rarities

REVIEW: Bruce Dickinson – Tyranny of Souls (2005, Japanese version)

Part 37 of my series of Iron Maiden reviews!

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BRUCE DICKINSON – Tyranny of Souls (2005, Japanese version)

I spoke about this album’s lyrics at length previously in a Record Store Tale called Navigate the Seas of the Sun.  Part of the reason I love this album so much is due to the lyrics.  As good as The Chemical Wedding was, science fiction is much more my speed than is William Blake.  Therefore, given that slight edge, I actually do prefer Tyranny of Souls.  If you’re curious about the lyrics then do please check out that aforementioned Record Store Tale.

Lyrics aside, Bruce Dickinson has had a pretty consistent decade as a solo artist, Maiden notwithstanding. Ever since his Accident Of Birth CD, he’s done nothing but truly excellent heavy metal music. Tyranny Of Souls, however is unique among them: It is Dickinson’s first solo album since rejoining Iron Maiden in 1999. Would anything be different this time? After all, usually when one does a solo album, it is to get ideas of one’s chest that are not appropriate for that band.  Sometimes, that can lead to misguided genre experiments that are pleasing to few but the artist.

Reassuringly, Tyranny Of Souls is not a drastic departure from the music Bruce made on his last solo album, The Chemical Wedding. Tyranny uses that album’s sound as its starting point, but actually grows and progresses as you listen to it.  It starts just as heavy, but then starts to explore light and shade.

“Mars Within” is an instrumental bit that sets up the first song, “Abduction”. It’s one of Bruce’s heaviest, but then he takes it even heavier with “Soul Intruders”. This is metal just as awesome as Bruce’s best work.

Then we get a little anthemic with “Kill Devil Hill”, easily one of the best melodies Bruce has ever written.  The Wright brothers’ first flight is the subject here.  We all know Bruce is a pilot and aviation is a passion of his.  The passion ended up producing one of his best tunes.  Just a great, incredible singalong anthem.  I challenge you to get the chorus out of your head.

“Navigate The Seas Of The Sun” is a Maiden-esque power ballad, it could have fit right in with anything on Dance Of Death.  Every bit as good as “Kill Devil Hill” with thoughtful lyrics to boot.  More awesome songs follow:  another anthem called “The River of No Return”, a fast metal tune called “Power of the Sun”, and the insanely catchy “Devil on a Hog”.  Despite the silly title, this is simply a great groover, a ride you do not want to end.

The dull sludgey “Believil” is the only stumble.  Skip worthy and dumb-titled, I consider this one to be filler.  It’s one of those slow dirgey songs that tries to sound modern and fails. Luckily it’s also short, and it is followed by the monstrous title track, which ends the domestic album on a rather sudden note.  I prefer the way the Japanese CD ends, with the epic power ballad “Eternal”.  Roy Z’s incredible guitar soloing propels this one to the clouds, ending the album on a much more satisfactory note.

Speaking of Mr. Z, he does co-write and produce once again.  The drums are ably played by a chap named David Moreno, who replaced the very talented David Ingraham in Z’s Tribe of Gypsies.  The bass is handled by a couple guys named Ray Burke and Juan Perez.  I miss the recognizable character of Ingraham and original bassist Eddie Casillas, but this album is still strong without them.

Tyranny of Souls is a triumph in many ways.  One is that Bruce managed to make a heavy metal record different from Maiden, but just as good.  Another is that Bruce made an album worthy of his own back catalogue.  Whether you agree with me that it tops Chemical Wedding is not important.  I realize that’s a tall order.  Hopefully, you will agree that Bruce made yet another winner, a staggering string of great records.

And with this under his belt, Maiden returned to the studio refreshed and renewed, ready to take on A Matter of Life and Death…

5/5 stars

REVIEW: Iron Maiden – The Trooper (2005 single, CD/12″/7″/download)

1703Part 35 of my series of Iron Maiden reviews! 

