The Wall

#504: Waiting

Note:  This tale is from 1996 and does not reflect current tech.

GETTING MORE TALE #504: Waiting

The store that I managed for the longest period of time was opened in April of 1996.  The format was 95% used stock, about 5% new.  It was fun being a part of the cutting edge in retail.

When we opened that store, we were inundated by customers who had never heard of us before.  Every day for months, somebody would wander in who had never been in one of our stores before.  It was cool.  We were different, and we wanted people to know it.  We were eager to promote our special features and strengths, such as our listening stations and reservation lists.

The reservation list caused a lot of confusion among new customers.

Here’s how it worked.  Let’s say you’re looking for a CD that is hard to find used – Pink Floyd’s The Wall.  That one was expensive brand new.  Usually it ran for about $33.99.  Customers would much rather pay less, so they put themselves on our waiting list.  At the time we opened, the waiting lists were for that store only.  We didn’t have the ability to share our waiting lists with other branches yet.  This was still a massive improvement over the old system:  a notebook with phone numbers and titles written in it.  (There were lots of names and numbers with the title “any Beatles”.)

The list operated on a first-come, first-served basis.  If you were the very first customer to put their name in for The Wall back in April ’96, then you would get dibs on the very first used copy that came in.  If you were second, you’d get the next shot at it, and so on and so forth.  What seemed to confuse my early customers the most was “Where do these used CDs actually come from?”

There was no magical land of used CDs.  There was no massive warehouse from which to pick and choose copies of The Wall in various conditions.  There was no place from which to order used CD stock like you could with new.  If there was a Used CD Magic Wonderland, then it was in your basement, because the only way we received our stock in those days was via the customer.  If a customer came in and traded a great condition copy of The Wall, then congratulations – the first person on the waiting list received the first call.

On down the list we went.  If the first person no longer wanted The Wall (a frequent occurrence) then we’d go down the list to the second person.  We would phone each customer and give them a week to pick up their CD.  Unfortunately most customers who no longer wanted the CD never bothered to tell us, so it would sit there for a whole week before we could put it back in the hopper.  We wiped out our entire waiting list for Last of the Mohicans (Soundtrack) with just one copy, because none of the reserved customers wanted it anymore.  There were five names on that list, and then suddenly none!

So: reserve a CD, and we would let you know when one was traded in.  This doesn’t seem like it should be hard to understand, but apparently for some it was.

One upset customer came in about two weeks after reserving a rare CD.  “Is it in yet?”

I checked.  “No, it’s not in stock, but since you have a reserve for it, we’ll call you when it does show up.”

“When’s that going to be?” he asked.

“Hard to say,” I responded, trying to answer his question.  “Whenever someone trades one in, which could be tomorrow or it could be next year.”

Then he bellowed, “What do I have to do to get this thing to come in?!”

Sometimes, I just didn’t know what else to say.

“You don’t have to do anything,” I said, not sure how to explain this further.  “Somebody will get tired of their copy, or just need the money.  If they sell it to me, you’ll get a phone call right away.”  Then, feeling a little snarky, I added, “Unless you know somebody with a copy that you can talk into trading it in to us.”

There was actually one nearly-surefire way to guarantee a used CD would come into stock.  T-Rev discovered this, inadvertently.  Somehow, any time either of us bought a new CD that we’d been hunting for, suddenly a used copy would show up in store.  Sometimes on the same day.  This happened more than once!  I was there when it happened with a Primus CD he was looking for.  (Wish I could remember which one.)  It was eerie.

Everything has changed today, obviously, and now you have access to the world’s inventory from your PC.  It’s hard to imagine there was once a time when you (gasp!) had to actually wait to find a used copy of The Wall!

WALL

Part 231: Top 5…of all time?

RECORD STORE TALES Part 231:  Top 5…of all time?

I put in just shy of 12 years at the record store.  That’s a lot of time to work retail.  If you’ve worked retail, you know what I’m talking about.  If you haven’t, it has its ups and downs.  The ups include discounts.  The downs entail being abused by the general public on a daily basis.

I have a nice plaque around here somewhere, commemorating 7 years at the store.  It was a pretty cool gift.  It was a total surprise, how it happened.  My boss phoned me out of the blue one day.

