punk rock

#1077: Lunch With Aaron & Son

RECORD STORE TALES #1077: Lunch With Aaron & Son

In the last five years, my world has changed drastically.  We lost Jen’s mom, we’ve lost friends, but on the positive side, we’ve also lost weight!  The world has gone through a transformative pandemic, but one constant is Aaron KMA, a man I have not seen since 2018.  I am happy to report that Aaron is still out there being Aaron – bearing gifts and warmth as always!

We met halfway, at the Elk & Finch in Southampton Ontario.  He brought his son, who I’ve never met before, but has good taste in hamburgers.  We sat down to some amazing food, including the best smoked salmon I’ve ever tasted in my life.  This is it: as good as it gets.

Food aside, I knew Aaron would arrive bearing gifts, and as usual, he did:  Books, CDs, and more.  Let’s have a gander, shall we?  Let’s go through the contents of Aaron’s gift bag bit by bit.

Not pictured, there were four bottle of Iron Maiden’s Trooper beer!  Not pictured because I didn’t think I should pull out liquor of my own at a restaurant.  You understand of course!  You are probably familiar with this acclaimed brew already.  That made up a lot of the weight of the gift bag.  Much of the rest of the weight was taken up by books.  One book specifically.

The big one is The Art of Classic Rock by Paul Brushkin, with foreward by Alice Cooper.  Aaron has showed this off on my show before.  We also have rock magazines (with CDs)!  Other reading:  Gods of the Hammer by Geoff Pevere, the story of Teenage Head.  The “Hammer” in this case is Hamilton Ontario.  Keeping a punk vibe, Aaron also gave me Perfect Youth: The Birth of Canadian Punk by Sam Sutherland.  Finally, it’s The Story of Tommy which is really gorgeous!

I’m very excited about the music.  I actually didn’t own a copy of Garbage’s self titled debut, until now.  This one is signed by all four members, and lo and behold, it’s dedicated to Mike!  Just a coincidence I assure you but how cool is that?  I now also owned Backwaxed by Anvil, which I was missing until now, and now I also own the Hip side project Stripper’s Union.

I get more and more excited the further we go!

These Hot Wheels are really cool.  I think I need to open them.  The Yellow Submarine (Beatles) is groovy.  The USS Enterprise though…I just enjoy swooshing those ships around.  This Enterprise is NCC-1701 from the 2009 film Star Trek, directed by JJ Abrams and starring Chris Pine as Captain Kirk.  (I have to be honest, I prefer Paul Wesley’s Kirk from Strange New Worlds, which I am trying to get Aaron to watch!)  I enjoy these very much, and this is not the first time Aaron has found an appropriate Hot Wheels to gift me.

Onto the shirt, which was actually the first item in the bag.  Jeff Woods is legendary in my circles – he is THE Legend of Classic Rock.  Jeff Woods even contributed to the Sausagefest countdowns a number of times.  Aaron, however, isn’t a radio listener and isn’t intimate with the works of Mr. Woods as I am.   Yet Aaron found this shirt, thought of me, and put it in the bag.  I am thrilled.  This is a shirt I would have bought myself anyway!

Finally…

I just loved the Sheik.  I have always loved the Sheik.  He was one of the greatest villains in WWF history.  We talked to Spenny about the Iron Sheik back in May on Grab A Stack of Rock.  And now I have a little loveable stuffed Sheik of my own.   I couldn’t be more happy.  This is the kind of gift that just screams “Mike”.

 

Aaron, it was a delight to hook up again and finally meet your son.  I hope we do something like this again soon.  I could go for some salmon again.  And the coffee was great too.

Three cheers for Aaron!

 

 

Neurotic Outsiders on Grant’s Rock Warehaus TONIGHT!

Tonight I will be LIVE on Grant’s Rock Warehaus to discuss a forgotten 90s supergroup: the Neurotic Outsiders!

The 90s were a weird time.  For all intents and purposes, one of the biggest bands in the world was gone:  Guns N’ Roses.  We had to settle for solo albums from Duff, Slash, Gilby and Izzy.

Matt Sorum and Duff McKagan teamed up with Steve Jones from the Sex Pistols, and John Taylor from Duran Duran, to form the punky supergroup Neurotic Outsiders.  They made one album.  One and done!  But what an album it was.  We’ll be discussing all this and more tonight on Grant’s Rock Warehaus!

7:00 PM EST

Sunday Screening: Max the Axe – Thirsty and Miserable

As premiered on the Friday November 12 episode of the LeBrain Train, here’s the new video for “Thirsty and Miserable” by Max the Axe — a Blag Flag cover via Lemmy Kilmister. From the new EP Oktoberfest Cheer.

This Is Max the Axe, on the LeBrain Train

Max the Axe went off the rails of the LeBrain Train, and we were hanging on for the ride!

