led zeppelin

Intermission: Mail Call!

The mailman has been busy this last week or so.  Just look at the goodies!

LED ZEPPELIN – “Rock and Roll” / “Friends” Record Store Day single

DEF LEPPARD – Live at Abbey Road Studios 12″ Record Store Day EP

RAINBOW – Memories in Rock II Japanese CD – 2 bonus tracks

STRYPER – God Damn Evil Japanese CD – bonus track

STEPH HONDE – Covering the Monsters 

DALE SHERMAN – Mel Brooks FAQ: All That’s Left to Know About the Outrageous Genius of Comedy books – one for me, one for my dad’s 80th birthday!  SHHH don’t tell.  He doesn’t read this!

 

 

 

 

 

Advertisements

REVIEW: Led Zeppelin – “Rock and Roll” / “Friends” (2018 RSD remix single)

Unreleased Led Zeppelin?!  You don’t say!

LED ZEPPELIN – “Rock and Roll” / “Friends” (2018 Atlantic Record Store Day single)

The hype for Record Store Day exclusives is as strong as ever, but most of these releases are just empty cash grabs.  Coloured vinyl reissues of this, that or the other thing…nothing will compete with a mint original.  Sometimes you’ll see vinyl releases for albums that used to be exclusive to CD, but rarely will you be able to buy exclusive music.

Led Zeppelin saw to it that your Record Store Day dollars did not go to waste.

And as if you thought Led Zeppelin had “cleared the vaults” of unreleased material!  Here’s two more unheard mixes.  These cannot be found on the Zeppelin deluxe editions.  If you’ve collected all those already, then prepare to add two more tracks to your collection.  This is a pretty clear indication that Jimmy Page is not finished dusting off old tapes to sell.

There are no liner notes to explain when these mixes were done or by whom, but “Rock and Roll” was mixed at Sunset Sound.  Alternate mixes are fun for a fresh sound on an old favourite.  You can hear different nuances.  “Rock and Roll” has a nice clear heavy sound and maybe a little more echo.  “Friends” (from Olympic Studios) has a harsher sound, with the percussion part prominent in the mix.  The old intro is trimmed off in favour of a clean start with the acoustic guitar.

The yellow vinyl is a gorgeous bonus.  Add it to your Zep treasure chest.

4/5 stars

 

Thanks to Mr. James for picking this up for me.  You are a true gentleman, with a creepy Facebook avatar.

#670: Censor This Too! – The Star Chamber

GETTING MORE TALE #670: Censor This Too! – The Star Chamber

This is the sequel to Getting More Tale #669: Censor This! In a footnote to that story, we discussed the evil, corrupt English department at Grand River Collegiate Institute in the school year 1990-1991.  With music as part and parcel of everything I do, here is the students’ revenge.

This story was written by myself and Andrew “Abbis” anonymously.  (You may remember “Abbis” was the subject of a Zeppelin-esque song I co-wrote called “Abbis’ Stomp”.)

Context:  A brilliant young student named Danny was accused of plagiarism for his independent study on part of Milton’s Paradise Lost.  The entire English department were united in their belief that he had cheated, not realizing this young dark-skinned kid with a strange sounding last name was actually just really gifted.  In a parallel to Paradise Lost, Danny soon found himself in a hell of his own.  The school treated him shamefully, but could not prove he cheated.  Instead of the A+ he deserved, he got a “no report”.  This was his final year of highschool, and he wanted that A+ to get into the university program he had applied to.

This story was our revenge on his behalf.

I take a lot of pride in our creative little rebellion. This was about as misbehaved as we got.  Our scathing story The Star Chamber (an obvious mashup of MacBeth and Star Wars) was published in the underground school newspaper, in June of 1991, exactly as you see it below.  Pay attention for a Zeppelin reference and plenty of Shakespeare.  My character is an homage to Han Solo named…Guitar Solo.

Please enjoy.

THE STAR CHAMBER
(The Uncensored Version)

BY: Robin Hood and his Merry Men

 

A long time ago, in a Collegiate Institute far, far away, a battle was being waged between the forces of Good and English.  The leader of the rebel forces, Danny “The Terror” Skywalker, had for months been a thorn in the side of the English Empire…

ACT I, SCENE I

In the caverns of Smithers the Hutt.

Enter with a flourish and really neato special effects, Darth Chamber and his English entourage.

