Who doesn’t love musical mail? Check out some thoughtful gifts from Tim Durling and Marco D’Auria, plus a really cool surprise from Amazon.
Marco and Tim were apparently on the same wavelength when these two parcels are sent.
Sometimes Amazon’s listings are not accurate, and you have to take a chance. Fortunately their return policy makes things easy if you ordered the wrong thing. In this case, I ordered a CD that I need for an upcoming show. I found a Japanese import reasonably priced, but there was also a deluxe edition that I was told was really good. Check out what happens next. You won’t believe it!
GRAB A STACK OF ROCK With Mike, Aaron KMA and Tim Durling
Special Edition Episode: An 8 Track Holy Grail & More
This video is years in the making. More than just an “unboxing” video, this is a fun and informative episode that documents one man’s journey to collect his favourite bands on obsolete formats, and another man’s ability to find them.
About four years ago, Aaron provided Tim with a rare 8-track tape that he needed for his collection. Another one of Aaron’s tapes went to Martin Popoff. But there was one tape that Tim needed to “complete” a specific collection. And this summer, Aaron found that one too. He just has a knack for it, and it seems appropriate that it was Aaron who found this last tape. There’s a story that goes with it, and three tapes that went to me as well!
“Complete” is in quotes, because this video is far more than just an unboxing video. This is a philosophical (and fun) discussion about 8-track tapes, collecting, and genuine Australian bubble wrap. We discuss breaks in the middle of tracks, altered track listings, and for good measure, a little bit about vintage Star Wars toys. We also speculate on one tape that may still be out there, but remains unknown.
This episode is in two parts. It begins with Aaron and I unboxing three beautiful 8-track tapes, and a number of birthday gifts. Also inside that box was Tim’s tape, which I mailed immediately to New Brunswick. The video cuts and picks up with Tim, ready to open his treasure in front of the cameras.
RECORD STORE TALES #1151: An Egg of a Day: End of August Scores
I have a coworker whose parents recently passed. This is always sad, but the time came for my coworker to purge her mom’s music collection. Periodically when this happens, people come to me to ask my opinion. Essentially, she wanted to know: “is there anything here that I shouldn’t take to the local Beat Goes On because it might be worth more?” She didn’t think much of her chances, but wanted to be sure.
“Sure, I’ll pop over and have a look,” I said. “I can’t promise you anything but I can at least have a look.”
That was good enough for her.
“I bet I find a bunch of Lawrence Welk!” I joked to Tim Durling and Jex Russell. You know the kind of record collection I mean.
Indeed, I did find Lawrence Welk in the very first box of vinyl. I had a laugh and kept digging. To everyone’s surprise, I found things that might indeed have been valuable, and they had no idea how it got into that collection.
First of all, she had a really nice stack of 78s. Big Crosby was the first one I saw. I have no idea on value of 78s, but this were stored well and all seemed in good condition. It might have been my first time handling a stack of 78’s like that. They are thicker than an LP, and much heavier. They require a special stylus as well as a turntable that can go up to 78. I used to have that equipment. She even had a cylinder, whether Edison or a competing brand, that was out for professional appraisal. So, this collection I was looking at had these formats:
LPs
45s
78s
Cassettes
8-tracks
CDs
and one cylinder
Pretty wild scope. The genres were all over the place, from easy listening and country (the usual suspects) to disco, jazz, oldies, and even progressive rock and heavy metal, as you’ll see. This, I did not expect.
Then I spied an album called Egg. Something about it jumped out at me. I flipped it around and there were black and white photos of long haired guys jamming. That struck me as out of place in this collection, so I set it aside. Somebody looked it up, and it can sell for easily over $100. Everyone seemed really impressed by my ability to sniff this out. I am no expert, folks. Not at all. But it looked out of place, which is why I took a second glance. It turns out Egg were an English progressive rock band, and the album was released in 1970. Very surprising, but they felt that this one find justified me coming over and looking at their records, so I was happy.
Original price: $6.99
I found some things I wanted for myself and made an offer. I left with the following titles:
Guns N’ Roses – “You Could Be Mine” 1991 Geffen cassette single. I own it on CD, but never on cassette. Why not? In this day and age of owning everything on every format, why not?
The Best Of ZZ Top 1977 Wea Music cassette. A staple, but one that I somehow have never owned before on any format. Stone cold classic compilation.
