Ghost

#729.7: The Mighty Tom’s Top 16 of 2018

Before we get going on our final list (which is a good one I assure you), I’d like to say a few words about irony.

Every year before we went to a new on-site voting system, Tom would rant and rave about getting our Sausagefest lists in.  “PAY YOUR ROCK AND ROLL TAXES”, went the mantra.  He’d make posts and memes about it.  Hell, I’ve posted some of his memes!

 

So the irony is, Tom the Taxman was last with his 2018 list for me this year.  That’s all.  Tom, the guy always wanting the lists in early…was last with his list.  

In his defence he said, “Whoa…there was no timeline or due date…as far as I’m concerned I have until the 31st at 11:59.”  He then goes on to throw Uncle Meat under the bus!  “Meat stole most of mine, he didn’t even have a list two weeks ago…”  

That almost sounds like “the dog ate my homework!”  More irony?  Tom’s a teacher!

Onto the mighty list!


 

TOP 16 OF 2018

16. King Gizzard & the Lizard Wizard – Nonagon Infinity
Late comer…just got it yesterday…might be higher on the list after a few more spins…Nothing like this…Devo on coke…and other shenanigans.

15. Tenacious D – Post-Apocalypto
Let down? Yes….But if I can hear J.B. belt out , “I’m the Daddy Ding Dong” I’m in!

14. Mos Generator – Shadowlands
Doomy, stonery, riffy, heavy…revolutionary? Nah…just rawk!

13. Fu Manchu – Clone of the Universe
A return to form…Wished I liked the Alex Lifeson track more, but it’s a meandering mess…

12. Yes – Fly From Here (Return Flight)
Originally recorded in 2011, this version has Trevor Horn on lead vocals and a couple more bells and whistles. With Horn at the helm it features the lineup that produced 1980’s grossly under-rated Drama album. Any fan of that masterpiece will find much to like here. (But probably not Steve Howe’s vocal debut “Don’t Take No For An Answer” which would work much better as a B-side, or better yet a No-side.)

11. Brant Bjork – Mankind Woman
Is there a cooler dude alive? Probably not. He was a driving force in both Fu Manchu and the mighty Kyuss for fuck sake…This slice of classic heavy rock is direct yet it does have flavours of blues, jazz and even bit of funk that spices it up. Solid rawk!

10. Ghost – Prequelle
Love the sax…hate their homage to Asia, “Dance Macabre”…Overall, Satanic ear honey…which they’ve done better before.

9. Magpie Salute – High Water I
Is it the Black Crowes? Not really…But it comes from the same rock’n’roll, Americana and southern blues spring…And it has Marc fucking Ford on it…looking forward to High Water II this year.

8. Adam’s House Cat – Town Burned Down
One of the odder releases this year…since it was recorded over 20 years ago. The little rock ‘n’ roll acorn that would grow into the mighty oak that is the Drive-By Truckers. Not just a curio however, but great, gritty American rock (with smatterings of early R.E.M.).

7. Necromancers – Blood & Wine
Sophomore slump? Only if you compare it to their phenomenal debut (my #1 last year). A heavy dose of guitar riffage from Satan’s apothecary.

6. John Prine – Tree of Forgiveness
My favourite songwriter. Darkly comic with a heart of pure gold. Writes about the essence of a situation, and sings them in a way that you know it’s the truth. I love this man.

5. The Sword – Used Future
Played the shit outta this…Love how they’re stretching out with their sound and finding ways out of the metal box…but still retaining the noodly rock greatness that keeps them heavy.

4. Voivod – The Wake
I just knew this sucker was going to be good…their last few have been great (Target Earth a gem)…but I didn’t think it was going to be this good. Thrash, punk, prog, jazz…King Crimson at there most pissed off and ragged…You know you’re listening to a Voivod album and that these francophone fucks are still giving a shit! I love the variance of the tempos and textures of the songs that allow the riffs to burrow deep.

3. Clutch – Book Of Bad Decisions
God damn! These guys cannot make a shitty album. Heavy groove merchants with wickedly fun and fucked-up lyrics that always put a smile on my face as I belt them out. This album would make this list for the strutting horn-driven “In Walks Barbarella” alone… Making heavy metal fun and in-the-pocket funky…

2. Orange Goblin – The Wolf Bites Back
These guys should be huge. Their diverse influences are expanding their heavy metal pallet, and it is all so fucking cool. Orange Fucking Goblin baby!

1. Crazy Bull – The Past Is Today
Thanks to Classic Rock’s July free CD I was turned on to this album of southern fried heavy riff rock at it’s groovy gritty best. Skynyrd, Hatchet and more than a few nods to Brits Wishbone Ash. Sumptuous riffs, and leads and solos that put a smile on your face….

 

 

 

 


Thanks to Tom for his awesome list.  I’m placing an Amazon order for Tenacious D and Voivod right now!

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#729.6: Dr. Dave’s Late 2018 List

A couple lists arrived late this year, so let’s keep rolling with ’em!  (The lateness of the lists will be addressed next post.)

