Sammy Hagar

REVIEW: Sammy Hagar – Musical Chairs (1977)

SAMMY HAGAR – Musical Chairs (1977 Capitol)

A second album in 1977 for Sammy Hagar!  Swiftly following his self-titled record, Sammy was back with another collection of originals and covers featuring Bill Church and Alan Fitzgerald.  New to the band this time out were drummer Denny Carmassi, and Gary Pihl on guitar.  With Denny on board, it’s Montrose without Ronnie.

This review is based on my notes for an excellent episode of Tim’s Vinyl Confessions, and so does not follow my usual review format.  By all means, check out his Sammy Hagar book Red On Black for more details.  Let’s take ’em all track by track.

1. “Turn Up the Music” (John Carter, Sammy Hagar 3:35)

One of the Sammy songs I have known for ages, being on a 1989 “special markets” compilation called Turn Up the Music!  Very cool intro guitar lick, one of Sammy’s catchiest solo tracks.  Cool lyrics referencing the working day, and shouting out to past rockers like “Johnny B Goode”.  An ode to music making you feel better, helping you get through the day.  “Heavy metal music, oh that feels alright.”

2. “It’s Gonna Be All Right” (Hagar 4:11)

Laid back with cool synth riff by Fitz, and great punchy horn section.  Catchy and fun.  Youthful.  “We may be young, but we are strong, we can’t be wrong.  We’ve only just begun to be right!”  I remember feeling that way!  The horn section really gives the song a unique flavour for hard rock, and it just blasts!

3. “You Make Me Crazy” (Hagar 2:47)

Lovely little ballad with great keyboards and female backing vocals.  Very mellow in a 70s sense.  I picture a wintry chalet with a fire roaring.  Tommy Bolin vibes, circa “Sweet Burgundy”.  While it doesn’t really fit the Hagar oeuvre (especially on an album featuring the lyric “heavy metal music”), I do like this song.  Maybe it would be called adult contemporary in some circles…but not mine.

4. “Reckless” (Hagar 3:32)

One of Sammy’s heaviest!  Smokes from start to finish.  Guitar/organ riff is killer.  Heavy metal music indeed!  A true head banger.  Primitive Hagar music, with all the punches intact.

5. “Try (Try to Fall in Love)” (Norman Des Rosiers 3:11)

A cover of a sappy piano ballad.  Full of strings and adornments, flutes, and woodwinds, but a bit too mushy.  No rock.  Very lush, and Sammy attempts a nice falsetto, but it’s not a favourite.  And that song title?  It reminds me of “Tonight I’m Gonna Rock You (Tonight)” by Spinal Tap.  Why “Try (Try)”?  Why?  Oh that’s too much now.

6. “Don’t Stop Me Now” (Carter, Hagar 3:12)

Back to form, thankfully!  Nice crunchy simple riff here, and catchy guitar licks.  Punchy, simple and crunchy.  Nice chorus.  Listen for “red” reference – “I’m turnin’ red.”  This one strikes me as Kiss outtake quality.  Think Simmons’ Vault.

7. “Straight from the Hip Kid” (Liar cover – Norman Tager, Paul Travis 3:09)

Funky clavinet is a nice touch; thanks Fitz!  This is a cover tune by Liar, a contemporary 70s band who put out their own version of the track two years earlier.  Hard rocking, but with a slight touch of funk.

8. “Hey Boys” (Hagar 2:50)

OK song.  Light but not particularly memorable.  Chorus feels like it doesn’t fit.  Good keyboard solo work, very atmospheric.  “We’re all playin’ musical chairs, of but a change is gonna come,” lyric comes from this song.  Nice light rock.  Yacht rock?

9. “Someone Out There” (Hagar 3:01)

Enjoy the upbeat rock stylings of this song.  Light background organ is very nice.

10. “Crack in the World” (Hagar 5:11)

Slow rocker.  Goes epic in a soft kind of way, but the chorus doesn’t quite fit, which is a problem plaguing this record.  Good keyboard and guitar solos for what it is.  Kind of ends prematurely.

Not a spectacular album, with only two real serious rockers.  There are a few good light rockers too, but fans expecting the “Heavy Metal” Hagar will be sorely left with something they won’t understand.

3/5 stars

 

 

 

Tim’s Vinyl Confessions Ep. 591: Sammy Hagar Deep Dive #10 (I Never Said Goodbye)

Today at 4:00 PM EST, join Tim Durling and I as we talk about Sammy Hagar’s followup to VOA:  I Never Said Goodbye, or just plain Sammy Hagar.  It all depends on when you bought it, but Tim breaks the story down for you in this episode.

