Wildrid Laurier University

#688: The Mom Con

Happy birthday mom!

GETTING MORE TALE #688: The Mom Con

Was chatting it up with Superdekes over at Arena Rock the other day.  He mentioned putting his two daughters through university.  What a great dad.  My parents were similarly good to me.  They paid my way.  My mom paid for my textbooks.  Some of them could get really expensive.  You’d be looking at over $100 each for some.  I kept many of them.  My Astronomy texts are still beautiful though outdated.  I am fairly sure I still have my English translation of Herodotus’ The Histories (c. 440 BC) somewhere.

My first year of university, she came with me to the book store to help me find everything.  Good thing she did, as it was an intimidating prospect for a first timer.  One of my history courses had four novels assigned.  I got all four, but only after class started did I learn that you didn’t need all four, you only had to choose one of the four.  Rookie mistake.  In the years that followed, we all learned to wait until class actually began before you bought every single book.  Some might be optional.  It was Russian history, and I chose Ivan Turgenev’s Fathers and Sons (1880).  Not what you’d call a page turner but I worked my way through it.  It introduced me to the concept of nihilism (which I still don’t really fathom) and that helped me at least understand The Big Lebowski later on.  So I chalk that as a “win”.

The parents took good care of me through school, loaning me the car most of the time.  On Thursday nights I only had an hour and a half between classes so I would go to my grandma’s house in Waterloo for dinner.  Porkchops with mushroom soup.

I worked my way through my history degree, but in my final year I tried to pull one over on my mom.

My buddy Peter introduced me to Beavis and Butt-head a year prior.  In Frankemuth, Michigan he rented a VCR just to tape some MTV broadcasts of the show.  We didn’t get it in Canada (unless you had satellite).  So when I saw the Beavis and Butt-head Ensucklopedia (1994) just sitting there in the actual school bookstore, I had to buy it.  The mere sighting of Beavis and Butt-head sitting there in a school text book store was too hilarious for me to ignore.

Mom used to tell me, “Just put your books on your credit card, give me the receipt, and I will reimburse you with a cheque.”  It was a sweet deal so why not throw Beavis and Butt-head there in the pile?

Well there was no pulling the wool over mom’s eyes.  Of course she looked at the itemised receipt and questioned me.

“I’m not paying for Beavis and Butt-head!” she said, and true to her word, gave me a cheque for the total minus that book.

I tried!

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REVIEW: Stealth – …listen (2015)

NEW RELEASE

Scan_20150726STEALTH – …listen (2015 Stealth)

I may not know much about new music (the genre), or much about playing an instrument, but I appreciated the listening instructions enclosed within the liner notes from Stealth’s debut album:

…listen is intended as a moment in time for contemplation.  The listener chooses the length based on various points within the experience.  The album is intended to be heard as one track but can be divided based on your desired length of listening experience.”

It sounds intimidating, but listen is surprisingly accessible.  The title is very apt.  I decided to go all-in.  The album is almost an hour, divided into nine unnamed segments.

Considering that Stealth is composed of percussionist Richard Burrows and bass clarinettist Kathryn Ladano, I was surprised the music was so smooth.  Judging by a previous project both were involved in (a quintet called Digital Prowess), I expected Stealth to be a lot more random and schizophrenic.  Plus, Kathryn Ladano and I share the same last name — she’s my sister.  So I know a little bit about the nutso kind of music she normally liked to perform.  Let’s just say that I saw Digital Prowess play Frank Zappa’s “The Black Page #2” in front of a crowd including a few seniors who may have wondered what the hell was going on.

That’s not to say Stealth isn’t challenging, but I think much instrumental music is challenging by its nature. There are some factors here that take the edges out a little. Richard Burrows performs a dual role: adding steady beats to help keep you up with what’s going on, and using percussion to create melodies and other special moments.   Meanwhile, Kathryn Ladano creates interesting and rarely heard sounds from just a wind instrument, all the while maintaining a balanced accompanying role with the percussion.  At no point do the two instruments interfere with each other.  Sometimes you may have to ask yourself, “Is that sound I just heard percussion, or did she do something crazy with the bass clarinet?”


Improvisation similar to “point f” on the CD

The music evokes scenes in the mind.  At times it’s a jazzy, gripping spy drama, at others a slow moving tour at dawn…you can imagine many images to go with this music, and I think that’s part of the point.  The liner notes state clearly that listen is an interactive experience.  It’s fairly seemless though can hear where the intended breaks take place.  I think most listeners would want to break it down into bits, maybe half an hour at a time.

But like I said, I was fearless and went all-in for the hour. I found the album to be an excellent, always interesting journey.  The duo format works splendidly and I hope Stealth re-convene for a second album.  The percussion and bass clarinet are never up front as feature instruments as they are here.  Lead bass clarinet?  Turns out it’s a pretty versatile instrument once you’ve spent a couple decades squeezing noises out of the beast.  There are noises called squeaks that are not considered “proper” in classically trained circles — they are considered mistakes.  Kathryn Ladano has turned squeaks into music by mastering them, just as Ted Nugent has done the same with guitar feedback.  As for Richard Burrows, my only wish is that the liner notes should have spelled out the different instruments he’s playing because there are a lot of different percussion sounds on the album.  He’s excellent, and I especially like what I call his “jungle drums” on “point i” of the CD.  Really enjoyable.

I’ve stated my bias up front, but I do truly believe that listen is a praise-worthy work.  Sonically it’s deep, and very well recorded.  Check it out and buy your copy by contacting the artists via kathrynladano.com. Coming soon to Amazon and iTunes.

4.5/5 stars

Gallery: Kathryn Ladano – “Evil Kirk” recording session

Use the embedded player below to hear a sample of “EVIL KIRK” by Kathryn Ladano, featuring yours truly

The initial concept was Kathryn’s.  She liked that Star Trek the original series had a lot of audible bass clarinet in the music.  Often just before a red shirt was about to die, you’d hear a bass clarinet melody…and then ZAP!

We decided to add a vocal element.  I compiled some of my favourite Captain James Tiberius Kirk quotations, and Kathryn had a general direction for the music but otherwise she improvised.  We performed it live in four takes at Wildrid Laurier University’s Seminary building.  A couple effects were added in mixing and voila — “Evil Kirk”!

Buy it at kathrynladano.com , amazon.ca or iTunes

Photos:  Martin LePage

Further reading: