#980.5: The Adventures of an Anxious Walmart Shopper on Easter Saturday

“Hey Jen, if you’re up early enough, let’s go to Walmart tomorrow morning.  I want to look for that new Coke,” I said stupidly, not thinking about what weekend it was.

“Sure,” she agreed, and that’s how it ended up that we left for Walmart at 9:45 on Easter Saturday morning.

The “new Coke” I was referring to is “Coca Cola with Coffee”, available in three different brews:  Caramel, Dark, and Vanilla.  I want to try all three.  I was a big fan of Coca Cola Blaq about 15 years ago, their first attempt to mass market a coffee/Coke hybrid.  Coke Blaq was delicious, like regular Coke but with the extra note of coffee bean.  I’m eager to try these new ones.  Coke Blaq came in a small black bottle in these come in cans, which makes me wonder if they are similar to those creamy coffee beverages, with a Coke taste?  Or something more like Coca Cola Blaq?  Inquiring minds wanted to do, and I had heard that these were showing up in Walmart stores.

Walmart was already pretty busy and then I smacked myself and realized, “Of it is.”  Ah well.

I wore an N95 mask this time; my first time.  Easy breathing but hard on the ears.  If I’m wearing one long term I’ll have to do something about the ears.  About 75% of Walmart shoppers were masked, and 100% of the staff.  This is good since virtually everybody I know has Covid, or has had a recent close brush.  I can’t believe this is my third Covid Easter.

First I made my way to the entertainment section where I picked up the newest Blue Rodeo album, Many A Mile.  On slide guitar, The Sheepdogs’ own Jimmy Bowskill, once a child prodigy discovered by Jeff Healey at age 11.  Blue Rodeo are one of those bands where I just want to own all the albums, and stay current, even if the last five or six albums have been good but not memorable.  There’s never anything wrong with ’em.  Many A Mile is as good as any.  In some regards, it’s a throwback to the classic first three Blue Rodeo albums.  Lots of awesome guitar work and hooks.  Just gets hard to remember the songs, record after record after record.

Also found in the music department were the new albums by Slash and Greta Van Fleet, but I found myself staring indifferently at them.  I didn’t even know Greta had a new album out.  Have they already dropped off the radar that badly?

Come on, where are you Spiderman: No Way Home?  Not in stock – sold out!  They had a three-fer with all three MCU Spidey films in one, but I wanted something with the bonus features that I crave.  Ah well, next time, I’ll get you Spiderman!

Finally a trip to the toy section.  No Marvel Legends figures at all, and only a couple Star Wars Black Series.  They were well stocked in Transformers and I noticed they had some reissue Beast Wars toys.  Hard to believe Beast Wars was 25 years ago.  I never bought an original Beast Wars toy, and wanted to give one of these reissues a shot.  They only had Optimus Primal and Megatron, so obviously I chose the dinosaur.  Beast Wars has always been an enigma to me.  When it was new, the toys seemed to barely transform.  The cartoon was very primitive in terms of computer animation.  But Beast Wars appealed to kids worldwide and it saved the Transformers franchise.  Curiosity got the better of me and now I am the happy owner of a reissue purple dino Megatron.

Finally, the Coke. I scoured the racks but they did not have the coffee beverages that I require.  I shall have to try convenience stores and gas stations next.  I love Coke.  I try every variety that I can get my hands on.  I have no problem with Pepsi, but it’s Coke that I want to catch ’em all.

Walmart did have two sweet looking consolation Cokes:  Quebec Maple, and British Columbia Raspberry.  Only having enough hands for one case, I chose Quebec Maple.  Upon paying, I realized that someone swapped out one bottle of Maple and replaced it with a Raspberry.  Win!  I get to try both.

I only had one panic attack while waiting to pay, and I managed to breathe my way out of it.

Walmart had run out of plastic bags and only had the more expensive cloth ones.  I could feel the tension as word spread among the customers.  I hate standing in line at grocery stores and Walmarts.  Everybody does, but I get tense.  It passed; my glasses fell off because of the way the N95 pulls on my ears, but I paid for my stuff and got out.  Didn’t need a bag.  Didn’t have the energy to look at Sunrise Records or Toys R Us.  Just came home.

