harem scarem

#1230: 101 Dumpsters: Top Five & 2025 In Review

RECORD STORE TALES #1230: 101 Dumpsters: 2025 In Review

Dear friends and strangers,

As we gather and recall the past year, it is important to remember the many times we have sat here together before.  Most years since 2018 have been years of change.  2025 is no exception.  Always setbacks, losses and triumphs!  Let’s have a look back the good, the bad, and the awesome!

Part the First

2025 represented a personal shift away from writing and more towards videos.  The reason for this is two-fold:

1. The Community changed from primarily writers, to YouTubers.  Whereas I used to do writing collaborations, now I am invited onto YouTube shows.  Collaborations abounded in 2025!  I became a regular on The Contrarians Live, with a total of 27 episodes in 2024-25 (Full list of 27 episodes can be found by clicking here).  Many of these included Martin Popoff – pinch my younger self!  I also did several episodes of Rock Daydream Nation with Peter Kerr, My Music Corner with Johnny Metal, Tim’s Vinyl Confessions with Mr. Durling, Darcyska with D’Arcy Briggs, Grant’s Rock Warehaus with Mr. Arthur, Slogan’s Rock and Metal Extravaganza with Sidney and sometimes Logan, Rock Show Critique with Joey Suto, Off the Charts with Dan Chatrand, and of course, a couple amazing episodes on The Collection with Mr. John T. Snow (more on that later).   The biggest channel I appeared on in 2025 was Pete Pardo’s Sea of Tranquility.  I did two episodes with them, both hosted by Jamie Laszlo.  This has kept me well busy!

2. 50 Years of Iron Maiden.  We debuted on January 10, 2025 and are still rolling with the Maiden!  We’ll be done mid-2026.

It has been an incredible year creatively.  There is a lot to be proud of.  Videos appeal to a different audience than written articles, and so we’ve lost people along the way, but one must always follow their creative muse.  I have been making videos since 1989.  With the tools we have now, it is an old burning passion that is now easy to follow.  There were still written some reviews in 2025, and there will be in 2026, but I must go where the wind takes me.  I’m not fighting it or questioning it anymore.  I’m just doing what I want to do.  Music always finds its way into everything I do.

 

Part the Second

We can’t talk about 2025 without talking about our dive back into interviews!  Lacking confidence, I swore them off a while ago.  Not including people that I consider friends, such as Robert Lawson and Tim Durling, 2025 was primarily dominated by six interviews, in chronological order:

1. Blotto:  Early in the year, I reached out to Blotto about an interview for their new movie, Hello! My Name Is Blotto! The Movie.  To my surprise, I got the whole band and movie director Rob Lichter as well.  This went so well that it created lasting friendships, our own “Blotto” names (Kitchener and Blocko Blotto), and a second interview coming in 2026.  This gave me the confidence I needed to do more.

2. Alan Niven:  Thank you John T Snow from 2Loud2OldMusic for inviting me to co-host his interview with former Guns N’ Roses manager Alan Niven.  It was for his book Sound N’ Fury which has still not come out.  John and I were fortunate enough to read it before “someone” had the plug pulled…and you can certainly guess who is probably responsible.  What a great interview experience this was!  Alan puffed his cigar and answered our questions thoughtfully and with considered wit.  A formidable man who treated us with nothing but thanks and gratitude.

3. Next Up was Bob Cesca from Camp Chaos, though this did not air for a few months after we recorded it, as it was slotted in for 50 Years of Iron Maiden episode 25: Visions of the Beast.  Bob was responsible for those “NAPSTER BAD!” cartoons in the early 2000s, and his love of science fiction and Rush made him one of the easiest conversations we’ve ever had.  Talking to Bob gave us another confidence boost.  I said to Harrison, “We should get in touch with the Blaze Bayley camp…”

4. Blaze Bayley is our proudest achievement to date, collectively and personally.  With very little notice, we were given an early morning recording time on a Monday.  What resulted is an interview that Harrison and I felt no hyperbole in calling “The Best Blaze Bayley Interview You’ve Ever Seen”  From Iron Maiden to mental health to science fiction and punctuality, Blaze was everything we hoped he would be and more.  To say we have interviewed someone from Iron Maiden, is a bucket list item we can check off.  A lifetime of wishes come true.  They say “Don’t meet your heroes?”  Harrison and I both disagree.

5. Rick Hughes from Sword was another big one.  Here is a guy who I have been listening to since 1987; even longer than Blaze by a good margin.  Dan Chartrand and I were both offered Rick, but rather than duplicate each other, we decided to team up.  The subject was Rick’s new solo album Redemption, but we went everywhere with this interview.  Opening for Motorhead, reuniting the band, and writing with Aldo Nova:  we covered it all on this excellent interview with a Canadian metal legend.

