GRAB A STACK OF ROCK…with Mike and the Mad Metal Man Episode 5: Special guests Marco D’Auria and Tim Durling
Week five of Grab a Stack of Rock, and the Kiss Creatures of the Night box set has finally arrived! And it’s awesome – the best Kiss box set to date. We’ll tell you why tonight. Additionally, Marco D’Auria and Tim Durling from the Contrarians will be on hand to show off some of their own Kiss goodies. D’ya think Tim will have 8-track tapes? What are the odds?
The popular “Ask Harrison” feature also returns, with two of the best questions yet. Let’s hope our boy from Australia is ready!
Friday November 25 at 7:00 P.M. E.S.T. Enjoy on YouTube or on Facebook.
Lunch With Ladano yesterday was regarding the events of November 23, 1991. The announcement that Freddie Mercury had AIDS, the worst kept secret in rock. Do you remember?
RECORD STORE TALES #1023: “Just the pieces of the man I used to be”
You never know how it’s gonna go.
You roll out of bed feeling like a winner, and then suddenly for absolutely no reason, that completely changes and you’re struggling to break even.
Maybe it’s the pressures of modern life. The hustle and the bustle. The need to get things done, even though you’re behind and energy is in short supply.
The feeling of loneliness even though you are not alone. There’s a dark place in your heart, only inhabited by you, that no one can break into. It’s not that you can’t let them in. It’s that you don’t even know how to open that door. Of if you actually want to. If you’d prefer to be alone.
The daily monotony, the commute, the cold, the damp.
The fact that all the hours of daylight happen when you’re in an office doing your daily grind.
The pressure and drive to do something important, to be someone who matters. To make a difference. To be somebody…anybody…but who you are.
Somehow, a sad song helps. There’s something about a sad song that can pry its way into your soul. Provide sympathy. Warmth. Help you dry the tears. That tells you someone out there is feeling the exact same way you do. It’s as if someone in the world knows you, just as well as you know yourself.
You could be in a room full of happy celebrations, and feel so alone, so completely down, yet have to fake it to make it.
One of the worst winters of my younger life was the winter of ’95-96. I had just been dumped by my first real serious girlfriend. I put on a brave face and for a few days, I thought I had weathered the storm. I listened to “classic British hard blues” that week and felt super strong. The crash came later. One of the albums that helped me through that winter was Queen’s Made In Heaven. The final album with Freddie. Though there is some undeniable dark material on the album, such as “Mother Love”, and “Too Much Love Will Kill You”, I was amazed at how positive some of the other songs such as “Heaven For Everyone” were. The album was like a journey through my own convoluted feelings.
“I’m just the pieces of the man I used to be, Too many bitter tears are raining down on me.”
Yet on the same album:
“In these days of cold affections, You sit by me and everything’s fine.”
What will the album for the winter of 2022 be? For the last several years, I’ve been digging deep down into the albums that made me happy as a youth.
“Listen! They said I didn’t stand a chance, I wouldn’t win no way, But I’ve got news for you, There’s nothing I can’t do!”
It was a different time. There was misery, but nothing can duplicate that feeling of hearing a song for the first time. A song that you know means something to you. That is destined to stick with you for your whole life. And when you put those records on again, a million things start happening in your head. You can be 12 or 13 again. A time when the real problems of life were completely unknown to you and the biggest issue you had was figuring out how to talk to the girl you liked.
Like a phantom of a dream, old songs make the memories real again. As you wipe a tear from your eye, you remember. It can help sooth the sadness.
Sometimes you just have to cry it out, whatever it is. Hell, I don’t know what it is exactly. I just know it sucks.
They say that life never hands you anything you can’t handle. I don’t know about that. History is rife with people who could not handle what life has given them. I think I can – but it’s never simple, straightforward, or obvious how to do it.
So I write.
It’s the only thing I’m really good at. The only thing people really notice about me.
I write in the hopes that someone will understand.
That someone will relate.
That someone can take what I have experienced and draw something good from it.
And that maybe I’ll get some of that goodness back.
This winter has been pretty good. My strategies are working. My support personnel are solid. But there will always be days where I can’t help it. Can’t help FEELING IT. The old familiar sting of that cold, unrelenting loneliness. The kind of loneliness that can strike even when you are in a room full of loved ones.
One of the best albums for this time of year is Catherine Wheel’s Adam & Eve record. It captures it all.
“Start the day, in a cold December way, feel what’s new, it’s December through and through.”
And on the same record:
“And we crown ourselves again, There’s been no change since you and I were young, When we burned ourselves again, The spaceship days when you and I were young.”
I crave those spaceship days so hard sometimes. But you can never really go back.
Except with a song.
Come back with me. Join me in my memories, on this sad, cold winter day.
Not one of the best songs from Diamond Star Halos, “Kick” was still well received by much of Def Leppard’s fandom. It was showcased on The Stadium Tour with Poison, Joan Jett and Motley Crue. Is a new Def Leppard live album in the works? Let’s hope!
DEEP PURPLE – “Woman From Tokyo” (Originally 1973, 1998 Warner Japan CD reissue)
The 2:56 single edit of Deep Purple’s “Woman From Tokyo” is somewhat of a rarity on CD. It’s not on the Singles A’s and B’s. You could get it on a Japanese box set called Purple Chronicle.
The original song was almost six minutes, so half of the tune was chopped out for single release. The intro is mangled. The middle section is missing, and cut in such an amateurish way. The guitar solo is missing. Rule of thumb: never cut the friggin’ guitar solo from a Deep Purple song, of all bands! This is a butcher job of a single edit. Probably why it never made the cut to Singles A’s and B’s.
