Soundtrack Stream this Friday with Robert Daniels from Visions In Sound

This long-delayed instalment of LeBrain & Friends (temporary title) is brought to you by the power of soundtracks!

Due to scheduling, this episode has been pushed back a couple times.  If I’m doing soundtracks, I have to have ‘Mister Soundtracks’ on the show himself.  That would be Rob Daniels from Visions In Sound.  There are very few people who know more about film, TV and video game soundtracks than Rob, so prepare to be educated!

The weather looks good but can sometimes mess with the internet.  If I am unable to go live tonight then I will reschedule the show.

Tonight Rob and I will run down the Nigel Tufnel Top Ten Soundtracks!  Everything is fair game.  In fact my understanding is that Rob will be bringing us two lists:  scores, and standard soundtrack discs!  Participants include:

Tune in tonight, September 11 at 8:00 PM E.S.T.

Facebook:  Michael Ladano or Facebook:  MikeLeBrain.  YouTube:  Mike LeBrain.

REVIEW: Max the Axe – Bodies of Water (1995 cassette)

MAX THE AXE – Bodies of Water (1995 independant cassette)

This has to be one of the rarest items I own.  I have acquired the only remaining cassette copy of the first Max the Axe release, a five song tape called Bodies of Water.  In a rare move, the cassette had the bonus track rather than the CD.  Back in 1995, Max the Axe didn’t have a drummer so the drums on this release are programmed.  That lends it a streetwise but quaint mid-90s nostalgia.

Opening intensely with “Hard Drive”, Max the Axe’s music defies genres from the first track.  Heavy sludge riffs, flute, saxophone, a keyboard orchestra!  Lead vocals on this track by Pam Hammond leap beyond expectation as she bellows powerfully over the complex track.  You get more sax (courtesy Rockin’ Randy Harrison) on “Where’s Pablo?” featuring Mickey Straight on lead vocals.  This has a cool, dirty street vibe groove.

The  cassette bonus track “Guns To Iran” is dead center, and features “Max the Swinging Axe” on distorted lead vocals.  Pure metal on electronic steroids.  I’m immediately reminded of “Manic Mechanic” by ZZ Top, but a thrash metal version.

“I’m Glad Now” has another singer, Tim Rolland, and a completely different vibe.  Straight noctural, memorable melodic hard rock with a growly singer.  But then the screamer “Fair Ophelia” ends the cassette on a seriously heavy note.  Pam Hammond and Max the Axe return on vocals, assaulting the ear with aggressive heaviness.  Max does the metal grunting while Hammond sings in classic screamin’ metal style.

This is good stuff and surprisingly well preserved 25 years later.  Max’s sharp jabs of guitar solo adrenaline still rock the speakers with intended impact.  Maybe the Axe will remaster and reissue his early tunes so the rest of you can hear them too.

4/5 stars

REVIEW: Sexdwarf – Has Disappeared Into the Mystic Dawn (2013)

The Meat Challenge:  Listen to an album we’ve never heard before, and write about it while listening for the first time on headphones.  I was given Sexdwarf by Meat.

SEXDWARF – Has Disappeared Into the Mystic Dawn (2013 Busted Flat)

No background, no story, straight into the songs.  The only disclosure I owe you is that Meat and I both know the lead singer of Sexdwarf, Chris Boyne.  I briefly worked with him at the Record Store, but I am putting that completely out of my mind for the sake of the purity of this first listen.  Let’s go.

“Thomasina” – A slinky, 70s jazzy piano starts us off but then a solid beat gets the feet moving.  This kicks.  I could dance to this.  Great lead vocal, Killers-like with slight distortion.  I keep coming back to that catchy piano bit.  It’s disco and it’s rock and it’s brilliant.

“Love is a Boner” – Ah, I’ve been waiting a long time to hear a song with “boner” in the title.  I am not disappointed.  I didn’t expect a Beatles-like psychedelic rock gem.  If the Beatles did a 14th studio album, I hope “Love is a Boner” would have been on it.  There is even a dual lead vocal, perfect for Lennon and McCartney.  Paul would sing the higher part.