Put the Coke in the fridge, pulled up a chair and started listening to the Blue Rodeo.  They’re usually pretty good for reducing the anxiety. I feel a lot better already!  Happy Easter everyone, and stay away from places like Walmart if you can!

Rapid Fire Friday with Rob, Harrison & Meat

A wonderful social gathering tonight with some rapid-fire action!  Robert Daniels stepped up to the plate at short notice to talk music, movies and TV.  We were joined by Harrison the Mad Metal Man, and Uncle Meat for some quiz fun.  It was an impromptu night of loose and entertaining chatter among friends.

Topics discussed:

  • Star Trek: Picard, The Original Series, and Animated
  • The new Ghost album Impera
  • Soundtracks
  • Van Halen, Roth & Easter
  • The Batman
  • And a random quiz of 11 questions that included audience participation answers!
  • Tons of fun!

We also played a bunch of music including the debut of a track called “Bones ‘N’ Clothes” by Plasticine, featuring Rob Szabo and Steve Strongman.  This song was very well received by our viewing audience and will definitely be heard again.

Thanks for watching!


Next week:  POLYCHUCK

 

Friday Music & Entertainment Chit Chat with Rob Daniels

Happy Easter weekend everyone! Without going into too much detail, Covid has upended plans here at LeBrain HQ, so we’re going live tonight instead. Don’t worry…as I write this, Jen and I are not sick, but people close to us are and as a result, I am not going away this weekend as planned. Instead it’s gonna be a LeBrain Train weekend.

Please welcome pinch hitter Robert Daniels tonight as he joins Harrison and I to discuss what we’ve been listening to and watching these last few weeks. Those who watch Rob’s mid-week live streams know he has been working his way through a couple of big projects. One is listening to all his soundtracks in alphabetical order. Another is watching all the Star Trek episodes (and series) in order. Huge projects, on a galactic scale!

We’ll be playing lots of videos (Max the Axe, Tee Bone and more), and deep-diving on some music and movies.

Friday April 15, 7:00 PM E.S.T. on YouTubeFacebook and also Facebook!

#980: Uh! All Night

RECORD STORE TALES #980: Uh! All Night

My final year of grade school, 1985-86 was momentous.  I’ve written an entire 1986 saga about those times.  I had mono which kept me home sick for much of the end of Grade 8.  This meant plenty of music listening time while I recovered.  Music and comic books.  Discovering so many new songs and bands made it a uniquely special time.  Being sick wasn’t so bad.  It kept me away from the bullies while learning about Van Halen songs such as “Unchained” and “So This Is Love”.  I sat in the basement and watched a lot of Pepsi Power Hours, during (arguably) the peak era of the show.

Additionally, it was the year I decided my favourite band was Kiss.

Kiss were hot on the TV with “Tears Are Falling”, the first single from their newest album Asylum.  Kiss were one of those bands that just made me want to collect them all.  Although I had acquired some used Kiss records in a trade, Asylum was my first brand-new Kiss purchase from a store.  That’s a special thing, because it felt like a rite of passage.  A year earlier I would have been walking up to the counter with an action figure in hand.  In autumn of 1985 I approached the cash register with what was once forbidden fruit.  Kiss used to seem dangerous, even disgusting when I was a kid.  Here I was buying the new Kiss album, for the first of many times.

I like to think that I have a knack for picking the singles for albums today.  It all started with Asylum and their little ditty called “Uh! All Night”.  While “Tears Are Falling” was a really obvious choice for single #1, it seemed to me that album closer “Uh! All Night” should be second.  A lot of albums I owned back then seemed to have a handful of good songs, and a lot of filler.  Asylum has filler (mostly the Gene songs) but “Uh! All Night” was catchy from first listen.  It was also far more upbeat than “Who Wants To Be Lonely”.

If Kiss were out to corrupt young minds, then they would have been happy to know that my sister and I jumped around the basement singing, “When you work all day you gotta UH! all night!”

I wasn’t 100% certain what “uh!” meant in this case.  The Pepsi Power Hour was little help.

With VCR at the ready, I watched attentively as VJ Christopher Ward introduced the video on the Power Hour for the first time.

“What does it mean, ‘Uh! All Night’?” teased Ward.  “Do your homework all night?  I think it means do your homework all night.”

I figured “uh” had to be something naughty.  Partying?