6. Tom Harper, known professionally as Harper, was a fun way to end the year’s interviews.  The only thing that can compete with anyone from Iron Maiden is a guy who played on a Kiss record.  Harper played bass on “Shandi”, and had a million stories.  Check out the episode that my mom called the “best ever!”  Even Broadway Blotto agreed!

Part the Third:  Top Five Albums of 2025

The part everyone waits for every year!  There is also an accompanying Tim’s Vinyl Confessions episode to go with my list, but for those who prefer to read… read on!

My music list this year is a delightful mix of genres and bands.  I love that a band well over 50 years old can put out my #1 album of 2025.   On the opposite side of the age gap is a hot young band out of Toronto.  In the middle is a British band that debuted in the early 2000s.  All of these albums are worth checking out, but please note my #1 pick is particularly special.

Here’s to the best of 2025!

5. The Beaches – No Hard Feelings

The Toronto quartet rolls on with another hit-filled new album.  Cutting edge rock & pop from a feminine perspective.

4. Ghost – Skeletá

Another band that simply rolled on with another album full of memorable classics… it’s Ghost!

3. The Darkness – Dreams On Toast

Vying for Album of the Year, it easily could have been Dreams on Toast.  An exceptionally strong album, and easily their best since Last of Our Kind.

2. Harem Scarem – Chasing Euphoria

Another contender for Album of the Year.  Reaching highs not heard since the early 1990s, Harem Scarem have a sound that they have mastered, and they continue to find new ways of writing catchy hard rock.

1. Styx – Circling From Above

When I finally got my hands on the new Styx, I knew immediately that the Battle of 2025 was over – finished!!  New(er) members Terry Gowan and Will Evankovich have brought fresh sounds to the first rock band I ever liked.  That’s three incredible albums in a row from Styx!  Progressive rock and beyond.

Tim’s Vinyl Confessions Ep. 754: Best Albums of 2025

 

Part the Fourth:  Personal Stuff

Another years of highs and lows on the personal front.   My Aunt is in a care facility; she has a hard time remembering us.  We also lost our beloved elder.  Losing Grandma shortly after her 101st birthday was surreal.  She’d had so many health scares and recoveries, that I mourned her multiple times in the last five years before she finally passed.  I was so happy to see her make 101 years.  We saw her on her birthday, and that was the last time we saw her.  I gave her eulogy, and some people say it’s the best public speech I ever gave.  Highs and lows!

There were a ton of big changes and challenges at home in 2025.  Renovations, which I’ve been talking about for years, have finally commenced!  New windows and doors are installed, and more purging of belongings we didn’t need.  I established a home office for working remotely.  That is probably the biggest change at home in 2025.  I haven’t commuted anywhere in a month now.  This has drastically altered my mental health, as I navigate new routines.  Fingers are crossed!

2025 also represented a new personal peace.  Trying to be a better person year after year, I endeavored to put the past behind me and reach out to some old friends.  To my surprised delight, one of them reconnected with me, and we are friends again.  The one that I once publicly said would never talk to me again, has been back in my life for a year.  Another declined my olive branch, but I’ll take this win.   Working towards a more peaceful life is a good goal to have, and it doesn’t mean you can’t still listen to angry heavy rock!  Though I certainly can’t rock physically as hard as I used to.

One thing that I am slowly learning is that years tend to get harder as you age.  We lose people, and you can never predict that the the next year will be a year without funerals.  The last part of 2025 has been dominated by physical pain and anxiety.  Painfully, I am forced to realize that the body breaks down as we abuse it, year after year.  Physically, though I am taking care of myself by trying to eat better, and practice better mental health, my body is betraying me.  New pains become familiar pains.  Some go away for months and surprise you with a return later on, always at inconvenient times.  This year was the year I dropped my cell phones into a dumpster, and took a dive for the worse.  I am still paying for that mis-step.  There are good and bad days for pain.  Today is a particularly bad one.  Healing must continue in 2026.

Part the Last

In these uncertain times, we can only hope things don’t get worse next year.  Nobody can say what the new year will bring, but I do know we’ll have plenty of new music to digest.  New tours, as Journey, Iron Maiden, Guns N’ Roses, and even Rush and Triumph roll into 2026.

I don’t want to end the year on a bummer.  I can’t promise that 2026 will be the “best year ever!” or that I will reach newer and higher accomplishments.  I can only promise that I will continue to follow my creative muses.  I have many creative hats.  I’m a videographer, a podcaster, a writer, a drone pilot, and a cook.  You’ve been with me as I’ve shared my journey, on these subjects and more.  Journey on, I will.  More adventures.  More food.  More new discoveries.  More MUSIC!  Even years ago, when I “quit” writing about music, it still found its way into my work.  Every drone video has a kick-ass soundtrack, and every fictional story I’ve ever written has a soundtrack to it (whether you can hear it or not).  Music has been my life since 1977, when John Williams first opened my ears with the bombastic sound of brass, percussion and strings.  It’ll never go away.