We go through the album track by track, take a look at a rare B-side, and evaluate our favourites and least favourites.  A lot of this album still sounds great, some less so.  Have a watch.  Here’s what Tim had to say about this episode:

Grab A Stack of Rock is back! Mike and I talk about Sammy’s final studio album in ten years. As usual, our opinions converge and also diverge.

Purchase RED ON BLACK: The Listener’s Guide to Sammy Hagar: https://www.amazon.com/RED-BLACK-List…

Tim’s Vinyl Confessions Ep. 589: Sammy Hagar Deep Dive #9 (VOA)

This week on Tim’s Vinyl Confessions: #8 in his Sammy Hagar Deep Dive video series.  This all coincides with a new book he has out, all about the Red Rocker’s discography.  V.O.A. is a special album for me personally as it was my first ever Sammy Hagar solo purchase.  I bought it for “I Can’t Drive 55” but I found a whole lot more.

What did Tim and I like, and dislike about this record? Find out today on Tim’s Vinyl Confessions.  Don’t Make Me Wait too long…the show will be up this afternoon!

 

Sammy Hagar, UFOs, and writing books: Red On Black with Tim Durling and Jex Russell

Buy Red On Black: The Listener’s Guide to Sammy Hagar at this link.

A big thank-you to my co-host Jex Russell and special guest Tim Durling for this informative, fun and funny look at the career of Sammy Hagar.  The show was also about this new book that Tim has out about the Red Rocker.

OK, sure, the show went off the rails from time to time, but there were plenty of highlights:

  • A hilarious cold open by Jex
  • A cool 12″ single for “Heavy Metal” with two bonus tracks
  • An inside look at Tim’s process and priorities when writing this book
  • Lots of interesting opinions on Sammy and his various bands
  • Great interaction in the comments section with loads of great questions

Enjoy the show!

Show notes:

 

How do you go about asking Greg Renoff to write a forward. Just “Hey Greg…”?
Thanks for the shout out about the “late tax”.
Do you think Roth still listens to Montrose?
Have you ever heard “Sammy Hagar Weekend” by Thelonious Monster?
Regarding the “contractual obligation album”, there was a lot of information here that I was not aware of before, such as that note inside 5150 that says “Sammy’s solo albums can be found on Geffen records.” When you first notice that?
Capital Special Markets – were these only serviced to certain kinds of stores?

THE QUIZ:
Who engineered Chickenfoot III? – Mike Fraser
What is the name of the alien race that Sammy believes abducted him, and inspired many of his lyrics? – The Nine
Did the Sam & Dave actually happen, or was it just a Mandela Effect?

Tim’s Vinyl Confessions Ep. 571: Sammy Hagar Deep Dive #3 (Musical Chairs)

To coincide with his new book RED ON BLACK: The Listener’s Guide to Sammy Hagar, Tim Durling and I took a deep dive on album #3:  Musical Chairs.

Here’s what Tim has to say about this episode:

“@GrabAStackofRocK‬’s Mike Ladano joins me for this look through Sammy’s third album, his second to be released in 1977. For the most part, we agree on this one. Be sure and subscribe to Mike’s channel for great content.“

This is the last show recorded at the cottage in 2024, in front of a nice fireplace.  I unboxed my copy of the book on this show.  Buy your own by clicking below!

Purchase RED ON BLACK: The Listener’s Guide to Sammy Hagar.

REVIEW: Sammy Hagar – Three Lock Box (1982)

SAMMY HAGAR – Three Lock Box (1982 Geffen)

Sometimes it is fun to review an album on its first listen, so that’s what we’re doing today with Hagar’s Three Lock Box.  I only know a handful of tunes so this will be mostly brand new to me.  Released December 6, 1982, Three Lock Box was Sammy’s seventh solo album.  Jon Cain (Journey) and Mike Reno (Loverboy) make guest appearances, and it contains Sammy’s biggest charting solo hit.  Let’s give it a spin, on this fancy Japanese CD pressing.

The title track is familiar, with its slightly funky riff and rich organ backing.  I don’t know why, but that refrain of “One, two, three lock box!” reminds me of the kind of melody and simplicity of a children’s song.  But child’s play this is not!  A couple minutes in, and the gears shift to full blown hard rockin’.  This is a catchy and rhythmically clever little tune.