The video came on, and Paul Stanley descended a dark staircase wearing a white captain’s hat.  He removed his overcoat revealing more sequins, reflectors and hair than I could take in.  Dated looking by today’s standards.   The epitome of cool for 1985.  All of them looked cool, except for Gene who really struggled to find the right image, until the Revenge era.  The stage set was cool, like a construction zone at night adorned with lights and speakers.

Kiss danced, and posed, and lipsynched up a storm.  Kiss were designed for pubescent boys like me, who were giving up on action heroes and discovering rock and roll.  And girls.  The “Uh! All Night” video was criticised for, of course, objectifying scantily clad women.

Funny enough, this is where Kiss missed the mark with me.  I liked girls, but not…not the ones in “Uh! All Night”.

I liked David Lee Roth’s “California Girls”.  I ogled the ones in the video for “Blondes In Black Cars” by Autograph.  I didn’t like the platinum blonde Dolly Parton lookalikes in “Uh! All Night”.  Not at all.  Their striptease with the white nylons did nothing for me.  After Bruce Kulick whips out a wicked solo with tapping and guitar faces, the Partons beds turn into bed/car hybrids with headlights and grills.  But the Partons couldn’t drive the car-beds; they had to push them.  Dozens of Partons pushing the car-beds wearing fuzzy high heels and lingerie.  It was ludicrous and completely un-hot.

At least Kiss looked cool, so I watched the video over and over, doing my best to ignore the Dolly Partons in their white beds.

David Mallet directed “Uh! All Night” and the other two singles from Asylum as well.  They all share a similar look, but “Uh! All Night” stands out among them, and not for any good reasons.  Considering the good stuff that Mallet did direct (Maiden, Bowie, Leppard, Queen, AC/DC and many more) it’s best if “Uh! All Night” just goes forgotten on a dusty shelf somewhere in the Kiss archives.

VHS Archives #127: Ugly Kid Joe hit on Teresa Roncon on the Power 30 – 1993

Ahh, summer. The boys in Ugly Kid Joe were on the make with Teresa Roncon on the Power 30, in the warm rays of 1993. Their open flirtations with the host is unusual by today’s standards. If Teresa was irritated by Whitford Crane and Dave Fortman, she didn’t let on. Total professional.

Other subjects besides flirting with the host:

  • Writing for the next album
  • Meat Loaf
  • Touring
  • Violence at concerts

REVIEW: Steph Honde – Empire of Ashes (2020)

STEPH HONDE – Empire of Ashes (2020)

Steph Honde, the awesome singer/guitarist from France who has worked with Paul Di’Anno, Don Airey, Jim Crean, the Appice brothers and many more, is a man of varied musical tastes.  You might recognize the names “Hollywood Monsters” or “Now Or Never”?  In 2019 he recorded an acoustic album called Empire of Ashes that featured as its claim to fame, a full 23 minute version of “Supper’s Ready” by Genesis.  It is a truly excellent album, intricately arranged and recorded with lots of space between the instruments.  Honde made the album for himself, but in doing so, he created music for anyone.

Opener “Big Trouble” has a tropical acoustic vibe with breezy percussion.  Honde’s baritone voice is inviting but his guitar playing is really impressive come solo time.  You’ve heard him rip on electric before, but this is something completely different.  Yet as good as “Big Trouble” is, the second track “The Only Way” is only better.  It’s a passionate ballad based around a delicate piano line.  Honde deserves credit for his vocals on this song.  His French accent only adds to the aura.

Third, a different course is charted on “Gentle Shore”, which is a duet with Janita Jenny Haan from the band Babe Ruth.  The contrast between the two voices is really sweet and effective.  There’s a laid back, early Zeppelin vibe whether intentional or not.

One of the most inventive songs on the album is the acoustic cover of Deep Purple’s “Sail Away”, a complere 180 degree turn from the dark funky groove of the original.  The rich voice of Honde is complemented by Jim Crean’s rasp.  The two duet on a slowed down “Sail Away” in a completely different way from Coverdale/Hughes.  Crean just kills it, singing Glenn Hughes’ lines but in his own instantly recognizable style.