DARTH:  (To Smithers) By Jupiter!  We must capture that foul wretch known to all as Danny “The Terror” Skywalker.

SMITHERS:  I say yea my Lord.

Exuent Darth and entourage with an even bigger flourish.

END OF SCENE

ACT I, SCENE II

Enter Danny, his faithful companion Guitar Solo at his side, zipping through space in the Tarachan Falcon.

Their favourite album, “Ten Classic Books in Ten Minutes” is suddenly drowned out by the wail of an intergalactic police siren.

Enter Robo Bolt, with colours and drums.

DANNY:  What hast thou pulled me over for, sucka?

ROBO:  Dost thou thinks that “E.N.G.-S.U.K.S.” is an appropriate licence plate for thine vehicle?

DANNY:  What say you?  Thou art a strange fellow.

ROBO:  Your horrid image doth unfix my hair!

DANNY:  Methinks thou art (and I quote Willie Shakespeare) “a coward, a rascal, an eater of broken meats, a beggar, and a lily livered knave”.

ROBO:  Draw thine sword, I’ll make a sop’ o’ the moonshine of you!  (they draw and fight, Guitar Solo slain by accident.)

GUITAR:  To be…or not to be.  What a stupid question!  GAHK!!!  (he dies.  Robo is then slain.)

ROBO:  I am slain, I am slain, dead, defunct, kicking the bucket, etc. etc. etc.  (he dies.)

DANNY:  What have I done, o Lord, o nature?  What evil spirit hast possessed me?

Exit Danny, delirious from the battle.

END OF SCENE

ACT I, SCENE III

Enter Darth Chamber having been notified of Robo’s death, mad, and garlanded with wild flowers.

DARTH:  Oh what foul deed, what evil, for my fair fair Robo.  He is killed.  (Enter Danny, furious with rage upon sighting Darth.)  Draw, or surely thou shalt perish!

DANNY:  Have at you, bud!

Enter Smithers from behind.

Smithers strikes Danny over the head with Roget’s Unabridged Dictionary, knocking him unconscious.

END OF SCENE AND ACT

ACT II, SCENE I

Later in the Star Chamber.

First trumpet.
Second trumpet.
Third trumpet.
       Trumpet answers within.
Enter Darth Chamber and Smithers, armed, a trumpet before them, attendants, the Fool, Edgar, Edmund, Oberon, The Duke of Cornwall, Elvis, drums and colours, Danny Skywalker in chains, Gloucester wandering around outside.

DARTH:  Hark, four-score and seven years ago this treasonous wretch, Danny Skywalker, hath committed the ultimate crime against the English Empire.  May his trunk be devoured by butterflies.  By Jupiter!  Behold his foul deed.  (cries of astonishment within)  He hast plagiarised the almighty Milton!!!

DANNY:  Oh Hell!  Oh spite me!  What manner of accusation is this?

DARTH:  Silence scurvy knave.  (Darth to attendants) Place him in…(drum solo)…the machine!

SMITHERS:  Goody goody gosh!  By the fairies, Darth is mighty!

FOOL:  (sings)  O nuncle, court holy water in a dry house is better than this rain water out o’ door.  For he’s buying a Stairway to Heaven.

Exuent all.  Death march, colours and banners.

END OF SCENE

ACT II, SCENE II

Enter with a flourish, Darth Chamber and Smithers the Hutt, with entourage carrying fluorescent banners with matching tights, led by an Old Man.  Danny strapped to the machine.

The machine, a relic left over from the late 20th century, known as a “Dunking Machine” is filled with water, with Danny strapped to a chair above it.

DARTH:  By Jupiter!  My seated heart dost knock at my ribs.  For the time is near o’ blossom.

SMITHERS:  Skywalker thy trial begins!  If thou float’est, thou art guilty of plagiarism and shalt be sentenced to die…slowly.  First we shall tear all the of the hair from thine body, then soak you in lemon juice, and Kraft salad oil.  Then we shall take you out to the Dune Sea you shall be eaten alive by the almighty Mouth, while’st being garnished with tomatoes and olives!  But if thou sink’est and die’est, we shall know that thou art innocent and we shall let’est you go.

DANNY:  Sorry, but I’ve got a prior engagement.

Enter Abbis Man’s ghost.  (See last issue — ed.)

