Author: mikeladano

Metal, hard rock, rock and roll! Record Store Tales & Reviews! Grab A Stack of Rock and more. Poking the bear since 2010.

My Music Corner: Monday Night Metal 9/29/2025

‘Twas my honour to be back on My Music Corner with Johnny Clauser on Monday night!  Well, to be fair, I invited myself, but it was a free for all, so that’s allowed!

Joining Johnny this episode:

  • Dan Chartrand from Off the Charts
  • Sidney Cini from Slogan’s Rock and Metal Extraganza
  • Jake Not from State Farm
  • Ashley Geisler from Ash’s Concerts and Video Showroom

Johnny asked us all of a series of questions including:

  • How did we discover this online music community?
  • What does the community mean to you?
  • What music death hit you the hardest?
  • What was the last concert that blew you away?

Enjoy this episode!

WTF Comments: Eric Martin edition

Without further comment, here is @strongbelieveroftheholybible’s comment about Eric Martin, lead vocalist of Mr. Big.  You know, the “To Be With You” band.  Joey Tempest, you have company.

 

REVIEW: Ginger Baker’s Air Force – “Man of Constant Sorrow” single (1970)

GINGER BAKER’S AIR FORCE – “Man of Constant Sorrow” (1970 ATCO 7″ single)

When Blind Faith broke up in 1969, Ginger Baker formed the Air Force featuring musicians such as Steve Winwood, Alan White and Denny Laine.  They released two albums, Air Force and Air Force 2, with the debut being a live album recorded at Albert Hall.  They also released one single, a studio version of the traditional “Man of Constant Sorrow”.  Its live counterpart was on the debut Air Force album, but the 3:31 studio version was only on the single.  Today you can buy several compilations and additional live albums, but in 1970 this single would have been one to seek.

Most people today are familiar with the version of “Man of Constant Sorrow” that was released as a single from the soundtrack O Brother Where Art Thou.  Based on the same traditional music, Ginger’s version is vastly different, though clearly the same song.  Opening with soft electric guitar picking by Denny Laine, Ginger soon comes in with a pitty-patter that is distinctly him.  Fiddles join in, and ample soulful backing vocals.  Aside from Laine’s emotional lead vocals, the defining characteristic of this song is the bombastic (but not out of place) drum pounding of Ginger Baker.  Horns join in at the halfway point, lending the song a celebratory Mardi Gras kind of feel.  Though it starts quiet and unassuming, it ends as a magnificent folk-soul monolith.

The single B-side is an instrumental live cut of the original song “Doin’ It” from the debut Air Force.  It was recorded 15 January 1970 at the Albert Hall with a ten-piece band including three saxophones and Hammond organs.  This is a tribal but funky jam, with the bass by Ric Grech blazing the trail.  Like “Man of Constant Sorrow” it builds louder and louder as it goes.  This short 3:47 (fade out) jam is in and out before you know it, but works as an intense but fun workout from some of the greatest musicians ever to hit the stage.  Certainly, the drums and two additional percussionists are a main focus and worth paying attention to.

A terrific single that is not too hard to find.

4/5 stars

EPSON MFP image

VIDEO: @darcyska – Why I Love Movie Soundtracks

Once more I had the pleasure of doing a show with D’Arcy Briggs from the YouTube channel @darcyska.  A few days ago, D’Arcy asked me if I’d be up to record on a topic of my choosing.   My first thought was “movie soundtracks”.

D’Arcy prepared a series of questions for me and off we went!  Topics include:

  • First loves in soundtracks and childhood memories.
  • Top Five Soundtrack list.
  • An underrated soundtrack (for Jex Russell).
  • What makes a good score?
  • Listening to curated song soundtracks.
  • Fictional movie band soundtracks.
  • A recent TV series’ soundtracks.
  • Has streaming changed how we listen to soundtracks?
  • Discovering bands via soundtracks, and gatekeeping by the old  fans.

While we were at it, we took a good look at some physical CDs, soundtracks from my collection and D’Arcy’s too.

Check out the video below!

50 Years of IRON MAIDEN episode 22: Brave New World with Davey Cretin

50 Years of IRON MAIDEN episode 22:  Brave New World

Special Guest:  Davey Cretin from Cretin Classics

GRAB A STACK OF ROCK #118

How do you move on from a special interview with former Maiden frontman Blaze Bayley?  By going to the next album, of course!  After the wildly successful Ed Hunter reunion tour, the new six-man Iron Maiden lineup of Bruce Dickinson, Steve Harris, Dave Murray, Janick Gers, Adrian Smith and Nicko McBrain were tasked with creating a new Iron Maiden studio album.  With new producer Kevin “Caveman” Shirley at the boards (whom they tested out on “Wrathchild 1999” – see Episode 21), the band had to capture their classic sound with modern production and a new three-guitar configuration.

The band toiled away in the studio as fans speculated.  Finally we were given a preview of the new Maiden sound on the first single “The Wicker Man”.  This was followed by the rapturous release of Brave New World on 29 May 2000.  Together, with the legendary Davey Cretin of Cretin Classics, Harrison and Mike break down the album’s 10 tracks in incredible detail.  You simply will not find a better analysis of this album anywhere else on the internet.