“Sail Away” was a side closer for Deep Purple on Burn, and it feels like it holds that same role, even though Empire of Ashes is a digital release.  That would make the title track “Empire of Ashes” the side two opener.  It is another brilliant song, with a glint of piano offering some brightness.  The chorus and solo are wonderful.  There’s something warmly familiar about the chorus.  Then, “Hearts Grown Cold” goes in a different direction.  Musically soft but with powerful vocals.  “You’re the one whose heart’s grown cold!” shouts Honde and it sounds like he means it.  Soulful backing vocals join him partway through.  The penultimate track “King For a Day” is a gentle climax (with a detour into Pink Floyd’s “Eclipse”)…before things get really crazy.

Faithfully covering all 23 minutes of “Supper’s Ready”?  That is crazy!  The electric guitars come out to play on this insane cover.   Honde did the whole song, every little twist and turn, and every rhythmic challenge and labyrinthine lyric.  The pure love of doing it comes through.  It’s simply one of the most impressive cover tunes you’ll have the opportunity to hear, hands down!

Artist like Honde, who do it for the music and not the money on albums like Empire of Ashes, deserve the 52 minutes in your ears.  If you consider yourself a fan of bands like Purple, Genesis and Floyd, then you owe it to yourself to check out Empire of Ashes.

4.5/5 stars

RE-REVIEW: Def Leppard – Slang (1996)

Part Twenty of the Def Leppard Review Series

Original ReviewSlang 2 CD edition (1996)

DEF LEPPARD – Slang (CD Collection Volume 2 Disc 3) (Originally 1996, 2019 remaster)

“Too alternative!”, they moaned.  “Doesn’t sound like old Def Leppard!”, they whined.  But what choice did Def Leppard have?

The world of 1996 was not the same as 1992, when Def Leppard re-emerged after a long hiatus with Adrenalize.  Leppard experimented wildly with their music on 1987’s Hysteria, but tended to stick to formula on Adrenalize.  After the hardship of losing Steve Clark, we can forgive them for not trying to re-invent the wheel a second time.  But by 1996, grunge had passed and the decade continued to move further away from classic hard rock and heavy metal.  It was overdue for Leppard to re-invent themselves one more time.  They owed it to themselves.  But it was actually more natural that that.

Vivian Campbell was on board for his first real album with Def Leppard, only to find they were “moving the goalposts”!  After making two painstakingly produced albums, it was time for change.  The band desired a fresh start with Campbell, using no holdover music from the past.  They wanted a more organic album, and part of that was Rick Allen incorporating acoustic drums back into his setup.  They were going to try and express themselves a bit more, and take some serious chances.  To hell with the critics, expectations, and old ways of doing things.

Regardless of how it sold, the final album Slang became a cult favourite for good reason.

Opening on a fade, the new Leppard begins different from any in the past.  “Truth?” is a slow, exotic groove with background samples and loops.  Not a stretch from “Rocket” in a technical sense, but completely different results.  Deeply distorted chorus vocals are a striking shift from the past, but are just as fetching.  An middle-eastern sounding solo nails the vibe, and drum loops offer more modern twists.  The mix sounds just as dense as anything you hear on Hysteria, but with completely different elements.  And fortunately Leppard haven’t forgotten how to write hooks, even if in a darker tone.

“Turn to Dust” takes the scene to India, with sitar and tabla.  Tempos are still slow and deliberate.  “Turn to Dust” has a bit more of the Def Leppard sound on the chorus, with Phil Collen singing backup, but the lyrics sure are different:  “Sentence rape me, segregate me” is a stark turn from “Let’s Get Rocked”.  But everybody was pissed off in the 90s.  This one drones on with ample musical genius towards the end.  Lots of strings and exotic instrumentation, backed by the grind of electric guitars.

The title track “Slang” is an immediate and fun change of pace.  With a modern sound, it could have been a “Pour Some Sugar” for the 90s had it caught on.  Beats and samples mixed in with an irresistible chorus make for a catchy concoction.  It’s really the only upbeat song on the album, but a treat it is.

The ballad “All I Want Is Everything” was briefly previewed on the VHS release Video Archives, in an October 1995 acoustic performance at the Wapentake Club in Sheffield.  That acoustic rendition did not really hint at the dark ballad on Slang.  A simple but effective droning guitar part forms the backing, but the luscious Leppard melodies are delivered vocally and with guitar flourishes.  It’s a different kind of ballad for Def Leppard, but no less stirring.  It was a single, but underperformed compared to past Leppard hits.

