Author: mikeladano

Metal, hard rock, rock and roll! Record Store Tales & Reviews! Grab A Stack of Rock and more. Poking the bear since 2010.

Happy Birthday Steve Perry, from Tim’s Vinyl Confessions

Thank you Tim Durling for asking me to sit with you on this special Steve Perry episode of Tim’s Vinyl Confessions!

Happy birthday Steve Perry!

List Purposes: Top Five Tony Martin with Mike, Harrison and Marco

Great set of lists tonight from Harrison and Marco as we dug deep on our favourite Tony Martin albums!  With Thorns fresh on store shelves, and the prospect of Martin-era Sabbath reissues, it’s the perfect time to talk Tony.

We also played an old track from Slam Glory, featuring Marco’s uncle Ray D’Auria on lead vocals.  Great band from the Raw M.E.A.T Vol 3 CD.

The comments were terrific once again, and thank you all for watching!  See you next time!

 

Rest in Peace, Michael Lee Aday – “Meat Loaf”

Though he hasn’t been in the best of health in recent years, I didn’t see this coming.

Because of his size, Michael (Marvin) Aday named his first band Meat Loaf Soul.  The name stuck.  He was offered recording contracts, but felt that he wasn’t being taken seriously.  He worked in musicals, such as Hair and the The Rocky Horror Show, which gave him his big break.  As Eddie, he was cast in the movie The Rocky Horror Picture Show.  He was unforgettable even in that jam-packed film.  Next came Jim Steinman, and Bat Out of Hell.

Bat and Bat II will go down as some of Meat Loaf’s most remembered albums, among Dead Ringer, Midnight at the Lost and Found, and Bad Attitude.  His movie career continued to bloom with memorable roles in films like Fight Club and Spice World.  He even sang and appeared as Jack Black’s dad in Tenacious D in the Pick of Destiny.

Meat Loaf had intended to record seven songs for a new live/studio album this month.  Sadly this will never come to be.

Rest in peace, Meat Loaf.

Tony Martin gets his due: Top Five Tony, tonight on the LeBrain Train!

The LeBrain Train: 2000 Words or More with Mike and Harrison

Episode 95 – Cinco de Listo – Top Five Tony Martin Albums

Harrison has been wanting to do this show for a long time.  Let’s show Harrison some appreciation for tonight’s topic:  Top Five Tony Martin albums!  Everything is up for grabs, including Black Sabbath, the Cage, and his solo work.  In fact, just last week, Tony released his long awaited new solo album called Thorns.  I’ve had a week to absorb it.  Will it make my list?

We also have a special treat for you tonight.  Not just a bonus list, but a bonus list from Marco the Contrarian.  And not just a bonus list from Marco — but a video!  It’ll be as if Marco was here with us!  Unfortunately he could not make it due to a Contrarians taping at the same time.  You’ll be hearing more about that Contrarians episode from me in the future.

I hope you can join us tonight to discuss all things Tony Martin and Black Sabbath too.  Do you like his new album Thorns?  Tell us tonight on the LeBrain Train.

Friday January 21, 7:00 PM E.S.T. on YouTube, Facebook and also Facebook!

VHS Archives #117: Fred and Tom from Cinderella 1990

Fall 1990!  Cinderella were in Hamilton Ontario to sign autographs and meet up with Dan Gallagher from the Pepsi Power Hour.  Fred Coury and Tom Keifer chatted with the Dan Man about their new album Heartbreak Station.  Other topics:

  • MC Hammer
  • A side project with Coury, Stephen Pearcy, Tracii Guns, Kyle Kyle and Taime Downe
  • Touring
  • Talking to the fans

Not a long interview but certainly a glimpse of times!

 

#968: Go For the Songs From the Electric Heart

RECORD STORE TALES #968: Go For the Songs From the Electric Heart

Trapper is Emm Gryner, Sean Kelly, Frank Gryner and Tim Timleck.  For those who know, Trapper is also one of the best hard rock bands going, if you happen to like that retro-catchy sound done with expertise and skill.  This style of music never died, but it was definitely harder to find after grunge hit the “reset” button.  Bottom line though:  a good song is a good song.  Trapper write and play good songs!

Joe Elliott is a fan. Isn’t that enough?