I witnessed Dr. Dave Haslam play in four bands this year:  1. Mickey Straight 2. Nancy Vicious & the Nasty Bitches 3. The Helen Keller Band 4. Max the Axe.  He has the rock and roll skills and credentials, so pay attention.  Here’s the good Dr. Dave!


 

DR. DAVE’S TOP “TEN” FOR 2018

When I glance over my (extended) list for this year, I must admit to being a little underwhelmed. There are some pleasant surprises, but other than the last few entries of my list nothing much really kicked the pants off me. Mind you, I might have slept on an album or two that I may hold in high regard a year or two from now because that’s how I roll. If last year was the year of progressive doom for me, this year is more all over the place. There are some usual suspects and a few true outliers.

First, a few “close but no cigar” awards go to:

  • Sleep The Sciences
  • Fu Manchu Clone of the Universe
  • Sargeist Unbound
  • Yob Our Raw Heart 
  • Orange Goblin The Wolf Bites Back

tl;dd (“too late; didn’t digest”):

  • Ihsahn Amr  
  • Uncle Acid and the DeadbeatsWasteland
  • Rivers of Nihil Where Owls Know My Name (shit, this one is insane – proggy death metal that all of a sudden drops into slow jazz bass lines and then a sax solo – WTF?  I will be listening to this a lot over the next year…4 and a half minutes into this album – what the utter fuck? WOW.)
  • FailureIn the Future Your Body Will Be the Furthest Thing From Your Mind (LOVE this band – didn’t hear this much, and it’s not as immediately engaging as their last one, but anything new by them is a real treat).

Starting at the bottom…

12.    Judas Priest Firepower

I’ve pretty much avoided Judas Priest in recent years. Of course I respect the hell out of them as one of a handful of bands that invented heavy metal, but I have a bone to pick with them. A band like Black Sabbath has given birth not only to metal itself but to various sub-genres like stoner metal and doom (even thrash, see “Symptom of the Universe”), and anyone familiar with my recent lists knows that I loves me the doom, particularly when it gets pushed in more progressive directions, like Pallbearer and Elder. And I’ve certainly indulged in the stoner over the years. BUT – other than Manowar (a band I have never cared for), Judas Priest is perhaps most responsible for spawning “power metal.”  And therein lies the problem. Power metal is easily my least favorite type of metal (well, besides tungsten, because fuck tungsten). And so, in my own petty, meagre, utterly irrelevant way, I have been punishing them for that. The thing is, Firepower is a really good album. That new kid has learned his lessons well! Respect.

 

11.   DrudkhThey Often See Dreams About the Spring

So this gets a little fucky because, in terms of their discography, this album sits solidly in the bottom half in terms of quality. But it was a nice surprise (they are Ukrainian, and I had no idea that it was even being made, let alone released). They’ve still got the kind of skewed, deliciously dissonant riffage that made me fall for them in the first place, but the last couple of albums have presented a diminishing returns problem.

 

10.   WinterfyllethThe Hallowing of Heirdom

The best thing that ever happened to English black metal (as far as I’m concerned) decided to throw a curveball and release a totally acoustic album full of plaintive, melancholic, beautiful songs based on old English poems and folktales. This is some prime Hobbit-diddling music (if you’re into that sort of thing – I prefer dwarf-tossing and elf-peeping, like my good friend Peeping Tom Bombadil). Definitely Game of Thrones soundtrack-worthy, and it’s great to have on in the background when doing chores, or you want to grade student papers without approaching that particular task like Ramsay Bolton.

 

9.    ClutchThe Book of Bad Decisions

As Tom Morwood once said, “Clutch just don’t make bad albums.”  Agreed!  This album is a bit of a let down still, because I simply haven’t loved it as much as the previous two. But fuck it, it’s Clutch. “In Walks Barbarella” is one of the songs of the year.

 

8.    The Ocean Phanerozoic I: Paleozoic

These German science nerds write concept albums about ENTIRE EPOCHS OF EARTH’S FUCKING GEOLOGICAL AND BIOLOGICAL HISTORY.  I didn’t think they were going to top 2013’s Pelagial, and I don’t think they have.  This album has a song on it called “Age of Sea Scorpions” and all I can picture is Klaus Meine, leather glistening, striding out from the prehistoric sea towards some damp scorpion the size of a Winnebago, which awaits him, on the leafy beach, to do battle.

 

7.    GhostPrequelle

Let the roasting begin!  Ha. I really only love half of this album (“Rats,” “Faith,” “Witch Image,” the instrumentals). It’s a shame that the band is such a dictatorship, but they wouldn’t be Ghost without it. Tobias Forge’s more saccharine tendencies are let loose on this album, and unless you are in the right mood they can really make America grate again. But it’s intrinsically cheesy, and they (he) were always looking to be bigger, and more, than just a metal band. But if it really is him writing the riffs to “Rats,” then I say hats off to him (not that it’s rocket surgery, but still). There IS too much fluff on this album, and I can’t really object when people say the first album is their best. Now, if “Square Hammer” had been on this album instead of “See The Light,” then this would be a different conversation. Come to think of it, why wasn’t it?