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IRON MAIDEN – “The Trooper” (2005 single, available on CD, 7″, 12″, and a special download with an exclusive track)

“The Trooper” was re-released as a live single, in support of Maiden’s forthcoming Death on the Road live album (up next in my series of Maiden reviews), and their then-current Eddie Rips Up the World tour. It was released in numerous formats, each with its own exclusive content. Let’s look at ’em all:

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CD Single

This, the most common format to find, contains 3 audio tracks and 2 videos. Personally, I never watch these enhanced CDs, and both these videos are available elsewhere on DVD. They are the 2003 live version of “The Trooper” from the Death on the Road DVD, and the original music video.

The 3 audio tracks are:

  1. “The Trooper” – 2003 live version from Death on the Road
  2. “The Trooper” – original album version from Piece of Mind
  3. ‘“Prowler” – 2005 live version from the Eddie Rips Up the World tour

I love when Bruce sings the old Di’Anno-era classics, and this version of “Prowler” is exclusive to the CD format. During the Eddie Rips Up the World tour, they only played tracks from the first 4 records! That was because at the same time, they were also promoting their 2004 The Early Years DVD, which I talked about last time.

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mp3 Single

Undoubtedly, the rarest version. Since you can’t take a picture of a non-physical format, here’s a picture of the CD that I made of it!

This is what the download site had to say at the time about this odd-duck release:

To celebrate the release of their new single The Trooper, Iron Maiden are also releasing an exclusive EXTRA digital-only version of the track. Taken from their concert at Eglishollin Stadium, Reykjavik, ONLY AVAILABLE HERE complete with some very special extras!

I don’t have a clue what the extras were supposed to be, all I got was the mp3.  If there was anything exclusive such as artwork that was supposed to come with it, I’ve never found any evidence of it.  I have to discount any rumours of artwork.

  1. ‘”The Trooper” – 2005 live version from the current Eddie Rips Up the World tour, Reykjavik, Iceland

This is a slightly more frantic version than the 2003 live take, and trying to find a copy online is futile today.  I’ve had many people ask me to send them a copy.  Sorry, that’s not what this blog is for.  I don’t know what copyright laws regarding this are, but more to the point, I’m here to share my knowledge, not my music.

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7″ Single (blue vinyl)

I love this one. Here’s the track list:

  • A. “The Trooper” – 2003 live version from Death on the Road
  • B. “Another Life” – 2005 live version from the current Eddie Rips Up the World tour

Again, another Di’Anno classic from the Eddie Rips Up the World tour, and a smokin’ one at that. The only other place you could hear Dickinson sing this song is a 1982 version, exclusive to the massive Eddie’s Archive box set, which we’ve already covered.

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12″ Single (picture disc)

These 12″ picture discs are desired by collectors, but never sound as good as regular vinyl. Play it once, put it on your computer, and keep the record safe.

  • A1. “The Trooper” – 2003 live version from Death on the Road
  • A2. “The Trooper” – original album version from Piece of Mind
  • B. “Murders in the Rue Morgue” – 2005 live version from the current Eddie Rips Up the World tour

So again, a Di’Anno era classic, exclusive to this format. A couple earlier versions with Bruce singing are available on the Eddie’s Archive box set. This is the most current recording available of Maiden playing this song. Maiden generally don’t play a lot of the old Di’Anno’s anymore, excluding stuff like “Iron Maiden” and “Running Free”.

So, as a huge fan of Bruce singing Di-Anno era Maiden, and as a big fan of beautiful vinyl, gotta give this:

5/5 stars

Next time, we’ll talk about Death on the Road itself.  Stay tuned.

Note: All comments regarding trades will be deleted.

GALLERY: Four Great Finds! (with store report card – Encore Records)

During a trip to Encore Records in Kitchener, Ontario, I found some pretty cool stuff among their used discs.  I used to work with the guy behind the counter, Chris — trained him in fact.  We had a chance to catch up and discuss the difficulties of being a collector.  Piles and piles of discs, an expanding collection and lack of space for it.  Filing systems.  How easy it is to get behind in your filing.  Good to know there are still kindred spirits out there.

