phil lynott

REVIEW: Thin Lizzy – Jailbreak (deluxe edition)

JAILBREAK FRONT

THIN LIZZY – Jailbreak (2011 deluxe edition)

Jailbreak!

This classic underappreciated masterpiece of rock goodness has finally been expanded with bonus tracks.  Underappreciated?  Sure, while everyone knows at least two songs from this album, how many friends of yours actually own a copy?

Jailbreak‘s been given some cool bonus tracks.  An entire disc’s worth in fact!  The remastering sounds good enough to me.  Until I got this deluxe, I hadn’t played Jailbreak in a while, and I had completely forgotten about great album cuts like “Running Back”.  It’s a sweet little love ditty as only Phil can do it, romantic but classy all the way.

I think the second track, “Angel From the Coast”, is one of Lizzy’s greatest album cuts.  It rides on top a rhythmic, rolling guitar riff, but it’s also one of Phil’s more memorable compositions.  “Romeo and the Lonely Girl” is another one of Phil’s romantic classic rockers.  The lyrics are kinda cheesey:  “Whoah-oh, poor Romeo, sittin’ all on his own-e-o”.  But it works, because it’s Phil, and everything he did sounded sincere and cool.

“Warriors” brings the metal.  It’s a classic heavy rocker that I am sure people like Steve Harris studied meticulously to learn the mysterious art of songwriting.  Multiple sections collide, thundering drums roll, and solos rage.

“Fight Or Fall” is a great ballad, acoustic and soulful.  This is the kind of thing that Phil had done so well on albums like Nightlife.  “Emerald” is another Phil historical epic.  Once again, I feel that Steve Harris probably studied this song intensely.  This really anticipates where Iron Maiden were going to go later on.

One of the true classics on Jailbreak was “Cowboy Song”, a song that melded live with Lizzy’s cover of Bob Seger’s “Rosalie”.  In my mind, the two songs are one in the same now.  They go together like peanut butter and jam.  And that, friends, is a tasty sandwich.

I don’t really need to talk “Jailbreak” and “The Boys Are Back In Town”, do I?

Alright, I will.  “Boys Are Back” is one I discovered initially through Bon Jovi.  They covered it back in 1989 on a charity CD that I’ll cover another time.  It was perfect for them.  Didn’t Jon always sing about the boys being back in town back then?  It had a tasty guitar harmony part for Richie Sambora to sink his teeth into, and it was melodic and radio-worthy.  In a way, this is Lizzy’s Bon Jovi song, but it is no less classic for it.

And “Jailbreak”?  Everything about it is perfect.  The riff, the melody, but it really came alive in a live setting.  As good as the album version is, it was live that “Jailbreak” burned.

The bonus disc kicks off with four remixes helmed by Joe Elliott, one of the biggest Lizzy fans out there. His strategy was simple: some subtle fixes to out-of-tune guitars and drums that were mixed too low.  Then he and Scott Gorham added previously unheard lyrics, solos and fills. The result is some fine alternate versions that won’t replace the originals but serve as interesting companion pieces. I especially enjoyed the previously unheard lyrics from Phil.

The remixes are followed by some live takes. BBC recordings of the title track, “Emerald”, and others are nice and clean. Just as you would expect from the BBC. Then there is an extended cut of “Fight Or Fall” with some very tasty slide guitar brought up to the forefront. It’s a nice touch. “Blues Boy” is a completely unreleased track, a blues as you might have guessed. It is complete with some skeletal vocals from Phil, but this is essentially a blues jam. As an unreleased song, this is a valuable inclusion, albeit not a standout song. The album ends with a live take called “Derby Blues”, which is an embrionic version of “Cowboy Song”. “This is a new number, this one!” says Phil.  “As yet untitled. We’ll call it ‘Derby Blues'”. It still has all the energy and fire that it would later embody.  (“Derby Blues” is also on a more recent release called UK Tour 75.)