 

6.    Immortal Northern Chaos Gods

An Immortal album without Abbath? How is that going to work?

Quite well, actually.

I loved Abbath’s first solo album (it was my #1 last year), and if this doesn’t quite have the highs of that album, it is, if anything, more consistent. One thing Abbath can do better than Immortal-without-Abbath is groove in mid-tempo, though this album does try to do that in songs like “Gates to Blasyrkh.”  But they basically end up repeating bits from Sons of Northern Darkness. But NCG doesn’t care much about the mid-tempo, and the drummer is the same axe-wielding cave-dweller, and this has blast-beats all over the place. When you are riding in to do battle against the trolls on the back of a huge wolf, this is what you want or your iPod.

 

5.    PanopticonThe Scars of Man on the Once Nameless Wilderness

Not the first time Austin Lunn has featured on my list, and probably not the last. If you’re going to combine black metal with bluegrass/Americana, and do it incredibly well, then at some point you’re going to have a surfeit of material, and start thinking about releasing a double album. But you’ll split the black metal side and the hillbilly pickin’ into separate albums and release them as one package. It’s like if the Odd Couple had to make an album, but instead of collaborating on songs they made their own distinct albums. But they really were in love the whole time, and despite the glaring disconnections they belong together. Just, you know, in separate rooms. But the black metal part is not to be denied because all of the traditionally obnoxious stuff (well, not all of it…) is minimized, and it has a very organic feel, particularly in the drum department. And the countryish stuff on the second album is completely convincing.

 

4.    Lubomyr MelnykFallen Trees

And now for something completely different. Lubomyr Melnyk was born in Ukraine and came to Canada as a wee lad and has earned himself the title of fastest pianist in the world. But if you think that sounds like Yngwie Malmsteen shred-wankery on a piano you’d be missing the mark by a wide margin. The compositions are quite beautiful, and from what I can tell the density of the notes come from each hand playing intersecting arpeggios with the sustain pedal on all the time, resulting in what Melnyk calls “continuous music.” The result is a complex cascade of notes that is more mesmerizing than indecipherable. I can almost feel brain cells re-growing as I listen to this stuff. It’s hard to find actual recordings of him, which is a shame since he has spent time homeless (in Winnipeg, no less), and deserves far more attention as a Canadian musical treasure.

 

3.   High on Fire – Electric Messiah

Matt Fucking Pike. This shirtless metal titan has made many a year-end list either for Sleep or High on Fire. I’m sure the 28-year-old me would have jizzed all over The Sciences, but for several years I’ve preferred to board the High on Fire train, and like Clutch they never disappoint. They really took it up a notch with Snakes for the Divine in 2010, and there are moments on this album that recall the mammoth and indescribably awesome title track of that fantastic album. That can only be a good thing, but I also get the sense that Pike is steadily progressing as a guitar player and songwriter. It’s as vicious as ever, but there’s more science to the heaviosity now.

 

2.   VoivodThe Wake

Snake and Away are doing their thing just fine, but it’s the new guys who own this album. Rocky’s bass guitar tone is mid-rangy but still has balls, and his ear for what the riff requires is impeccable. And Chewy? How do you innovate without alienating the ancient ones? How do you pay homage to tradition without sounding derivative? Chewy has all the answers. Best thing they’ve done since The Outer Limits.

 

1.  SlugdgeEsoteric Malacology

Slugdge has been a small obsession of mine for the past year (along with Failure, and if you don’t know them then you need to get with the program). Hail Mollusca! How can “technical death metal” be so catchy?  Take a bunch of Akercocke, a good bit of Carcass, throw in some Mastodon and Gojira for spice, and you’ll have all kinds of slimy, invertebrate fun. Now that they’ve acquired a human drummer, I can’t wait to see where they go next. Perhaps on the road, and not just in England? Please?


 

Other random entertainment mentions:

 

The Expanse – it might be a tad pat to call it Game of Thrones in space, but it kind of is, and it’s a hell of a lot more interesting than the last couple of Star Wars movies. Just more evidence that long-form television can kick the shit out of Hollywood almost any day of the year, and the exceptions are increasingly fewer and farther between.

Failure – I remember 20 years ago when you couldn’t cruise the bargain bin of any music store without seeing a copy of Fantastic Planet, and now I’d pay top dollar for one of those things. They are back and mean business, picking up right where they left off. Spacey, arty, but still accessible, they were covered by A Perfect Circle way back when, and they are just as good a band. 2015’s The Heart is a Monster is itself a monster. This band needs more love.

Solo – Don’t know, haven’t watched. Do I want to? Frankly, I don’t know. If it’s too much like The Force Awakens or The Last Jedi then I might just pass. Why is it so hard to use some of that insane Disney money to hire someone that can write a script that is interesting, creative, and compelling, and doesn’t rip off the earlier movies over and over again? Why is it so hard to write dialogue that doesn’t have me rolling my fucking eyes every three minutes? Is that too much to ask? Fun fact: 75% (at least) of any screenplay is people talking to each other. If you can’t do that well, then your script sucks. Pretty simple math, actually. Either start over, or delegate the task to someone with talent.*


* Way to rant about a movie you’ve never seen Haslam!  At least he hates tungsten.

 

 

 

#729.4: LeBrain’s Unorthodox Top 10 of 2018

Given everything that happened in 2018 (cancer, more cancer, death), I wasn’t as tuned-in to rock and roll as I normally would be.  I missed a lot of new releases, some on purpose, others by accident.  Therefore, this year I’m doing something different from my Top Lists of 2018.  Before we get to the lists, let’s talk about the past 12 months.


2018: RELEASES IN A NUTSHELL

January saw new CDs by Joe Satriani and Corrosion of Conformity, finally reunited with Pepper Keenan on vocals.  There was new Loudness, and a release by Beth Hart & Joe BonamassaDef Leppard had a low-key EP exclusive to iTunes (The Lost Session).  In February we got the return of the mighty Saxon.  March was a big month, featuring Judas Priest, Stone Temple Pilots, Jack White and Myles Kennedy.  The rock kept rolling in April.  The big metal one here was Stryper‘s God Damn Evil, along with new Godsmack and Thirty Seconds to Mars.  During this time I was personally only able to get the Stryper and Priest.

As temperatures warmed in May, Bad Wolves came out with their novelty cover of “Zombie” by the Cranberries which became a predictable hit.  Frank Turner and Five Finger Death Punch also released new records in May.  News in June was unfortunately dominated by Kanye West and Drake, but don’t forget Ghost, The Darkness (with their first live) and Nine Inch Nails!  In July, Halestorm came out with the critically acclaimed ViciousAlice in Chains made their long awaited return in August with Rainier Fog, an album I bought but have not yet fully penetrated.

Autumn began with the biggest name in rock and roll, Sir Paul McCartney himself.  SlashPaul Simon, Lenny Kravitz and Suicidal Tendencies had records out on the same day.  VoiVod, Therapy?, Metric and even Rod Stewart returned in September as well.  October featured two big soundtracks:  Bohemian Rhapsody, and A Star Is BornAce Frehley, Greta Van Fleet, and The Struts came out with new music the same month.  In November we got Mark Knopfler, the Smashing Pumpkins, Ted Nugent and yet another live Beth Hart.  The month closed with the latest Def Leppard best-of.  December boasted Metal Church but not a lot of rock.  Thank the Metal Gods that Max the Axe swooped in with Status Electric to save the year.


I spent most of 2018 checked out mentally.  I missed most of the new releases and have a lot to catch up on.  The summer was spent on Highway 401, and a flash drive loaded with music helped me survive it.  New releases were not the be-all and end-all for me.  Therefore, my Top Albums of 2018 list includes some oldies that just helped me get through it all.  It seems right to do it this way, since I can’t really do a well-curated list of new releases without absorbing them properly.

TOP 10 ALBUMS THAT GOT ME THROUGH 2018

  1. Blotto – Combo Akimbo (1982)
  2. Max the Axe – Status Electric (2018)
  3. Ghost – Prequelle (2018)
  4. The Darkness – Live at Hammersmith  (2018)
  5. Judas Priest – Firepower (2018)
  6. Blotto – Tonight At Toad’s (1982)
  7. Ace Frehley – Spaceman (2018)
  8. Joe Satriani, Eric Johnson & Steve Vai – G3 Live in Concert (1997)
  9. The Sword – Used Future (2018)
  10. Jeff Wayne’s Musical Version of The War of the Worlds (1978)

 

HONORABLE MENTIONS

  1. Fu Manchu – Clone of the Universe (2018)
  2. Hello Hopeless – Dark Pasts, Brighter Futures (2018)
  3. Mike Slayen – Dude: A Guitar CD (2018)

TOP MOVIES OF 2018

Can’t do a movie list this year.  Not possible.  I didn’t see ’em all, but one movie blew away all the rest.

  1. Avengers: Infinity War

A PEEK AT 2019

What’s hot for 2019?

  1. Star Wars:  Episode IX
  2. Motley Crue‘s long awaited movie The Dirt, and new songs too.
  3. Dream Theater – Distance Over Time
  4. Avengers:  Endgame
  5. Queensryche – The Verdict

Stay tuned….

 

 

 

#729.3: Frank’s Mysterious Top 10 of 2018

Frank is the resident Sausagefest Man of Mystery.  We don’t really know anything about Frank.  We do know he likes to rock.  He also likes movies and TV series.  Here are his favourites from 2018.  Now you know as much about Frank as we do! ***


TOP 10 ALBUMS / SONGS OF 2018

  • Ghost:  Prequelle / “Faith”
  • Judas Priest: Firepower / “Flame Thrower” *
  • Evergrey: The Atlantic /A Silent Arc”
  • Lamb of God: Legion: XX / “Jesus Built My Hot Rod”
  • Jack White: Boarding House Reach / “Over and Over and Over”
  • Nine Inch Nails: “Ahead of Ourselves”
  • Greta Van Fleet:  “Age of Man”
  • Ayreon: The Best of Ayreon Live / “Star of Sirrah”
  • Godsmack: When Legends Rise / “Take It to the Edge”
  • Behemoth: I Loved You at Your Darkest / “Bartzabel”

 

* LeBrain’s note – I fucking LOVE that he put “Flame Thrower” on his list.  I didn’t care for it much when the album came out, but now it’s my favourite track too!