We don’t just dive deep into the album.  As usual, you can expect us to tackle all the live B-sides from “The Wicker Man” and “Out of the Silent Planet”.  We will also look at some very rare CD singles, including the elusive remix of “The Wicker Man” with additional lyrics.  We will also have a good look at the album and singles artwork, and even a special edition DVD of the Wicker Man movie with Edward Woodward and Sir Christopher Lee.

Before we’re done, Harrison will take us through the Brave New World tour, the setlists and the performances.  Expect the level of detail, analysis and pure love that you have come to know from 50 Years of Iron Maiden.  It’s all here as we enter the brave new world of the Maiden reunion era!

 

Friday September 26 at 7:00 P.M. E.S.T.  Enjoy on YouTube.


Past episodes:

Handy YouTube Playlist:

 

#1218: When Did You Get Your First CD Player?

RECORD STORE TALES #1218:  When Did You Get Your First CD Player?

 

When I seriously got into music in 1984, cassette was the dominant format in my demographic.  I was 12.  Older kids and adults still bought a lot of records, but when we gathered in the streets, our music was played on portable tape decks:  “ghetto blasters”.  Whether tethered by electrical cords or running free with weak C and D cell batteries, cassette dominated.  Then, one morning, CBC radio was doing a special on a new format:  the compact disc.  Host Clyde Gilmour had the longest running show on Canadian radio, and was known for playing classical and jazz music.  Gilmour’s Albums was the first time I ever heard a CD, but over the radio, it could not be properly appreciated.

In 1987 my cousin and his family came to visit.  They brought with them a CD player and the soundtrack to Good Morning Vietnam.  My biggest takeaway after seeing the format in person myself was there were no side breaks on CDs.  It was a one-sided format.  I had never considered such a thing before.  I didn’t have the imagination to picture a live album without side breaks.  Such a thing had never existed.

It didn’t take me long to discover the temptation of compact disc:  the “bonus track”.  Van Halen’s OU812 was the first CD I spotted with a bonus track called “A Apolitical Blues”.  The Columbia House music catalogue, which we signed up for in 1989, always listed when a format had a bonus track.  Very few records did, but many cassettes and many more CDs did as well.  It was a way of taking advantage of a longer running time without breaks, and to tempt people to make the switch.

For that reason, I officially adapted CD as my newest musical format on Christmas Day, 1989.  My first CDs were Alice Cooper’s Trash, Motley Crue’s Dr. Feelgood, Whitesnake’s Snakebite, and Winger’s debut – with bonus track.  Bob and John Schipper came over to visit during the holidays.  I demonstrated the sound of a CD by putting in Dr. Feelgood, cuing up Time For Change, and letting them listen to the silence at the of the fade.  I cranked it to max.  “No hiss!” I explained.  They didn’t appreciate it the way I did.  Cuing up songs by demand was also a treat.  I remember using it to isolate the track “Ride Cowboy Ride” by Bon Jovi and recording it on its own for cassette.

My first was the Panasonic seen below, atop my parents’ old 8-track deck.  The first of countless many.

I asked some friends for their stories about their switch to CD.  They answered the call, some with pictures.


bicyclelegs:

1990 I think, but I don’t remember the make or model.  By 1990 it was getting harder to find new releases on vinyl in Australia, so my hand was forced to a certain extent. But it was also a financial thing: before 1990 I simply couldn’t afford a CD player.

Dan Chartrand:

Same here for the bonus tracks! Mind you, some cassettes had bonus tracks…and even vinyl had bonus tracks…wish the internet was around to investigate more… My first CD was Dio’s Lock Up the Wolves due to the bonus track that wasn’t on the cassette or vinyl.

Melissa Nee:

I am thinking 87. It was super early.  I started getting CDs from Columbia House before buying in stores. They were pricey.  I think Bon Jovi was $16.

Chris Preston:

1988 for me.  quite honestly it was mostly because a bunch of my friends had CDs and they raved about how great they were. Peer pressure! I had also stopped buying vinyl by that point and I was growing tired of the poor quality of cassettes. It was time to embrace the future with CDs!

Erik Woods:

It was this. Got it some time in the early 90s.

Henry Wright:

I got my first CD player in June 1992. It was a college graduation present from my parents, I think. I had only cassette for many years but already had about 5-10 CDs before I got the player as I had started buying them around 1990-91, I think. Some of them were things I couldn’t find on cassette (typically from the UK), others were just favourite releases I wanted to upgrade. Before I got the player I would make a tape copy for myself on a friend’s. I don’t know if I thought cassettes were an endangered species but I always disliked how often they wore out or were chewed up by the machines and so I was pretty excited about the new format. I never heard of a bonus track until later although I do recall that new CDs often had the same “extra” tracks that cassettes did unlike the LP or 8-track versions.