John Williams and the Boston Pops – Pops In Space 1980, Philips, made in Holland. This contains music from some of Williams science fiction classics: Superman, The Empire Strikes Back (which was brand new in 1980), Star Wars, and Close Encounters. I haven’t seen this one before.
Oscar Peterson – The Trio – Live from Chicago 1961 Verve/1986 Polygram CD. My second Oscar Peterson score this summer. You rarely find Oscar in the wild, and never this one.
Johnny Cash – His Greatest Hits, Volume II1971 Columbia 8-track. This was the Cash album I grew up with in the car with my dad, albeit on cassette. This cartridge is in great shape, and resides in a bright red shell. This is my first red shell 8-track tape.
When I called my dad to tell him of my musical scores, he was surprised at the 8-track. While he clearly remembers that Cash album, he asked me “Do you have anything that plays an 8-track?” This is a common question that we collectors get. No I do not. I don’t have a way to play a Minidisc, a DAT, or a DCC either but I would love to have some in my collection. My collecting desires are no longer strictly just to have music to play. Now I collect music I can’t even play too! Just to have a piece of history.
After we completely examined the collection and left some advice, I departed with my treasures. Since we were in the neighbourhood, I decided to visit the old Toys R Us/HMV store. There, I finally decided to pick up Iron Maiden’s Powerslave on vinyl, edging me closer to completing the 1980s collection. Now, all I should need are the first two Di’Anno albums (I think). Powerslave was $36 and hard to pull the trigger on, since I can distinctly remember a time when Sam the Record Man was swinning in new copies for $6.99 each, and that sticks with you. I finally have it now.
A successful Saturday. Time to listen to some music!
JOURNEY – Departure (1980 CBS 8-track, Remastered 2010 Sony CD)
CD from the set 3 Original Album Classics
Changes were afoot in Journey, and alluded to on Departure. Aside from the Japan-only soundtrack Dream, After Dream, this was the last stand for Gregg Rolie. While he would also appear one more time on the Captured live album, he was not there for the new studio track included. For all intents and purposes, Departure is his “last album”, to use an inaccurate but easy term. For the man who once was Journey’s only lead singer, Departure only has one of Rolie’s lead vocals, and only two co-writes. (In the discography, Departure directly followed 1979’s compilation of early material, In the Beginning, featuring early material and a large number of Rolie vocals.)
With Steve Perry leading the charge, Departure commences with the party anthem “Any Way You Want It”. Those who don’t know it, know it. It has been featured in the Simpsons, twice! A rare honour, and mega-exposure, for good reason. Perry’s impeccably arranged chorus is irresistible. Rolie’s organ is the perfect accompaniment to keep in the realm of classic rock and roll. Of course Schon’s solo is also tasty as heck, but this song is know for its party-hardy chorus. For those who like to dig deeper, Ross Valory’s pulsing bassline goes underappreciated today, and Steve Smith’s smooth cymbal work is often taken for granted.
A surprising twist is taken on track two, the laid back blues pulse of “Walk Like A Lady”. Sounds like Smith is playing with brushes, and Neal really plays it classy. Then, a jab of organ and the players are off to indulge themselves. “Oooh yeah!” shouts Perry, as if enjoying the jamming himself. Soulful harmony vocals by the band really take this out on an authentic note.
Third song, third musical direction: power balladeering! Rolie sings a duet with Perry backing him on “Someday Soon”, a melancholy but punchy ballad. Though it was not a single, perhaps it should have been. There’s a cool, unique angelic vocal section near the end that nicely complements Steve Smith’s drum fills.
“People and Places” is like an exercise in creative vocal arrangements, if not showing off. Neal Schon sings lead with Steve Perry on this complex track. It’s more like the Dream, After Dream material than a lot of Departure. If only the modern Journey were unafraid to create more unique music like this. It still has room for a powerful melody and some warming cascades of guitar. This song moves directly into “Precious Time”, which has a vibe like the still-in-the-future track “Liberty”. Lyrically it foreshadows the “Line of Fire” on side two, and also has Rolie on harmonica. It turns into a more typical Journey rocker by the midpoint. Lots of tasty Schon guitars to be savoured here.
Unusually for an album of 1980, Departure had 12 tracks: five on the first side, and seven on the second. This is where we’d flip.