I end this year with a message of hope.

I have learned that nothing is permanent.  The present sometimes feels like it, but nothing lasts forever and soon our new “normal” will be quite different from today.  If I can reconcile with the most unlikely of old friends, then there is always hope.  Hope for the future.  Happy 2026, and let’s continue to break new ground…together.

VIDEO: Happy Birthday Jex! and TVC goes to the Record Expo!

“SEE JEX LIKE YOU’VE NEVER SEEN HIM BEFORE: SPEECHLESS! EMOTIONAL! VULNERABLE! All while opening a mystery box from Tim Durling and Mike Ladano!”

Video premieres Saturday Oct 11, 3:45 PM EST.

And for the context, check out the Tim’s Vinyl Confessions Crew at the Riverview Record Expo!

Video premieres Saturday Oct 11, 3:00 PM EST.

Album of the year? REVIEW: Harem Scarem – Chasing Euphoria (2025 2 CD/DVD)

HAREM SCAREM – Chasing Euphoria (2025 Frontiers 2 CD/DVD)

In 2025 we have seen spectacular new releases from The Darkness and Ghost, but have Harem Scarem topped them all?  Chasing Euphoria could be the album of the year.

Harry Hess (vocals), Pete Lesperance (guitar/bass), Darren Smith (backing & lead vocals), and Creighton Doane (drums) have created a magnificent hard rock masterpiece in Chasing Euphoria, an album that sounds like a brother record to Mood Swings.  A record we’ve been waiting for, for a long time.  The logo and cover art match the Mood Swings era.

While it is a disappointment that Darren doesn’t play any drums on the album, you can’t really tell.  (Bassist Mike Vassos is pictured in the booklet but does not appear on the album, while drummer Creighton Doane plays drums on every song but isn’t depicted inside.)  Joining the band are ex-Honeymoon Suite keyboardist Ray Coburn, and Coney Hatch bassist Andy Curran (on “Better Than the Devil You Know”).  The ten new songs here are among the best written by this band.  The Japanese release includes four bonus acoustic renderings, plus a DVD with two music videos and an exclusive “Making Of” video.  The album was, as usual, self produced by Harry and Pete.

One of Harem Scarem’s trademark sounds is the blend of Harry Hess’ vocals, layered in with Darren and the band.  The opening title track is thick with that sound on the impactful chorus.  Like classic Harem, this one boasts dark but still uplifting melodies with powerful hard rock.  Importantly, Pete’s guitar tone is right in the pocket of what we loved about him back in 1993.  His solo here could have fit on Mood Swings without a blink.

The upbeat “Better Than the Devil You Know” is a brighter song, with softer verses and a regal chorus.  It brings warm feelings and nostalgia of happy days.  Pete’s solo on this song is lyrical and dexterous.  “Better the devil you know, than you angel you see,” advises Harry Hess.

Chunkier riffing characterizes the speedy “Slow Down”, but what I really like about it is the way Pete goes from rhythm guitar to tricky fills, seamlessly.  This rocker is an album highlight, on a record filled with nothing but.  The chorus is surprising when it hits, and catchy as the flu.  Pete’s solo is an album highlight.

Darren Smith makes his only lead vocal on “Gotta Keep Your Head Up”, a mid-tempo groove with impact.  Darren’s voice is a bit raspier than Harry’s, but they blend so well on the choruses.  This is one of those inspirational rock songs about not giving up or backing down.  The subtle backing keyboards really add texture.  Another winner.

The first ballad of the album is “World On Fire”, which would be the side one closer in a vinyl world.  This is a sentimental song very much like early Harem Scarem, possibly fitting best into the Voice of Reason era (1995).  In a near-perfect album, this song ranks near the bottom, which isn’t really a bad thing on an album like this.  The layers of backing vocals plus Pete’s solo adds some meat to the bones.

“In A Bad Way” returns the chunky Pete rhythm guitar to the forefront.  The roaring chorus of “I’m in need of your love in a bad way,” is the song highlight.  Pete’s solo is a little different, and a lot cool.

Softer is “Reliving History”, but it’s not a ballad.  Even when Harem Scarem write a song that is a little more laid back, they manage to inject it with power.  This is a Leppard-like song circa Adrenalize.

The heaviest song is “A Falling Knife”, a fast rocker with Harry giving it all vocally, sometimes breaking into a hoarse rasp, but without ever losing control.  This is probably the only song that has a late-90s Harem Scarem vibe.  It could fit on albums like Karma Cleansing or Big Bang Theory as well as this one.  The lush backing vocals are a Harem Scarem trademark and the backing organ thickens the soup.

“Understand It All” dials the heaviness back a tad, and compensates with great verses and an absolutely killer chorus, dense with those Harem Scarem vocals.  Pete’s guitars balance the rhythm parts with catchy fills in a tasty way, and his solo is killer as ever.