“Remote Love” might have a bit too much keyboard in the mix, but this is a cool laid back rock ballad.  It sounds like something from a past age perhaps.  Loud keyboards aside, there’s something purely classic about it, especially when you get to the soulful chorus.

Cain and Reno appear on “Remember the Heroes” (co-written by Cain).  Very Journey-esque, but Mike Reno sounds absolutely brilliant!  What a powerhouse singer, and when he and Sammy team up on the chorus, it’s mighty great!  You could easily imagine Journey doing this song, and perhaps they should have.

“Your Love Is Driving Me Crazy” (#13 on Billboard’s Mainstream Rock songs) is clearly hit material.  It’s all melody, smooth and polished.  The production has the bells and whistles and the track is just really hard to resist.

A haunting tone enters on “In the Room”, a completely different vibe.  It almost sounds like a lost Alice Cooper number from the same time period.  “I’ve been caught in the room, that moment of sleep when you think you’re awake.”  The lyrics match the music perfectly.  This is one of those must-have deep cuts, a song that absolutely deserves more attention.  It’s so different for Sammy.  “Rise of the Animal” follows with spooky sounds, and then a synth pulse.  “I just came out from the room…” sings Sammy, continuing his thoughts from the prior song.  “I saw the rising of the moon.  This ain’t no ordinary night!  Look to my left, look to my right.”  It starts slow and picks up the pace, and ends with some brilliantly frantic soloing from Sam.

Another great deep cut is the pop rocker “I Wouldn’t Change A Thing”.  A radio-ready corker, it could have been a hit in an alternate universe.  Let’s call it the Sammyverse.  A universe where everything is bright, colourful and shiny.  I wouldn’t mind hanging out in the Sammyverse, and “I Wouldn’t Change A Thing” could be its anthem.  Wave your red flags high!

“Growing Up” has a highschool-tough sound, while Sammy sings of the girls in their summer clothes.  The Sammyverse only has short skirts and high heels.  It’s probably the filler track of the album, as it doesn’t seem to have the hooks of previous tracks.  Fortunately “Never Give Up” is all hooks.  Another pop rocker with memorably melodies and smooth guitars, it’s just a fun song.  Easy singalong in the car.  Speaking of cars, the Sammyverse is fond of ’em, and the closing track “I Don’t Need Love” races like one of Sammy’s Ferraris.  It’s a brilliant rocker and probably the heaviest track on an otherwise pretty mainstream rock album.

Sammy Hagar albums don’t have a lot of pyrotechnics.  They are often meat and potatoes, workmanlike and easily accessible.  Three Lock Box has its strengths not in the production or flashy performance, but in the songs and the singing.  It’s a satisfying listen and I understand why it is so well liked.  It may not have a lot of edge, but it’s a fun, feel-good listen.

4/5 stars

VHS Archives #100: The Final Episode of the Pepsi Power Hour

The final episode of the Pepsi Power Hour aired at the end of the summer of 1991.  The man with the sad honour of signing off was veteran Michael Williams.  Off and on, Williams hosted the Power Hour since 1986 if not earlier.  It was filmed at a welding shop in Calgary, Alberta.  Because metal?  (Bad, bad idea!  Audio engineers, your thoughts on this setting?)

Williams played Metallica’s “One”, and “Hunger Strike” by Temple of the Dog.  The shape of things to come.

The episode also features an interview with a new band called The Scream, featuring an up-and-comer named John Corabi.  A couple years later, and Corabi would be the new singer in Motley Crue.

The very last band ever played on the Pepsi Power Hour was Van Halen.  It was a big interview by Kim Clarke Champniss regarding the new album For Unlawful Carnal Knowledge.  The very last song ever played was “Runaround”.

The Power Hour was supplanted by the inferior Power 30.  It was a significant change.  I rarely missed a Power Hour.  The Power 30 was rarely worth catching.  However, look for the ad for a promising new Saturday show called Start Me Up – three hours of rock!

YouTube has forced me to butcher this video to get it up, so there are no music videos.  The Van Halen interview is mutilated. There are some ads and all the talking.  It’s history!

 

Speaking of history:  100 VHS Archives!  And counting!  I started posting these in 2019 and I still have plenty of files left to upload, and a few more tapes to play.  I’ve been taking it easy lately because the software is user-unfriendly and my VCR is making odd noises.  But we’re not done.  Not by a long shot.

Click here to check out all the VHS Archives!