“Mike,” he said.  “I need a list of the top 5 albums of all time.  It’s for an article we’re doing.”

“Cool!” I responded eagerly.  “But what are the parameters?  Is it like rock, or all genres?  Because that’s just a wide-open question.”

“Just what you think are the top albums of all time, that’s all I really need.”

Cool!  I started work on it.  I wanted to be objective, fair.  If I were making a personalized list of a top 5, it would be easy, I know there would be some Kiss and Sabbath in there.  I wanted to discount my own personal biases and try to be as open as possible for this particular list.

First of all, I chose The Wall.  I admit that I chose this over Dark Side due to personal preference, also I think a double album like The Wall deserves many accolades.  I obviously had to give respect to two of the greatest bands of all time, Led Zeppelin and The Beatles.  I chose Zeppelin IV and Abbey Road.  I really couldn’t choose a Zeppelin, so I went with IV as kind of a default answer.  Abbey Road is arguably the most genius the Beatles ever were, so I could easily choose that over Sgt. Pepper’s.

OK, three down!  Even though all three artists I chose were different from each other, they were all rock, so I needed to go outside that box.  To represent country, I decided on Folson Prison by Johnny Cash.  Were this a more personalized list, I would choose San Quentin, but I went with Folsom as it seems to be the best known.

I didn’t know what to pick last, so I went with a cop-out answer.  Back In Black.  What a weak, spineless choice!  What am I a college student?  Anyway, again I decided to be open and think about how many copies it sold, not about the many superior AC/DC albums.

I submitted my list.  A month or two later, I was presented with this plaque!  And these five albums were on the plaque!  My boss had collected lists from a few of us who had been there a while, and given us custom made plaques, with the CDs and everything.  It was really cool and I treasured mine for years.

I only wish he had worded his question differently!  If I had known in advance what he was really asking (thus spoiling the surprise) I would have chosen these five:

5. Iron MaidenPiece of Mind

4. KissAlive

3. Kiss Hotter Than Hell

2. Deep PurpleFireball

1. Black SabbathBorn Again

The original plaque is packed up in a box, as Mrs. LeBrain and I are planning a move to a bigger place.  Here’s the five albums that made it onto the plaque though, at least all albums I proudly own.  And because I don’t do anything small, I own them all in some kind of crazy deluxe box set.  Enjoy.

Part 71/ REVIEW: Pink Floyd – Shine On (9 disc box set)

Shine On came out in ’92, I got my copy 11 years later.  First, the story of how I acquired this exceptional copy, and then the review!

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RECORD STORE TALES Part 71:  Shine On

I still have the receipt:  I paid $199.99 on February 12 2003.  New, it’s going for about $440 on Amazon.com these days.  I paid a lot, that is true; we did not get staff discounts on big ticket things such as this.  However, when I encountered Shine On that day, I’d never seen one in better shape.

The hardcover book, containing 110 large pages of text, photos, artwork and credits, was still sealed in plastic.  Nobody had even bothered to open it.  The eight artwork post cards were intact in the black envelope.  The little black fold-out display box was still folded, and remains so to this day.  It’s a very nice touch but I prefer to keep mine as I found it.

The discs, each housed in its own shiny black plastic case, are all mint.  Maybe some were never played before I got hold of it.  The cases are also nearly spotless.  Most of the time, the biggest defect with used copies of this set were broken cases.  Each case was unique:  The front of the case had a small image of the album, and the spine of the case had a piece of a rainbow embossed.  Put all 8 CD cases together in the correct order and you get an image of the Dark Side prism effect.  That’s why the set comes with that little cardboard display – in case you felt like showing them off this way.

Lastly, the bonus CD, The Early Singles, is intact.  A set in this condition was a rarity and I’d never seen better.  Over the years, every set I encountered had a defect of some kind, major or minor:

  • The bonus CD would be missing
  • One or more discs badly scratched
  • One or more cases badly broken
  • One or more postcards or pieces missing
  • The box itself would sometimes be missing and all you’d get is the discs with the little display case
  • Or, just the book would be missing
  • Once, the book was warped and damaged from excessive moisture

You can see why I jumped at the chance.  A box of this condition, used, well that could not be passed up. Likely I’d never see one again that wasn’t sealed brand new — but as a deleted catalogue item, new copies were upwards of $300 at the time.