It’s all over before you know it.  “Wasted Years” is the highspeed closer, an album highlight and an absolute smoker.  It has the tension and the melodic power that classic Harem Scarem has always embodied.  One of the best tracks, in an album with nothing but “best tracks”.

It’s all over before you know it, but Harem Scarem always give the Japanese releases a little extra.  This release comes with four stripped back acoustic versions:  “Better Than the Devil You Know”, “Slow Burn”, “In A Bad Way” and “Reliving History”.  It has been said that if you want to know if you wrote a good song, play it acoustically and see.  All these songs pass the acoustic test, though the album versions will remain the mainstays.  These acoustic tracks are a nice coda.  They give you a little extra, without compromising quality by including filler songs.  It’s like a comedown after a wild ride, though Pete’s acoustic solos sure have spark.

The Japanese album also includes a brief DVD with videos for “Chasing Euphoria” and “Better The Devil You Know”.  In an interesting twist, Darren Smith mimes the drums in these videos, even though Creighton Doane played them.  Mike Vassos does appear on bass in these videos.  There is also a “Making Of” feature that you will probably watch once.  It’s nice to get these bonuses, but how often will you pop in this DVD?  Rarely, because you need a multi-region player to see it.

Harem Scarem have made a lot of great albums over the years, that have been forgotten and swept under the carpet.  This one deserves a better fate than that.

5/5 stars.  Best album by Harem Scarem in a long time.

Too Much Music? Grab A Stack of Mike’s CD Collection

How much music constitutes too much music?  This was a question I asked rhetorically during the recording of this 50 minute episode of Grab A Stack of Rock.  It is clear, whatever the number is, I have hit it and then some.

We had an interesting show and tell tonight, including the below:

  • Stir of Echoes, a 2008 band of Ray D’Auria’s (Mystique)
  • A Harem Scarem box set
  • A Max Webster box set
  • A defective Black Sabbath CD
  • An Iron Maiden bootleg with Blaze Bayley
  • Some gifts from Rob Daniels
  • White Snake
  • A Def Leppard bootleg
  • Some Rush and some jazz
  • Japanese import Deep Purple
  • Promo DLR
  • Deluxe Foo Fighters
  • Alice Cooper
  • Greta Van Fleet
  • A gift from Kevin Simister
  • A lot, lot, lot, of sealed Marillion
  • An avalanche!

This pre-recorded episode was an experiment and I think it went very well.  I was able to interact via the comments on YouTube and we had a lively discussion on the side.

While I will always prefer going live, these shorter solo shows will offer an alternative way of making it through the cold snowy winter together.  Thanks for watching and dropping the comments.  This was fun!

Next week will be a re-run, but Mike and the Mad Metal Man will be back on January 26 with John Snow and Tim Durling to show off music DVDs.  Then, on February 2, Marco D’Auria will be back to talk about the new 95 minute version of the Mystique movie that has been getting glowing accolades at festivals.  These will both be live shows and I hope you can join us!

Too Much Music? Grab A Stack of Mike’s CD Collection Tonight!

GRAB A STACK OF ROCK With Mike and the Mad Metal Man

Episode 47:  Too Much Music?

A must-watch for fans of Harem Scarem, Marillion, Deep Purple/Whitesnake, and the CD format!

Trying something different tonight.  Regular viewers know the original concept of the show (courtesy of Uncle Meat) was to just “grab a stack of rock” and talk about it.  Strangely enough, we never really just grabbed a random stack of discs from my collection to go through them.   So that’s what I did this time!  Instead of going live, I recorded this episode ahead of time.  It took 45 minutes to go through a stack and a half of neglected CDs from my collection.  It’s my first solo show in a couple years.

What may shock and appall you is how many discs from these stacks are unplayed and unopened.  Too much music?  I believe this episode makes a case for that.

I also unboxed a surprise care package from Marco D’Auria (The Contrarians) and what a cool surprise it was.

Tune in tonight at 7:00 PM at the regular places!

Friday January 12 at 7:00 P.M. E.S.T. / 8:00 P.M. Atlantic.   Enjoy on YouTube or on Facebook!

#1091: Believe it or not, when I say I won’t “share” files, I mean it!

RECORD STORE TALES #1091: Believe it or not, when I say I won’t “share” files, I mean it!

I get that not everybody collects music the way we do.  I get that, to some people, music isn’t really something physical that deserves their hard earned dollars.  I truly do understand.  I have lots of friends like that.

What I don’t understand is why any of these people would approach a perfect stranger like me, and ask me for free music out of my collection.