The liner notes to this edition are quite excellent, among the best I have ever run into in a deluxe edition. As an added bonus, there is a page of notes from Joe Elliott, explaining the included remixes.

If you don’t want to bother with the deluxe, at least make sure you own Jailbreak.
5/5 stars

REVIEW: Thin Lizzy – Johnny The Fox (deluxe edition)

JOHNNY FRONTTHIN LIZZY – Johnny the Fox (2011 deluxe edition)

When my copy of Johnny The Fox had arrived, it was the last of the initial three Lizzy deluxe editions that I required. For some reason, it took two months to arrive. The wait over, I eagerly devoured this new remastered edition.

As always with these deluxe editions, the packaging is impressive. The cover art looks great, there are liner notes galore, and a bunch of pictures. The remastering was crisp and clear. Job well done. Where this deluxe edition falls short is on the bonus material. I found the bonus material a bit tedious this time out, with some tracks being mere curiosities and nothing you’d really care to listen to more than a couple times.

Johnny The Fox, as an album, is one of my Lizzy favourites. It features the classic lineup of Lynott, Downey, Gorham and Robertson and has some of the best lesser-known Lizzy album cuts. “Massacre” is a Maiden-eque stomp through some bloody history (Maiden covered it later). “Fools Gold” is some fantastic mid-tempo storytelling. I absolutely love this song, emotional and strong. My favourite song, “Borderline”, is a ballad with a slight twang and Phil hitting all the right notes with a beautiful bassline. This is just a very well rounded rock album, with lots of great songs like “Johnny” and “Boogie Woogie Dance” that just jump out at you.

And let’s not forget “Don’t Believe A Word”, one of the best known Lizzy classics.  Great song, absolutely timeless.  Not to be outshone are classics such as the tough “Rocky” and the cool funk of “Johnny the Fox Meets Jimmy the Weed”.  This album was Lizzy at their peak, the classic lineup, and a record equally as powerful as the slightly better known Jailbreak.

Even the lyrics are Lynott at his prime!  Check out “Johnny the Fox Meets Jimmy the Weed”:

In the back of a black Cadillac,
The voodoo music travels,
Down Skid Row only black men can go,
The shady deal unravels

See how Lynott also gave a shout-out to his old band, Skid Row, with Gary Moore?

Listening to Johnny The Fox now, I hear no weak songs.  “Old Flame” is a pretty ballad with the dual guitar thing going on,  a ballad as only Lizzy could do it.  Only the slow “Sweet Marie” is as close as you get to a dud.

JOHNNY INSIDE

The bonus disc starts off with two Joe Elliot remixes (“Don’t Believe A Word” and “Johnny”). Once again, Elliot has beefed up the sound while maintaining the integrity of the track. I know that they took great pains to fix every out of tune note, but you honestly don’t really detect it. I’m sure you could if you tried, but just enjoying the tracks, it doesn’t sound too messed with.

There are some good BBC Sessions up next, all very tight and sounding not too dissimilar for the album tracks. Unfortunately by now you have heard “Don’t Believe A Word” and “Johnny” three times each. You’re also about to hear “Johnny the Fox Meets Jimmy the Weed” a third time, this one a lo-fi instrumental take. There are four of these instrumental rehearsals in total, and honestly they’re extraneous. This kind of stuff, while interesting to listen to on an analytical level, were never meant for public consumption. Fortunately, this disc ends with a neat rough demo called “Scott’s Tune” that is a previously unknown musical idea by Scott Gorham. Nice find.

On the whole, I don’t regret this purchase, I’m glad to have the complete set of Lizzy deluxe editions. The packaging is very nice and the Joe Elliot remixes are strong. Some material I’ll be itching to skip over next time. It’s not the best deluxe edition ever.

4.5 /5 stars. (5 stars for album/4 for reissue)

REVIEW: Thin Lizzy – Chinatown (deluxe edition)

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THIN LIZZY – Chinatown (2011 deluxe edition)

Thanks again Amazon!  I recently collected all the Thin Lizzy Deluxe Editions.  Eventually, I’ll review them all.  Today, I’m doing one of the lesser known albums, 1980’s Chinatown.