“Spazzy” – Not as “spazzy” sounding as I expected.  Great guitar tones here.  This is the kind of stuff July Talk is doing now.  It’s frantic but well-constructed.

“Tear It Out” – “I think I’m gonna break your fuckin’ heart again,” goes the opening line on a song that reminds me a little bit of Jellyfish.  This one seems to be about one of that asshole manipulative boyfriends that everybody hates.  It has one of my favourite guitar solos on the album.

“Young Girls” – Acoustic guitars now, and a fun little keyboard riff.  Excellent, summery tune you could party to.  I hear the quirk of the Kinks.

“People in Trees” – The first…ballad?  Sparse, quiet, atmospheric, bird-like guitars.  And there’s people in trees, apparently and they live to be free.  Hold on — well, that picked up.  Drums, guitars, all fuzzed out.  Everything is fuzzy and it’s beautiful in the headphones.  The ending is like listening to a moon landing.

“Paid Me for Sex” – See, this is more the kind of song title I’m expecting from Sexdwarf.  Back to a vintage bopping pop rock sound.  I prefer this kind of stuff.  The whole album so far is covered in this fuzzy vintage amp kind of sound that makes it easy to imagine it was recorded in 1971.

“I Don’t Think About People” – A surprisingly warm song about a cold antisocial character.  “I don’t think about people, they’re assholes.”  Brilliantly melodic and simple.

“Gold Rush” – Echoey acoustics and then crashing electrics.  Slow and mournful, with a nice noisy Neil Young guitar solo.  Not as outstanding as some of the previous songs but it could be a grower.

“Centre of it All” – A nice grand chorus, lots of crashing drums…sure, I like it.  The vocal arrangement in the chorus is quite excellent.

“Magnolia” – Jazzy piano and bass again, and then the guitars kick in.  It’s another good song in the Sexdwarf vein — which I am hopefully describing to you well enough.  Jangly guitars give way to an awesome solo bit that is the highlight of the song.

“Therapists” – Loud bangy drums.  A strange combination of sounds from the 60s, 70s and 90s.  A ballad by the Ronettes on acid?  Who knows.  It’s Sexdwarf.  It’s its own thing.

“Mystic Dawn” – Finally we arrive at the end after a frankly trippy 50 minutes of quirky music.  Meat insisted we had to use headphones to write these reviews and this time it’s perfect because there’s a bit where the mix bounces back and forth from right to left.  This finale has everything from Black Sabbath chords to trippy Yellow Submarine passages, and then straight into a racing Deep Purple instrumental section.  This, people, is how you end an album!

Sexdwarf, where you have been all this time?  Why have you not been in my life?  Well now you will be — forever and ever.

4.5/5 stars

#858: School Days

GETTING MORE TALE #858: School Days

Did anybody really enjoy doing speeches in school?  I dreaded them year after year.  Pick a subject, write a speech, memorize it, time it right, and then it’s showtime.  My first speech was an award winner.  In was in grade three, and I wrote a speech about falling into the Athabasca glacier on my summer vacation.  It was a hit.  But that didn’t get me off the hook.  Year after year, you had to keep coming up with new speeches.

Grade five was Pac-Man, and it didn’t do as well.  Not that I minded.  I wanted to do just well enough, not so well that I had to do it again in a semi-finals.  I was obsessed with Pac-Man that year.  I truly had Pac-Man fever.  In my speech I discussed sequels like Ms. Pac-Man, and how the Atari 2600 version was such a disappointment.

In eighth grade I changed things up considerably and did my speech on Kiss.  I can tell you that the teacher Mrs. Powers visibly reacted every time I said the words Hotter Than Hell.  My speech was like a condensed version of Kisstory, a predecessor perhaps to what I like to do today.  It was actually really good although it was mostly off the cuff.  I knew I wasn’t going to get a good grade because of the subject matter, and I knew a speech about Kiss wasn’t going to make it to any kind of semi-finals, and I really knew they didn’t like the word “hell”.  Name dropping Mick Jagger didn’t help.  But it was really good, natural sounding and I only stumbled a couple of times.

