Making these videos is a lot of work (a lot more than it looks like, thank you Winblows*) but it’s a labor of love.
Aaron and I did very well on Toronto Record Store Excursion 2013. We used modern technology, such as smartphones and GPS, to maximize our time. The weather was gorgeous (absolutely perfect) the whole day, and boy, did we buy a lot of music.
Not quite a year ago, Aaron and I went to Toronto to splurge on music. Today I have returned from what is hoped to be a regular occurrence. I present to you, the spoils of war below. This is just a teaser. My goal is to edit together another documentary video like I did last year. This year I shot everything on my new BlackBerry Z10, which means I have to do some file conversion. With any luck I’ll be showing you all the details and fun soon. Until then, enjoy this teaser.!
Next in line of my reviews from Record Store Excursion 2012! Check out the video below if you missed it. This one bought at Sonic Boom Kensington.
MIKE AND AARON GO TO TORONTO
Let’s boogie!
The lineup is impressive enough: Joining Cozy are Don Airey on keyboards/moog and Jack Bruce on bass. Guitarists include Gary Moore, Bernie Marsden and Clem Clempson. So, that’s all good.
But Over The Top starts with the disco-sounding “Theme I” (written by George Martin of all people). There’s too much of Don’s dated sounding synth. That continues into the next track, “Killer” featuring Gary Moore. Don’s ray-gun keyboard are too much, although Gary is brilliant, and a highlight to the track.
Cozy expertly steps his way through every track, sounding like nobody but Cozy. But these cheesey keyboard anthems don’t lend themselves well to his style. Too much disco, too much funk, too much boogie and not enough rock. Jack Bruce is great, of course, very few can do what he does. His bass here is articulate and precise but for me, too much jazz fusion and not enough anchor!
Most of this is progressive-based rock, but the dated synth echoes too many things that nobody really liked anymore. The songs are not especially stiking, and Cozy doesn’t really go nuts until the final song, “Over The Top”. The producer behind this mess? None other than Martin Birch!
Best Song: “El Sid” which has some groove and stomp to it, the keys are toned down while Jack plays some beautifully stretchy basslines, and Bernie Marsden throws in one of those bluesy solos that you know and love from early Whitesnake. (Bernie wrote this one.) Second best is “Sweet Poison” which has moments that smoke.
I dig the cover art with Cozy jumping his drums with his bike! Sweet.
2/5 stars. I think it likely that if Cozy were with us, hey’d probably regret the keyboard-saturated sound today.
TRACK LIST:
Side One – “Theme I”, “Killer”, “Heidi Goes To Town”, “El Sid”
Side Two – “Sweet Poison”, “The Loner”, “Over The Top”
First of my reviews from Record Store Excursion 2012! Check out the video below if you missed it. This one bought at Sonic Boom Kensington.
MIKE AND AARON GO TO TORONTO
TWISTED SISTER – Under The Blade (1985 remix)
The original 1982 Secret Records mix of this album was raw and heavy, like a bulldozer with a singer and sense of rhythm. Secret folded and Atlantic re-released the album in ’85 with a remix helmed by Mark Mendoza. For added measure they added Twisted’s first single, “I’ll Never Grow Up, Now!” as a bonus track.
Although less so in its remixed for, Under the Blade served as a brutal reminder that Twisted Sister were and are a heavy metal band, before the MTV hits happened. No ballads, the only slow moment is the intro to “Run For Your Life” which soon hits the gas and takes off at breakneck speed. Like a cross between early Kiss, Cooper, Sabbath and Priest, Under the Blade was an aural assault. The assault was assisted by a brutally ragtag heavy production and mix, frayed at the edges and certainly way too heavy for kiddies weaned on autotune today. Elsewhere, more melodic fare like “Bad Boys (of Rock and Roll)” and “Shoot ‘Em Down” plot the way for the more commercial years about to unfold.
But then they did that remix, and toned everything down. The drums aren’t as loud, the guitars less cutting. In short, it sounds like they were trying to make Under the Blade fit in more with the Stay Hungry sound. I did like that they included “I’ll Never Grow Up, Now!”, one of my favourite TS tracks of all time.
Production is by Pete Way (UFO), and Fast Eddie Clarke (Motorhead) takes a guest guitar solo.
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