I have liked Trapper since first hearing about the band in 2015, when they released their first cassette.  I knew Emm Gryner by reputation and quickly became a fan of her solo work.  Of course, I was will familiar with Sean Kelly from his many recordings with Helix, Lee Aaron, the Metal On Ice CD/book project, and so on.  But I missed out on that limited edition tape.  I also missed the five track CD release Go For the Heart, of which 300 copies were made.

I’d been listening to the band quite a bit on the weekend, since getting their newest tape Songs From the Electric North in the mail.  Only 50 were made, and this time I managed to get one!  Sean sent it to me with a nice note.  He’s a great guy.  Not only did he take the time to appear on the LeBrain Train in May 2021, but even before that he was instrumental in helping me identify MuchMusic personalities on my VHS tapes.  I always like adding more of his music to my collection.

And that is the point of this story:  the collector’s disease.  It’s a real thing, and I have the actual receipts.  I decided I wanted “all the Trapper songs”.  I looked on Discogs and much to my amazement, they had a copy of Go For the Heart for $75 plus shipping.  $100 total.  Last copy sold was $71, two years prior.  It had been on my wishlist for some time.  I did the math, and decided this was my best chance to own it.  Go For the Heart has “Grand Bender” and “The Warrior” from the debut tape, so this would get me “all the Trapper songs” in physical form.  Still flush with Christmas money, I decided to pull the trigger.  Collector’s itch:  temporarily scratched.

I felt quite satisfied with my myself!

The next day, I noticed my good buddy Aaron from the KMA had left a comment on my Friday January 14 live show, during which I unboxed my brand new Songs From the Electric North cassette.  “Jealous you got the new Trapper,” he said.  “I only have the one CD here.”

Wait…the CD?  They only have one CD and it’s Go For the Heart.  The one I just paid a hundred bucks for.  And Aaron’s was signed by Emm and Sean!  He paid a buck.

I had to tell Sean this story.  “No regrets!” I said.  And it is true.  I paid a lot — maybe the most paid yet for that particular CD.  But I wanted it.  I wanted it for a while.  I know what the last guy paid, and I paid $4 more.  Will it appreciate in value?  Not the point!  I collect music from artists I like in physical formats.  I wanted it, so I bought it.

Hey, I’m a collector and sometimes we splurge!

REVIEW: Trapper – Songs From the Electric North (2022 limited edition cassette EP)

TRAPPER – Songs From the Electric North (2022 limited edition cassette EP)

One gets the sense that, although Trapper take the quality of their music very seriously, Emm, Sean, Tim and Frank are doing it for the pure enjoyment.  They must be!  Trapper is a top-notch band honouring their 80s roots by writing that kind of catchy rock song with singalong hooks.  Each track on their brand new cassette EP, Songs From the Electric North (limited to just 50 copies!) sounds assembled with great care, and genuine zeal.

Fear not if you missed out on the cassette, for you can download the EP on your iTunes!

Songs From the Electric North consists of four originals and two covers.  The covers,  “Illégal” by Corbeau and “Bye bye mon cowboy” by Mitsou, were previously reviewed here so you can check that out if you want to know more about those two excellent tracks.  In particular, we praised “Illégal” for a beautifully chunky riff that Sean Kelly captured with a nice crunchy guitar tone.  We also singled out Emm Gryner’s lead vocal, with depth, grit, power — the whole package.  This is the first physical release for these tracks.

The four originals vary in flavour, so picking favourites will also widely vary from person to person.  On side A, “Winterlong” opens, hitting the ears on a nice tense Sean Kelly riff with a Campbell-era Dio feeling.  This track has it all, from the powerhouse vocals to thundering drums n’ bass.  “Winterlong” also boasts a lyrical guitar solo, carefully composed and executed.  This track is a rocker!  Heavy as metal, yet sweet as saccharine at the same time.

Power ballad territory ahead!  Perhaps “Almost Forever” is in the vein of ‘87-era Whitesnake or albums of that direction?  Whatever your inkling, “Almost Forever” is memorable, and done to perfection.  It’s a hard sound to get just right.  The keyboards and especially Emm’s melody put it exactly in the right ballpark.  A winning song, that you will be coming back to again and again when you want a new ballad with that nostalgic feeling that sends you back in time.

Opening side B, “You Need An Angel” has a nice chunky rock groove.  Here Kelly reminds me at times of Ratt’s Warren DeMartini in tone and feel.  Another fabulous classic rock composition, laden with hooks and punchy drums.  And completely different in direction from the other tunes.

