The LeBrain Train: 2000 Words or More with Mike and Harrison
Episode 87 – Max the Axe band interview
Hear ye, hear ye! One band has consistently rocked us all since before the start of the pandemic. That band is Max the Axe, and tonight we will have 3/4 of the group with us.
They are:
Mike Koutis/Max the Axe – lead guitar
Eric Litwiller/Uncle Meat – lead vocals
Dave Haslam/Dr. Dave – lead drums
This will be their first-ever interview together, and Harrison the Mad Metal Man will be with me to quiz the band on the new EP Oktoberfest Cheer. The current crisis had a huge impact on its making and eventual release, and Max is eager to tell the story. The EP certainly brought a lot of joy as we crawled through the second year of this pandemic.
On a serious note: Please give this a “share” on your social media and help the guys out. It’s no secret that views have been down, but every time we do an interview show, we sell a CD or two to a viewer. You can help by sharing this show and maybe some of your friends will watch too. I guarantee a great night and some great tunes!
RECORD STORE TALES #953: The Moment I Dumped Conspiracy Theories
With a lot more free reading time on hand after quitting the Record Store, I dove back into one of my favourite childhood topics: UFOs.
It was Canadian nuclear physicist Stanton T. Friedman who re-convinced me there was something legitimate about the subject. Described as a “genius” by those who knew him, Friedman spent 50 years as a ufologist. He often said, “Most sightings can be easily explained. We’re not interested in those.” His point being there is a small but baffling number of contenders, that have yet to be fully debunked. I began buying up his books, and found his stance as a “facts and figures” man quite convincing. He was quite convinced that the United States and other governments had engaged in a “cosmic watergate” to cover up certain unexplained events. He went to great lengths to find and verify documents in US archives, going so far as to find out if certain typewriters were used in certain offices. If they were not, then the document was a forgery and he discarded it. He put a tremendous amount of time into his research. After seeing him speak in a documentary called Out of the Blue, I was intrigued.
I bought every book by Friedman that I could get my hands on. To balance it out, I also read The Demon Haunted World by Carl Sagan. It is important to read the view of the sceptic, but even so I thought Carl overlooked some things. Then I bought Jesse Ventura’s book called American Conspiracies, which expanded the field into JFK, 9/11 and more. Only one chapter on UFOs, but Ventura’s experiences were interesting at least. Finally, I misguidedly bought a highly reviewed book by Richard Hoagland and Mike Bara in which they presented for evidence a number of photos of “glass domes” on the moon. Suddenly and unwittingly, I had crossed the Conspiracy Threshold.
The Conspiracy Theshold is the line between the conceivable and the asinine. It’s subjective, but exists for all who delve into the world of conspiracies, just as certain and invisible as the air in their lungs. Much like the line between clever and stupid, it is a fine line that differs from person to person. Glass domes on the moon was way, way past my threshold.
What happens if you go further? In my experience, all conspiracies eventually flow to a weird, apocalyptic religious end. How far you go is up to you, but that’s where all roads lead. For example, when I followed UFO conspiracies too far on the way to the top…Barack Obama ended up a being satanist lizard alien.
Q Anon are now the latest who believe in lizard aliens. Cool story. Hey, you know what, I saw “V” as a kid too.
There are variations of the lizard alien theory, with the Queen, the Pope, the Clintons and the wealthiest families in the world all secretly running things in their lizardly ways. You’ve heard of the Bilderbergers? They’re the head honchos, when it’s not the military-industrial complex or the Pentaverate. They’re all aliens, demons or both. It’s a fine line — some who believe that the concept of aliens violates the Bible say that aliens and demons are the same thing. Whatever the finer nuances of a given conspiracy theory, this is where they all lead, if you follow the breadcrumbs all the way.
By that time you’ve either realized you’ve gone too far and need to take a step back, or you’re too far gone to be reasoned with. Not surprisingly, today’s “Pandemic Conspiracies” ultimately take you back to…lizard people and the End of Days. Go far enough down the rabbit hole and eventually you become the rabbit.
These people have sucked the fun out of conspiracy theories. With just a hint of sadness, I for one will never travel that aisle of the bookstore again.
I saw this movie theatrically in 3D, which was an awful, headache-inducing experience. Lesson learned: Movies filmed in 3D look great. Movies converted to 3D look like there is a fine layer of mud on the screen. Then I saw it on Blu, during a movie night where my choice (District 9) was voted down.