Thanks for the discs Chris, and without further delay…

1. VAN HALEN – In Concert

This double CD is at least partially taken from Live Without A Net, the old Van Halen home video.  That’s cool to me — some of those versions, like “Love Walks In”, were the originals that I was first familiar with.  It’s weird today hearing Sammy Hagar play guitar solos on Van Halen songs, but that’s how I first heard them.  $9 used.

2. HELIX – Wild In The Streets (Rock Candy remaster)

PROS:  These hard-to-find (in Canada) Rock Candy reissues have great liner notes and pictures.  CONS: It lacks the lyric sheet from my old Capitol Records version.  This one was expensive ($14 used) but the great Heavy Metal OverloRd tells me they are well worth it.

3. FISH – “Credo” CD single

Limited edition, #5945.  Cool?  Yeah, but how many copies did they make of a Fish single?  Anyway, this has two non-album cuts, a 7″ remix of the title track and a song called “Poet’s Moon”.  “Credo” itself is a great song from Internal Exile.  Great cover art by Mark Wilkinson!  $6 used.

4. IRON MAIDEN – Virtual XI with limited edition lenticular cover

This was a limited edition (expensive in Canada) that had a 3D cover similar to the current Kiss Monster CD.  I tried to get an idea of this in the photos.  Look at Eddie’s finger in relation to the boy’s headphones.  You can see it’s not in the same place in the two photos.  It’s much cooler in person.  Now, I know Aaron is probably going to give me shit for buying a Blaze Bayley album — any Blaze Bayley album — twice.  But it’s more about the Maiden collection than Blaze.  This is one I’d wanted back in the day but completely forgotten about.  $10 used.

REPORT CARD

Encore Records, 54 Queen St. South, Kitchener ON, (519) 744-1370

Encore is as good as as any of the stores that Aaron and I reported on in Toronto.  Sure, I’m biased in that I did train the guy behind the counter, and it was great having a conversation with somebody who understands my point of view vis-à-vis collecting.  But their selection is second-to-none in this town (rock, indi, roots, jazz, blues, vinyl), with fair prices, and excellent quality.  Not one blemish on any of the discs that I purchased.   As an added note I found a number of Guided By Voices singles for Aaron (some stealthily pictured below) — although he is apparently banned from purchasing them at this time, until he wins the lottery!

For these reasons, Encore’s grade is:

5/5 stars

REVIEW: Iron Maiden – No More Lies EP (2004)

Part 33 of my series of Iron Maiden reviews!…and CONGRATS TO MAIDEN on your Grammy nomination!

IRON MAIDEN – No More Lies EP (2004, enhanced)

Don’t ask me what qualifies this as an EP and not a single. I don’t know. Anyway, “No More Lies” was from the Dance of Death album, and this EP comes handsomely packed in a cool box with a Maiden wristband. Collectors will want to keep that clean — not for working out in!

The tunes, however, are why you should be buying this, and it is worth buying for the orchestral version of “Paschendale”. One of the best war epics ever written by Iron Maiden (please, bring it back live?), it paints a vivid picture of the trenches during WWI. Guitar melodies dance, and the song is in your head after only one listen. You also get an electric version of “Journeyman”, which was acoustic on the album.  I’m not a huge fan of the song “No More Lies” itself.  It’s fine but would have been better two minutes shorter.

But what’s this?  A hidden track?  Yes it is!  Nicko McBrain takes lead vocals (!) on a comedic rendering of “Age of Innocence”!  We all know Maiden enjoy their joke tunes (“Sheriff of Huddersfield”, “Black Bart Blues”) and it is great to see that they still have a sense of humour.

If you can find it at a decent price (might be hard today), do it.

5/5 stars

1. No More Lies
2. Paschendale (Orchestral Version)
3. Journeyman (Electric Version)
4. Age of Innocence (How Old?) (hidden track)

REVIEW: Iron Maiden – Dance Of Death (2003)

Part 32 of my series of Iron Maiden reviews!