The last of the originals is the pounding metal of “New Year’s Day”.  This track has an epic quality, harder to describe, except to say it’s different again from the previous songs!  Solid riff/groove combo, with Emm delivering a vocal that just divebombs you with hooks from the sky!  How’s that for a description?  Just listen to it.

I’m very grateful to score one of the 50 copies of this tape.  To give you an idea of demand, Trapper’s first cassette “Grand Bender” / “The Warrior” was limited to 100 copies and never turns up for sale.  Their CD EP, Go For the Heart, runs about a hundred bucks total with shipping these days.  I should know, because I bought the last one!

You can get your copy on iTunes, so head on over and get rocked by the Songs From the Electric North. 

5/5 stars

RE-REVIEW: Def Leppard – Pyromania Live – L.A. Forum, 11 September 1983

Part Eight of the Def Leppard Review Series

Original review:  Pyromania deluxe (2009)

DEF LEPPARD – Pyromania Live – L.A. Forum, 11 September 1983 (2009 deluxe edition)

Leppard were riding high when they hit the L.A. Forum in 1983.  Pyromania was selling hot enough that every kid in the neighbourhood had heard at least one of its singles on the radio.  MTV was factoring in now, and its impact can’t be understated.  Leppard had some high budget and good looking videos on offer.  Their live show was just as impressive.

Widely bootlegged, the second night in Los Angeles must have felt like a victory lap, even though there were still months left on the tour.  They hit the stage psyched to perform.  Earlier, Frank Zappa phoned up to ask if he could score some tickets for his kids, Moon Unit and Dweezil.  Members of Van Halen and Heart were in attendance.  Best of all, Queen legend Brian May was in town, and he surprised  Leppard by playing them the twin guitar part of their hit “Photohraph” all by himself!

Remixed and remastered, the second L.A. show is now easily available on the Pyromania deluxe edition — the first official release of a live album with Steve Clark, although it did not come until 2009.

“Rock! Rock! (Till You Drop)” is a natural opener.  Since it already opened Pyromania itself, it was well suited, but its extended (taped) intro made for a dramatic band entrance.  Joe’s road-worn scream is employed to great effect.  Even so slightly faster than LP, “Rock! Rock! (Till You Drop)” defined the mood.  Rock rock till you drop indeed!  Keeping with the “Rock” theme, “Rock Brigade” was locked and loaded for the second spot.  It sounds fresh with Phil Collen on lead guitar and backing vocals.  His solo is balls-out technical, and completely unlike those of Pete Willis.

Joe pauses to say “good evening”, and then it’s straight into “Saturday Night (High ‘N’ Dry)”.  This ode to getting wasted from 1981 is not a vast departure from the album version despite Phil amping up the guitar work.  Into “Another Hit and Run”, it’s pure adrenaline and foot on the gas pedal.  Screaming into the ether, Joe sings of youthful self-destruction.  It turns into a jam towards the end, before careening through the finish line.

“Billy’s Got a Gun” is one of those songs that can get a bit rickety live, but this version is solid.  The excellent “Mirror Mirror (Look Into My Eyes” follows, and it’s very slightly revised to increase the tension.  Some won’t notice the differences.  As usual, the chorus kills.  It’s been all album cuts thus far, and no hits.  But then Joe invites Steve Clark to the spotlight to play an acoustic guitar solo, which becomes “Foolin'”, the first of the three massive hits rolled out in a row.  This might be considered the center of the show:  “Foolin'”, “Photograph” and (a slightly fast) “Rock of Ages”.  Each one a perfect gem, but with the live edge intact.  To take it over the top, a ragged “Bringin’ on the Heartbreak”, Leppard’s other recognisable hit, is rolled out immediately after.  What do you do for an encore?  We’ll get to that.

“Switch 625” follows “Heartbreak” as it should.  With the hits behind them, Leppard spend the end of the set rocking really, really heavy.  “Switch 625” is already a steamer, but it’s followed by “Let It Go”, “Wasted” and an encore tease, and then “Stagefright”.  Clearly, this setlist was designed to rock!  “Wasted” in particular stands out from this trio.  Phil’s blazing solo technique adds that extra dimension to the song, but it is just as amped up and the best versions from the early years.

But “Stagefright” isn’t the real encore.

“Right, I said we got a surprise for ya.  And we have a big one at that.  Ladies and gentlemen, will you please welcome all the way from England — Queen’s Brian May!”