At least the 2D Blu-ray disc looks better than the 3D. However, that can’t save this movie, which is over-reliant on CG creatures and settings; all action, no pacing, no story, no character, no emotion. Let’s face it, there was never a legitimate reason to remake Clash of the Titans. There was never anything wrong with the original, except perhaps a lil’ too much homage to Star Wars (robotic owls and young men looking to escape the doldrums of their isolated lives).
When this project was first announced, I knew it had the potential to be a disaster. The only thing that could have saved it would have been going deeper back into the original Greek mythology, which the original film used only sparingly. I mean, there was no robotic owl in Greek mythology. But no, this film is even more loosely based on the source material, while continuing to use made-up characters from the original (Calibos), and let’s face it…the script sucks. The CG is hit and miss, with some things looking great and others just awful. The direction leaves something to be desired, and character development isn’t even in this movie’s vocabulary. It’s a shame, because while Sam Worthington does nothing for me, Liam Neeson and Ralph Fiennes are not too bad. The rest of the performances are like cardboard, with only the odd cameo (Pete Postlethwait’s comes to mind) having any sort of spark.
I do think it it’s funny that we always hear the same argument: “It’s a summer action movie, it doesn’t need a good script.” Why not? You see that same argument in defence of numerous action movies online. Action and script are not mutually exclusive. But it’s your brain cells you’re killing, not mine. And it’s not just just the script in this case. It’s the crappy acting, the generic CG, the fact that it’s an unoriginal remake of a classic movie, etc. Rotten Tomatoes readers have spoken: a 29% rating. Near universal bad reviews everywhere? Action movies don’t have to be stupid. I don’t want to turn my brain off when I’m being entertained. I don’t know about you, but just looking at action on the screen without any sort of raison d’etre puts me in a coma.
Bonus features: Deleted scenes on the Blu-ray are actually better than a lot of the movie itself.
Take a stand against Hollywood remakes. Don’t buy this. Hell, don’t even rent it. Just avoid it. Go get the original. It’s available on a really nice Blu-ray. Burgess Meredith, Sir Lawrence Fuckin’ Olivier, Maggie Smith…and, of course, the brilliant animation of Ray Harryhausen. I met Harryhausen once. This remake was in the works even then, and he didn’t even want to talk about it. He knew it would be not only a disaster, but would tarnish the reputation of the name Clash of the Titans. He was right.
The only way to stop Hollywood from making dumb, brainless remakes is to vote with your wallet. I got chills when I heard this was the first of a trilogy. Lord, no.
Andy has partnered up with the Unison Fund which helps out those in the Canadian Music industry that are going through tough times.
Andy has some pretty cool stuff lined up and is doing his part so I reached out to him late last week to see if he wanted to come on the show and talk about it.
So tonight live at 7pm, Andy joins myself and Mikey for a chat on this and perhaps a few other questions we will toss Andy’s way…
Special Thanks to Tee Bone who was whipped up another cool ad for Scotch On The Rocks!
With copies of Slash Puppet’s first demo and first EP going for ridiculous amounts of money on Ebay, lead singer Mif decided to do something about it. It was time for a new release; a compilation this time, with one unreleased track for the collector.
Studs & Gems features 10 tracks from the band’s previous releases plus an unreleased live track called “Stranger Danger” recorded at Rock N’ Roll Heaven in Toronto. And what a track it is! An energetic, stuttery riff of the AC/DC persuasion serves as backing for Mif’s overloaded live vocal workout. This accelerated rocker stands up with Slash Puppet’s recorded works, and makes one wish for more live tapes. The tail of the track includes a nod to AC/DC’s “Danger” in a brilliant end twist.
As for the studio material, the album is top-loaded right off the bat with three of Slash’s Puppet’s most accomplished pieces of songwriting, all from the EP. “When the Whip Comes Down” is first, stomping fast-paced and unstoppable. The irresistible “na na na na” pre-chorus just sets you up to be knocked down again! Outstanding guitar work helps frame some of Mif’s coolest lyrics about overcoming adversity. Then it’s “Rippin’ on a Wishbone” which takes things back to a nice rocking groove accented by slide guitars and hooks galore. The whole while, Mif’s unique rasp keeps the sound from being generic. This string of solid gold is capped by “Eyes of a Child”, a truly special acoustic ballad that, in a just world, would be a million seller. Taking things seriously and singing from the heart, Slash Puppet should have had a massive hit on their hands. If only the 90s weren’t the 90s. “Eyes of a Child” has every ingredient, housed within a majestic, carefully constructed, classic power ballad.