Abbis Man runs onto the stage, dropkicks Darth, hits Smithers with the D.D.T. and frees Danny from the machine.

DANNY:  Thanks bud!

ABBIS:  No problem, let’s get a beer!

Exuent, too tired to flourish.

DARTH:  Gosh darn it!  Methinks this ending really sucks!

Exuent Darth and all remaining.

END OF SCENE AND ACT

EPILOGUE

Danny and Abbis Man, having formed a powerful alliance, travel to Earth where they take on aliases and fight crime as Siskel and Ebert.

 

#623: Rocking Around the Christmas Tree

GETTING MORE TALE #623: Rocking Around the Christmas Tree

Traditions change and evolve over the years as families do.  I have always been excited about Christmas, going back my youngest days.  I would be so excited I couldn’t sleep.  Killing the days before Christmas was agonizing.  I guess as kids we were a little spoiled.

Spoiled kids became spoiled teens.  As I got older, I stopped asking for toys for Christmas.  Music replaced them.  Most of the time, I would circle titles that I saw in print ads.  Stores like A&A Records and even the local Zellers had flyers with new releases and sale items.  I remember the winter of 1986, circling two:  Helix’s Long Way to Heaven, and Yngwie J. Malmsteen’s Trilogy.  I didn’t know much about Yngwie other than a few videos on TV.  I circled both and I received both, on cassette.  I recall listening to them on a pair of earphones at Grandma’s after Christmas dinner that year.

The following year, 1987, was the year of a couple pretty important albums.  That Christmas I received Def Leppard’s Hysteria, and Whitesnake’s 1987Hysteria quickly became the favourite.  Its impact was immediate and that cassette kept me entertained for years.  Whitesnake took more time to get into.  It didn’t help that the cassette had speed issues.  Similarly, the Helix and Yngwie tapes from the year before had the same drag problems that made them hard to listen to.  Because of this, many albums that originally had quality problems on tape releases, I didn’t warm up to for many many years.  It was hard to enjoy Whitesnake tunes like “Don’t Turn Away” when they were slow and warbly.

When I first began receiving tapes for Christmas, the mid-80s, we had a pretty routine Christmas schedule.  There was no variation from year to year.  We have a small family compared to others.  Our celebrations always began on the 24th.  My mom and dad would spend the morning preparing food and cleaning.  My sister and I would be pains in the asses.  Then my aunt and uncle from Stratford would come over around 2:00 and we’d exchange first gifts.  My aunt and uncle always brought fun gifts.  They would never, ever buy clothes for Christmas unless it was something we asked for.  No socks, no undies, no shirts, no pants.  Fun gifts only!  Sometimes guitar strings, games, and sheet music.  There would always be at least one tape for each of us.

After gifts were opened, my sister and I would go upstairs and play our new tapes.  Sometimes, we’d have something a little bigger:  a video tape.  In 1991, my aunt and uncle gave me Faith No More’s You Fat Bastards.  They had access to a cool store in Stratford that would special order anything.  As my needs evolved, my aunt and uncle would typically buy me hard-to-find items.  The Faith No More video was one such special order.  That year, I ran downstairs to the spare VCR and fired up the live video.  My other uncle came down to watch with me, but didn’t care too much for their cover of “War Pigs”.  Admittedly, it’s pretty different.

The traditions didn’t change much as we got older.  In the 90s, my buddy Peter would come over for Christmas Eve.  And, my sister discovered wine.  One of her rituals now is drinking her wine out of her special cup which we have dubbed the “Holy Grail”, due to its perceived similarity to the one that appeared in Indiana Jones and the Last Crusade.  Usually, before she takes a sip, I make her say the line, “It certainly is the cup of the King of Kings…”

Our Christmas Eve dinner, which is my favourite, has remained unchanged in over 30 years.  We do a beef, chicken and veggie fondue.  We’ve only had a couple of injuries over the years, but table cloths were frequently destroyed.  Today, my sister does the Christmas Eve entertaining, as my parents have retired from this duty.  She’ll always have some Christmas music playing, though not the kind I like.  We don’t run to listen to our gifts on headphones anymore.  We had to grow up, a little bit.

