Author: mikeladano

Metal, hard rock, rock and roll! Record Store Tales & Reviews! Grab A Stack of Rock and more. Poking the bear since 2010.

Blotto Interview Outtake

As Blotto themselves know, from the making of their new documentary film Hello! My Name Is Blotto – The Movie, sometimes great stuff happens when the tape stops rolling!  That happened to me on Tuesday February 25, after finishing up my interview with the band.

During the pre-show chat, Bowtie Blotto told me that they had played my home town of Kitchener, as well as my dad’s city of Guelph.  And he asked Broadway Blotto what he remembered of those gigs.

Check out the funny story in the YouTube short below, and check out the full interview if you haven’t already!


GRAB A STACK OF ROCK With Mike and Blotto Episode 92:  Hello! My Name Is Blotto! The Interview

Blotto hit the sand on MTV with “I Wanna Be A Lifeguard”, being among the first 40 videos played on their first morning as a station.  Then came “Metal Head”, Metal For Breakfast, and a heck of a lot of gigs.  The core members were all named Blotto:  Sarge, Cheese, F Lee, Broadway and Bow Tie.  Sadly we lost Cheese and Sarge, but for this special interview, F Lee, Broadway and Bow Tie reunited with director Bert Blotto on Grab A Stack of Rock.  It’s a Blotto reunion, and a good time was had by all.

The subject is a new movie about to premier on April 12 at Cohoes Music Hall:  Hello!  My Name Is Blotto!  The Movie.  Director Rob “Bert Blotto” Lichter has carved this film from many hours of archives, like a sculptor cuts wood.  Join the Blotto guys and I, as we check out the movie trailer and hear firsthand stories from the band.  There are laughs a-plenty, some serious moments, and some fan geekery.  You’ll always hear about the one (hilarious) unreleased track that was never recorded.

It is clear that for Rob, this is a work of passion and pride, as well as hope.  Indeed, Blotto deserve a larger audience, for their music still rings true and makes us laugh.

Plus, Bow Tie does the “Dr. Bow” laugh from “Goodbye Mr. Bond” and if that isn’t worth the price of admission, I don’t know what is.

Video premieres at 7:00 PM Eastern.

Thursday February 27 at 7:00 P.M. E.S.T. / 8:00 P.M. Atlantic.   Enjoy on YouTube.

Beast Over Hammersmith: Harrison Hosts and Mike Learns!

Episode 6 of 50 Years of Iron Maiden (and episode 93 of Grab A Stack of Rock) was a learning experience as Harrison schooled us on the Beast On the Road Tour.

A fabulous live album recorded in 1982 but not released until 2002, Beast Over Hammersmith rivals Live After Death in metal mastery.  The lively comments section anticipated all of our praise for this album, which you can get on vinyl, but probably not on CD without buying the Eddie’s Archive box set.

Harrison Kopp was the master of ceremonies, and this episode was all his.  Hear about the unusual opener, the instrumental, the guitar solo, the B-side, and much more.  Several things came up multiple times in this episode:  1) Bruce Dickinson’s voice at this point in 1982.  2) Clive Burr’s masterful performances of these songs.  3) The band’s fresh take on the songs that would later be played hundreds of times.

This is episode is certain to go down as a favourite.  Join us next week with Melissa Nee, for Piece of Mind!

 

Past episodes:

 


Show notes:

Recorded 20 March 1982 – 2 days before album was out, released 2 November 2002.

Never released in full on video as the band were unhappy with the quality, but you can see part on the 2004 Early Days DVD.

Opener:  Murders in the Rue Morgue!  Starts slow, showcasing Steve’s bass harmonics.  Then goes breakneck!  What a strange opener!

Wrathchild is another great Steve bass opener.  This one is more along the lines of the album version, but with Bruce singing.

New song Run to the Hills is 3rd in the set!  Not as breakneck speed as some versions.

Another new song, Children of the Damned.  Bruce announces the album will be out March 22.  Tour de force vocals and some nice guitar harmonics added in.