So, no staff discount?  No problem.  VISA to the rescue.

A $200 sale was a good chunk of my daily quota.  Head office was in the habit of calling at 5 and checking the sales for the day so far.  I read mine off, which was high obviously, but didn’t say why it was high.

“Wow!  Good for you Mikey!  You’ve been busy, keep it up.”

“Yeah, well, it’s been a good day y’know,” I responded.  May as well take the credit for it too, right, hell it was my money.

I was dating Radio Statio Girl at the time.  However I was already starting to get cynical about our prospects, having been dumped once already by this time.  Our second go-round was pleasant but a bit tense.  I was supposed to drive down to her place that night, but I decided to spend the evening with Syd Barrett, Roger Waters, David Gilmour, Richard Wright, and Nick Mason instead.

I called.  “Yeah, hey.  I’m not feeling well at all.  I think I’m going to puke.”

Considering the much bigger lies she tossed my way before and after, I thought my little white lie was pretty innocuous.  Especially when I was immersed in Meddle for the first time ever!

PINK FLOYD – Shine On (9 disc box set) (1992)

At the time of release, this was probably the coolest way to get some of the best Floyd discs.  Now with Immersion Editions, Why Pink Floyd…?, fresh remasters, and 5.1 mixes all available, this seems pretty basic.  Indeed, all albums are simple 1992-ish remasterings, no bonus material aside from the afforementioned The Early Singles disc.  And just FYI, you can often find that disc on its own.  Somehow it got separated from a lot of Shine On box sets.

As I described in my story above, the box’s contents are elaborate and fragile, and difficult to find complete.  This is a heavy, heavy box too — not exactly portable.  I find the remastering to be fine, it was 1992 and it’s probably not as loud as more current editions.  Picky audiophiles, I have no idea which you will prefer.

The albums included are as follows:

Disc 1: A Saucerful of Secrets

Disc 2: Meddle

Disc 3: The Dark Side of the Moon

Disc 4: Wish You Were Here

Disc 5: Animals

Disc 6: The Wall part one

Disc 7: The Wall part two

Disc 8: A Momentary Lapse of Reason

Disc 9: The Early Singles

So you’ll notice right away that there are some important albums missing.  Sure, you can understand why albums like Atom Heart Mother or Obscurred by Clouds were not included in a (merely) 9 disc Floyd box set, if the purpose was to boil it down to essentials.  I think it’s a shame that The Final Cut, one of my favourites, is not inside.  I would have preferred that or Piper at the Gates of Dawn to A Momentary Lapse I think.

The real bonuses to this set are twofold:  The book and The Early Singles.

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I don’t know what the current status of these single A and B sides are, in regards to current CD releases.  I know the Piper three disc set has some of these tracks.  But here’s the contents of The Early Singles:

  1. Arnold Layne
  2. Candy and a Currant Bun
  3. See Emily Play
  4. The Scarecrow
  5. Apples and Oranges
  6. Paintbox
  7. It Would Be So Nice
  8. Julia Dream
  9. Point Me At the Sky
  10. Careful With That Axe, Eugene

There are no liner notes with this disc.  I believe all tracks are stereo mixes.

The book is absolutely stunning and will take days to read.  There are extensive interviews from magazine sources, lyrics, liner notes, a nice discography, and loads of old reviews both gushing and nasty.  There’s plenty of artwork and photos to look at, too.

I won’t go too deeply into the music.  Reviewing these albums each on their own would be a monumental task.  Suffice to say that there is much brilliance within.  I think both Dark Side and The Wall are complete triumphs while Meddle and Animals come very very close to that level.  There is much to love here, and much that will take many listens to penetrate.

As a set, this is not perfect and I think the biggest flaw is the selection of albums.  Having said that, for a collector who wants a beautiful deluxe collector’s item, this is easily a:

4/5 stars.

For people who would rather have something with more music on it, you’re better off going with some of the more recent reissues.