IRON MAIDEN – Dance Of Death (2003)

Dance of Death (Iron Maiden’s 13th studio album and 2nd since the triumphant return of Bruce and Adrian) is yet another monster filled with dramatic metal. Yes, I do find it slightly inferior to the previous album, Brave New World, which was near-perfect for its time. However, Dance of Death should not be dismissed. There are Iron Maiden classics here to rival material from the glory days, plus deep album tracks worth listening to.

First I want to mention the album cover — for the second time, Iron Maiden have done what I consider to be a terrible cover! (I consider the original No Prayer cover to be almost as bad.) I’d never wear this on a T-shirt! This is awful, awful, awful! This is, by far, the worst album cover Maiden have ever used. If you look carefully there are mistakes all over the place, such as the baby’s foot going through the wolf! Fortunately, the inner booklet is much better. Like a ghostly version of the orgy scene in Kubrick’s Eyes Wide Shut, the indifferent band are surround by masked, topless, phantom women.

Onto the music!

I found Bruce Dickinson’s voice on this album to be weaker than Brave New World. My personal feeling at the time (and this is just my opinion) was that the band rushed into recording too soon after touring. As such, Bruce’s voice sounds more worn out, similar to the way it did on No Prayer. The rest of the band is as strong as ever, and all six members write. Even Nicko McBrain, who gets his first-ever writing credit…”Mission From ‘Arry” notwithstanding!

The album starts with the first single, and unfortunately one of the weakest songs. It is the brief Smith/Harris rocker, “Wildest Dreams”. This ain’t a “Wicker Man” nor a “Tailgunner”. It’s lacklustre, and I have no idea why it was chosen as the first single.

The second single “Rainmaker” follows, a much better song. Bruce’s voice seems stronger here. The vocal and guitar melodies are excellent and memorable. Great chorus, great guitar lines, good choice for a single.

“No More Lies” is next, and the only weak thing about the song is that it follows the same formula as the Brave New World tunes — too much repetition in the chorus. There’s only so many times you want to hear, “No more lies, no more lies, no more lies, no more lies!” Alright! I get it already! Bizarrely, this was the third single (technically an EP) even though it’s over 7 minutes long.

Next is the first historical epic of the album, “Montségur”. One of the fastest and heaviest songs on the album, it is lyrically better than it is musically. Musically, it stumbles a bit, with the vocal melodies not fitting quite right and the lyrics sung too fast.

Finally the album really picks up steam with the centerpiece, “Dance of Death”. Beginning slow with some nice clean picked guitar and ‘Arry’s bass, Bruce sings of a strange night when he’d “had one drink, but no more.” This is a classic, a fantastic song lyrically similar to “Number of the Beast” but musically a beast of its own.  Some critics likened it a bit too much to “Stonehenge” by Spinal Tap.  Well, fair enough.  It does share some similarities, especially when the dwarves start dancing!  But admit it to me:  You liked “Stonehenge”, didn’t you?  I did!

“Gates of Tomorrow” and “New Frontier” (co-written by McBrain) are up next. Both are strong rockers, typical Maiden album fare.  Perhaps nothing that needs to be performed live when your canon is as strong as Maiden’s, but nothing skip-worthy.

“Paschendale” is arguably the best song on the entire album. Another historical war epic, this one was written by Adrian Smth and Steve Harris. It is pure, classic Iron Maiden. Clocking in at 8:28, there is not one dull moment in the entire song. Often I find myself skipping back to hear it again. Lyrically it is very powerful, bringing to mind the muddy stinking conditions of the trenches in World War I. Musically this is among the very best songs Maiden have ever composed. This was also released in an orchestral version but I’ll discuss that later on.  (How did they do that eagle screaming sound?  Is that a guitar?)

It’s hard to follow a song like that, but “Face In The Sand” is another great album track, memorable and heavy.  Again, not really worthy of the live set, but certainly not a bad song by any stretch.