Vivian’s “Work It Out” sounded more like a Crowded House song in demo form, poppy and quirky.  Once Leppard wrestled with it, a different kind of track emerged.  Duskier, heavier, with really dominating drums and surprisingly slinky bass from Rick “Sav” Savage.  The final Leppard version is certainly superior to Viv’s demo in the long run though both have merit.  “Work It Out” was another Slang single that should have done better.

One of the biggest album surprises (and perhaps most divisive) is the supple ballad “Breathe A Sigh”.  Gentle tic-tic-tic R&B drum samples back a song that is mostly vocal with minimal instrumentation.  Drums, piano, and understated guitar melodies should have guided this to a hit spot on the charts.

Flip the record for a darker turn of events.  “Deliver Me” is more straight-ahead rock, but certainly not upbeat.  This is heavy, foreboding and dangerous Def Leppard.  Again, not without their knack for a melody.  The quiet/loud dynamic is very 90s, but that doesn’t make it bad.  The fact that Leppard always strove for a melodic foundation keeps it from falling into the morass of soundalike 90s rock.

“Gift Of Flesh” is another surprising twist.  Blasting fast and loud, this track is the most old-school, but still dark like a cloudy sky.  With lyrics like “scorch the Earth and torch the sky,” this is a more apocalyptic kind of rocker for the Leppard we were used to.  But it does rock, and hard!  You could bang your head to it even if you can’t rock rock ’til you drop.

Was Slang too ballady?  “Blood Runs Cold” is the third such song, followed by a fourth called “Where Does Love Go When It Dies”.  Joe Elliott really nails a killer vocal on “Blood Runs Cold”, which is very light and airey.  “Where Does Love Go When It Dies” lightens the skies further.  Acoustic strumming is a more traditional sound for Leppard.  It’s a little more like the acoustic Adrenalize B-sides, with a minimal arrangement.

The last few Leppard studio albums had “album epics”:  “Gods of War” on Hysteria and “White Lightning” on AdrenalizeSlang ends on an epic called “Pearl of Euphoria”.  There’s a lot going on in this track, with guitar overdubs and drones.  It’s a very Zeppelin-y song, but done in a modern way.  It draws from the same worldly wells that Zeppelin often explored.  Its fade-out alone is a minute long!

Unfortunately one of Slang‘s strengths, its adherence to the darker side of pop rock and hard rock, is also the factor that keeps it from hitting 5/5 stars like Hysteria.  It doesn’t necessarily make you feel as great after hearing it.  It does feel like you’ve heard something deeper and more profound, but not something that brightens your soul.

4/5 stars

Previous:  

  1. The Early Years Disc One – On Through the Night 
  2. The Early Years Disc Two – High N’ Dry
  3. The Early Years Disc Three – When The Walls Came Tumbling Down: Live at the New Theater Oxford – 1980
  4. The Early Years Disc Four – Too Many Jitterbugs – EP, singles & unreleased
  5. The Early Years Disc 5 – Raw – Early BBC Recordings 
  6. The Early Years 79-81 (Summary)
  7. Pyromania
  8. Pyromania Live – L.A. Forum, 11 September 1983
  9. Hysteria
  10. Soundtrack From the Video Historia – Record Store Tales
  11. In The Round In Your Face DVD
  12. “Let’s Get Rocked” – The Wait for Adrenalize – Record Store Tales
  13. Adrenalize
  14. Live at the Freddie Mercury Tribute Concert
  15. Retro-Active
  16. Visualize
  17. Vault
  18. Video Archive
  19. “Slang” (UK single)

Next:

21.  I Got a Bad Feeling About This:  Euphoria – Record Store Tales

Sunday Screening: Check out my new Polychuck shirt! (Video)

If you’re a regular here, chances are that you are familiar with Polychuck! Check out the short clip below to see one of the cool new shirts he has for sale. Polychuck is currently supporting his new single “Hero” featuring Derek Sherinian. A modern progressive rock tune, “Hero” is an impressive showcase of songwriting and musicianship.

Polychuck will be on the LeBrain Train on Saturday April 23 at noon.  Don’t miss it.