 

TOP 5 MOVIES

  • Aquaman
  • Deadpool 2
  • Bohemain Rhapsody
  • Solo
  • Spiderman: Into the Spiderverse

 

* LeBrain’s note:  Uncle Meat put Solo on his list too.  I’m “frankly” surprised.


TOP 5 NETFLIX SERIES

  • Altered Carbon
  • Disenchantment
  • Lost in Space
  • Castlevania
  • Bert Kreischer: Secret Time

 

*** The “Man of Mystery” thing is a nickname.  Frank likes to keep a low profile but yes, we do know Frank.  We know enough for blackmail, anyway!

Gallery: LeBrain Day Fun

Another spin ’round the sun, another basket full of goodies!

Thank you everyone for the birthday wishes.  Here are some of my favourites.  You might recognise some of these people!

 

 

 

 

 

Had a lovely dinner at Borealis with the family & Dr. Kathryn.  And so we get to the gifts!

First up!  A signed first edition copy of Dr. Ladano’s The Improvising Musician’s Mask:  Using Musical Instruments to Build Self-Confidence and Social Skills in Collective Free Improvisation.  That’s a mouthful and a generous gift.  These books aren’t cheap, even for her!  The funny thing is that when I grabbed the wrapped hardcover-shaped package, I said “I hope this is a copy of your book,” but I didn’t actually think it would be out so soon!

Dr. Kathryn also gifted me some music.  Ho!  It’s Derek Smalls’ debut solo album Smalls Change!  Appropriately considering the occasion, it is subtitled Meditations Upon Ageing.  I can’t wait to spin this one.  She also got me this nifty Worf (Star Trek) not-Lego head.  These look great in the office.  I have Spock as well.

The lovely Mrs. LeBrain was amazing to me as well.  She trekked up to Encore Records where she met my old pals Al “The” King and Chris Boyne.  They hooked her up with some live Ghost, on vinyl.  This is my first Ghost vinyl.  Ceremony and Devotion is a great album, and the vinyl has two “exclusive” songs…that are also on the CD!  Anybody know what’s up with that?

It doesn’t really matter.  Double live albums have a certain intangible quality that almost always makes them better on vinyl.  Scientists have been trying to figure out why that is since the advent of digital media.

Since my wife also dresses me, check out the cool shirts.  I think I’m going to wear that getup to work tomorrow.  Han Solo and BB-8 look awesome together.

Thanks again everyone for the happy birthday wishes.  I keep getting older, and you keep getting awesome-er!

 

 

REVIEW: Ghost – Prequelle (2018 deluxe edition)

GHOST – Prequelle (2018 Loma Vista deluxe edition)

Reviewing an album on one listen is rarely wise, but Ghost can do that to you.  Their fourth, Prequelle, pushes the Ghost sound further into the 80s, while retaining their heavy roots.  Many songs could have been plucked from the year 1986, with that kind of melodic sensibility.  Remember how bands like Accept, Loudness and Kiss sounded around 1986?  Lush backing vocals sound as if assembled with care by Robert John “Mutt” Lange.  Guitar solos are cut from the stone of Mount Kulick.  Ghost leader Tobias Forge has never hid his pop roots, and they are clearly coming further to the fore.

With a bold image and faux-Satanic lyrics, Ghost have established themselves in the upper echelons of metal today.  That will only be cemented further by Prequelle.  In a year that has seen brilliant returns from Judas Priest and Stryper, Ghost complete a trinity of great recent records.  With a deft touch, tracks such as “Rats”, “Faith” and “Miasma” deliver hook after hook after hook.  Ghost never really wimp out, although their melodic skills are sharper than ever.  These songs are written straight out of the textbook, combining heavy and pop influences together in a witch’s brew of addictive audio.  The limits are pushed, with an unexpected sax solo being an album highlight.  They go epic and progressive too, especially on closer “Life Eternal”.

Two instrumentals do not (at all) slow down the love affair.  Two covers at the end of the deluxe edition (Pet Shop Boys and Leonard Cohen) are an interesting coda.  You can make good arguments for only buying the basic 10 song album, because it has a clear beginning, middle and end.  If you’re the kind of person who likes staying for the end credit scenes, or enjoys having dessert, then you should check out the bonus tracks.  “It’s a Sin” has the detectable Pet Shop Boys disco beats and posh swagger.  Tobias Forge’s evil Leonard Cohen impression twists “Avalanche” into something darker and sinister.

