#990: Cleaning the Door

RECORD STORE TALES #990: Cleaning the Door

In 2005, near the end of my sad reign as Record Store Manager, I was working at the head office branch.  There was a door in the back of the store that lead to an office space with several desks, and a warehouse area for supplies.  It was like the Great Wall.  On one side sat the the elite who laughed as they made the decisions, what stock we were carrying, and other sundry details that came down from on high.  On the other side, we the rabble that worked behind the counter serving the unwashed public.

Or at least that’s how they made it feel to me.  The cold detachment.  It was always unnerving when you could hear them discussing your store behind the wall.

Either way it was clear by 2005 that I was the old guard on my way out.  Management was unprofessional, and some of us couldn’t help noticing that other stores got away with things that mine didn’t, perhaps due to personal relationships.  This is not only my observance but that of others in the know.  So I knew the deck was stacked against me until I eventually made my move to depart.

One thing they were always bitching about was “your store is messy/dirty/disorganized”.  There was the incident with the glass front display case that had fingerprints on it for example.  Other “preferred” stores were the same or worse, but didn’t catch the grief that I did.  So I decided to try an experiment and see if they’d notice.

The only door to the back office was filthy with fingerprints when I took over that store.  You know how the area around a doorknob gets blackened with the dirt and grime of the years since last painting?  I was shocked, because I inherited that store from someone who seemed to be more preferred than I was.  One week I decided to scrub that door, and surrounding wall, clean.

Anytime management were not around that week, such as the night shifts, I would get out the cleaning products and scrub.  It took a few days, but eventually I got all the black off the door and wall.   They were as fresh as the day they were painted.  The grossness was gone.

I waited for someone in management to notice, but notice never came.

A week or two later, I asked someone if they noticed I had cleaned all the grime off the door?

“Mmm,” came the only reaction.

“Fuck this job,” was my own silent response.

REVIEW: Queensrÿche – “Days O Deth” (2014 demo)

QUEENSRŸCHE – “Days O Deth” (2014 demo, released 2021 online by Scott Rockenfield)

If any rock band has had the #1 weirdest drama going on in their history, Queensryche must be considered a front runner.  First there was the “spitting incident” and 2012 split with Geoff Tate.  This drama was swiftly followed by the existence of two completely different bands touring and releasing albums as “Queensryche”.  The Queensryche brand issue was settled in a 2014 lawsuit, with original members Michael Wilton, Eddie Jackson and Scott Rockenfield winning the rights to the name for their version of the group.  A year after, Scott Rockenfield took a six-month touring leave from the band, and never returned.  It appears Scott was finally fired from Queensryche in 2018 due to non-participation.  He has not been active with the group since their excellent 2015 Condition Hüman album, the last to feature the drummer in any regard.  Queensryche carried on with vocalist Todd La Torre playing drums in the studio,  and Kamelot’s Casey Grillo drumming live.

Then suddenly in 2021, Scott Rockenfield came out breaking the silence!  Presenting a new (now defunct) “Queensryche2021” website, Rockenfield essentially declared his own version of Queensryche.  Pictures on his site were Wilton and Jackson, but not La Torre, for whom he spared no ire.  Calling La Torre a “subcontracted employee”, he unilaterally declared the current active Queensryche illegitimate.

Proclaiming “Welcome to the New World” on his site, he posted “R ya READY TO F***in’ ROCK !!!?? ….I AM !!!!!!!” [sic]

You can always tell how serious a press release is by the number of exclamation points, question marks, and ellipsis are used.

Aside from a lot of sniping, Rockenfield promised new music in 2021, but only offered one old demo.  Ironically this demo from 2014 features his nemesis Todd La Torre on lead vocals!  For 99 cents, you could download “Days O Deth” from his now-defunct website.  With the website gone, so now too is the track.

“Days O Deth” is a shorter demo version of what became “Toxic Remedy” on 2015’s Condition Hüman.  Missing is the opening guitar harmony, as it goes into a riff that was refined for the final version.  Instead of the very ‘Ryche-ian guitar harmonies that “Toxic Remedy” opens with, this one focuses on the pounding of the riff.  It’s quite cool that way.  The verses are pretty much intact as is the chorus.  While the final “Toxic Remedy” sounds more Queensryche, this demo is rougher, heavier and perhaps a touch more unique as to how it treats the riff section.

One can be certain that the legitimate members of Queensryche never saw a penny of the 99 cents paid for this download.  Therefore it is understandable if a fan chose not to pay for a demo track that Queensryche certainly deserved compensation for.  Until events unfold further, perhaps in courts, we can have no real idea what is going on with Scott Rockenfield’s role in Queensryche.  Which is unfortunate, as diehard fans no doubt would very much want and enjoy this demo.  Will it ever see an official release?  See above.  Events will unfold as they will.