Crowd is very quiet except for a few pockets of cheers to open Number of the Beast.  Bruce mentions the “problems” they had in the studio.

Great version of “Another Life”, with Clive absolutely on fire on the snares and cymbols.  Bruce’s vocals make the lyrics more clear:  “As I lay here lying on my bed.”  Amazing Davey soloing here.

Screaming version of Killers next.  Bruce at peak voice tackling this song.  Otherwise pretty faithful to album cut, especially the guitars and guitar tone.  We also learn Adrian had some bruised up ribs that night.

22 Acacia is introduced as an Adrian co-write.  Another perfect performance.  Bruce’s vocals are biting and growly during the intro.

Bruce says Total Eclipse isn’t really a B-side, but it is.  “Didn’t have enough room on the album.”  This song and Run to the Hills were on a vinyl single already.  The vocals are a little haggard toward the challenging ending high notes.

Leads into instrumental Transylvania, played as it should be by Clive.

Crowd is silent during the Prisoner opening.  Great hearing it like with Clive on drums.  The drums are fast, frenetic and flawless.  Tempo seems a bit faster in the latter part than the album.

Hallowed comes in with no intro from Bruce.  Better live version than Live After Death, as Bruce sings the opening a little more true to album.  Passionate singing from Bruce.

Phantom – Top performance from Bruce, expressive and soaring!  Tempo feels a little faster than album.

Iron Maiden – Breakneck version!

Sanctuary – Same with Sanctuary!

Drifter – Songs tend to flow one into another.  I don’t like when Bruce refers to some in the audience as a “fucking women,” but that was the 80s.  I doubt he’d say this today.

Running Free – A top Bruce version, with impassioned and wild vocals.

Prowler – Crazy to hear this album opener as a closer.

 

 

 

 

🅻🅸🆅🅴 50 Years of IRON MAIDEN episode 6: Beast Over Hammersmith

50 Years of IRON MAIDEN episode 6:  Beast Over Hammersmith

A special 🅻🅸🆅🅴 episode

GRAB A STACK OF ROCK #93

Good evening Hammersmith…or wherever you are!  Tonight on 50 Years of Iron Maiden, Harrison and I are appropriately tackling this live album with a live episode!

Beast Over Hammersmith is a double live album recorded just before The Number of the Beast was released.  The band played a rare mix of Di’Anno classics and deep cuts, along with new material, and one B-side!  Bruce explains to the crowd that it’s not “really” a B-side, which it was, but we’ll get into that, as well as “all the lazy bastards from EMI in the back.”

This episode is our sendoff to Clive Burr, and we’ll be talking about him, though not for the last time in this series.

Beast Over Hammersmith was first issued as a 2 CD set within the Eddie’s Archive box set, which we have taken brief looks at in the past.  Today you can get Beast Over Hammersmith on vinyl, so it is a significant enough release to warrant its own episode.

So give us a yo, yo yo yo! and see us tonight, live!

Past episodes:

LIVE on Friday February 28 at 7:00 P.M. E.S.T. / 8:00 P.M. Atlantic.   Enjoy on YouTube or Facebook.

Hello! My Name Is Blotto! The Interview on Grab A Stack of Rock

GRAB A STACK OF ROCK With Mike and Blotto
Episode 92:  Hello! My Name Is Blotto! The Interview

Blotto hit the sand on MTV with “I Wanna Be A Lifeguard”, being among the first 40 videos played on their first morning as a station.  Then came “Metal Head”, Metal For Breakfast, and a heck of a lot of gigs.  The core members were all named Blotto:  Sarge, Cheese, F Lee, Broadway and Bow Tie.  Sadly we lost Cheese and Sarge, but for this special interview, F Lee, Broadway and Bow Tie reunited with director Bert Blotto on Grab A Stack of Rock.  It’s a Blotto reunion, and a good time was had by all.