However you go for it, make sure you get Prequelle this summer.  The deluxe has a neat 3D cover, if that strikes your fancy.

4.5/5 stars

Gallery: First New Arrivals at LeBrain HQ for the of Summer 2017

We have had a solid rain in Kitchener, Ontario. Not only are the banks of the Grand swollen to the limit, but there has also been a steady rainfall of new arrivals at LeBrain HQ! Summer has officially arrived, and what is summer without new rock?

First we have some gratuity for Mr. Geoff “1001” Stephen. Some surprise mail arrived from him this week: two 7″ singles and some Leafs memorabilia. As Mrs. LeBrain said, “Thank you Geoff Stephen for the wonderful surprise this morning. The calendar brought back so many memories of my favourite hockey year. Go Leafs Go!”

For myself, a Kiss “Christine Sixteen”/”Shock Me” single, which alas is too late to fit into my Love Gun re-review!  Those two songs make it virtually a double A-side.  The other single he sent has a similar standing:  Thin Lizzy’s “The Boys Are Back In Town”/”Jailbreak”.  Two singles, four amazing cuts of rock history.

On the same day, I received this from a Discogs seller in Japan:  a CD that has been on my wishlist a long time.  Despite the long wait, I managed to hold off from buying the domestic edition of Ghost’s debut Opus Eponymous all this time.  A sealed copy finally came up on Discogs within my buying threshold, so I jumped at it.  For my rewards, I got “Here Comes the Sun”, Ghost’s Beatles cover…and a very different one it is.

We will jump briefly to new arrivals in the toy department.  Thanks to J. at Resurrection Songs we recently covered the ins and outs of Third Party products.  Behold!  Badcube has released their take on Masterpiece Transformer Insecticons.  These are heavy, heavy toys with lots of diecast and G1 accurate insect modes, with robot modes an homage to the cartoon.  Check them out with their leader Megatron (third party Apollyon) and their original 1985 toys below.  These, by the way, are deluxe collector’s editions with clear plastic and chromed parts for added value.  I’d love to compare them to an official Hasbro Masterpiece Insecticon, but such a thing does not exist.  That’s why third party companies have a niche.  Labels by Toyhax.

Apollyon by X-Transbots with Evil Bug Corps by Badcube

Badcube Claymore and Transformers G1 Shrapnel

Badcube Hypno and Transformers G1 Bombshell

Badcube Kickbutt and Transformers G1 Kickback

Last new entry in the toy Department: I found some new Star Wars Black Series 6″ releases kicking around at the local Toys R Us on Sunday.  I should have grabbed more of the Imperial AT-ACT driver, that one being a Target/TRU exclusive, but sometimes you find those to still be warming the pegs a few weeks later.  The Imperial Death Squad commander will look great with my Stormtroopers, but I feel to ask $30 for one little tiny Jawa figure is a bit much.  They should have included two Jawas or a droid in there for that price.

 

The same day as the Toys R Us trip, I also dropped in at the newly re-opened Sunrise Records at Fairview Mall, which is really starting to come along with great customer service and an improving selection.  I couldn’t browse long, so I leaped immediately to the metal section and grabbed two CDs that I was missing by The Sword:  Low Country (2016) and the new live album Greetings From… (2017).   I am slowly getting caught up on that band — loving everything I have heard so far.

A wonderful week to be sure, but it’s time to stop buying music and toys for a short while, and get ready for Sausagefest 2017.  I finished recording my parts yesterday, and I have inside information that suggests that this Sausagefest countdown will be pretty awesome.

Stay tuned.

 

 

#533: Spirituality as a Heavy Metal Fan

STOPARRETThe below is a personal non-preachy discussion on living life as a Christian heavy metal fan.  I’m not interested in changing anyone’s personal convictions, just telling a story.  If this bothers you, press “back” now.

 

papa

GETTING MORE TALE #533: Spirituality as a Heavy Metal Fan

Any fan of heavy metal music who is also a believer in the Lord above has had to come to grips with this apparently hypocrisy.  How can one follow the word of God and yet listen to Ghost?

Believe In One God Do We,
Satan Almighty,
The Uncreator Of Heaven And Evil,
And The Unvisable And The Visable,
And In His Son,
Begotten Of Father,
By Whom All Things Shall Be Unmade,
Who For Man And His Damnation,
Incarnated,
Rise Up From Hell,
From Sitteth On The Left Hand Of His Father,
From Thense He Shall Come To Judge,
Out Of One Substance,
With Satan,
Whose Kingdom Shall Haveth No End.

I wrestled with this contradiction very early in life. As a young Catholic-raised kid discovering rock music, I wanted to make up my own mind. One of my earliest sources of music via the magic of Sunday afternoon taping sessions was my next door neighbor George.  In addition to the Kiss discography, George had most of the Maiden, Priest and Ozzy catalogue either on LP or cassette.  George wasn’t particularly religious, but one afternoon he did tell me, “I won’t listen to anything Satanic.”  I took that to mean that Maiden, Priest and Ozzy lyrics checked out A-OK.