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You know, it’s funny how perspective changes. When I first got this album a few years back, “Sugar Blues” was my least favourite track. Now, it’s my favourite. Just listen to that Snowy White guitar solo with headphones on, and dig into that driving rhythm.  Incredible.

In general, I enjoy Chinatown a lot more now. There are some strikingly great Thin Lizzy tunes on here, albeit a bit less complex than previous albums. “Killer On The Loose” remains a great heavy metal song with brilliant soloing courtesy of Gorham. “We Will Be Strong”, the slightly understated opener, is also a personal favourite. It may not be loaded to the gills with familiar songs, but Chinatown is still a fine Lizzy platter.

Another winner is “Genocide (The Killing of the Buffalo)”.  Some might wonder what right an Irish man has to criticize what the white American did to his land.  I think it’s a pretty straightforward and clear-cut position.   It’s also a great song, riffy and solid.

“Having A Good Time” is an enjoyable romp (Phil’s cheerleading being infectious) with yet another Snowy solo that just sails. It just rides the song beautifully and elevates the whole thing. Personally, I think Snowy’s work with Thin Lizzy has been among the most interesting.  He may not have been the “right” guy for Lizzy (discuss!) but his work cannot be dismissed.  As an interesting bluesy sideroad, the Snowy White era of Thin Lizzy is as compelling as the previous eras.

This deluxe edition adds a bonus disc of extra goodies that is well worth the price. (At press time, selling for about $17 on Amazon.ca, although I paid $32.50 CAD when it was just out.)  The B-side “Don’t Play Around” is stellar. While the live take of “Sugar Blues” is previously available on the Thin Lizzy box set (smoking solo by the way), “Whiskey In The Jar” is a really interesting version. Performed as a trio by Phil Lynott, Brian Downey and Midge Ure (apparently because Snowy and Scott don’t know the song?), it’s a very different, simplified version of the song but no less catchy.

As with all Thin Lizzy deluxe editions, there’s an extensive booklet with photos, facts, figures, interviews, and so on.  I enjoy reading along as I listen.

5/5 stars

Part 155: Sarge

RECORD STORE TALES Part 155:  Sarge

As I mentioned in an earlier chapter, I had once explored the world of piercings.  It was a part of record store culture and I’ve since moved on, but I did make many friends in that world.

One of those friends was Lemon Kurri Klopek, who I also mentioned earlier.  Lemon Kurri was the bass player for the Niagara Falls based punk band, The Legendary Klopeks.  Through the magic of the internet, Lemon Kurri and I befriended a guy named Sarge, “the best piercer in all of southern England”.  Sarge came to visit Canada on a couple of occasions, and in fact helped the Klopeks play their first overseas gigs.

Sometime in the 1990’s, Sarge opened his shop, Metal Fatigue, in Bournermouth.  His reputation grew and he became quite successful.  “I can’t move in my local rock nightclub for people the shop has pierced, the running joke is about the scrap value in titanium every Saturday night!” said Sarge.

On one of Sarge’s visits, I had the chance to witness his work up close and personal.  And not just something standard like an ear or nose piercings, I had the chance to witness a really unusual one.

A local girl had seen Sarge’s clavicle piercing on the internet and was interested.  It’s a very unusual piercing that involves going underneath the collarbone.  Yes, underneath.  There’s a piece of jewelry made of flexible plastic and two metal balls, and that’s how it’s done.  Sarge was one of very few people who did it.  This girl eventually emailed Sarge about getting one done, not realizing he lived across the ocean.  However, Sarge was planning on coming and visiting his Klopek friends that summer.  The Canadian could have her clavicle piercing after all.