The subject is a new movie about to premier on April 12 at Cohoes Music Hall:  Hello!  My Name Is Blotto!  The Movie.  Director Rob “Bert Blotto” Lichter has carved this film from many hours of archives, like a sculptor cuts wood.  Join the Blotto guys and I, as we check out the movie trailer and hear firsthand stories from the band.  There are laughs a-plenty, some serious moments, and some fan geekery.  You’ll always hear about the one (hilarious) unreleased track that was never recorded.

It is clear that for Rob, this is a work of passion and pride, as well as hope.  Indeed, Blotto deserve a larger audience, for their music still rings true and makes us laugh.

Plus, Bow Tie does the “Dr. Bow” laugh from “Goodbye Mr. Bond” and if that isn’t worth the price of admission, I don’t know what is.

Video premieres at 7:00 PM Eastern.

Thursday February 27 at 7:00 P.M. E.S.T. / 8:00 P.M. Atlantic.   Enjoy on YouTube.

 


Show notes

Rob Lichter’s Hello! My Name Is Blotto – The Movie! Is set to premiere at Cohoes Music Hall on Saturday, April 12.  The film spans the origins of the band members starting as The Star-Spangled Washboard Band in the 1970’s, their evolution to Blotto and heyday in the 1980’s, and their long afterlife up to the present.

This film is the brainchild of Rob Lichter, aka Bert Blotto, a multimedia expert and longtime friend of Blotto. 25 years of footage and interviews plus archives going back to 1972!  Why a documentary, and why now in 2025?  Whose idea was it to create a film?  How did this evolve?

Is the film done, edited, finished, ready to roll?

Obviously MTV was important to the success of the band, having been one of the first 40 videos played on the station.  MuchMusic in Canada also played a lot of Blotto and I’m wondering what your career was like in Canada.

What were you guys thinking, making music videos before there even was an MTV?

What was that feeling like, seeing your music video on national TV?

Did the Metal For Breakfast compilation album bring “Metal Head” to another level?

When prepping this interview, a friend asked me if Buck Dharma from BOC was on Metalhead and I confirmed.  How did you get that to happen?

“Video 45” on VHS from Sony with three videos of Blotto songs that also received wide exposure from airplay on MTV, including “Metalhead,” with Donald “Buck Dharma” Roeser from Blue Öyster Cult on lead guitar.”  How did this happen?

I was struck by the one quote in the trailer about how some people thought Blotto was making fun of the music they liked.  I felt the same way!  I didn’t know how to take this band.  There was a bald guy and a guy with a tie and glasses!  They did look like they were “taking the piss” as the English say.

Each guy in the band had a different look.  How did you approach Blotto as a visual band?

Were there any musical genres off limits to you guys?

What about musicianship?  Obviously you guys could play.  Were there any ideas you had that were beyond your abilities?

I’ve always wondered who is singing lead on HSH?  Bowtie?

Any plays for DVD or Blu?  Or even a soundtrack album?

The Contrarians Live: Amped Up!

This fun subject is courtesy of Martin.  Amps, microphones, tape decks…whatever goes into making music, if it’s on the album cover, it counts!  I will be bringing out some big heavyweight albums for this special episode tonight.

What are some of your favourite albums with amps and recording equipment on the cover?  Or perhaps in some cases, the entire packaging?  Stay tuned!

Watch live and comment!  Martin always tries to address the comment section.

THE CONTRARIANS – Amped Up! – February 26 7:00 PM EST


My Contrarians appearances to date:

  1. Minimalist cover art
  2. Brown album covers
  3. Yellow album covers
  4. Albums with Fire and Explosions
  5. Spaceships! Aliens! Robots!
  6. This Album Cover is Hell!
  7. Toys & Games
  8. Dreaming in Stereo:  Beds & Sleep on album covers
  9. Favourite Bands…WORST Album Covers
  10. They Swapped Covers!
  11. Great Album Covers From Bands We Despise
  12. Top 10 NWOBHM Covers
  13. It’s A Piece of Art!
  14. Compilation Kaos!
  15. I Can’t Believe It’s Not Hipgnosis!