This is a problem I’ve had since I started posting my writings in 2012.  The first song that excited the internet about my collection was the download-only “Trooper” by Iron Maiden, recorded live in 2005 from the Eddie Rips Up the World tour, in Reykjavik, Iceland.  I made the mistake of sending the file to the first person who asked, thinking I would earn myself a loyal reader.  Instead all I earned were dozens of messages from similar people wanting free music.  Eventually I took the review down and reposted it, so they’d all have dead links.

Pro tip:  None of these people turned into loyal readers.

Most recently, in February, one asshole named Gaby asked for my Deadline mini-album from 1992.  There were copies available on Discogs, but he wasn’t interested in anything that wasn’t free.  He informed me he was one of the “best music collectors in the world”, but apparently he only collected files?  When I refused (and informed him that he had two bands with the same name confused), he proceeded to “thumb-down” bomb my YouTube channel, and told me I am “not good to live“.  Thanks, cheapskate.  Blocked!

The most recent offender, from Brazil, contacted me on Instagram, after finding my Instagram account on my “About” page.  This is what it says on my “About” page, two lines below the Instagram link:

NOTES: Nothing seen on this website is for sale, trade or barter.  I will not share files as I value the good relations I have with the artists.  Check Discogs for other copies.

He had to see that to get to the Instagram link.  He then sent the following message (name edited out):

“Friend”…just like Gaby addressed me.  I’m starting to think that word means nothing anymore.  Always cool to discover music that you like on YouTube, but….

I informed him that my copy of Harem Scarem’s self titled debut was not for sale (it’s autographed!) but there were lots on Discogs.  Not good enough!

FLAC or WAV file?  Would you like my butler to hand deliver it to your inbox while we’re at it?  I notice a lot of these music freebie guys are looking for lossless files, but are not willing to shell out $7 for a CD.  He’ll burn his own CD, but won’t pay for an actual copy?  He can’t like the music that much, I guess.  Additionally, the album is available on iTunes.

He never responded to my message, where I advised him that there were cheap copies on Discogs.  Shipping to Brazil can’t be much worse than shipping in Canada, and you don’t see me asking people for freebies.  I even suggested that, if he likes the music, he could choose to support the band by buying the music directly from them.

I will state it again, for the record, though I should not have to:  Do not ask me for free music.  You will not get it, and you will have to put up with me lecturing you about it!

The sad thing is that this guy will ask for the tracks again and again until someone gives them away.  Not me, at least.

REVIEW: Hess – Just Another Day (2003 Japanese import)

HESS – Just Another Day (2003 Marquee Japanese import)

Harry Hess of Harem Scarem focused on the softer side of his core sound on this excellent solo album, featuring his bandmates Pete Lesperance and Creighton Doane.  Just Another Day is a bit softer than Harem Scarem, but is not just a collection of ballads.  It’s a slice of the same pie, with more of an acoustic lean.

Just Another Day features nine new songs (ten in Japan) and one Harem Scarem cover.  And that’s for good reason!  Originally, “Sentimental Blvd.” was ably sung by drummer Darren Smith.  If you’ve ever wanted to know what this classic would have sounded like with Hess singing lead, now you can.  It’s very similar indeed, with Harry throwing a little extra rasp on top.  This remake might be better, if you happen to prefer the sound of Harry.  Smith even sings backing vocals on this track, and with four Harem members appearing on it, it very well could be called Harem Scarem.

As for the original tunes, Harry opens with a poppy upbeat number called “Look Right Through Me”, featuring a nice tasty guitar lick as the introductory hook.  Sounds like a slide.  On backing vocals?  Eric Martin of Mr. Big!  The chorus hits all the bases – off to a great start!  “Wasted Away” is a nice sounding acoustic ballad with a stepped-up chorus.  Lush backing vocals here too.  Joining Harry on electric guitar is Mike Turner formerly of Our Lady Peace!

“Everybody” is pure pop joy.  There’s a Beatles-y vibe to the acoustic bop.  But then the passionate title ballad “Just Another Day” might take things a step too far by employing trendy drum programming in the verses.  The song is fine but the programming is dated.  Redemption comes on “Two Ways”, another acoustic tune with a serious case of melody!  Harry sings his ass off.

The electric guitars come out for “Undone”, another fine pop rock tune with a Beatle-bent.  Big Harem-style chorus though.  By contrast, “My Way” has a pop-punk vibe circa the start of the millennium.  In a good way.  There were a lot of good pop-punk songs and Harem were not afraid of that sound.  Simply put, Harry doesn’t get enough credit for his songwriting chops.  He’s well versed in melody, guitar hooks, and even progressive facets.  “Miles Away” is a fantastic ballad, touching all those bases.  The verses and chorus are top notch.

The Japanese bonus track “Up Hill Climb” is one of the most mellow of the songs.  Once again the vocals (lead and backing) are outstanding.

Harem Scarem fans already like ballads and don’t mind a little bit of pop in their rock.  They’ll dig this solo album too.  It is a pleasant, but not bland, record of largely songs that might have been too soft for Harem.  Definitely worth a listen if you can find one at a decent price.