Many people of faith have found that their religious convictions shake and waver over the years.  That period for me began in the 1990s, although I never considered myself an agnostic or an atheist.  I was in the early years of my University career; that period when you think you know it all.  I remember some fierce discussions around the dinner table with me loudly proclaiming that I was the only sitting authority on whatever subject had come up.  My parents remember them too, as the naive younger me spouted off about whatever I read on an overhead projector.  Meanwhile, I was frustrated that they didn’t seem to be giving my lecture serious enough consideration.  Some dinners ended up with me storming up to my room in anger with my food unfinished.

One of my earliest courses in University was my first year introduction to Anthropology.  The prof, whose name long escapes me now, was an animated character.  His long hair was always tied up in a ponytail on the back of his head.  He wore suits and ties to class, which most profs did not.  Many (especially in the psych department) preferred socks and sandals.  He told anecdotes and moved around a lot.  He always kept one hand on the podium.  The class noticed his storytelling sessions always proceeded with one hand firmly anchored, keeping him in a tight orbit at the front of the classroom.  He was a fantastic teacher and I briefly considered a career in Anthropology before I realized it involved a great deal of travel and going out of doors.

He was most certainly an atheist, which is unsurprising considering that the first semester of the class was about primate evolution.  He was fascinating, and though I never doubted the science of genetics and natural selection, he certainly proved to me that the simple 7-days 7-nights story of the Bible did not happen as simply as it was written.  That could only be allegory for a sequence of events that humanity did not have words for or basic knowledge of at the time.  Knowledge is cumulative.  We know now that we can follow the development of life through fossils, getting older and older as we dig deeper.  Things line up, make sense.  He explained to us why the concept of a “missing link” is a logical fallacy.

None of this bothered me.  Even though I wouldn’t consider myself a spiritual person at that age, I just assumed any God who is truly all knowing and all powerful could easily create the universe as it was, with the laws of nature, physics and all the matter inside it, via the Big Bang.  It would still turn out exactly as He envisioned it to, because that’s the definition of an all powerful God.  There didn’t seem to be any contradiction to me.  I tried to argue this as part of an intro Philosophy course paper that I wrote the same year.  I attempted to go to the quantum scale to explain things and blew it fabulously.  That paper was a C-, if I recall correctly.  The T.A. that marked it suggested that the quantum section should have been axed completely.  (He was absolutely right!)

At the same time, I was very deeply invested in a love of heavy music, having collected at least 400 tapes at that stage.  Stryper aside, none of them were Christian rock.  There were plenty of masters of the dark arts, however:  Alice Cooper, the Ozzman, the Sabs, Priest, Maiden and the lot.  As least, that’s the way many religious folks seemed to think it was over the years.  I couldn’t hear any Satanism in their lyrics.  Look at the words to Sabbath’s “After Forever”:

I think it was true it was people like you that crucified Christ,
I think it is sad the opinion you had was the only one voiced,
Will you be so sure when your day is near, say you don’t believe?
You had the chance but you turned it down, now you can’t retrieve.

Perhaps you’ll think before you say that God is dead and gone,
Open your eyes, just realize that He’s the one,
The only one who can save you now from all this sin and hate,
Or will you still jeer at all you hear? Yes! I think it’s too late.

Because the song also has a line that goes “Would you like to see the Pope on the end of a rope – do you think he’s a fool?,” some folks are likely to get their panties in a bunch. Context in any art form is important, often true with lyrics.  It’s hard to imagine Ozzy sitting there seriously worshipping Satan when he’d rather be drinking, don’t you think?

At the same time, I was collecting the albums of Savatage, and their lyrics sometimes had a clearly Christian bent.  Their Streets album features a character called “D.T. Jesus” and a full-on Holy character redemption.  This didn’t bother me either.  It stirred warm memories of Bible stories that I learned in school.  Most importantly at that time, I was learning that music lyrics are not always meant to be taken at face value.  Take Poison for example.  You might think that the “Unskinny Bop” might be an exercise regime.  They cleverly disguised their true intention with made-up words.  Ozzy isn’t singing about his belief in the undead in “Bark at the Moon”.  Maybe he’s inspired by some movie he saw as a kid.  Does it really even matter?  It’s just a song.  It’s just entertainment.

OZZYThere is one instance when paying attention to the words does really matter, such as when a vulnerable youth might think “Flying High Again” sounds really fun and cool because Ozzy said so.  But that is where the parents must step up.  It’s not Ozzy’s responsibility, nor the state’s, to monitor what your kids are doing.  Pay attention to what they are listening to and make sure you give them the straight talk on any issues that concern you.  That’s what my parents did (unbeknownst to me).  My mom read over the lyrics when I wasn’t home.  She never had made any musical demands of her son other than “turn it down” when it was too loud.