I have always been partial to the rare songs that Dave Murray writes, such as “Deja Vu” or “Still Life”. “Age of Innocence” has a powerful memorable chorus and is a personal favourite. If I had been in charge at EMI, this would have been a single instead of “No More Lies”. After hearing it once, you cannot get the chorus out of your head.

So we only get one chance, can we take it?
And we only get one life, can’t exchange it
Can we hold on to what we have? Don’t replace it
The age of innocence is fading…Like an old dream

The album ends with one of most unique Iron Maiden songs ever written. “Journeyman”, which sounds to me like a Dickinson baby, is a quiet acoustic number with orchestral backing. Don’t call it a ballad! This is a quiet epic, a new kind of Maiden sound that they were able to expand upon in later albums.  The choruses are powerfully sung by Bruce.  It’s certainly one of the most adventurous tunes Maiden have done, simply because it is so different from anything in their past.

And that’s the album. It is easy to see why Dance of Death does not sit will with some fans. Some of the early songs suffer from repetition again. Bruce’s voice is not as strong as the previous album (to my ears). You have to listen to it multiple times to get into some of the tracks. I can see some fans, whose tastes are more narrow and specific, not wanting to give Dance of Death another chance. That’s a shame because this is a good Iron Maiden album. Not among their top three, or even the top five, but Iron Maiden do not have very many weak albums.

I mentioned the orchestral version of “Paschendale”. There are three singles to be collected from this album:

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1. “Wildest Dreams”: B-side was a very funny and rare jam session by Iron Maiden called (ha ha!) “Pass the Jam”.  There are also other tunes on the different editions.  The CD has an orchestral mix of “Blood Brothers” from Brave New World, while the DVD has a “rock mix” of both “The Nomad” and “Blood Brothers” from the same album.  I do not have the DVD single, and Christmas is coming if you feel generous!  The orchestral version has, unsurprisingly, more orchestration.  The rock mixes are very similar to the album versions, perhaps the rhythm guitars are louder in the mix.

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2. “Rainmaker” contained a dramatic orchestral version of “Dance of Death” and a second jam session called “More Tea Vicar”.  This is another jokey tune featuring Bruce rapping!  The Japanese single, which I recently acquired from eBay (so recently that it actually arrived TODAY) at an excellent price has two exclusive live tracks!  It even had the obi strip intact.

The live tracks are 2002 live recordings of “The Wicker Man” and “Children of the Damned” at Brixton, but the vocals on “Wicker Man” aren’t mixed high enough.  “Children of the Damned” is in the only live version available featuring the six-man lineup, and my God does it smoke!  It really benefits from the three guitars, and Bruce nails that scream at the end.  The domestic single lacks these two live tracks.  Who wants my old copy of the domestic?  Speak now or forever hold your peace.

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3. No More Lies: Technically an EP, I’ll do a full review of this one next.

4.25/5 stars

REVIEW: Iron Maiden – Eddie’s Archive (2002)

Part 30 of my series of Iron Maiden reviews!

IRON MAIDEN – Eddie’s Archive (2002, limited edition)

Eddie’s Archive was released simultaneously with another (!) greatest hits compilation called Edward The Great.  We’ll talk about that one next.  This is the real meat of it all!

This box set defines limited edition. I’m not sure how many copies were made, but the first printing with blue inlay was sold out nearly immediately. That’s the version I have. It was soon reissued with a red inlay to differentiate it, but even it is long out of print.

Inside you will find three individually packaged jewel cases, each containing 2 CDs for a total of 6 discs. These three “double albums” (for lack of a better term) are:

BBC Archives
Beast Over Hammersmith
Best of the B’Sides

The main reason to buy this set are the first two albums, BBC Archives and Beast Over Hammersmith.  To me, the Best of the B’Sides only scratches the surface of the treasures to be found on the numerous Iron Maiden singles and EP’s.  And as loyal LeBrain readers know, I’ve talked about ’em all.