The big concert rocker “Where Were You” kicks off the back end of Departure. This one pounds the pavement with beats, riffs and boppin’ piano. It too could have been a single, though it did open their concerts on tour. Then, a completely different mood drops: “I’m Cryin'” hits like a cold wave of grief, though not without its musical thrills. Soon it’s over and the rockin’ “Line Of Fire” brings the party back. There’s no better way to describe it than a fast, good time rock and roll song. “So don’t go sayin’ Steve is a liar!” warns Perry to some young lady who done him wrong. “Bye bye bye Susie, so long girl!” (He sure got over what was bothering him on “I’m Cryin'” pretty fast.) Take note of Schon’s technical solo work here.
“Departure” / “Good Morning Girl” is softly progressive, with strings and light guitar, and little else. This is over quickly, and then it’s the ballad “Stay Awile”, one of the sweetest songs Steve Perry or Journey have ever done. Once again, listen to the bass and drums for a different perspective. Perhaps the only thing better than Perry’s lead vocals are when he does it live.
Fortunately, Journey had the wisdom to end the album on a rocker: “Homemade Love”. Some of Perry’s worst words accompany some of his most acrobatic singing. Still, at least it’s a good jam to go out on, with some fretboard burning fingerwork by Neal.
Interesting, the 8-track tape might have what would be called a bonus track here: a reprise of “Line of Fire”. It’s here mostly for timing reasons; there are no songs split between tracks anywhere on this album. So, 8-track buyers got an uninterrupted listen, plus a reprise of “Line of Fire”. Information is scarce, but it would be fun to hear the tape this way,
On remastered CD, we got some slightly more interesting bonus tracks than 8-track offered. “Natural Thing” is a bluesy B-side, which was later released as the B-side to “Don’t Stop Believin'”. Chronologically though, it is from this era and is as strong as any similar material on the album. Funny how some tracks don’t make the cut when others do. If you were told this was a standalone single, you wouldn’t have a reason to doubt it. The CD also includes “Little Girl” from Dream, After Dream which is a difficult album to find and Rolie’s studio farewell. It is a string-laden power ballad, very progressive, and far darker than anything on Departure.
Departure features an unusually rougher sound than other Journey albums. The production seems unpolished despite the complexities of some tracks, with the vocals sometimes occupying a strange space that’s not quite in front of the music. Still, a classic album is a classic album and there are so few flaws with Departure that it’s easy to dismiss them all.
Happy birthday to Jonathan Cain of JOURNEY, as we celebrate his discography today with Tim Durling on this very special episode of Grab A Stack of Rock! We look back at the entire discography of the legendary rock band, all the lineup changes, all the big songs, and a bunch of deep cuts as well. On six different formats, I show you the entire catalogue, with help from Tim to fill three holes in the official collection. (There’s still one or two essential things I need to get, but you’ll have to watch the video to find out.)
Tim Durling is what I would call a “Journey expert”. He knows the facts and the sales numbers and the singles, and he was essential in this video coming to be. Not just the live albums I’m still missing, but also the knowledge and personal history. I was late getting into the band, in the late 1990s. Tim had 10 years on me. Thank you Tim for helping me make this video!
Together we presented CDs, cassettes, vinyl, 8-tracks, Blu-rays and DVDs of all the essential Journey. We looked at imports from Japan, Europe, the US, and Mexico as well as different pressings with different bonus tracks. A wide variety of Journey CD editions are here for you to examine.
Thank you Tim and thank you Journey for the music!
Discography included:
Journey (1975)
Look Into the Future (1976)
Next (1977)
Infinity (1978)
Evolution (1979)
In The Beginning (1979)
Departure (1980)
Dream, After Dream (1980)
Captured (1981)
Escape (1981)
Frontiers (1983 and 2023 40th Anniversary editions)
Raised on Radio (1986)
Greatest Hits (1988)
Time3 (1992 boxed set)
Trial By Fire (1996)
Greatest Hits Live (1998)
Arrival (2000-2001)
The Essential Journey (2001)
Red 13 (2002)
Generations (2005)
Live In Houston 1981: The Escape Tour (2005)
Turn the Page (Live Bootleg w/ Jeff Scott Soto (2006)
No show tonight – working on a taping with Peter Kerr from Rock Daydream Nation. Enjoy this video instead!
Tim Durling is one of the most generous souls I know. I’m sure 3/4 of my collection of 8-track tapes have come as gifts from Tim. This time, he outdid himself. Watch the video and see what he sent this time. One of these tapes is in my Top 3 Albums of All Time (often finding itself in the #1 spot) and the other is another beloved, timeless favourite.
We also got a sneak peak at some pages of Down For the Count: The Y&T Album Review by Tim Durling and a few special guests!
