to really make a statement that pertains to current events. And it is a very specific song; there are no underlying stories or metaphors to untangle. But when you think about Coop, it’s not really surprising that he came out of the gates so fast with a song like this. Alice Cooper is a human being that cares about other human beings. The message is simple: keep fighting and don’t give up. Sometimes people need to actually hear the words.
Musically you could call “Don’t Give Up” a power ballad. It has a very 80’s guitar figure, with Alice speaking his message over it. The chorus is more modern, with Alice singing as plaintively as he can. “Don’t Give Up” is unremarkable as a rock ballad, but as a lyrical accomplishment, Alice has forged new ground 50 years on. He has written some remarkably powerful words.
“Our enemy is a cold, indiscriminate monster. It doesn’t care if you’re old or a newborn. It exists to kill. You and I are nothing to it. It has no heart or soul or conscience. Do we fear it? Yeah! Do we cower before it? Hell no! We’re the blood-n-guts human race. And we win.”
The important thing that Alice says here is that it is alright to be afraid. Look, Alice has fought demons, and if this scares him then there is no shame in feeling fear. People are being labelled as cowards for wearing a mask in public. Alice is right — we will win, and we will do whatever it takes to win. If you’re scared right now, you tell ’em that Alice Cooper said that’s OK.