Christmas Day was also special for us.  When we were kids, I’d wake up my sister early in the morning to open presents.  Now, we put on our winter boats, coats and hats and drive over, and usually quite late in the morning.  More gifts are exchanged, and always more music.  It’s interesting to look at the kinds of albums I received then compared to now.   Back then, a multi-disc set was a big big deal.  Now, a three disc set can be as little as $30, the same price as a double live CD then.  I seem to get a lot of deluxe editions and box sets for Christmas now as if it’s no big deal!

My sister and I would exchange gifts, and we always got music for each other.  She was really good at filling in gaps of my collections.  Artists like Alice Cooper and Whitesnake had large discographies and I had very little.  She would look at my tape collection, go to the mall and pick up one of the many I was missing.  Whitesnake was an annual gift for several years in a row.  This was cool because it was always going to be something I didn’t expect, because my sister didn’t buy this off of some list I made.  It always came 100% from her own intuition.

After the parents’ house, we’re still not done.  Time to see Grandma!  She always makes me laugh.  One year she wrote inside a card, “You can use your Christmas money to buy a CD record.”  Aww!

There is one Christmas tradition that I don’t particularly enjoy, and it’s a more recent one.  We call it the $10 Gift Game.  Lots of families do the same thing.  Everybody buys a generic gift worth about $10, wraps it, and puts it on a table.  Then, everybody draws a number out of a hat.  #1 goes first by picking a gift off the table.  They then open that gift for everyone to get a look at.  #2 goes next.  #2 either picks a wrapped gift off the table, or steals the gift opened by #1.  If #2 chooses to steal, then #1 must open a new gift.  But #2 must remember, their gift can be stolen by #3, #4, #5, and so on.

Each round consists of the next number in line picking a gift from the table or stealing.  It gets quite tedious in our family, because my mother really likes to drag things out.  She will encourage people to steal, so that the victim must replace their gift by picking or stealing from someone else, and then the next victim must also replace their gift, and on and on each round goes.  At the end of the game people usually just end up swapping to get the gift most suited to their needs.  For example, my mother or sister always end up with the booze.  It’s harder to settle on who gets the chocolates.

One year, in protest of the game, my gift was a bag of unwrapped nickles and pennies adding up to exactly $10.*

Yes, I can be a Christmas grump sometimes.  As a non-drinking participant, sometimes things can get a little goofy for me.  Also, my dad’s level of interest in the game is so minimal that someone basically has to play for him while he does something else!  The game definitely has a short shelf-life for me.

We are a bit older today but still try to have fun with Christmas.  My sister and I will be giving music to each other, I’m sure, as we have done just about every single year for 30 years.  Usually, we will just sit around saying, “Remember that one Christmas when…?”

I sure do.  Here is a list of my Top Ten Most Fun Christmas Gifts of All Time.

1978 – Star Wars X-Wing Fighter

1979 – Star Wars Millenium Falcon

1983 – Star Wars Jabba the Hutt playset

1984 – GI Joe Killer W.H.A.L.E. Hovercraft

1985 – My first dual tape deck

1986 – GI Joe Cobra Terrordrome

1987 – The latest by Def Leppard, Whitesnake, Kiss and also Kim Mitchell’s Akimbo Alogo

1989 – My first CD player and my first CDs:  Motley Crue – Dr. Feelgood, Whitesnake – Snakebite and Alice Cooper – Trash.

1990 – Led Zeppelin – Led Zeppelin boxed set.

1993 – Led Zeppelin – Boxed Set 2

 

 

Merry Christmas one and all!

* I am told that due to inflation, the game is now the $15 Gift Game.

Sunday Chuckle: No Quarter (by Mrs. LeBrain)

Currency is a method used to pay for goods and services in the country or region where these good and services are provided.  Its denominations are very specific and exact.  Often, the customer cannot pay the vendor an exact amount so the vendor is required to return the difference to the customer to complete the transaction.  This action is commonly referred to as making “change”.

Money is highly recognisable to its users.  Larger denominations are made of universally sized paper and plastic sheets referred to as “bills”.  Smaller denominations are metal pieces with a circular shape in a variety of sizes known as “coins”.  The different sizes typically indicate value so they can easily be detected and assessed by their users.  Many nations have ‘coins’ very similar in colour and shape, but with the value of these coins being so small, most users cannot be bothered to examine these pieces closely to confirm authenticity.

A common coin in Canada is known as a “quarter” which has a value of 25 cents.  (1/4 of a dollar) To put this into perspective, my daily coffee costs about eight quarters and an ass-kicking rock CD would cost Lebrain about 80 of these things.