4/5 stars

  1. “Days O Deth” – Srock – Orig Demo 2014 (3:14)

(Photo by Brill/ullstein bild via Getty Images)

REVIEW: Urge Overkill – “Girl, You’ll Be A Woman Soon” (CD Single)

URGE OVERKILL “Girl, You’ll Be A Woman Soon” (1994 CD Single)

“Sister Havana” may have put Nash Kato and Eddie “King” Roeser on the map, but it was their Neil Diamond cover “Girl, You’ll Be A Woman Soon” that put them in the ears of almost 10,000,000 Pulp Fiction soundtrack buyers.  Even the Tarantino novice knows that the auteur director has a way and a vision with soundtracks.  Urge Overkill were the beneficiaries of that vision when their 1992 cover (from the Stull EP) was used in one of the most dramatic, well performed and memorable scenes in Pulp Fiction.  You remember it well, don’t you?  Mia Wallace (Uma Thurman), who seems to only own Urge Overkill on a reel to reel tape*, hits “play” and starts singing and dancing around the room.  Meanwhile, Vincent Vega (John Travolta) is having a moment with himself in the bathroom with a monologue about loyalty.  Then Mia finds a baggie of heroin in his coat pocket, mistakes it for coke, and overdoses.  Blood runs down her nose as Nash sings, “Soon, you’ll be a woman”.  Powerful imagery.

It would have made more sense for Neil Diamond to be on the reel to reel tape, but let’s not complain.  Urge Overkill’s cover is brilliant, not deviating far from the original.  As the song sways and cha-chas like Mia Wallace in her mansion, the trio are accompanied by piano, acoustics and percussion.  Kato nails the vibe vocally; his voice is just lower and rougher than Neil Diamond’s.

The single has two B-sides:  One from the Pulp Fiction soundtrack and one from Urge Overkill’s Saturation album (on which “Girl, You’ll Be A Woman Soon” does not appear).  “Dropout” from Saturation is an unexpected tune, focused on a synth-y beat, a couple acoustic guitars and a single keyboard hook.  Lead vocals are by drummer Blackie Onassis, accompanied by subtle female backing vocals.  It’s actually a really cool song, difficult to describe adequately.  It’s stripped down and laid back with minimal sound effects and a focus on the way the vocals are layered.  You would not think it was the same band who did the first track!  This cut is slightly edited down at the end from the album version, by 10 seconds.

Finally The Tornadoes close the single with their surf-rock instrumental “Bustin’ Surfboards” from the Pulp Fiction soundtrack.  Think back to the film and you’ll remember this music.  Jody, Rosanna Arquette’s piercing-obsessed character, is playing the tune when Travolta comes by to score some drugs from Eric Stoltz.  This is a vintage track, featuring the sound of crashing waves over the surfin’ guitars and whammy bars.

When you think about it, the track listing for this single is actually quite cool.  For the average Pulp Fiction fan, they were getting a second Urge Overkill song that they wouldn’t have come across otherwise.  For the UO fan, they were getting the A-side and a Tornadoes tune from the Pulp Fiction soundtrack that they might dig.  Something for both scenarios.

And yes, before you ask, the “damaged” CD artwork seen below is just part of the artwork.  Like an old worn pulp fiction novel.

4/5 stars

* Teac were still making reel to reel machines in the early 90s.

 

REVIEW: Cybernauts – The Further Adventures of the Cybernauts (2001)

Part Twenty-Seven of the Def Leppard Review Series

CYBERNAUTS – The Further Adventures of the Cybernauts (2001 Arachnophobia Records)

While fans awaited the return of Def Leppard with another new album to follow 1999’s Euphoria, Joe Elliott and Phil Collen released more recordings from their Cybernauts side-project, a fun David Bowie cover band featuring members of the Spiders From Mars.  This time they entered the studio (both in Ireland and Japan) to lay down some covers.  These were released on a bonus disc in a very rare, very limited 2001 2 CD issue of the Cybernauts Live album.

Hendrix’s “Manic Depression” opens; organ-heavy and slightly more psychedelic.  After that rocks your socks, an awesome rendition of “All the Young Dudes” follows.  Purists may not like Joe Elliott’s straight-ahead delivery compared to the original, but his pure love of the song comes out.  He’s not trying to be someone else.  Just Joe.  And that’s fine for Leppard fans!

Phil Collen opens “Moonage Daydream” with some very delectable guitar.  An album highlight, the guys really do this one plenty of justice.  Keyboards add the appropriate subtle lush backdrop.  The solo section is sharp and wicked.  Just a killer cover.