I felt a stronger return to my faith around the time I met my wife.  Our connection seemed beyond just two random people falling for each other.  It seemed like two puzzle pieces coming together.  Like I’d finally found the one who understands and puts up with my bizarre self, and vice versa.  It’s not about thinking “I was made for loving you, and you were made me loving me,” so much as feeling it.  One thing I learned from Philosophy class is that faith is not something you can prove or disprove.  The definition of an omniscient and omnipotent God means He or She could create the universe we live in without leaving any trace of His/Her existence, nor any purpose we can comprehend.  Maybe we’re all just chess pieces on a big chess board.  You don’t know and you can never prove it one way or another, because how do you know your “proof” isn’t just another move in the chess game?

Faith means you believe something or not.  I think science is pretty bang-on with how it describes how the universe behaves, and will continue to modify and reshape its theories based on what comes flying out of the next particle accelerators.  It’s an exciting time to be following science, as we unlock some of the most elusive particles predicted by theory.  At the same time, events in my life (far more than just meeting my wife) have made my heart lean further in the direction of faith than disbelief.  I think whoever it is that created the universe did so with the laws of nature that we study today.  I think that science is peering into the mind of God, as Einstein suggested.  I came to these conclusions on my own; only later did I realize many got there before me.

As for lyrics about Satan even though I’m on the other guy’s side?  I think it’s all about being a good person in the time you’re given on this Earth.  I don’t care what you call it; that doesn’t mean we can’t be friends.  As long as you try to go about your life without being an asshole, sure we can be friends.  For example I’d be foolish to exclude you from friendship just because we don’t share the same opinions on (delicious) olives.  I’d be equally foolish to exclude you just because you have different ideas about how we all got here.  I think, if anything, we’re all here to help each other.  We should do that anyway, even if it’s just holding a door open for your neighbor.  There are some things that some Christians consider hellfire-worthy sins that I could care less about.  It was always important for me to find a balance between my spiritual beliefs and what I know to be right or wrong.  I’ve encountered a few Christians who say that homosexuality in a sin.  A really bad one, too.  I don’t want anything to do with that statement.  I know in my mind and my heart that it doesn’t matter what gender you’re attracted to.  What matters is using your time on this Earth to be the best person you can be.

I like Ghost; I don’t have to sing along to their music if I’m not feeling the words.  That’s free will, and I don’t think I’ll go to hell for exercising it, even though some folks have warned me that’s where I’m headed.  I hope that when it comes to the important choices in life, I’ve made more of the good kind than bad.  At the end of it all, that seems to be more important.

Reverend X.  Much different than Catholic school.  Is that a phone book?

#459.4: 2015 Year-End Lists, part 4 – Dr. Dave!

One more list for 2015 arrived at the last minute!  Enjoy the rock as prescribed by Dr. Dave Haslam.

DAVE

GETTING MORE TALE #459.4:
2015 Year-End Lists, part 4 – Dr. Dave Haslam!

First of all – it had to happen sooner or later, but when it does it is still a shock. RIP Lemmy. A true lifer for the rock and roll.

10. Paradise Lost – The Plague Within
9. Drudkh – A Furrow Cut Short
8. Panopticon – Autumn Eternal
7. Mgla – Exercises in Futility
6. Iron Maiden – The Book of Souls
5. Uncle Acid and the Deadbeats – The Night Creeper
4. High on Fire – Luminiferous
3. Deafheaven – New Bermuda
2. Ghost – Meliora
1. Clutch – Psychic Warfare

Honourable Mentions:

  • Faith No More – Sol Invictus
  • Lamb of God – VII: Sturm und Drang
  • Failure – The Heart is a Monster
  • Baroness – Purple
  • Elder – Lore

Dishonourable Mention:

  • Slayer – Repentless (without Lombardo and Hanneman they are a shadow of their former selves.)

SLAYER

Thanks Dr. Dave for his list!  Happy new year!

#459.2: 2015 Year-End Lists, part 2 – Uncle Meat!

GETTING MORE TALE #459.2:
2015 Year-End Lists, part 2 – Uncle Meat!

List #2 for 2015 comes from the Uncle of the Meat. He needs no introduction here. Looking for some integrity? Then have a gander below.

MEAT

Meat, Bucky, Tom

UNCLE MEAT’S TOP FIVE ALBUMS of 2015

5. The Book of Souls – Iron Maiden
4. Meloria – Ghost
3. Terraplane – Steve Earle
2. High Country – The Sword
1. Psychic Warfare – Clutch

CLUTCH

UNCLE MEAT’S TOP TEN TV SHOWS of 2015

10. Ash vs. Evil Dead
9. F is for Family
8. Daredevil
7. W/ Bob and David
6. True Detective
5. Mr. Robot
4. The Affair
3. Better Call Saul
2. Game of Thrones
1. Fargo

BOB AND DAVID

UNCLE MEAT’S TOP TEN MOVIES of 2015

10. Straight Outta Compton
9. Ant-Man
8. Trainwreck
7. Avengers: Age of Ultron
6. Amy
5. Spotlight
4. Star Wars: The Force Awakens
3. The Revenant
2. Jaco: The Movie
1. Love and Mercy

AVENGERS

Last list tomorrow!  It’s MY turn next….