One afternoon, after having a morning coffee with one of my girlfriends, we decided to visit the “Golden Arches” for a quick and unhealthy lunch.  The order came out to $11.25, and for once I had EXACT change (woot!!!).  I reached into my purse and pulled out my ten dollar bill, my one dollar coin (known in Canada as a ‘Loonie’) and what I thought was a “quarter”.

The cashier and her supervisor examined the coin closely and gave it back to me.

McD:  “What is this?”

Me:  “A quarter.”

McD:  (In a rude, shaming tone) “No it isn’t and we can’t accept it from you”

I took the coin back and gave the cashier a fifty dollar bill (making her provide me with a lot of change to complete the transaction.  It turns out the “quarter” was a Swiss Franc with an exchange value of $1.27 CAD.

Their loss, my gain.  I just hope they didn’t spit in my fries.

Mrs. LeBrain

#583: Rock and Roll Shooz

GETTING MORE TALE #583: Rock and Roll Shooz

How rock and roll are shoes?  Not very.  But certainly some rock bands have had some exceptional footwear over the years.  The wild, multi coloured cowboy boots of Poison, Cinderella, Bon Jovi, and the gang…remember those?

In a world where image matters, you needed a cool pair of shoes to complete the look.  Glam rock bands went with cowboy boots, while thrashers and punks tended to go for skate shoes.  But who has the best shoes in rock?


  1. Robert Plant

Robert Plant?  For reals?  Yes, for reals!  Robert is about the only rock star to make sandals cool.  Sandals are about as un-rock as shoes can get.  But if you’re Robert Plant, it matters not.  A bare-chested long-haired blonde blues screamer in sandals is still rock and roll.  The sheer un-rock-ness of sandals combined with Robert Plant makes them infinitely rock and roll.


  1. Lady Gaga

You might not consider her very rock, but she did perform with Metallica.  Her outrageous footwear hasn’t caused her any broken ankles…yet.  Hiking in high heels?  Why not.  She’s done that.  In a Gaga world, anything goes.

 

 


  1. Elton John

Before there was Kiss, there was Elton John.  People remember the outfits, wigs and glasses, but don’t forget the silver platform kicks!

 

 


2. Chris Cornell

In honour of former customer Nancy who was obsessed with Cornell and his boots.  RIP Chris!

 

 

 


1. Gene Simmons

Dragon boots.  Enough said!

 

 

 


I had my own pair of goth platform boots in the Record Store days.  I remember I had them delivered right to the store, because I was never home to receive packages.  When they arrived one of the bosses asked “Where do you think you’re going to wear those?!”  Fuck you, that’s where!  The boots were the centerpiece of my Paul Stanley costume.

At work, running shoes were the most comfortable.  We were not allowed to sit, so you had to stand for your whole seven hour shift.  The first time, it takes a little getting used to.  After that you’re golden, but comfy kicks are the key.  Lady Gaga could not work a shift at the Record Store.

When I was hit with a 12 hour shift, which was more frequent than you might imagine, I discovered that changing your shoes halfway through the shift helped.  I’d bring a spare pair with me and change at the middle point of the day.  It helped with the pain and felt like a fresh burst of energy.

Today I have a pair of heavy steel-toed boots at work and they’re great for the leg muscles.  They are nice heavy shoes.  Walk around in those all day and you will build some pretty awesome leg muscles.  Not very rock and roll, but definitely heavy metal.


REVIEW: Kingdom Come – 20th Century Masters – The Millennium Collection

KINGDOM COME – 20th Century Masters – The Millennium Collection (2003 Universal)

Kingdom Come are a German/American band that rose from the ashes of Stone Fury.  For those who may not remember, Kingdom Come were quite infamous in their day.  Gary Moore wrote a song called “Led Clones” (with Ozzy singing lead) about Kingdom Come and bands of their ilk who were seen to be milking the now defunct Zeppelin cow.  The “Led Clones” riff directly aped “Kasmir” by Zeppelin, as did Kingdom Come’s lead single “Get It On”.  A little Zeppelin influence is fine, but Kingdom Come enraged Jimmy Page himself when one of their guitarists claimed he’d never heard a Led Zeppelin album.