Queen were not on tour, but they were in Los Angeles recording their 1984 album The Works.  The long friendship between Leppard and Queen began right here.  A cover of Creedence Clearwater Revival’s “Travelling Band” is the earliest recording of Joe and May together, but certainly not the last!  This is not only a piece of history, but it’s a brilliant track!  Joe’s screaming voice is strangely well suited to an overblown CCR cover.  But hearing the guitar trio solo together, each with their own style, is the real icing on the cake.  May is so creamy!

There are no other live releases from the Pyromania era, and the band’s sound transformed permanently when they next hit the road.  This live album is the end of an era, and an excellent good time of it too.

5/5 stars

The Pyromania tour wrapped up 18 December in Dortmund Germany, another two-nighter.  Two weeks later, on New Year’s Eve, Rick Allen had the car accident that severed his left arm.  In a heartbreaking twist, the arm was reattached, but after an infection set in, had to be removed again.  This devastating tragedy united the band.  Ambulance-chasers were ready and waiting to take the drum stool away from Rick Allen, but the band refused to see it as the end for the drummer.  We all know what happens next.  It was total Hysteria!

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  • Hysteria

“Hard Times” by Paramore on the Sunday Song Spotlight

Here’s a song that you wouldn’t expect to see here amongst our hard rock and heavy metal heroes! Paramore generally are not our kind of band. They started out as a young emo rock quintet but have evolved into something more clever, nuanced and pop-oriented. Through lineup changes, drama, and perhaps even one asshole ex-member, Paramore have thrived and grown with five hit albums under their belts.

“Hard Times” is an 80s pop ditty brought into the modern day by singer Hayley Williams, guitarist Taylor York, and drummer Zac Farro. It was the premier single from their fifth record After Laughter. Any fan of 80s hits will find it easy to like. The music video emphasizes Hayley’s keen sense of image with splashes of colour. With all that neon, it sure does look like 1988 (The year of Hayley’s birth). It’s a far cry from the kind of emo rock they started out with in 2005. The best parts of the song are when Hayley forgoes the melody and gets all shouty (“And I gotta hit rock bottom!”).

Hitting #2 in Sweden and New Zealand, and #6 in the US, “Hard Times” was a bit of a hit. And you can easily hear why. Regardless of the dreary lyrics, the music is totally upbeat.  I love the dancey beat, and the way that Taylor York just rakes that one chord.  “Hard Times” may not rock, but it surely is a good song.

Paramore are working on new music in 2022.

All that I want
Is to wake up fine
Tell me that I’m alright
That I ain’t gonna die

All that I want
Is a hole in the ground
You can tell me when it’s alright
For me to come out

(Hard times) gonna make you wonder why you even try
(Hard times) gonna take you down and laugh when you cry
(These lives) and I still don’t know how I even survive
(Hard times)
(Hard times)
And I gotta get to rock bottom

Walking around
With my little rain cloud
Hanging over my head
And it ain’t coming down
Where do I go?

Gimme some sort of sign
You hit me with lightning
Maybe I’ll come alive

(Hard times) gonna make you wonder why you even try
(Hard times) gonna take you down and laugh when you cry
(These lives) and I still don’t know how I even survive
(Hard times)
(Hard times)
And I gotta hit rock bottom

Tell my friends I’m coming down
We’ll kick it when I hit the ground
Tell my friends I’m coming down
We’ll kick it when I hit the ground
When I hit the ground
When I hit the ground
When I hit the ground
When I hit the ground

(Hard times) gonna make you wonder why you even try
(Hard times) gonna take you down and laugh when you cry
(These lives) and I still don’t know how I even survive
(Hard times) (hard times)
(Hard times) (hard times)
And I gotta get to rock bottom

7 Inches: LeBrain’s Singles Collection Show

Tons of fun tonight as I went through my two boxes of 7″ singles!  Some dated back to the 1970s (“Smoke on the Water”, “Christine Sixteen”).   A large number (Def Leppard!) came from my vinyl collecting days in the 80s.  Most are from the 1990s to present.

This was, truthfully, one of the most fun shows ever for me!  I got to rediscover a bunch of records that I haven’t looked at in a long time, and show them all to you!  This is 98% of my 7″ singles collection, not including records that came inside box sets or magazines, which are filed in different places.  This is simply the contents of two boxes of my records, and it took a solid 90 minutes to get through them all!

There was also a special unboxing from Aaron, and some mail from Sean Kelly!  What?!  Check them out below on the LeBrain Train!