With “Evil Woman”, the compilation dips back into 1989’s The Demo. In terms of remastering, things sounds pretty even between the two eras, so well done there. “Evil Woman” is one of Slash Puppet’s fast head-bangers. However they always had a knack for backing vocals to sweeten up the hooks. This was actually the closing track on the original demo, but it works fine where it is. “Hard On Love”, also from The Demo, goes slower and sleazier. Mif’s growl has plenty of bite, but note the backing vocals always there when you need ’em.
Back to the EP, “Stop Tellin’ Me Lies” is one of the most classic-sounding Slash Puppet tunes, reminding us a bit of songs that London Quireboys used to have hits with. The backing vocals are really laid out with care. This could be the most flat-out instantly catchy of the tracks. Note the tasteful use of classy slide guitar once again. Staying on the EP, “Hitch a Ride (On a Train)” is a special song. Contemplative acoustic guitars and philosophical lyrics set it apart from the other tracks. Everybody loves train metaphors, but once again there’s just something special here. The acoustic guitar arrangement and the heartfelt lyrics set it apart.
The last three studio songs are all classics from The Demo. “Slowdown” is just balls-out. Everything to the max, from the tempo to the rasp. The band made a well-received music video, in a time when bands often couldn’t make music videos to support an independent release. “Squeeze It In” was the other demo tune that made waves, and it takes things back down to the gutter. A slow grind with innuendo spilling over the rim. Memorable as hell; tasteful guitar work keeping things from going completely to excess. Finally “Overload” takes the tempo back to top gear. If you’re going to call your song “Overload”, you better deliver.
Slash Puppet always delivered. 32 years ago, the band played their first gig and now we finally have an official live track for the CD collection. “Stranger Danger” closes the CD on a resounding note: we want more.
Studs & Gems can be obtained directly from Mif Entertainment, but act fast as this is a limited edition, and paying $200 on eBay for a copy of the EP is just unfortunate.
5/5 stars
Slash Puppet:
Mif – Lead Vocals Frank Bartoletti – Guitars and Backing Vocals Lou Garscadden – Guitars and Backing Vocals Franklin Wylse – Drums and Backing Vocals Pete Dove – Bass and Backing Vocals (1989-1992) Dave Carreiro – Bass (1992-1995)
We are nothing if not perfectionists! Tee Bone was determined to get every single guest* we’ve ever had on the LeBrain Train into this intro vid, and I present to you the new updated version that we’ll be using on the next episode. This time Tee Bone started using actual show clips in place of screen grabs in some shots, and I’ll tell you, seeing all that smiling and laughing brings warmth to my heart.
September, 1989: I raced home from school to watch the Pepsi Power Hour’s big Alice Cooper interview, called the Trash Hour. Alice picked the songs, but they are edited out for YouTube. You can see what he picked for yourself, as Alice literally takes out the trash.
Host Laurie Brown had a great rapport with the Coop. Driving a brand new Trash Truck, Alice is funny and informative on the following subjects:
Trash rock
New album and signing with Epic
Writing 22 songs with Desmond Child
Saving the Hollywood sign
Cameos in Prince of Darkness and Shocker
Horror as comedy, staged violence
Band alumni gone solo
The Trash Hour works out to a tidy 15 minutes without the music and ads. Make sure you catch the ending. Have a good Sunday!
This video is from 30 years ago: in the MuchMusic studios with Eric Martin and Erica Ehm, talking Mr. Big! “Thank God for Pat Torpey!” they say as the praise the (late) great drummer. Lots of ground covered here:
Formation of the band
The blues and their roots
Touring as a “long camping trip”
Singing lessons and demonstrations!
More carrots, celery and radishes
You’re gonna love this. Also note, it’s one of my few non-Power Hour recordings.
BONUS: Today’s appearance on Tim’s Vinyl Confessions’ Mr. Big special
The LeBrain Train: 2000 Words or More with Mike and John
Episode 86 – Dan Fila
In the early 90s, there were a number of great bands from southern Ontario that rattled my speakers pretty hard. Two of those bands were Sven Gali and Varga, who had their videos on rotation both on MuchMusic and my VHS collection as well. Today, one man occupies the drum stool for both bands, and that man is Dan! Please join my co-host John Snow and I tonight as we welcome Dan Fila to the show.
We’ll be quizzing him on both bands as well his other industrial rock project called Hypodust. We’ll be talking drums. We’ll be taking questions. This is no “Prototype”, this is as real as “Now”! Join us live tonight!
mikeladano.com