The Zeppelin angle was one direction that Kingdom Come exploited in their early days, and though they grew out of it by their second album, the damage had been done. Their nickname became “Kingdom Clone”, the punchline of many jokes. This is why a simple 20th Century Masters compilation may be all the Kingdom Come you actually need.  Herein you will find all but one of their hits, and a fair few tracks from their first three studio albums.  Two guys from this band ended up in Warrant:  Rick Steier and James Kottak, who is also the longest-serving drummer that the Scorpions have ever employed.  By the third album, the original lineup had completely dissolved leaving singer Lenny Wolf the sole original member.

The one missing hit is a track called “Loving You” from the first LP, an acoustic ballad, sort of a sub-“Battle of Evermore”.  The other hits are here:

  • “Get It On”, the single that made them famous, which wears its Zep influences on its sleeves.
  • “What Love Can Be”, essentially Lenny Wolf’s transparent rewrite of “Since I’ve Been Loving You”.
  • “Do You Like It”, the first single from sophomore album In Your Face.

Lenny could have gotten away with some of the Zeppelin references if he didn’t try to sing so many Plant-isms.  You can only ma-ma-ma so much before you sound like Robert Plant, and Lenny could have tried to be his own singer instead.  You have to lay some of that at the feet of producer Bob Rock, who could have said, “Cut that shit out.”

The second album was a move away from that.  Keith Olsen got a sharper, more vibrant sound than Bob Rock did (though Rock really got a great drum sound for James Kottak).  Reportedly, some stores refused to stock the second LP because they thought the band’s name was Kingdom, and the album called Come In Your Face.  Too bad, because the incendiary “Do You Like It” was critically acclaimed for its drive.  The other In Your Face tracks included here absolutely represent a move away from Zeppelin and towards a more mainstream, slightly European rock sound.  Good songs, especially the mid-tempo “Gotta Go (Can’t Wage a War)”.

The third album, Hands of Time, came and went without a sound and Lenny was dropped from the label.  Reviews suggested it was soft and ballad oriented, but there are two decent slow rockers here from that album.  “Should I” has a slow grind topped by a passionate vocal.  The one included ballad, “You’re Not the Only…I Know” has a weird title but a great melody.

The great thing about the 20th Century Masters series is the ability to get key hits for a low price from bands that you may not want albums from.  The 11 tracks on the Kingdom Come edition are all worth owning, no duds in the bunch.  That makes this CD an easy one to pull the trigger on.

4/5 stars

scan_20160913-3

#458: The LeBrain 2015 Christmas Extraganza! – full report

GETTING MORE TALE #458: The LeBrain 2015 Christmas Extraganza! – full report

Scraps of turkey remain, wrapped in tinfoil, awaiting soup or sandwiches to be made.  The cranberry sauce, if not used up, has been thrown out along with a mountain of cardboard and paper packaging.  Bank balances are lower, but hearts are fuller.  Christmas has come and gone.

Here we sit on the Monday after, hopefully still on vacation, to enjoy the spoils.

The first thing I need to address personally is this:  Happy birthday to my sister Kathryn!  Kathryn requested a birthday review this year, but unfortunately I just have not had the time to do it.  I will review her request sometime in early 2016!

The first Christmas gift that I opened came in the mail from Aaron who sneakily did this even though he certainly didn’t have to!  And I know he has sent Christmas gifts to other folks in the community.  What a generous lad!  I know he loves to hear about how we react to his surprises, so I had Mrs. LeBrain record mine.  This was done on the evening of the 22nd. Thanks Aaron!

You can’t have too many Kiss shirts!  And that Flying Colors blu-ray is going to be amazing.  In fact I’m already arranging a group screening for review purposes!

On the 23rd, we had a half day at work, and a huge Christmas feast for lunch. This was catered in by a company called Platters that we’d never tried before. It was easily the best catered meal we have had in my eight Christmases at the company. Lots of laughs and handshakes, and then by 1:00, most people had taken off for the Christmas break. For some of us though, a long day was still ahead! We had taken on a job that was new to us only a week before. The job had to be completed and shipped on the 23rd, so we had a skeleton crew left, working hard to get this accomplished. I was responsible for coordinating the customs paperwork, and so I was among the stragglers. Around 5:00, the job was finally completed and I crawled home exhausted to begin my holiday. It sure felt amazing to walk in that door!