BBC Archives contains numerous goodies. It starts off with a rare four song session by an ealy version of Maiden featuring Doug Sampson (drums) and Tony Parsons (guitar). Listening to “Sanctuary” as an example, you can tell it’s a guitar player you’re not familiar with. This is Parsons’ only recording with Maiden, but “Sanctuary” was previously released on the very rare NWOBHM compilation that Lars Ulrich put together.  I love the pure fire and raw youth of these early recordings.  “Transylvania” feels very different from its album incarnation.  You can tell it’s a different drummer.  And of course since it is the BBC, they are expertly recorded.

From there it’s a scorching ’82 set with Dickinson at Reading. Then back to 1980 for a Di’Anno Reading set, and finally to 1988 for a Seventh Tour of a Seventh Tour (Donington) recording. All of these are pure smoke and it’s great to hear Bruce in peak voice. Unfortunately, on this album alone, you will hear “Iron Maiden” four times!  It is what it is.  You wouldn’t want them to leave any tracks out, would you?

Next disc has the ’82 Hammersmith show. A couple tracks from these were issued as B-sides on the “Run To The Hills” single from Rock In Rio. Anyway, like the BBC discs, this is pure smoke. It is a pleasure to finally have a full concert with Clive Burr on drums and Bruce in top form. Of course you will hear “Iron Maiden” and numerous others again. With a box set of this nature it’s inevitable. If you’re a Maiden fan, you don’t care.  Do you?

Finally, the B’Sides.  Everything here has been made available before on singles.  There is nothing truly “unreleased” here as far as Maiden goes. There’s also nothing that is previously unreleased on CD unfortunately, like Maiden Japan or “I Live My Way” from the “Man On The Edge” 12″ single. For me, these discs are more just a “best of”. There are some cool tracks here such as the Montrose cover “I’ve Got The Fire”. (Maiden chose Dickinson’s version rather than Di’Anno’s, which is fine.) Other highlights include the pop metal goodness of “That Girl” and “Reach Out”, as well as originals such as “Burning Ambition” and “Invasion”. The covers that Maiden selects are mostly obscure enough (Nektar? Marshall Fury?) that they may as well be originals.

Then you get some of Maiden’s little-known jokey material: “Sheriff of Huddersfield” for example. I’m not sure how well it works as an overall listen. I prefer the singles in their original context, personally. As I mentioned, this is far from a complete set, and you can argue all you like for what you would have included. Certainly you can make solid arguments in favour of the Thin Lizzy cover “Massacre” or the rare “I Live My Way”.

Each CD jewel case features its own extensive booklet with photos, Derek Riggs cover art, and liner notes, with the exception of Beast Over Hammersmith. That one contains a booklet which is a reproduction of the original tour programme! Works for me! Otherwise, there is no book for the box set itself.

What you do get includes a neat scroll with the Iron Maiden family tree on it, wrapped inside a metal ring. (I’m sure this family tree is loaded with errors like the previous one included inside A Real Dead One, I’ve never bothered to check.) You also get this cool shot glass with Eddie’s face in the bottom. A cool treat. The box itself is a shiny tin masterpiece. It snaps shut securely and it is very detailed and cool looking.

What are you willing to pay for this set? That’s entirely up to you, but if you don’t have it, expect to pay through the teeth. Personally, to me it’s all about the music. Decide how much you’re willing to pay for approximately four discs of previously unreleased Maiden and purchase accordingly.

For me? 4/5 stars!

REVIEW: Iron Maiden – Rock In Rio (2002)

Part 29 of my series of Iron Maiden reviews!

IRON MAIDEN – Rock In Rio (CD/DVD 2002)

With Bruce coming back and all, you just knew Maiden had to do a live album.  It would have been a great disservice not to do one.

Almost everyone and their pet Schnauzers will agree that Live After Death is the greatest live Maiden album of all time.  Some might even argue it’s the greatest live metal album of all time.  I would gladly invite any of those people over for perogies and conversation.

Where we start to differ is, what is the second best live Maiden album?

This is just LeBrain’s opinion, but I say it’s Rock In Rio.

I do remember carrying this in store when it was released in March 2002.  I also remember some customers saying, “Yeah, I’m not buying this one.  I don’t know any of these songs!”