Matt Phillips:

Summer of 1993; got my first guitar the same month. And it was the Panasonic with the flip top and the jog dial and the ability to skip to the next song on cassettes. This model:

Larry Russwurm:

1988. Most people in residence in Toronto had them already. Someone in residence had one as early as 1986.

Frank Schenker:

The first CD I ever purchased was Surveillance by Triumph. I also bought the cassette tape at the same time in November 1987 and I didn’t even own a CD player. I the spring of 1988, I purchased a Sanyo boom box with a CD player and cassette tape deck.

Rex Smetzer:

1988.  I just have always loved music & was in college at the time, & got it for Christmas.

Todd Evans:

December, 1984. Technics SL-P1.  In early 1984 a local department store had a Magnavox FD1000 on display that you could demo. They had one CD – Rush Moving Pictures. I must have played with that thing for an hour! My parents bought me one for Christmas that year. I remember that a friend bought me two of my first CDs as a Christmas gift – Asia’s first album and Thompson Twins Side Kicks. My parents bought me one to go with the player, but I can’t remember what it was.


It is warming to see some folks embrace the bonus track as I have.  The CD certainly changed our lives when we made the change.  When and why did you make the switch to CD?  Leave your story in the comments below.

Kickstart My Heart! Today’s chuckle

I found this video in my 2023 Facebook memories. September 22: The story of the kids on their bikes, rocking to Motley Crue. Absolutely wild!

#1217: When the Fall Starts to Fall

RECORD STORE TALES #1217: When the Fall Starts to Fall

 

The Equinox has passed us (Sept. 22).   All that remains is the clock change (Nov. 2).  The Seasonal Affective Disorder remains at bay for the moment.  Green still rules the outdoors, for now holding the bleak grey back.  Soon, however, this shall change.  What challenges will the fall bring?

I think, for the time being at least, I am done doing the live Contrarians on Wednesday nights.  It was a key part of my mental health strategy last winter, but like many things it became monotonous.  If the Contrarians do return on Wednesday nights this fall and winter, I am not sure if I will participate.  It was a healthy form of expression, but I confess that I prefer doing my own thing.  It enabled me to meet and work with new friends, which was valuable.  It is possible that I may replace it with something of my own in the same time slot, if it is not being used by the Contrarians.  We shall see.

My biggest challenge at the moment is what I call the “Monday Crash”.  I seem to struggle with waking up on a Monday morning these days.  Sometimes I just can’t see to get out of bed, and I end up working from home.  The option to work from home does help, but working from the office is infinitely more efficient.  My Mondays seem to be an uneasy truce between depression and dedication.  This happened through the summer too, but I worry about how fall will effect the battle.  Will it sway one side or another?

Back in 2022, my strategy for coping with fall and winter involved sending pictures and videos of Canadian weather to my new friend in California, MarriedandHeels.  While it did help for a while, it was not a good long-term strategy.  The novelty of taking winter pictures for a far-away friend, for her reactions, was a good idea but it could not last the whole season.  I needed strategy that focused on me, and not someone else.  I am pleased to say that MarriedandHeels and I are friends again, on normal social media, and have been for longer than we were originally the first time.  Unfortunately, she is dealing with her own things today and I can’t base any strategies on her in 2025.  I find myself trying to support her, which is not a bad thing.

For the winter of 2025, I am going to try and do some things that we never got around to last year.  These ideas included a winter trip to the cottage.  That is still in the cards, if the weather happens to line up with a free weekend.  Record shopping in the winter is also a must.

Things seem to be going OK.  I just got a new PC (though the CD drive is not quite working yet), and 50 Years of Iron Maiden is keeping me busy.  It has been an enriching experience.  Before we’re done, we’ll have three more guests who have never been on Grab A Stack of Rock before.  These things are healthy and keep me from becoming a recluse.

Here we go, lads.  Let’s have a triumphant winter like last year.  Repeat performance.  Let’s go!

VHS Archives #158: Antix Promo Bumper on the Pepsi Power Hour + “Kingdom Clone”?

From the official Antix Facebook page!

Oh, 1988! A new band starring Lenny Wolf from Stone Fury had started his new band Kingdom Come, and the “Led Clones” accusations were rampant! MuchMusic VJ Laurie Brown refers to them as “Kingdom Clone” here.

Antix were an independent hard rock band out of Ottawa, Ontario. They released several records and are possibly best known for “Kick It Up” from the Raw M.E.A.T CD compilation.  Check out their Pepsi Power Hour bumper!

Whitesnake: Ranking the Top 15 Songs of… on Rock Show Critique

It was my honour to be asked on the Rock Show Critique with Joey Suto, to talk Top 15 Whitesnake songs!

Joey and I spoke extensively before the show, about how difficult this exercise was going to be!  We agreed to a few ground rules.  Regardless of where the songs appeared (such as the Snakebite EP), we agreed to stick purely to Whitesnake songs.  No David Coverdale solo.  This definitely excluded some songs I would have liked to include (which we discuss at the end).

This list show turned out pretty interesting.  Of course, I included some B-sides, but Joey and I both had groupings from some albums we think deserve more attention and love.  We clearly had a preference for the classic era of Whitesnake, including the Geffen years.

Check out the show and take a bite of some ‘Snake!