The teachers didn’t really want you to do a speech about rock bands, but I was determined to express myself.  I didn’t want to spend five minutes talking about, I dunno, making steak sandwiches.  I could have whipped up an easy speech on Antarctic exploration or World War II, and gotten a better mark.  The more I look back, I guess I was a teeny tiny bit of a rebel.  But it was the teachers who gave me shit about my Judas Priest shirt that brought it on.

In grade nine I did my speech about Iron Maiden.  I should have diversified.  I could have spoken about nuclear power, Baron Von Richthofen, or Wrestlemania.  To my credit I was always good at telling a story, and I made them interesting.  I just tried to squeeze music into my schoolwork any chance I could.  If the jocks could do a speech about baseball, I should be able to do one about heavy metal.  I do remember one guy had a really well written comedic speech about a blind date.  If I knew fiction was a category I would have tried a hand at that!

In later years I did more expansive independent studies on other subjects, but still managed to work in music.  I did it for a sociology project and a few English ones.  And why not?  I couldn’t do that in algebra, physics, chemistry, or calculus.

These little acts of rock and roll rebellion didn’t get me an A, but I did well enough to be admitted to Wilfrid Laurier University in 1991.  So:  no regrets.  I can still write about Manfred von Richthofen if I want, and I’m fortunate enough that you would probably still read it.  I’ve written about history (tied into music) here a number of times.  I’m sure I’ll do it again.  And why not?  It’s easy to tie this stuff to music; Iced Earth have a song about Richthofen.  Queen have a song about Robert Falcon Scott.  Iron Maiden have songs about everything that ever happened.  The field is wide open.

 

VIDEO: A Drive Around Kitchener / Max the Axe – “Scales of Justice”

Just looking for ways to get some local bands heard.  Seems a drive around Kitchener-Waterloo is a good video background for a band from Kitchener-Waterloo called Max the Axe.

From their sixth record Status Electric comes “Scales of Justice” written by Mike Koutis and Eric Litwiller.  The lyrics tell a truthful tale of why only a fool owns a deadly snake let alone two.

This video is sped up 10x and was filmed on Saturday 9/5/2020 in the afternoon.

Sunday Chuckle: Things Jen’s Mom Did to Make Me Smile

I’ll admit it, I’m a bit of a pest.  Sometimes when I’m out with Jen, I’ll sneakily reach over and tickle her while pretending I did nothing.  It drives her nuts, but it used to make her mom smile.  When I used to drive them around, Jen’s mom would sit in the back.  When I was stopped at a red light I’d sneak a tickle.  Jen would scold me and then her mom would say “Listen to Jen, Michael.”  Then I’d turn around and she’d wink at me and whisper “Do it again!”  So I would, and Jen wouldn’t believe me that her mom was encouraging me!

Jen’s mom was a special lady.  We only lost her two years ago, so I’m always happy to share those stories that make us smile.

 

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Storm Force! Greg, Pat and Brian join the LeBrain Train in the Age of Fear!

Thanks to Greg Fraser, Patrick Gagliardi, and surprise guest Brian Hamilton of Storm Force for joining me on a Friday night!  It was a free-form chat tackling subjects such as:

  • The album Age of Fear
  • Memorable impact gigs
  • Canadian Rock
  • New music
  • Secrets to singing
  • Thunder Bay
  • Touring and touring and touring
  • Brighton Rock and Gerry McGhee

And much much more!

In addition I did a CD reveal for this week’s mail.  New music from Amazon!  Check it out if you want to know what I’ll be spinning this weekend.

For the CD reveals, start at 0:04:15 of the stream.

For Storm Force, skip to 0:16:50 of the stream.

Thanks again to Greg, Pat, and Brian for setting this chat up.  It was the first but won’t be the last.

Storm Force Friday! Greg Fraser and Patrick Gagliardi join us tonight!

I am beyond psyched to welcome Greg Fraser and Patrick Gagliardi of STORM FORCE to the show tonight!