The B-side “Super Trouper” is also 2:56, but unedited. That’s just how the song goes, one of Purple’s shortest. No, it’s not an Abba cover, but both songs were named after Super Trouper stage lights. Some of Ian Gillan’s lyrics can be interpreted to be about his impending departure from Deep Purple. “I wanna be like I was before, but this time I’m gonna know the score.” A lot of looking in the rear view mirror in this song. A lot of past-tense.
Because of the butcher job on the “Woman From Tokyo” edit, the B-side here outshines the A-side. The single at least has lyrics. For collectors and analysts only!
And it should be over; it had its run. It had a start, middle, and a couple endings. And it should be over now. Ozzy is right and this is good.
Ozzy is also right when he says the music he recorded with Tony Iommi on the excellent Patient Number 9 could have made great Black Sabbath tracks. He also sounds legitimately sad that he’s not touring and his health isn’t up to it.
All things considered (and there is a lot to consider), Ozzy looks pretty good here. Rock on Ozz.
Robert “Visions In Sound” Daniels not only grabbed a stack of rock, but also a rack of socks! Rob rocked us all tonight, with some cool soundtracks that are rare and desirable to collectors! Harrison “Mad Metal Man” Kopp also stepped up to the plate with some 3 CD sets and assorted items. Because Rob was on, I decided to go with a Star Wars theme with CDs, VHS, and stickers. But we got much than we bargained for. Other features:
A controversial “Ask Harrison” featuring Tee Bone Erickson
A “Fuck Sammy Hagar” from Dave Lizmi of the Four Horsemen
Some bizarre video tape formats from Rob’s TV days
Next week, Uncle Meat and Marco the Contrarian will be grabbing stacks of rock with us! Don’t miss it!
Loudness have released a new DOUBLE album called Sunburst, and in support of that new album comes the music video “Tengoku No Tobira (Heaven’s Door)”.
There’s a very 80s vibe to the music, while the production is modern and tough. The band still consists of original singer Minoru Niihara, shredder Akira Takasaki, bassist Masayoshi Yamashita, and drummer Masayuki Suzuki. What do you think of this track?
GRAB A STACK OF ROCK…with Mike and the Mad Metal Man Episode 4: Special guestRobert Daniels
Fourth week of Grab a Stack of Rock! It’s already been a month! We’re doing something special tonight. This evening, Harrison and Mike are joined by one of the internet’s foremost experts on just about everything movie related, Robert “Visions In Sound” Daniels! What will he show off tonight? You’ll just have to tune in and see. Robert is in the midst of listening to his entire soundtrack collection in alphabetical order by movie title. Perhaps we’ll see where he is currently. As usual, it’s his choice how he spends his hour tonight and I can’t wait to find out.
Also, “Ask Harrison” will return as a new regular feature.
UPDATE:
If deliveries come in time, I will also be unboxing:
KISS – Creatures of the Night box set
QUEEN – The Miracle box set
PINK FLOYD – Hey Hey Rise Up CD single
Come on Amazon guy, don’t let us down.
Friday November 18 at 7:00 P.M. E.S.T. Enjoy on YouTube or on Facebook.
Press release from Chipster PR below. We waited 19 years for a new Jethro Tull album in The Zealot Gene, but now we are only waiting a year between albums for the next one!
FOR IMMEDIATE RELEASE: Jethro Tull finish work on their 23rd studio album, due for release in Spring 2023
Jethro Tull have completed work on the recording of their 23rd studio album, following swift on the heels of their critically-acclaimed return earlier this year with ‘The Zealot Gene’, their first album in two decades.
Ian Anderson checks in with the below:
“We have been putting the finishing touches to the artwork for the album cover and wrapped up the recording and mixing a few weeks ago. Due to the usual long wait for vinyl pressing and manufacturing, we are scheduled for an Spring 2023 release but, during the weeks and months to come, you will be hearing more about the record and the various formats which will be available.
It’s a little too early just yet to tease you with titles, tracklists and content, but rest assured that it is all done and dusted as to mastering and the main elements of art and packaging. I hope you will like the concept and themes when I am ready to tell you more. It has been a long and tricky job to get the material recorded during a hectic schedule of touring in these last months. A day here, a day there and the odd burst of a few days together at some points along the way.
I wrote the main themes and lyrics back in January of this year and sent the first demos to the band in February and March, much as I did with The Zealot Gene, back in 2017. Most of the recording took place in June and August with the stereo mixing done in September. My new pal Bruce Soord of The Pineapple Thief undertook to create the surround sound mixes and an alternative stereo mix too.”
Jethro Tull continue live dates this year, with shows in mainland Europe before returning to the UK for their annual Christmas shows, and then further dates in 2023.
‘The Zealot Gene’, released in January 2022, was Jethro Tull’s 22nd studio album and it garnered critical acclaim across the board. Reaching #9 in the UK album charts, a feat the band hadn’t reached since 1972, it also debuted at #4 in Germany, #3 in Switzerland, #5 in Austria, #8 in Finland, as well as top 10 in the US Album Charts, Current Album Charts and Rock Album Charts.
With more than 30 albums to their credit and sales totaling more than 50 million, Jethro Tull are one of the most successful rock bands of all-time with a catalog that contains classics that still resonate today. Led by Ian Anderson, Tull still continue to tour throughout the world, entertaining audiences of all ages.
The band consists of:
Ian Anderson – Flute, acoustic guitar, harmonica, vocals
David Goodier – Bass guitar
John O’Hara – Piano, keyboards and accordion
Scott Hammond – Drums.
Joe Parrish-James – Guitar