Maybe they’d been living under a rock and missed the awesome Brave New World CD?  Whatever the case may be, I’m not the type that likes to buy the same live album over and over again.  Give me tracks that have never been released in live versions before.  Let me hear the new stuff, when it’s good enough to be on a live album.  And having enough good new stuff was not a problem for Maiden after Brave New World.

Maiden bravely started with an opening salvo of fresh music:  the first three songs from Brave New World:  “The Wicker Man”, “Ghost of the Navigator”, and the title track itself.  And the Brazilians went nuts.  Singing along at the top of their lungs, they clearly didn’t have the problem of not knowing the songs like my customers did!

Then, wisely, Maiden dug way back and pulled “Wrathchild” and Adrian’s classic “2 Minutes To Midnight” out of the hat.  And it sure is great finally hearing the old stuff played by the Three Amigos.  The three guitar lineup works so well, that I definitely never want Maiden to go back to two.

Another newbie is up next, “Blood Brothers”.  Once again, the crowd goes crazy singing along.  It must have been an incredibly loud night.

“Sign of the Cross” is the one I had been waiting for.  Anybody who felt that all the Blaze Bayley material would have been about 150 times better with Bruce singing will be happy campers.  “Sign of the Cross” is a brilliant song that finally reached it full potential with Bruce at the mic.   There is simply no comparison.

“The Mercenary” from Brave New World, and “The Trooper” provide a much needed fast-paced adrenaline boost after spending 10 minutes on the epic “Sign of the Cross”.   Bruce begins “The Trooper” with a stanza from Tennyson’s poem, but once he starts singing the crowd follows every word!  It’s hard to imagine how you could have even heard the band if you were in that crowd that night.

A couple more songs of recent vintage kick off disc 2.  “Dream of Mirrors” is one I personally could have done without, as its 10 minute length could have been taken up by two shorter songs.  But the crowd doesn’t seem to mind, clapping and screaming along with Bruce’s nightmare.  And then, “The Clansman”.  Once again, if anybody felt that the song never came to life with Blaze singing, then listen up.  This is a song that was built for performing live.

“Freedom!”  And once again, Rio goes wild.

And that’s it for the new stuff.  It’s nothing but back to back hits on the home stretch:  “The Evil That Men Do”, “Fear of the Dark”, “Iron Maiden”, “Number”, “Hallowed”, “Sanctuary”, and of course “Run to the Hills”.

Production by Kevin Shirley is crisp, clear, with great separation of the three guitars in the stereo field.  Absolutely no complaints.  And if that’s not good enough for ya, you can get the whole thing on a nice (5.1 surround) DVD package too.  The DVD in fact has some cool behind the scenes footage of all six Maiden members killing time.  Adrian likes to fish, for example.  It’s a chance to get to know all six members as people.

The single was “Run to the Hills” (again — third time this song was chosen as a single!) but I’m not going to bother discussing the B-sides too much.  While they are great, great vintage live recordings from 1982 with Clive Burr on drums, all of them were issued later on the massive Eddie’s Archive box set, as part of a live disc (and that happens to be our next stop anyway).  Check out the photos below for the tracklists.  “Total Eclipse”!  I like the painting of Bruce as Eddie.

“Scream for me Brazil!”  And scream they did.  And unless you’re stuck in the 1980’s like many of my old customers, you will too.

4.75/5 stars

Part 142: VIDEO BLOG! Quest For Bill Ward

RECORD STORE TALES PART 142:  Quest For Bill Ward

Full review of this CD coming soon…

REVIEW: Black Sabbath – Forbidden (1995)

BLACK SABBATH – Forbidden (1995, bonus track)

Once upon a time Black Sabbath were the most vital metal band around, but not in 1995.  The 80’s and early 90’s were much rougher, with a rotating lineup of singers, drummers, and bass players. Only original member Tony Iommi and longtime keyboardist Geoff Nicholls weathered the storm consistently.