 

 

“Hey, You Like Records!” – Grab A Stack of Free Records – Bonus Episode!

GRAB A STACK OF ROCK With Mike and the Mad Metal Man

Special Edition Episode:  “Hey, You Like Records!” – Grab A Stack of Free Records

One day, Jen came home from bowling with a stack of records from a near-stranger!  “Hey, you like records don’t you?” said the person as he dumped all this ancient vinyl in her hands.  She knew I’d be able to make a video of them, if nothing else.  So that is what we did.

Join Harrison and I for a look at some musty records with a couple surprises.  Apparently, if you like Led Zeppelin, the Who and the Beatles, then we discovered the Canadian equivalent of those bands for the “over 25” crowd.  Please welcome…the Moms and the Dads!

Gospel, Hans Albers, Wurlitzer, Bill Haley & the Coments, songs about cats and dogs…we got it all on this weird bonus episode of Grab A Stack of Rock!

This episode is live on YouTube now!  Hit up the channel, like and subscribe!

REVIEW: Captain America: Brave New World (2025) [Spoiler free]

CAPTAIN AMERICA:  BRAVE NEW WORLD (2025 Disney)

Directed by Julius Onah

The Multiverse Saga has been moving at a glacier’s pace.  We’re umpteen movies and series worth of content into the 2nd saga, the Marvel Cinematic Multiverse Saga, and the Avengers still haven’t assembled!  The pieces are finally moving into place for this to happen, hallelujah, in Captain America (4):  Brave New World.  We’re also finally seeing some resolution to events set in place during the Eternals (2021), Falcon and the Winter Soldier (2021)  and even The Incredible Hulk (2008).  It also sets up the sure-to-follow Mutant Saga.  None of this is spoiler territory as we’ve seen these reveals in trailers and casting.

Fans are sick of the setup, and movies have to stand on their own.  Captain America 4 doesn’t really do that; it really helps if you’ve seen the above films.  It is, however, a better than average Marvel movie.  Some issues that have plagued recent ones have been improved upon.  It still feels like one piece of a larger puzzle, which wasn’t so much an issue with Phase One’s Captain America films.

Captain America is now Sam Wilson (Anthony Mackie), and the movie recaps that Steve Rogers entrusted the shield to him.  Carl Lumbly returns as Isiah Bradley, the forgotten super soldier that was ill treated by his country.  Just as there is a new Captain America, there is also a new Falcon:  Joaquin Torres played Danny Ramirez.  Those who haven’t seen or don’t remember much of the Falcon and the Winter Soldier will be lost as to who these characters are.  New to the team is Harrison Ford as now-President Thunderbolt Ross.  Controversially to some, this role was recast after the death of William Hurt.  Harrison’s take on the character is far more Ford, but I had forgotten how much I like the guy as a baddie.  Ford’s role was large, and he was great in every mood of the mercurial president.  Also new to the multiverse, Shira Haas was terrific as the former Black Widow, Ruth Bat-Seraph.  Giancarlo Esposito was a fine secondary villain as Sidewinder, but we have all seen Esposito chew the scenery with far more vigor in other famous roles.  He brought the chill, but not so much the fury.

Since Falcon and the Winter Soldier, Sam is more accepted as Captain America, but still suffers from self doubt and questions whether he should have taken the super soldier serum or not.  He is given perspective from the supporting characters, but ultimately feels like he has something to prove.  It’s not as emotional or satisfying a character arc as he had in the TV series.  Mackie, of course, plays the role with the passion we expect from the actor.  He is certainly his own Captain.  Steve Rogers was more quiet and reserved.  He spoke softly, but knew he could back up his words.  Mackie’s Captain is a little more fun loving, a little more brash and loud, and a blast to watch, especially in intense one-on-one scenes with Ford.