REVIEW: Helix – “Don’t Get Mad Get Even” (7″ single)

HELIX – “Don’t Get Mad Get Even” (1983 Capitol Records 7″ single)

Here’s a rarity for you, with a picture sleeve, even!  “Don’t Get Mad Get Even” is one of Helix’s least-known singles.  As a No Rest for the Wicked track, it has always been overshadowed by “Heavy Metal Love”.  I saw the music video, which was filmed at the same time as “Heavy Metal Love”, just once.  You never heard it on the radio.  It’s only on one (out of print) Helix “best of” CD appropriately titled Deep Cuts.  It wasn’t even on Over 60 Minutes With…, which focused on this period from Capitol Records.  In short, it’s a forgotten track except among the faithful.

Written by Lisa Dalbello and Tim Thorney, “Don’t Get Mad Get Even” boasts dual strengths. First there is the guitar hook, as tasty as any on classic rock radio today. Second is the chorus, an exceptional one at that, the kind Helix are good at. Powerful, melodic, emphatic and rebellious! Add in some cool solo work and what you have is a lost Helix classic. It’s truly a gem that deserves another listen from strangers and fans alike.

Interestingly enough, in 1982 “Don’t Get Mad Get Even” was recorded by Canadian rock singer Lydia Taylor (1983’s Most Promising Female Vocalist at the Juno Awards).

The B-side, “Check Out the Love” (credited to Helix as a band) is a little more well known than the A-side.  It was on both Over 60 Minutes With… and a live album recorded in Buffalo, NY.  I’ve probably heard ’em play it live on one of the many times I’ve seen Helix since 1987.  One way or another, this is a solid Helix banger with a dirty guitar hook.  The guitars on this song are just lethal, whether soloing or sliding.  Brian Vollmer’s vocals are melodic with grit.  It’s just the kind of song Helix are known for.  Rough n’ tough, but memorable.

The picture sleeve is an added bonus.  On the front, back row, that’s Greg “Fritz” Hinz, Brian Vollmer and Mike Uzelac.  In the front, the guitar duo of Paul Hackman and Brent “The Doctor” Doerner.  Every kid on our street thought Doctor Doerner was the coolest.  You can see why — he just that “look”.

Thanks to pal Craig Fee for locating this and many other Helix singles for me.

5/5 stars

 

#979: Island Boys

RECORD STORE TALES #979: Island Boys

Rarely in our travels have we come across a group that sucks as hard as the so-called Island Boys.

Devoid of talent, Franky and Alex Venegas are fraternal Florida twins with hair that looks like corn dogs sprouting from the scalp.  Going by the names “Kodiyakredd” and “Flyysoulja”, the pair’s vacuous talents emerged in a track called “Island Boy” which essentially has only one part.  Of course, today’s times being what they are, they became viral on TikTok, spawning parodies and comedic lookalikes.  It’s not hard — just rip off your shirt, draw some ratty tats on your chest and face, stick some corn dogs in your hair and you’re an Island Boy.

Though endorsed by Steve-O, the Island Boys saw themselves booed off the stage in Florida when performing their semi-written song, which still needs some bridges, choruses and a middle 8.  Instead of working on their craft, the guys keep making videos of them showing off cash, diamond grills, cars and swimming pools all while singing the same damn lines.

“I’m just an island boy,
And I’m trying to make it.
I’m just an island boy,
And I’m trying to make it.”

Then they rhyme “I’m gonna keep that gun” with “keep staring at the sun”. That’s about all there is to the song. Wash rinse repeat.

If you were trying to “make it” as the Island Boys are, you might start by finishing the damn song.  Putting music to it.  Finishing the words.  Coming up with a damn ending.  But nah.

Instead the Island Boys have multiplied and “signed” two new Island Boys!  They call them 3rd Island Boy and 4th Island Boy.  They have even less talent than the first two.  3rd Island Boy can barely speak, punctuating his slurs with “brrrrt” sound effects.  He is otherwise unintelligible.  The 4th Island Boy is almost worse, grinning and smiling when asked to rap, but not actually rapping.

You’d think, given the cash that they like to flash in their videos, that they could have hired a couple actual rappers or musicians.  It seems the Island Boys hired their new members based on looks alone.  Good news:  the 4th Island Boy is planning on dying his hair to fit in better!  Glad these guys have their eyes on the prize.  Lotsa luck.