3.5/5 stars

REVIEW: Harem Scarem – Rubber (Domestic and Japanese versions)

HAREM SCAREM – Rubber (1999 Warner Japan)
RUBBER – Rubber (2000 Warner Canada)

Time hasn’t been too unkind to Rubber, the experimental Harem Scarem album where they actually changed the band’s name to match.  Except in Japan where Harem Scarem were huge, a strange album by a band called Rubber emerged in the summer of 2000.  A generic, low budget rubber duckie adorned its cover.  No picture of the band on the back, but the mixing credits of Harry Hess and Pete Lesperance revealed the connection.  In Japan, the album was released in 1999 as a full-on Harem Scarem album, with all four band members depicted on the back, including Barry Donaghy and Darren Smith.  (Notably, Smith is not pictured nor listed as a band member on the domestic CD, as by the time it was released, he had left the band.)

What’s the fuss, then?  Harem Scarem had released a series of excellent albums with rarely a dud, but little impact in Canada or the United States.  Their albums had been skewing progressively more pop as the 1990s wore on.  By Rubber, it could almost have been considered a complete re-invention to a pop rock sound, heavily influenced by the simplicity of 90s pop-punk bands.  So the band was relaunched in hopes that some people thought they were a new hot group on the scene with a sizzling debut.

The Japanese and domestic CDs had different running orders, but since it was released in Japan first that’s the track list we’ll be following, including exclusive bonus song “Enemy”.  To its merit, the domestic CD includes an exclusive remix of “Sunshine” by noted producer Arnold Lanni.

“It’s Gotta Be” opens the album with a very 90s-sounding simple descending guitar riff.  It stands upon a catchy chorus, which Harry Hess delivers with the usual melodic expertise.  There are stronger tunes on the album, but “It’s Gotta Be” sounds very much like what was on the radio and video at the time.  Bands like Marvelous 3.

The oddly titled “Who-Buddy” is more like it!  Fast-paced (again, think pop-punk), with twang and candy-coated melody.  The build-up to the chorus can’t be resisted.  So very different from Harem Scarem of old, but the same four guys do it well.  Hess and Lesperance have always had a foot in pop, as demonstrated on the very mainstream Harem Scarem debut.  Pop changed quite a bit from 1990 to 2000, and “Who-Buddy” is a reflection of that evolution.

“Coming Down” is a different kind of pop, more lush with Spanish-influenced guitar twang.  Slower paced, but just as focused on melody, “Coming Down” is a lovely song that reminds of the melancholy music of the time.  “Didn’t know the grass is always greener, and then those blades cut my own hands.”

Thing really go pop-punk on the outstanding single “Stuck With You”.  As Hess sings, “There couldn’t be anymore anarchy if we tried,” you believe he’s 22 years old.  Smith’s busy drumming is on the mark, and the chorus just soaks into you until it’s just…stuck with you!  On the cover for the CD single, the three remaining guys are depicted with contemporary short spiky hair.  If not for the lack of neck tattoos they could have been Blink 192.  There’s even a reference to the current events of the time.  “The killer bees, casualties, everybody’s paying a price.”  Remember the killer bee scare of the late 90s?  The bees never came.

Unfortunately the hit never came either.  Though a brilliant song, it was impaired by a truly terrible music video about a kid who eats a variety of objects including a rubber duckie (seemingly containing the band), a doll and his little sister.  Somebody should have deep-sixed that idea.

“Sunshine” opens with typically late-90s skippy sound effects and adornments.  The Japanese version is 4:56 in length; Arnold Lanni trimmed his mix down to 3:54.  A slow pop song with distorted watery vocals on the Japanese mix, it’s a unique sounding track that fit into the alterna-flavours of the era.  Motley Crue made a whole album mixed like this, except it was shit and called Generation Swine.  The Lanni mix on the domestic CD retains the sound effects but ditches the vocal distortion, in favour of a clean mix that is easier on the ears, including additional backing harmonies.  Both versions have their merits, with the Japanese as a more spacey, experimental track and the Lanni version more aimed at radio.

Next up is the rockabilly “Face It”, continuing the twang of previous songs.  Unfortunate album filler compared to the others.  Smith’s drumming up a storm though!  “Trip” is more fun with a bendy 90s riff, and lead vocals by Pete Lesperance.   The chorus is suitably snotty.  Another odd title, “Pool Party” conceals an interesting if not quite memorable enough song.  The music is a little off-kilter, hinting at the band’s truly excellent schooled musicianship that was largely simplified for this album.

Back to the upbeat, “Headache” is pure bangin’ fun, with influences from rock to punk to ska.  Then an understated ballad called “Everybody Else” sits in the penultimate slot, building tension with a stealthy backdrop of strings.  Similar to past dark Harem Scarem ballads though wildly different in production.  Then we close on the Japanese exclusive “Enemy”, an upbeat track with a big chorus.