Bill Ward and Geezer Butler were both playing in Black Sabbath again in late 1994, but by 1995 both had bailed (for the umpteenth time) again.  That left Iommi with Nicholls and singer Tony Martin not knowing what was going to happen next.  There were rumours in the press that Ice T (yes, Ice T) would be soon joining Sabbath.

That didn’t happen (thank God!) and the lineup here is nothing but pure heavy metal pedigree.  It is also a reunion of the 1989-1991 Tyr band.  Neil Murray and Cozy Powell were back on bass and drums.  This would be Murray’s second and Powell’s third Sabbath album.  Murray and Powell, of course, also did time together in Whitesnake, forming a rock solid rhythm section that only great chemistry can produce.

So what happened? What went wrong? Why does Forbidden suck so bad?

The reasons are threefold. One, the album was rushed out amid much confusion within the band. Rumours of Ozzy’s return abounded and Martin didn’t know if he was in or out. Morale sucked.  Second, the record company insisted on a more “current” sound. Thus, the album was produced by Body Count’s Ernie C, and I guess that is the connection to Ice T, who guest raps on the opening track.   Third, I think the album was recorded in roughly a week and doesn’t really sound finished.  Rather, it sounds like a demo sonically and song-wise, with all the filler songs that don’t normally make it to a released album.

Powell, normally a thunderous drummer, is reduced here to a dry hollow whollop thanks to Ernie C’s crummy production.  It’s too bad because Cozy is playing some serious awesome drums that you can’t hear properly.  The entire album suffers, the vocals sound raw and rushed, and the songs smack of second rate tunage.  Granted, everybody knows that Iommi has bags and bags of tapes full of riffs, and some of these riffs are great. However, a riff cannot make a song, and without decent vocal hooks, this Sabbath album is as flat as they come.

It is truly a shame that Tony Martin had to go out with this as his final Sabbath album, after years of loyalty and being dumped twice! I saw them on this tour, and they were great. Shame they were supporting a terrible album.

Highlights:

“Can’t Get Close Enough” is close indeed to being a great song, but not quite. It has a great mellow intro and then this incredible distorted riff kicks in, but the vocal track is slightly underwhelming.

“Kiss of Death” is the closing epic, and best song on the album. Cozy’s drum rolls are like the thunder of Valhalla by the time you get to the choruses and outro. The song reaks of anger and betrayal. “Nothing you can do will hurt me, I am indestructible,” sings Martin over a slow, powerful riff.  Wonder if he knew the writing was on the wall as far as his tenure in the band went.

And that’s it. “Rusty Angels” and “Forbidden” have great riffs but are otherwise not noteworthy. “I Won’t Cry For You” had potential as a ballad, but is inferior in every way to similar songs like “Feels Good To Me”, for example. This album is so dead, so lifeless, not even the grim reaper on the cover can be bothered to stand up.

I know some critisized the cover of this album as being too cartoony, but once you open it up and get the full picture, it is much better. The reaper is sitting next to a tomb, and out from the tomb are the ghosts of all five Sabbath members, Ice T, Ernie C, and lots of ghouls and goblins, done in MAD Magazine type charicatures. It’s a rare fun cover from a band that usually takes its doomy image far too seriously.

Shame that the album isn’t as fun. In the 15 years (and counting) since I bought it, I can usually count on it as a sleeping aid. It’s just that boring.

1/5 stars

OF NOTE: Japanese version had a bonus track, a short 2 minute song called “Loser Gets It All”. It is, sadly, the best track on the album. The good news is that you can get it on a compilation album called The Sabbath Stones if you can’t find the Japanese version.

Side one
1. “The Illusion of Power”
2. “Get a Grip”
3. “Can’t Get Close Enough”
4. “Shaking Off the Chains”
5. “I Won’t Cry for You”

Side two
6. “Guilty as Hell”
7. “Sick and Tired”
8. “Rusty Angels”
9. “Forbidden”
10. “Kiss of Death”

Japanese bonus track
11. “Loser Gets It All”

[youtube http://www.youtube.com/watch?v=xSHOq_bhMwI&w=560&h=315]

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