Check out the video below, and see if you can guess what Tim sent this time. I am truly blown away. Thank you Tim Durling.
UNSPOOLED: An Adventure in 8-Tracks by Tim Durling (2022)
Every collector is different. We cannot be painted with a single brush. I, for example, collect music formats that I have the equipment to play. I don’t own any reel-to-reel and only a couple 8-track tapes for that reason. Tim Durling on the other hand doesn’t care. He loves 8-tracks even though he has no way to play them, nor does he really have any interest in getting into the players. Restoration of the players and tapes themselves is a expensive hobby that many do enjoy, but Tim is all about the collecting.
A single Journey tape sitting in a desk drawer was the modest beginning, years before Tim really dove into it. His passion for collecting the bands he loves is at the heart of Unspooled, Tim’s first book and a great resource for 8-track tapes. If the praise that Martin Popoff throws down in the forward isn’t enough to convince you, then I give up!
Unspooled is a visual feast. Every page pops with vivid print, and many are loaded with photos of tapes that you never knew existed on 8-track. Tim was fascinated early on to learn that record clubs such as Columbia House sold 8-track tapes through the mail, long after they were available in stores. These “RCO” tapes can be very difficult, but rewarding to find, especially when you have a love affair with collecting. See for yourself, how pretty the 8-tracks look when photographed next to their cassette, CD and LP counterparts. How many albums do you own in four formats?
Tim includes lists of known RCO tapes from 1981 to 1988. Wait…1988? Yes, somebody in 1988 was still ordering 8-track tapes from record clubs! Astounding. And Tim’s got the proof. He also has pictures from his childhood (sweet GI Joe’s, dude!) and of obscure tech like the infamous 8-track to cassette car adapter. Chapters are named after related songs, but there are plenty of surprises along the way. I’ve never seen a Bruce Springsteen box set on 8-track before.
Interviews and stories from friends and experts help colour in the picture a bit. Information you wouldn’t just find yourself. For example, what is a “coffee can tape”? 8-tracks were notorious for unspooling and being difficult to fix. Often customers would carry the mass of unspooled tape in a coffee can to be repaired. And here’s something else I didn’t know, but should have expected. Counterfeit tapes are a problem now in the collector’s market. Some of these tapes go for serious coin today. Stuff that you used to find at a garage sale for 10 cents, or worse, in the garbage. Contributions comes from characters such as Marco D’Auria the Contrarian, Ryan Murphy from RushFans, and yours truly, LeBrain.
Yes, that means I am biased, but I don’t think my review would be any different otherwise. Take Martin Popoff’s word for it. Limited copies of Unspooled are still available. Contact Tim’s Vinyl Confessions to order yours.
Have you ever had a conversation when you just knew what the other person was about to say? Not like a déjà vu, just a…synchronicity. A crossroads in time and space, intersecting with a very specific subsection of music fandom. I experienced that tonight with Tim Durling, but you will have to watch this episode yourself to hear the stories. Keywords: “Soundtrack to the Video Historia“.
Tim has just written what could be the very first book dedicated to the subject of 8-track tapes. You can support Tim’s project by clicking here! As a collector, he has sought to determine what exactly has been released on the format and what has not. There are a lot of unknowns in this little-documented realm, but what you will find in his book is only information that is 100% verified. If he wasn’t satisfied that something was released, it didn’t go in the book.
I can’t wait to get my copy of Unspooled, and you have until October 23 to kickstart it. The colour photographs of these tapes are sure to melt your eyeballs. But before that happens…watch the show below! Thanks again to Tim for stopping by. And thanks to Aaron for co-hosting!
The LeBrain Train: 2000 Words or More with Mike Ladano
Episode 83 – Unspooled with Tim’s Vinyl Confessions
8-track tapes: While many of us know what they are, very few of us have ever played one. I still remember the clicky-clacky of the tape changing tracks! So does Tim Durling, from Tim’s Vinyl Confessions. But he’s not here to talk about vinyl tonight. Tonight we talk 8-track tapes!
Unspooled: An Adventure in 8-Tracks is the title of Tim’s forthcoming book, which you can help fund right now on Kickstarter. Tim’s knowledge of the format, and his mighty collection, have enabled him to write a must-have book loaded with pictures of ultra-rare releases. If you have ever been curious about this most intriguing of formats, then this is an episode that you do not want to miss!
Joining us for co-hosting duties will be Aaron from the KMA. Tune in, won’t you?
mikeladano.com 