 

#864: The Inside of Van Halen

Thankfully, I didn’t give away all my magazines.  Some special ones remain.  Most of those are Kiss-related, but a few are not.  I was smart enough to hang on to a few that are special, at least to me.  Today we’re looking at the only issue I own of The Inside, an excellent Van Halen fan club magazine.  This comes from Fall ’96, a brief period where the Van Halen lineup was presumed to be a reunited band with David Lee Roth.  That’s only one of the things that makes this issue interesting.

GETTING MORE TALE #864:  The Inside

The location that I first managed had been open only about six months.  1996 was an eventful year both for music and for me.  Notably, Sammy Hagar left Van Halen, and in a whirlwind of events they were recording new music with David Lee Roth.  People wanted to talk about it at the front counter and find out what I knew.  I knew no more than anybody else, but one of my early customers had the scoop.  He had access to The Inside, an unofficial Van Hagar magazine that would have been the best place to find information on them in the pre-internet-in-everybody’s-living-room age.

I can’t precisely remember how he got this issue.  Passed down from a brother-in-law, I believe.  Issue #6.  The front cover broke the news:  David Lee Roth was back?!  With a question mark, of course.  It already had some water damage when I received it third-hand.  We had been discussing all the latest Van Halen happenings in-store, and this particular guy already read the most in-depth coverage you could find.  He told me he’d pass the magazine down onto me, and true to his word, he did.  The news was so fresh that the letters column only contained correspondence from readers pre-split.

“These are strange times indeed,” reads in the first line on the first page, “Letter from the Editor”.  On page 10 is a detailed timeline of the breakup/reunion, monitoring early internet mailing list chatter and official statements.  It’s fascinating and many of the details turned out to be true, including the title of a new song, “Me Wise Magic“.  On the 14th page is an update on Eddie’s upcoming hip surgery, and the news that the Toronto pay-per-view concert was not scheduled for home video release.  Page 15 reveals that Dimebag Darrell recorded covers of “Everybody Wants Some!!” and “Outta Love Again” for B-side use, and that Pat Boone was covering “Jump” and possibly also “Panama” for the album that became In A Metal Mood.  (Only “Panama” made the final cut.)

Most of the issue is dominated by David Lee Roth, both coverage and speculation, but with big photos splashed over the pages.  There’s an interesting interview about the Balance tour with the lighting tech, but due to circumstances beyond their control, this was old news by comparison.

For music geeks that crave the obscure, there is a two page article on Brian May’s Star Fleet Project featuring Eddie Van Halen.  This article details the two day session that brought the three track mini-album to life.  How it came together, details and trivia.  There’s even an ad for a rare CD release of the album, complete with bonus tracks, as part of Brian May’s & Cozy Powell’s Resurrection release.

The back page has information on an album called Fatherless Child by Rich Wyman, featuring a guest appearance by none other than King Edward himself.  (If you have been watching The LeBrain Train: 2000 Words or More with Mike Ladano, on our Van Halen tribute episode, a viewer from Norway mentioned this release.  I claimed to have never heard of it, but apparently I had just forgotten!)  Eddie caught Wyman live and was impressed enough to produce four songs on Fatherless Child (Wyman’s second CD).  Better than that, he even played guitar on three.  This article details the songs and playing, and concludes with an interview with Wyman.

Generous customers like this, who treated people like me at the Record Store like an actual “Humans Being”, helped “Balance” out all the real assholes we got in that first year.  Shirtless dudes, shoeless dudes, (no pantsless dudes thankfully), construction workers tracking in dirt, thieves, troublemakers…and the odd real gem like this now-forgotten Van Halen fan.  All we did was talk a little Van Halen.  He had this magazine that he finished reading, and wanted to pass it on to a fellow fan.  He returned with the book in hand, and it’s been in my collection ever since.

In a way, it’s kind of wrong that I still have this issue.  The original owner passed it on to someone else, who passed it on to me.  In the spirit of the way I acquired it, I really should have passed it on again when I gave away the bulk of my collection.  But I do still have it, in the same condition as I received it.  The inner page is loose as they often come to be, but it’s perfectly readable and enjoyable.

Instead of giving it away, I’ll live up to the spirit of the gift with this story and the pictures above.  Thanks, mystery Van Halen fan.  If you’re out there anywhere, let’s raise a toast to King Edward.