This wide ranging interview with all four Max the Axe band members included the following subjects:

  • How they got their nicknames (fan question from Jeff Taylor and Tee Bone)
  • Drinking
  • Recording on 1″ analog tape vs. digitally
  • Trying to make a record during the pandemic
  • Gigs (or lack thereof)
  • Cover tunes
  • A 40 year-old tune that sounds current today
  • New track “Iron Cross”
  • New track “Droid” (which neither Meat nor Dave heard of before tonight)
  • Remixes of “Scales of Justice” and “Randy” for a new release
  • Lyrics, storytelling and getting political
  • LeBrain’s Cinco De-Listo Top Five Max the Axe songs
  • Meat’s “retirement” & future of the band

Thank you to Harrison the Mad Metal Man who helped me helm this car crash that you just can’t look away from!

NEXT WEEK:

Harrison and Uncle Meat back to discuss key albums of the year 1981!  This is both a sequel to a show I did least year with Superdekes, and also a sister show to Scotch On the Rocks’ own special on the year 1981 featuring Deke and Muc.  I was unable to participate in that show myself, but still wanted to celebrate four decades of great albums from that year.  Join us next week!

Max the Axe brings the Oktoberfest Cheer on tonight’s LeBrain Train

The LeBrain Train: 2000 Words or More with Mike and Harrison

Episode 87 – Max the Axe band interview

Hear ye, hear ye!  One band has consistently rocked us all since before the start of the pandemic.  That band is Max the Axe, and tonight we will have 3/4 of the group with us.

They are:

  • Mike Koutis/Max the Axe – lead guitar
  • Eric Litwiller/Uncle Meat – lead vocals
  • Dave Haslam/Dr. Dave – lead drums

This will be their first-ever interview together, and Harrison the Mad Metal Man will be with me to quiz the band on the new EP Oktoberfest Cheer.  The current crisis had a huge impact on its making and eventual release, and Max is eager to tell the story.  The EP certainly brought a lot of joy as we crawled through the second year of this pandemic.

On a serious note:  Please give this a “share” on your social media and help the guys out.  It’s no secret that views have been down, but every time we do an interview show, we sell a CD or two to a viewer.  You can help by sharing this show and maybe some of your friends will watch too.  I guarantee a great night and some great tunes!

VIDEO: Max the Axe – Oktoberfest Cheer (2021)

Today is the last day for Oktoberfest…but “Oktoberfest Cheer” goes on and on!

From the new EP Oktoberbest Cheer, written by Mike Koutis, here is the video for “Oktoberfest Cheer”.  Have a schnitzel on a bun and a frosty cold one, and get your copy at Encore Records in Kitchener, or by dropping us a line here.

  • Mike Koutis – guitar
  • Eric Litwiller – lead vocals
  • Mike Mitchell – bass
  • Dr. Dave Haslam – drums

 

  • Accordion by Catherine Thompson

 

Notes:  Since Eric deleted the only rehearsal footage of “Oktoberfest Cheer”, I was forced to use the video for “Randy” live at the Boathouse somewhat ham-fistedly.  However this works perfect with the punky off-the-rails nature of the song.  Speeding things up and slowing things down hides a multitude of sins in the edit, and the Keystone Cops flavour of the high-speed footage lends a comedic profile to the video.  Which is necessary for any song that contains lyrics like “don’t crush my smokes, don’t spill my beer.”

VIDEO: Max the Axe – “Pygmy Blowdart” – vertical video performance !

“Pygmy Blowdart” (2021 Koutis)

  • Mike Koutis – Guitar
  • Eric Litwiller – Lead Vocals
  • Mike Mitchell – Bass
  • Dr. Dave Haslam – Drums

From the brand new EP Oktoberfest Cheer.

VIDEO: Last Summer Weekend at the Lake 2021 / Max the Axe – “Pygmy Blowdart”

Now that the new Max the Axe EP, Oktoberfest Cheer, has been released, I am happy to present to you their new never-before-heard original “Pygmy Blowdart”.  Lead singer Eric Litwiller stressed to me (more than once) “I did not write the lyrics”.

Video footage was taken the last weekend of August, but held on to until I could use some fresh new Max music.  Check out “Pygmy Blowdart” and let Max and Meat know what you think of this new tune in the comments below!

 

Available at Encore Records.

REVIEW: Max the Axe – Oktoberfest Cheer (2021 EP)

MAX THE AXE – Oktoberfest Cheer (2021 EP)

Pandemics suck, but last year Max the Axe began working on a remedy.  Three new songs — one cover, two originals — and a new EP called Oktoberfest Cheer!  With this year’s Bavarian festival just around the corner, Max is ready to rock your beerhallen.  It’s the second release with the same lineup:  Mike Koutis (Max the Axe) – lead guitar, Eric Litwiller (Uncle Meat) – lead vocals, Mike Mitchell – lead bass and Dr. Dave Haslam — lead drums.  It’s a much more punk rock affair than the last album Status Electric.  Perhaps it’s even a concept record about intoxication!