It was quite a sight to watch.  “The clavicle piercing (under the collar bone) is probably my ‘trophy’ piercing now, its really dangerous,” says Sarge.  “If I hit anything untoward, someone may die.  I have had loads of criticism from various piercers for even thinking about doing one. Saying that, I have now done 8 and they all love them so much!  I have stopped doing them now, as we are into unknown territory, watching them heal, working around possible problems with them.  So far everything has been hunky dory.”

I still have some pictures from that day.  The gentlemen in the photos are Lemon Kurri and Sweet Pepper Klopek, the bassist and singer from the Legendary Klopeks.  I have no idea why Sweet Pepper is all bruised in the face.  With them was a Scottish chap named T-Bone who took photos.  And of course Sarge and his client!  And Sarge’s boots.

Sarge, T-Bone, some girl
Sweet Pepper, Lemon Kurri, Sarge & T-Bone
Lemon Kurri & Sweet Pepper
Lemon Kurri & Sweet Pepper
Sweet Pepper & Sarge
clavicle in action
clavicle complete
Sarge’s boots

To get us back onto the subject of music, Sarge tells a great story of some rock encounters in his travels across the pond.

“I met Jon Anderson from the band Yes when I was working at a hotel once!  Had a beer with him after work, he was doing some book signing thing, I think I still have his autograph somewhere, he signed a copy of a (Yes cover artist) Rodger Dean art book for me!”

But my favourite story involved his meeting with one of rock’s most notorious frontmen.

The year was 1986.  Sarge was out at the bar.  Although he had no way of knowing, Philip Lynott from Thin Lizzy had died that day, and the bar was playing his music in tribute to the fallen rock hero.  Sarge, however, was not a fan.  When he openly criticized the music of Thin Lizzy with some choice words, a large man with “bad teeth, long black hair and a low gruff voice,” told the young Sarge to fuck off.  This was Sarge’s first and last meeting with the infamous Lemmy Kilmister!

REVIEW: Thin Lizzy – Live and Dangerous (deluxe edition)

“Is there anyone here who has some Irish them? Are there any girls who’d like a little more Irish in them?” — Phil Lynott

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THIN LIZZY – Live and Dangerous (2011 deluxe edition)

Kiss Alive. Frampton Comes Alive. Live At Leeds. Live and Dangerous. What is it about live albums that, in the past anyway, pretty much defined a band’s career? If you were going to own one Kiss album, let’s face it, it was Kiss Alive. Likewise with Lizzy — this was the album you were most likely to find in the older brother’s record collection. Or the dad’s CD collection, as time goes on. What is it about live albums in general and this one in particular?

Hard to say. However, one thing it does have common with Kiss Alive is that it was heavily overdubbed in the studio. The liner notes go into great detail on this, with producer Tony Visconti and guitarist Scott Gorham disagreeing on the details. So we may never know, except to listen to the results and blindly enjoy them for what they are!

Now expanded to two discs with two bonus tracks, Live and Dangerous is still a fantastic listen from front to back. I can’t believe how great this album still sounds. If this was concocted in the studio, I have no idea how they managed this kind of energy. In particular, Phil’s vocals are better than anything he’d ever done anywhere else — more soulful, more pronounced, powerful — pick your adjective. Either way, this is the sound of a real singer, singing live, improvising notes here and there, making it more real.

Enough good things cannot be said about Live and Dangerous so I will just add two more things and leave you to buy (or not, but you’d have to be a real suckypants not to want to own this). I was disappointed in two things:

1. Only two bonus tracks were included, and the B-side “Me And The Boys” is not one of them. This is very rare for deluxe editions, which usually include as many B-sides as possible, and there was room on the discs. (Don’t fret though, the live version of “Me And The Boys” can be had on the Lizzy box set.)

2. The DVD Live And Dangerous – Live at the Rainbow Theatre 1977 just includes the show itself and none of the special features included on actual individual DVD editions you can buy separately.

As an added note, you may enjoy the “sequel” album Still Dangerous, although there is some overlap.

5/5 stars. Just buy it.