Mail had arrived, and in the box was Marillion’s latest fan club-only Christmas CD!  Free gifts given only to fan club members, I collect these things which are true rarities. I’m only missing the first two (1998 and 1999). This year is a double live called A Monstrously Festive(al) Christmas.

On December 24th, Christmas Eve, it was so warm outside that I was wearing shorts. In all my years I have never seen a Christmas without any snow. This was the first. We’ve had blizzards and mild weather but nothing like this!

Christmas in shorts

Christmas in shorts

Over the course of the next 24 hours, there were some pretty damn cool gifts given and received.  Here are the musical highlights.  All are still sealed, so as to savour every delightful moment.  As usual, I have some intensive listening to do in the weeks and months to come.  Do you see something here you’d like reviewed?

It’s a very Purple Christmas this year!  Hard Road is a 5 disc box set containing the first three Purple albums with bonus tracks, and also the rare original mono mixes, which I have never heard before.  This renders even the best remastered versions of the early Purple CDs obsolete.  I need someone to gift them to!  As for the Rainbow, and Wacken sets…this is a lot of hours of music.  Include that Flying Colors double live as part of my Purple Christmas!

The live rock continues:

Two new releases and one classic.  Many more hours of incredible musicianship to be had right here.  But what’s Christmas without some kind of crazy deluxe edition boxed set?

I originally acquired Too Old to Rock ‘N’ Roll in 2012, so I don’t know it very intimately.  I do like it though, so why not go for the whole hog?  This box set contains: the original album, the previous bonus tracks with a bunch more on top, the original quadrophonic mix transferred to DVD for the 4.0 quad experience, a TV special, bonus video features such as a tribute to the late bassist John Glascock, and lots more.  Go big or go home!

Then we have this massive Led Zeppelin book set, The Ultimate Collection by Chris Welch, including a DVD and an enormous amount of reproduction memorabilia:

Sheer overload!  When am I going to have time to go through all this?  I only have a week off!

Fortunately, I have already enjoyed these two movies, Ted 2 and Ant-Man.  Great way to enjoy Boxing Day.

Scan_20151227

New Transformers and nerd-stuffs also arrived chez LeBrain.  My mom even bought me a selfie stick Nerd Stick.  Look at the aerial photo I took of her Christmas village!  In fact, the only snow in town could be found in her Christmas village.

IMG_20151225_104754

Nerd stuffs:

Finally, I needed a new coffee mug.  I need a cup that can comfortably hold 12 oz.  Mrs. LeBrain’s Mom delivered, with my brand new Vader mug.  Dark side or not, that’s just a light roast inside him.  This is actually quite a nice mug, with silver paint applications on Vader’s mask.  It’s odd to see the Disney logo on anything I own, but there it was on the box.  I believe that Lord Vader will be accompanying me as I journey through the light and dark sides of live music sets!

IMG_20151227_101619

I hope everyone had a merry, merry Christmas.  Next up:  the new year.  And you know what that means!  Year end lists!  Next time on Getting More Tale.

LeBrain

#437: So You Want to Make a Mix Tape?

IMG_20150916_172503

GETTING MORE TALE #437: So You Want to Make a Mix Tape?

So you’ve decided to hop into your time machine and make a mix tape?  Good for you!  In the 80’s, making a mix tape was a rite of passage.  Today it is a fading art.  Congratulations for wanting to keep that art alive!  Here are some tips.

First of all, who are you making the tape for?  What do you want on it?  Prep all your recording materials in advance.  Get out the CDs and records you want to tape.  Are you doing a straight hits tape?  A mixture of artists?  Roughly plot out your track list, but only roughly, because you will probably have to make changes on the fly.

Get your tape ready.  What length are you using?  I recommend 90 – 100 minute tapes.  Anything longer than 100 minutes and you risk stretching the tape.  This length range gives you more room to play with than a standard 60 minute tape.

Clean your equipment.  Get your tape head demagnetized, and clean those pinch rollers with isopropyl alcohol or something similar.  Use lint-free cloth.  Since you’re making a mix tape, I assume you want it to sound as good as you can make it.  Use a decent quality blank tape.

Now, using a pencil or just your finger, carefully wind the tape so that the clear tape lead is no longer visible.  When you see brown magnetic tape, you are ready to hit “record”.

I used to add the little test frequencies that they put on the start of cassettes to open my mix tapes.  Don’t have one of those?  That’s OK.  Just download one from Youtube!