If you didn’t already know, Storm Force released their debut album Age of Fear in January.  Nine months later it remains one of the best records of the year.  If you haven’t heard it yet, you will want to after our chat with Patrick and Greg.  It’s been praised by reviewers from Canada, the US, Australia and Sweden as a must-hear for fans of melodic hard rock “the way you remember it”.

Tune in at 7:00 PM E.S.T. at the location of your preference below.

Facebook:  Michael Ladano or Facebook:  MikeLeBrain.  YouTube:  Mike LeBrain.

 

#857: Obsessed With Rock

GETTING MORE TALE #857: Obsessed With Rock

As this summer flies by, I’m reminded of seasons past.  My dad always took the same vacations in the summer:  one week in July and two in August.  That means we’d be up at the cottage for that time, and I wanted to be well stocked with music.  Meaning, I had to bring all my music.  All my cassettes, all my vinyl.  Everything.

It was a process, to say the least.  All my tape cases had to be wedged between seats of the car, and I had “a few” tape cases.  Then I took apart my jury-rigged stereo setup and carefully prepared it for transportation.  I taped down the tone arm on the turntable so it wouldn’t fly about.  I packed up all my wires, head cleaners, and record brushes.  My ghetto blaster and record player were loaded onto a seat in the car, with my dad’s old 8-track deck/receiver at the bottom.  I was using it as a pre-amp for the turntable, and it worked after a fashion.

My treasured Kiss cassettes were not in a case.  They occupied a shelf in my bedroom, with two custom ceramic Kiss bookends.  I placed the bookends and tapes into a plastic grocery bag for transport.  Upon arrival at the lake, I set them all up on another shelf, always in chronological order.  It’s funny to think that I didn’t get an obsessive-compulsive disorder diagnosis until I was in my 40s.  I was pretty clearly already there in my early teens.

Once I got everything hooked up again at the cottage (stealing extension cords from other rooms), I’d begin blasting the rock.  With OCD firmly in control, I first had to finish listening to whatever tape was in my Walkman during the car trip.  Only then would I choose what I would be listening to that night.

It’s all very clearly obsessive behaviour, but I guess people were not as aware of various mental health issues back then in the 80s.

Then and now, I loved listening to music at the lake.  I liked to blast it, which sometimes earned a noise complaint from the parents.  They were pretty good about it though.  They indulged my musical obsession though never quite understanding it.  I only had one true love and it was rock and roll.

Something else I enjoyed very much was buying new music while on summer vacation at the lake.  There were not many stores that carried anything good.  Don’s Hi-Fi, and Stedman’s were all that was available when I was really young.  They sure didn’t have much.  Still, listening to Priest…Live! when it was brand new, and breaking the seal at the lake was special.  It’s hard to articulate exactly what was special about it.  Your normal listening space is a familiar place.  Most things you hear, you first played in your own home.  When you get to experience an album on less familiar territory for the first few times, it develops a different flavour.  It’s not something you can hear, it’s just something you can feel.  I guess that’s why I always see myself playing darts in the back yard at the lake every time I hear Priest…Live!

Perhaps that is a feeling only a music obsessive gets.

When we returned from vacation, it felt like I would be welcoming my new albums into their new home.  This is where you live now, Priest.  This is where I am going to be experiencing you from now on.

Weird, right?

I never claimed to be normal.  Quite the opposite, in fact.  I’ve often boasted of not just “liking” music, but actually “loving” it deeply.  Maybe the only thing I’m actually boasting about is mental illness!

Whatever.  These are all good memories.  Although I speak fondly of it today, as a kid I would have chosen to stay home if I was old enough.  I missed being away from my friends, my rock magazines, my Pepsi Power Hour and all that stuff.  I missed talking about and listening to music with my best friend Bob.  Truth told, by packing up all music with me and hauling it up to the lake, I was trying to retain one aspect of being at home, which is my music collection.  Today the obsession remains, but I can do the same job with a laptop.  Crazy!  I never would have imagined that as a kid.

There are worse things to be hooked on other than rock and roll.  If it makes you feel so good, can it be so bad?