A fairly standard version of “The Man Who Sold the World” is satisfactory but the song is picky about who sounds good covering it.  Phil’s guitar work is notable, as it has been throughout this set.

One tune that wasn’t on the live disc was “Time” from Aladdin Sane.  Dick Decent (R.I.P.) tickles the ivories in glorious glee.  From the same album comes “Panic in Detroit”, upbeat rock that doubtless inspired bands like The Darkness and Def Leppard.  The Cybernauts sound at home covering it.  The second half of the song is just a band jamming together and having a blast in the studio.

The closing track, “Lady Grinning Soul” is an excellent deep cut to go out on.  Complex, passionate and performed with expertise.  But is it really the end?  The track time of 19 minutes tells us something is up.  After a 10 minute silence, the Cybernauts return with an unlisted bonus track.  It’s an acoustic version of “Moonage Daydream”!  Probably even better than the first version!  Stunning acoustic solo by Phil.  Worth the wait?  Well, I invite you to edit out the silence yourself and just enjoy the music.

This double disc of the Cybernauts will cost you a pretty penny.  It goes for over $200 when you can find an original.  Good hunting!

4/5 stars

Previous:  

  1. The Early Years Disc One – On Through the Night 
  2. The Early Years Disc Two – High N’ Dry
  3. The Early Years Disc Three – When The Walls Came Tumbling Down: Live at the New Theater Oxford – 1980
  4. The Early Years Disc Four – Too Many Jitterbugs – EP, singles & unreleased
  5. The Early Years Disc 5 – Raw – Early BBC Recordings 
  6. The Early Years 79-81 (Summary)
  7. Pyromania
  8. Pyromania Live – L.A. Forum, 11 September 1983
  9. Hysteria
  10. Soundtrack From the Video Historia – Record Store Tales
  11. In The Round In Your Face DVD
  12. “Let’s Get Rocked” – The Wait for Adrenalize – Record Store Tales
  13. Adrenalize
  14. Live at the Freddie Mercury Tribute Concert
  15. Retro-Active
  16. Visualize
  17. Vault: Def Leppard’s Greatest Hits / Limited Edition Live CD
  18. Video Archive
  19. “Slang” CD single
  20. Slang
  21. I Got A Bad Feeling About This: Euphoria – Record Store Tales
  22. Euphoria
  23. Rarities 2
  24. Rarities 3
  25. Rarities 4
  26. Cybernauts – Live

Next:

28. X

Sunday Screening: Tenacious D – “Cosmic Shame”

This non-album Tenacious D track ranked highly on Friday night’s Nigel Tufnel Top Ten lists!  From the HBO TV series it’s “Cosmic Shame”, one of their early tracks that has yet to see an audio release.  This underground deep cut is about quitting your day job and dedicating your life to your art!

It’s not just a funny song and good acoustic song, but also inspirational.  Check out this comment from Will on YouTube:  “I just quit my day job today…this has helped. It’s hard, not gonna lie, but I am getting back to what I do best. Composing and performing piano music. Thank you Tenacious D for helping my soul through this hard time.”  That’s cool.

Just a Tribute: Tenacious D’s top tracks

“Best show ever!” – Kevin

“Not even top 50.” – Chris Sarre

The MVP tonight was Kevin from Canadian Grooves for going superdeeeeeep with his Tenacious D picks!  “I am not worthy!” said Meat.  Indeed Kevin did dig deep into the obscure for his excellent list.  Between the three of us, you will find a terrific balance of deep cuts and mainstream hits.  All of which, you should check out!

Thank you boys for a great show tonight!  If all goes according to plan I’ll be going live again next Friday for another Show & Tell episode!

Tenacious D’s Nigel Tufnel Top Ten Tracks…tonight on the LeBrain Train

The LeBrain Train: 2000 Words or More with Mike & Friends

Episode 110 – Nigel Tufnel Top Ten-acious D Tracks

This is just a “tribute”!  Well, no, not really.  But it will be great fun regardless.  Thank Uncle Meat, as he arranged this week’s episode and guest himself.  Tonight, Meat and Kevin from Canadian Grooves are joining me to talk about the notoriously tenacious comedy-rock duo of Jack Black and Kyle Gass.  The greatest band in the world?  Perhaps — which is why we’re doing Top 11 lists of this band’s greatest songs.

The duo met in 1986 and started playing gigs 1994, with their name a reference to the basketball term “tenacious defence”.  Their demo led to the short lived TV series, befriending Dave Grohl, and eventually their debut album in 2001.  It’s been pure legend since!

Sourcing tunes from their four albums, many singles, HBO TV show and more, you can count of lots of laughs tonight.  As usual, you’ll want to catch this live!

 

Friday May 27, 7:00 PM E.S.T.  on YouTube, Facebook and also Facebook!