Opening with the original “Pygmy Blow Dart”, Max sounds like Queens of the Stone Age jonesing for a smoke.  Litwiller is in full Homme mode with the groove of the Axe behind him.  “I think I’m going downtown, looking for some dope.”  Ah, the quaint pre-legalization setting!  By the end, the band is in a singalong, looking for some smoke.  “Round and round, and round and round…”  Hey guys…check the local dispensary!  There’s one on every corner now.  Great bass solo in the middle, right before Max rips on the six string.  Fans of the last album will love it.

The Black Flag cover “Thirsty and Miserable” is outstanding, full-on punkfied Max.  Definitely some influence from Lemmy’s version of “Thirsty and Miserable” too.  This track kicks and Litwiller sounds legit.  They could play it two or three times in a row and you wouldn’t get bored.

Finally the punk-inflected EP ends with the title track “Oktoberfest Cheer!”, a song destined to be a seasonal hit.  Feather in cap, beer on tap…October is here so raise up that beer!  You can picture the festhallen going mad for this October anthem.  This is the clear hit, frantic and haggard as it may be.  Adorned with festive accordion, it’s punk rock unlike any other.  You can play it year after year…or in August.  Don’t crush my smokes, don’t spill my beer!

The great thing about this EP is that it’s under 10 minutes in true punk fashion and perfect for repeat plays.

Kitchener knows.

5/5 stars

 

 

REVIEW: D.A.D. – No Fuel Left for the Pilgrims (1989)

“And when the night comes to the city I say…I’m sleeping my day away.” – D.A.D.

D.A.D. – No Fuel Left for the Pilgrims (1989 Warner)

There we were sitting in Bob Schipper’s basement after school on some Thursday in late 1989.  Suddenly Bob’s attention was caught by a music video. We always had our eyes open for unique guitars. Neither of us had ever seen a two string bass before. The neck was insanely thin. The song was called “Sleeping My Day Away”, and the band was D.A.D. — Disneyland After Dark. They already had two albums out in their native Denmark, but this was their first North American single.

It wasn’t just the bass. Even the song was unique. Anchored by a simple three-note lick played on a fat hollowbody guitar, the song had an edge we were unfamiliar with. The singer, Jesper Binzer, had a cool rasp. He wore a tie in the video and the bassist (Stig Pedersen) wore a medic’s helmet! Bob loved ’em. So did the music magazines. It’s a shame that didn’t translate into North American success.

When the bassist’s medic helmet erupted with fireworks during the guitar solo, I didn’t know what to think about D.A.D.  Were they serious?  Were they a joke?  I should have just listened to the music, but it wasn’t easy to find their album.

D.A.D.’s No Fuel Left for the Pilgrims is made up of 12 sparky rock tunes.  They range from 2:04 at the shortest to 4:36 at the longest.  If guessed that punk rock must be an influence, you would be correct.  No Fuel Left for the Pilgrims has that energy and sneer, crossed with the melodic sensibilities of classic hard rock.  Also a knack for a memorable lyric; not the easiest task when English is your second language.

“Jihad!  I’m gettin’ mad!  And there’s no fuel left for the pilgrims,” sings Jesper, somehow stretching the word “mad” into two syllables.  “Jihad” is an adrenaline-fueled blast, revealing the band’s punk rock roots.  But they slow it down to a strong beat on “Point of View”, a melodic bright spot with more of that catchy hollowbody echoing hooks.  “Rim of Hell” slows it down further, turning up the menace.  “They throw the best damn parties at the rim of hell,” goes the hook, and you’ll be ready to jump in by the end.

“ZCMI” brings AC/DC to the table, adding to the stew of influences.  Iggy is definitely in D.A.D.’s record collection too.  “Girl Nation” is another catchy highlight, with Jesper imagining an interstellar “female civilization”.   Elsewhere, the chorus “I win with a Siamese twin!” tells us where Jesper’s mind is.  It’s certainly a unique lyrical theme in music.   “Wild Talk” edges into Kiss territory; but it’s Kiss when Bob Kulick was secretly playing guitar!  Closing on “Ill Will”, thrash metal is the final genre to be conquered!

No Fuel Left for the Pilgrims contains no duds, and has nothing to skip.  Though “Sleeping My Day Away” is clearly the best song, it is among a very strong batch.  D.A.D. have that punk rock sense of humour that runs through the album.  A reckless, who-gives-a-shit attitude that hints this band will do anything so long as it’s fun to do.  It’s a great little album that didn’t particularly fit in with any of their peers coming out of Hollywood.

4.5/5 stars