My recording technique involved having as short a gap between songs as possible.  I viewed a long gap as an amateur move, unless it was intentional, for effect.   To get a short gap, hit “pause” on your recorder immediately after the song stops, but don’t pause for too long.  Leaving that pause button depressed isn’t good for the tape, because on most machines, the tape head is still making contact with the recording tape.  Still, it’s better than hitting “stop” which tends to leave an annoying clunky sound between songs.

Now, the one irritating thing that amateur tapers do is let a song be cut off at the end of a side.  Don’t do that!  It’s very difficult to get exactly a side of music, so leave some space after the last song.  In fact, I suggest having a bunch of “standby” short tracks handy, to fill up any undesired blank space.  It’s also fun to end a side with a brief movie quote or skit.  It’s up to you, how you decide to end a side, but don’t cut a song off.  That’s annoying!  You may have to improvise, select some shorter songs, and re-do some things, but cutting off a song is just a rookie mistake.  You will have to be flexible with your track list when it comes to where the sides end.  Tape speed is anything but consistent, so even if you’ve clocked your side at exactly 45 minutes, if your tape is running fast then you’ll be out of space.

The beauty of cassette is the opportunity to use the two sides to your advantage.  Each side can be its own journey, with opening and closing tracks.  Yet it’s still part of a whole.  Perhaps you’d like to make a Led Zeppelin hits tape.  Why not make side one all electric, and side two acoustic?  You can have a killer electric opening for side one (“Good Times Bad Times” perhaps), and close it with a corker too (like “Kashmir”).  Then you can kick off side two with an acoustic opener, such as “Gallows Pole” and end it with “Stairway”.  The possibilities are endless, but the ability to create distinct sides is so much fun.

Finally, write those songs down on the J-card, or make some custom cover art.  If you’re artistically inclined, the cover art can be the most fun.

Making a mix tape is a time consuming process since you need to do it in real time.  It can also be a taxing job, if you’re a perfectionist trying to make your mix tape flawless.  The main thing is keeping it fun.  Have a good time with it!

IMG_20150916_172516

#433.9: Top 15 on the 15th (by Iron Tom Sharpe)

NOTE:  Because of the three Top 15 on the 15th posts today, there will be no posting for Wednesday.  A directory to all the Top 15 on the 15th posts can be found here.  Browse them all!

Getting More Tale #433.9 presents: A worldwide online event!
THE TOP 15 ON THE 15th – Guest shot by Iron Tom Sharpe

Latest to throw his hat into the Top 15 on the 15th ring is Iron Tom Sharpe, Meaford’s Greatest Athlete. One of the most knowledgeable rock fans in the country, Iron Tom is a national treasure. He is a former Record Store owner, and one of the Jedi masters who instructed me.

His message to me upon completion of his list: “Fuck that was tough…and I know I left off some big ones…I just know it…Ah fuck, The D! Max!”

There may be no Tenacious D, and there may be no Max Webster. But here is one kick-ass #Top15onthe15th.

 

WARP15. The Sword – Warp Riders

MASTER14. Metallica – Master of Puppets

PERFECT13. Deep Purple – Perfect Strangers

BONGO12. Frank Zappa – Bongo Fury

PHYSICAL11. Led Zeppelin – Physical Graffiti

SKY10. Kyuss – Sky Valley

FAIR9. Van Halen – Fair Warning

PHASES8. Willie Nelson – Phases and Stages

CLOSE7. Yes – Close to the Edge

POWERSLAVE6. Iron Maiden – Powerslave

ACTION'5. Fu Manchu – The Action Is Go

ALRIGHT4. Steve Earle – I Feel Alright

MISPLACED3. Marillion – Misplaced Childhood

II2. Queen – Queen II

MOVING1. Rush – Moving Pictures

 

 

Almost made it:

  • Orange Goblin – Time Traveling Blues
  • Crosby Stills & Nash – CSN
  • Pink Floyd – Animals
  • Motorhead – Another Perfect Day
  • Black Sabbath – Heaven and Hell

 

And finally…an extra bonus.  Iron Tom’s Top 5 Live!

5. Iron Maiden – Live After Death

4. Jimi Hendrix – Band Of Gypsys

3. Supertramp – Paris

2. Dire Straits – Alchemy Live

1. Eric Clapton – Just One Night