VHS Archives #133: Winger perform 2 acoustic tracks on Start Me Up (1993)

Fantastic interview by Erica Ehm once again, with Reb Beach and Kip Winger.  Lengthy session too, 23 minutes in total!  Starting with some country riffs (Reb on 6-string, Kip on 12-string), the boys defied the expectations of the early 90s and proved they could really play — and how!  For the Winger guys, it was already “first thing in the morning”, otherwise known as “mid-afternoon” to us;  Kip had his cup of coffee ready!  (Really good coffee, according to Erica.)

Sad observation:  We’ve seen past interviews with groups like Bon Jovi, where throngs of fans were banging on the big MuchMusic windows.  Winger only got a couple curious onlookers pulling faces.  Too bad.

Songs played:

  • “Can’t Get Enuff” (at the 5:30 mark)
  • “Who’s The One” (17:30 in)

Topics covered:

  • Why were Winger not as big in Canada as they were at home?
  • Playing for musicians
  • Videos / “the image”
  • The art of songwriting / lyrics
  • Why was the new album called Pull?
  • Reb’s instructional guitar video
  • Chris Robinson, Lars Ulrich, Beavis and Butt-head, and other critics
  • Playgirl magazine!
  • Being “rock stars”

Winger ends the session with a blues jam.

Awesome acoustic tunes and a fantastic interview.  Check it out below.

#989: Moving In Stereo

RECORD STORE TALES #989: Moving In Stereo

It was May 2002 and I was a first-time homeowner.  My dad taught me, “Never rent!  Only buy.  Put your money towards something.”  So I trusted his advice and lived at home as long as could I possibly milk it!

Moving in to my new place took a day.  I had a lot of help from family and friends.  We probably had 10 or 12 people total.  I packed up all my CDs and insisted that only I handle them.  It caused me more than a little anxiety.  I figured a few jewel cases would crack, but there were some special ones I took extra precautions with.  Coloured jewel cases are hard to replace.  The most precious CD case to me is the 1996 Deep Purple In Rock anniversary edition.  The case comes etched with signatures and other text.  Breaking one of those means either living with it, or trying to find another copy with case intact.  I desired to do neither.  In Rock survived the move intact.  I would not be lying to you if I told you that this one little item was of more concern to me than anything else I moved that day.  My stereo equipment came in second.

Some people say they have a hard time sleeping, their first night in a new home.  I did not have that problem.  After a full day of moving, I was wiped.  But also eager to get going the next day and set up my new place.  Against the better judgement of everyone who helped me move, the very first thing I did was set up my CD towers.  Having those discs sitting in boxes really bothered me.  I wanted them out, so I could inspect them and ensure they all survived intact, and I wanted them accessible.  A long day of painting was ahead!

I cannot remember the first album I played in my new home.  Strange, because normally I’d commit that sort of thing to memory.  It was probably Kiss.  I like to use Kiss for firsts.  I do remember the first movie I watched.  It was The Phantom Menace.  I wanted my first movie to be a DVD, and I wanted it to be a Star Wars.  The older Star Wars films would not exist on that format until 2004.

I set up the CD towers, put the discs back in their alphabetical homes, and was relieved that only a couple cases broke.  I then painted around them.  Priorities.

The funny thing about these memories is how much space I thought I had back then.  I had so many empty closets.  I didn’t have enough stuff to put on my shelves.  To say things have changed would be an understatement.  Due to lack of storage, there are CDs everywhere in random order.  We need to hire a carpenter and get some proper CD shelving made for this place!

After a solid weekend of working, painting and assembling, I was settled into my new place.  I had my first guests over that Monday.  I loved my new place, but I did not have long to enjoy it.  The following week, I was on my way to Prince Edward Island, determined to find the home of Stompin’ Tom Connors, and eat lobster at least once a day.  Success on both counts.  But I couldn’t wait to get home again.  I had a new Deep Purple box set of official bootlegs waiting for me to finish listening.  12 CDs.  I only had time to hear the first three discs before departure.  And you can bet your last dollar that I picked up where I left off, with disc four.

Jen moved here in 2008.  It’s cramped but we make due.  Her illness set us back in the sense that we haven’t been able to move somewhere bigger.  But it’s home.  It’s our home.  It has 20 years of memories.  I’m proud to say that many of them are musical in nature.

VHS Archives #132: Fight’s Rob Halford & Jay Jay talk books (1993)

Rob Halford once said he devoured books.  What books were Rob and Fight bassist Jay Jay reading in 1993?  MuchMusic had this segment called “Between the Covers” with Erica Ehm, encouraging kids to read by talking to rock stars about books.  It’s only 1:15 long but interesting regardless as there are so few interviews with Jay Jay.