REVIEW: Van Halen – Live Without a Net (1987 VHS)

VAN HALEN – Live Without a Net (1987 Warner Reprise VHS/DVD)

I set the VCR to record.  MuchMusic were showing the full concert:  Van Halen, Live Without a Net!  Though they beeped the naughty words, I had to make sure I didn’t miss this special.  I’d never heard Van Halen doing Roth tunes with Hagar before!  Folks, there was a lot of beeping.

Live Without a Net is undoubtedly goofy, and that is part of its charm.  It’s kind of annoying every time Sammy proclaims that they are in “New Halen” instead of New Haven, but I guess he had to.  I still don’t understand why Sammy painted that lady’s shoes red.  The fact that a roadie had red spray paint on standby was kind of cool though.  The band were obviously wasted, but put on a completely epic show nonetheless.  It was light on the Roth stuff that Sammy didn’t want to do, like “Jump”, but they also played virtually all of their new album 5150.

The new stuff was heavier on keyboards and for many of the songs, Eddie was playing the keys while Sammy actually played the solos.  Unusual for this band; absolutely.  Sammy’s solo in “Love Walks In” ain’t half bad.  While I enjoyed this change of pace, Bob Schipper did not.  “A guy like Eddie Van Halen shouldn’t be stuck on keyboards,” he said.  I’ll be honest here.  I prefer Eddie playing keyboards live, even if it means Sammy’s on lead guitar.

The friendship between Sammy and Eddie here is obvious.  The chemistry is clear.  The tension that used to fuel Van Halen is gone here, and in it’s place is simple male comradery.  It’s audible in the music, and Eddie can’t stop grinning…except when he’s busy dragging on that cigarette!

With the new tunes dominating the set, there were only two Roth-era numbers.  “Panama” was the only big Roth hit, with “Ain’t Talkin’ ‘Bout Love” representing the first LP.  Balancing the Roth songs are two Hagar solo tunes, “There’s Only One Way to Rock” and “I Can’t Drive 55”.  These are great and you won’t find too many live versions that are better.  There were also the usual guitar, drum and bass solos, but Michael Anthony’s is mostly tuneless.  A Zeppelin cover, “Rock and Roll”, closes the set.

As kids, Bob and I didn’t care about the Zeppelin song.  What we watched the video for was Eddie himself.  When it was time for his solo, we studied it.  There was no way we could have understood what he was doing on a musical level, but we watched his actual technique.  We wondered if he ever burned his hand on that cigarette dangling from the headstock.  Eddie’s solo was like opening a science textbook for the first time.  Except this was a textbook that looked and sounded absolutely badass!

This always should have been a live album.  Edited, of course.  You don’t need the shoe painting episode to fully enjoy Van Halen Live Without a Net.*

4/5 stars

 

* The painting of the shoes happened during “Best of Both Worlds” and was edited out when released as a single B-side.

 

REVIEW: Van Halen – Selections from LIVE: Right here, right now. (1993 promo EP) “Van Halen turns 15!”

VAN HALEN – Selections from LIVE: Right here, right now. (1993 Warner promo EP) “Van Halen turns 15!”

Stuff like this is in my collection not because it’s valuable to me, but because at one point in time I got it for free.  We ran across promos like these all the time, and couldn’t sell them, so they were free to take.  Because it was Van Halen, I hung onto it even though all five tracks are taken from the live album Right here, right now.  It disappears in your CD collection due to the jewel case without a back cover or spine.  For the sake of simplicity (and a shorter title), we’ll just refer to this EP as “Van Halen turns 15”.

It actually plays really well.  Without any filler or solos, it’s a tight CD packed with some of the best songs.  “Dreams” serves as a connection to the earlier pop rock sounds of 5150.  Live, it rocks with higher octane than the studio version.  “Judgement Day” was one of the better representations of the then-new For Unlawful Carnal Knowledge material.  Its modern groove was predictive of the kind of music people would want to hear in the 90s:  heavier with more edge.  “Ain’t Talkin’ ‘Bout Love” is the one token DLR track, and then seemingly to balance things out, it’s Sammy’s “One Way to Rock”.  Whatever — the listening experience is perfect.

Because “Right Now” was the biggest thing since Crystal Pepsi, it’s inevitable that the live version was included on this CD.  If you find “Right Now” to be vomit-inducing, you can just hit stop.

Since this is a promo and should only be sought as a freebie, appointing it a score out of 5 stars is meaningless.   Radio stations are always ditching boxes of old CDs so it’s bound to turn up somewhere.

Whatever/5 stars