The cloak-and-dagger plot isn’t too complex.  It all comes down to a personal vendetta to take down President Ross and expose him as the monster he really is.  There’s worldwide tension over Celestial Island, a massive statue in the middle of the Indian Ocean that was created during the events of the Eternals and barely referenced since.  Why?  Probably because the celestial named Tiamut is not just made of rock, but also contains Adamantium.  The same stuff Wolverine’s bones are made of.  With Adamantium introduced into the storyline, we have even more setup for the eventual X-Men.  Turns out this stuff is even more valuable than Vibranium, and stronger too.  America and Japan are at the edge of war after an incident involving a stolen shipment of Japanese-owned Adamantium.  In an eerie case of prophecy, America and its allies are falling apart.  This, and some scenes with Ross losing his temper to his upper staff, felt…ominous.

Ultimately, at the end of the film, you know what Marvel wanted to show you:  Captain America vs. the Red Hulk.  There are plenty of action scenes before that, but this is where Marvel may be learning something of a lesson.  If you look at something like Black Panther 2, or the Marvels, the action scenes had way too much going on with so much visual noise.  They were hard to follow, and in many ways, nonsensical.  These action scenes are scaled down.  In fact, the battle of Celestial Island featured primarily just four combatants:  two jets, Captain America, and the Falcon.  There were missiles and big fleets of ships, but the action was kept to mostly those four elements.  The Red Hulk segments also felt scaled back slightly, and easy to follow and enjoy.  We saw the film in IMAX, and the Red Hulk looked great.  The action wasn’t as CG-ish and washed out as we were used to.  The giant Celestial made a cool backdrop for a battle, but I would have liked to have seen more.

The soundtrack was interesting.  While I liked the score by Laura Karpman, it didn’t feel like it fit the mood of several scenes, including the opening.

There is one character design that deviated far from the original comic material and looked creepy enough, but might have missed the mark of what could have been.

There is one post-credit scene.  Everyone in the theater stayed.  They knew the drill.  It was a cool little sequence that hints at the big things we know are coming in Avengers: Doomsday and Secret Wars.  It feels like we’re finally getting closer to the ending.

Rating the four Captain America films, you just cannot top The Winter Soldier, or Civil War.  That’s not going to happen.  Brave New World is a welcome continuation of the legacy.  It’s light on big emotions, but it does satisfy for action and furthering the adventures of the heroes who will one day soon be known as the Avengers again.  Bring it on.

3.25/5 stars

50 Years of IRON MAIDEN episode 5: The Number of the Beast with Jex Russell

50 Years of IRON MAIDEN episode 5: The Number of the Beast

With Jex Russell 

GRAB A STACK OF ROCK #91

Enter:  The Air Raid Siren.  “Bruce Bruce”.  Paul Bruce Dickinson to his mum.  One of the greatest lead vocalists, frontmen, songwriters and lyricists in heavy metal:  Bruce Dickinson.  None of that is hyperbole.

It’s one of the greatest “replacement singer” success stories in heavy metal.  Not just anyone could replace the beloved Paul Di’Anno.  What Iron Maiden did with Bruce took the band to a whole new level.  They tightened the songwriting, sharpened the production and put out one of the best albums of their lives.  The Number of the Beast pushed Maiden to a new level, and hinted at how they would grow album by album in the future.

In this episode, Mike and Harrison discuss the full track listing, including “Total Eclipse” and the live B-side “Remember Tomorrow”.  We’ll talk about the different coloured covers, the different track listings, and of course the tour!  Also included, an interview clip with Bruce Dickinson on assumptions made about heavy metal at that time.  This in-depth episode is our longest to date at just over an hour.  It is filled with praise and critique, but by the end you will understand why this is considered by some to be “the” Maiden classic.

Jex Russell’s favourite Iron Maiden album is The Number of the Beast.  He was thrilled to find that no-one had snagged this slot yet.  Please welcome Jex back to the show!

Past episodes:

Friday February 21 at 7:00 P.M. E.S.T. / 8:00 P.M. Atlantic.   Enjoy on YouTube.