Harem Scarem continued with the dual identity for a few more albums before reverting back to their original sound and name.  As Rubber, they next released Ultra Feel, Weight of the World and Live at the Gods.  Weight of the World was a return to their classic, slightly progressive hard rock sound and so the name change back to Harem Scarem was sure to follow.  By 2003 the Rubber experiment was fully exhausted and the album Higher was the first to have no connection to that name.  From the Rubber era, only Weight of the World was included in the expansive Harem Scarem box set.

Rubber the album isn’t bad though.  It’s better than the followup Ultra Feel, and though dated, still contains a number of good songs that are fully enjoyable today.  The best track is clearly “Stuck With You”, despite the atrocious music video.

3.5/5 stars

Best of 2020 Part 5: Nigel Tufnel Top Ten Albums and More of 2020

2020 may have sucked, but the music didn’t.  This year I bought and reviewed more new releases than ever before, which I narrowed down to the Nigel Tufnel Top Ten studio albums of 2020 listed below.

I would like to dedicate this list to my good pal Uncle Meat who originated the concept of a “Nigen Tufnel Top Ten” earlier this year.  It has become our thing.

BEST ALBUMS OF 2020

11. Now or Never – III

10. Mr. Bungle – The Raging Wrath of the Easter Bunny Demo

9. Sven Gali – 3 (EP)

8. Kim Mitchel – The Big Fantasize

7. Corey Taylor – CMFT

6. Stryper – Even the Devil Believes

5. Harem Scarem – Change the World

4. Dennis DeYoung – 26 East Vol 1

3. AC/DC – Power Up

2. Deep Purple – Whoosh!

1. Storm Force – Age of Fear

 

Storm Force’s debut album goes straight to #1 on their very first appearance!  No surprise here.  I’ve been raving about this disc since February and I owe it to Superdekes for putting these guys on my radar in the first place.  This is a well-deserved #1.  Age of Fear is an uplifting album with depth.  It’s a thoughtful, heart-pounding blast of classic hard rock.

Deep Purple’s Whoosh! and AC/DC’s PWRUP prove two things:  old dogs that both learn and don’t learn new tricks can all be champions.  (I call this theory “Schrödinger’s Dog”.) Deep Purple’s growth continues while AC/DC managed to tap into the vein of success that always worked for them.  Both records deserve their spots in the Top 3.

It was a thrill for me to learn that Dennis DeYoung both read and enjoyed my review of his newest album 26 East Vol 1.  It’s a terrific, Styx-like conceptual work that will please the old fans.  As will the new albums by Harem Scarem and Stryper, who didn’t stray far from their successful classic hard rock formulas.  Kim Mitchell and Sven Gali on the other hand dared to be different.  Kim went laid back and acoustic, while Sven Gali went with their heaviest uninhibited inclinations.  As for Mr. Bungle, it has been 21 years since their last album California.  All four Bungle studio albums are completely different from one another — four different genres.  For The Raging Wrath of the Easter Bunny, they teamed up with Scott Ian and Dave Lombardo to re-record their first thrash metal demo tape.  And it could be their best album since the self-titled debut in 1991.  Not bad for a bunch of songs they wrote in highschool.

Corey “Mother Fuckin'” Taylor makes his debut on any list of mine with his solo album CMFT.  It’s a surprising collection of commercial hard rockin’ tunes.  Also appearing for the first time is Now Or Never (NoN) with their third album called III, featuring singer Steph Honde.  It’s an excellent, dramatic metal album with light and shade.

BONUS LISTS

Most disappointing:  Ozzy Osbourne – Ordinary Man

Song of the year:  “LeBrain Train“ by T-Bone Erickson

Single of the Year:  Mammoth WVH – “Distance”

Ultimately whether or not you liked the new Ozzy, its success or failure falls at the feet of producer/guitarist Andrew Watt.  He is already working on the next Ozzy album, so….

Huge thanks to T-Bone Erickson for the “LeBrain Train” theme song, which amazingly and unexpectedly became the song of the year in 2020!  Weird how that happened.  No bias here I assure you.

Finally, Wolfgang Van Halen finally released his first solo music under the name Mammoth WVH.  The non-album single “Distance” is dedicated to his late father Eddie.  Though musically it’s a modern power ballad, the lyrics and especially the music video evoke serious emotion.  Well done Wolfgang.  Can’t wait to check out his album in 2021.

TOP FIVE LIVE OR COMPILATION ALBUMS IN 2020

5. Metallica – S&M2

4. Thin Lizzy – Rock Legends

3. Sloan – B Sides Win Vol. 1 1992-1997

2. Def Leppard – The Early Years 78-81

1. Iron Maiden – Nights of the Dead – Legacy of the Beast

There were a lot of cool rock releases in 2020, so we need more lists!  Of course the brilliant new live Maiden deserved some loving attention.  Meanwhile, Sloan, Def Leppard and Thin Lizzy have continued to put out quality collections of rarities & unreleased material, well worth the time and money you’ll spend on them.  The Sloan collection is a vinyl exclusive and the first in a series of LPs re-releasing some of their B-sides and non-album and bonus tracks.  Finally, Metallica delivered the goods even without Michael Kamen on S&M2, a very different live set than the first S&M.  That’s the way to do it!

BEST LOCKDOWN SINGLE

5. Queen + Adam Lambert – “You Are the Champions”

4. Scorpions – “Sign of Hope”

3. Marillion – “Made Again 2020”

2. Marillion – “Easter 2020”

1. Alice Cooper – “Don’t Give Up”

 

A LOOK AHEAD AT 2021

It’s naive to assume that major touring and concerts will return in 2021.  This appears highly optimistic at present, with Covid still ravaging the landscape and vaccinations only just beginning.  Instead of looking ahead at things like the resuming Kiss tour, or the Motley Crue reunion, we should continue to put our faith in new music.

Accept have a new album due January 15 intriguingly titled Too Mean to Die.  It is their first without bassist Peter Baltes.  Steven Wilson has a new record out at the end of that month.  In February we get new Foo Fighters, The Pretty Reckless, Willie Nelson and Alice Cooper.  Greta Van Fleet, Weezer, Rob Zombie, Ringo Starr, and Thunder will be back soon too.  Many other bands are writing and recording without an announced due date.  Ghost, Marillion, Scorpions, Megadeth and even Ratt are hard at work to make next year suck a little less.  Support the bands by buying the music.

 

 

 

 

 

REVIEW: Harem Scarem – Change the World (2020 Japanese import)

HAREM SCAREM – Change the World (2020 Frontiers Japanese import)

One of the greatest melodic rock bands in the world is Canadian and 30 years since their inception, they still got what it takes.  Pete Lesperance, Harry Hess, Creighton Doane and Darren Smith can be counted on to deliver some great professional singalong tuneage every time.  Not every album has been brilliant (some people don’t like the Rubber era, I’m not big on Voice of Reason) but with their latest Change the World, Harem Scarem is back on top.

The upbeat title track opens the celebration with chiming guitar notes wrung from the neck.  “You and I are gonna change the world,” sings Harry with an uplifting melody.  Pete’s got his back with hooky guitar fills.  A track like this could have easily come from peak period HS, like 93’s Mood Swings.  “Aftershock” has a little more bite, but the same kind of killer chorus.  For those unfamiliar, expect thick, heavily layered choruses with all four guys singing multitracked backing vocals.  It’s like Def Leppard with more balls.  Yet it’s also their own song because Harry Hess’ voice has not changed one iota.  It’s just as powerful as it was on 1985’s Blind Vengeance debut, only better!  “Searching For Meaning” hearkens back to the pop sensibilities of Rubber, but richer in tone and with a heavier slam.

Things go darker on “The Death of Me” without losing the edge.  It’s not about defeat, it’s about keeping up the fight.  “I know you won’t be the death of me!”  An apt tune for 2020.  “Hit the panic override!” urges Harry.  Keep calm and carry on!

The piano comes out for the first ballad “Mother of Invention”.  The vocal arrangement here is quite nice though the song isn’t all that memorable.  The bass-driven “No Man’s Land” is more unique, and has one of those choruses that is so hard for forget.  Then head for space on “In the Unknown”, a softer burner of a track that launches into the stratosphere, fuelled by killer hooks.  This is Harem Scarem’s bread and butter.

If you think a song with a title like “Riot In My Head” should be faster and more intense, then you got your wish.  The riff sounds as if lifted from a classic 80s racing song.  Great track, as is the ballad “No Me Without You”, with its slight nods to the Beatles.  It’s back to the racetrack with “Fire & Gasoline”, an absolute smoker of a song.  There’s a classic Lesperance guitar solo to savour and a bangin’ beat to bash your head to.  The standard album then concludes on “Swallowed By the Machine”, another defiant fist pumping rocker.  Get psyched with lyrics such as “We all have dreams, we all have doubts, be careful which you feed, and don’t get swallowed by the machine.”  A rip-roaring guitar workout a-la Nuno Bettencourt takes it to another level.  Talk about ending the album on an up!

Of course, those who go the extra mile and purchase the Japanese CD get the extra track, an acoustic recording of “No Man’s Land”.  It’s an interesting alternative though not as impressive as the original.  Still a cool little coda, and still ending the album on an up note.

For a humble band from Canada that a lot of people aren’t even aware of, Harem Scarem have a remarkably huge discography.  There are more peaks than valleys, but Change the World is definitely evidence that this band has more to give.  One of the finer rock records of 2020.

4.5/5 stars