The Contrarians Live: I Can’t Believe It’s Not Hipgnosis!

This week I didn’t choose the subject, but I did pick the title!  Martin Popoff liked “I Can’t Believe It’s Not Hipgnosis!”, based on the old margarine ads “I can’t believe it’s not butter!”

Yes, this week we are tackling album covers that look designed by Hipgnosis…but are not!  This will be a lot of fun, and I have my ten picks lined up with lots of Canadian content.

My Contrarians appearances to date:

  1. Minimalist cover art
  2. Brown album covers
  3. Yellow album covers
  4. Albums with Fire and Explosions
  5. Spaceships! Aliens! Robots!
  6. This Album Cover is Hell!
  7. Toys & Games
  8. Dreaming in Stereo:  Beds & Sleep on album covers
  9. Favourite Bands…WORST Album Covers
  10. They Swapped Covers!
  11. Great Album Covers From Bands We Despise
  12. Top 10 NWOBHM Covers
  13. It’s A Piece of Art!
  14. Compilation Kaos!

Watch live and comment!  Martin always tries to address the comment section.

THE CONTRARIANS – Favourite Compilations – February 19 7:00 PM EST

#1177: Snowpocalypse Now!

RECORD STORE TALES #1177: Snowpocalypse Now!

I haven’t been writing much lately, which is a choice I made in order to avoid the burnouts of the past, and to focus on giving 100% to 50 Years of Iron Maiden.  Doing this series has been a healthy and rewarding experience.

In the last week, my town has been hit with roughly 70 centimetres of snow.  I had not seen snow like this since the 1990s.  It’s quite remarkable!  On Saturday morning, Jen and I went out on a junk food run to stock up for the holiday weekend.  (The junk food lasted about 36 hours.)  We noticed that a lot of the snowbanks were taller than the humans on the sidewalks.  That was before we got hit with another 40 cm.

But here I am, sitting indoors and just marvelling at the winter wonderland.  That is where we break this story down into a mental health detour.

I had to find a new counsellor again, which sucks.  I really like my counsellor now, but she has another maternity leave coming, and it is hard finding a good match.  I did however find a new counsellor earlier this month that I think is going to work out.  I am optimistic.

Perhaps because of that optimism, I had a revelation the other day.  It goes back five years, to when Covid began.

We were all forced to adapt.  We were all stuck indoors.  Some of us had to work from home.  Everyone bought webcams.  Anyone that could work from home during that time, probably did at least once.  Now, working from home policies are pretty standard.

And thus it occurred to me:  storms like this don’t have as big an impact on me anymore, because I can just stay home and work.  That is a game changer as far as my winter disorder goes.  I don’t have to go fight the roads just to get to work alive.  I can stay home, and eat pretty much anything I want to.  That’s thanks to Covid.  So there you go.  Perspective.  Five years ago I said I’d have loads of perspective.  There’s one angle.

Of course, for me, working from home recently meant a drop in creativity.  One of the cardinal rules of working from home is:  “Thou shalt not use your creative space as your work space.”  It’s just not good for mental health to mix the two, but I have no choice.  So, as a result, when I’m done sitting in this chair for eight or nine hours of work, I don’t choose to sit in it again for an hour or two more.  It’s not healthy.

I will say one thing, which is that I bought a disappointing Rod Stewart CD this past weekend that I should have spent more time reading the sticker.  You’re In My Heart:  Rod Stewart with the Royal Philharmonic Orchestra.  Cool, Rod with a symphony.  All my favourite songs like “Reason to Believe” and “You’re In My Heart”.  New versions, I assumed.  Unfortunately, I discovered it’s just another Drastic Symphony.  Except for two new recordings, it’s just old Rod classics with strings dubbed in, just like Def Leppard.  Disappointing!

So, writing hasn’t been a priority when I have this stuff going on, but not everybody watches YouTube so it’s nice to touch base like this once in a while.  Hope you’re doing well.