BlackBerry Z10
5/5 stars
Music by Kathryn Ladano, Dave Dubowski
Author: mikeladano
MOVIE REVIEW: FUBAR II (2010)
“Knowledge of non-knowledge is power. “ – Dean Murdoch
FUBAR II (2010 Alliance, directed by Michael Dowse)
Most sequels aren’t worth owning. Fubar II is. Plus, it comes with a bonus disc: Fubar, the original complete film. This was a total surprise to me. I had no idea it was going to be in there. I’m a little bummed that I bought the original film on blu shortly before this. I gifted it to my buddy Cliff at work who also adores the exploits of Terry and Deaner.
Synopsis: 5 years after surgery, Deaner is celebrating these years of good health. Even though an eviction is looming, he and Terry have no real worries. During a drunken house-trashing party, Tron tells them they have jobs waiting in Fort McMurray. Terry and Dean pack up their meager belongings and head to work in the oilsands.
As with the first Fubar, tragedy must eventually strike. Terry and Dean come to blows over a girl, Trish, who Terry has moved in with. Dean gets some bad news, and Terry gets even more unexpected news from Trish. For a while, Fubar II becomes much darker than the first film.
Unbelievably, a stroke of scripting genius turns Dean’s tragedy into triumph. This ending was as satisfactory as it gets. I ended Fubar II with a huge smile on my face. This sequel does something very unusual: it is funnier than the original, it has more emotion than the original, yet it doesn’t copy it. I have to say this is one of the best sequels I’ve seen.
The footage of the oilsands is really cool. It looks like a cross between Vegas and the Mustafar system – a whole other planet. One thing about this movie, you can tell it had a budget this time, compared to the original. There are some really nice looking shots, and the movie itself looks great. The graininess has been replaced by slick production. The documentary style has been mostly dropped in favour of more traditional storytelling, although a few interview segments are scattered within.
For music geeks, Justin Hawkins of The Darkness has a vocal cameo near the end. You’ll know it when you hear it! The movie also features excellent tunage by Ronnie James Dio & Black Sabbath, The Gun, and Dean’s own classic “Whale Hunter”.
I mentioned the bonus disc with the entire original film, bonus features intact. Other special bonuses in this set include a ton of deleted scenes. While some were overly long and you can seen why they were edited or pared down, others add to the story and comedy. There were several regarding Dean’s illness that might have worked well in the movie. One, “Mixing Meats,” was a shorty that just had me howling. Also, like the original film, this one comes with a commentary from Michael Dowse and others. Better though will be the in-character commentary by Terry and Dean. This was a real treat on the original film, and I’m sure this one will be too. I’ll have to check that out on next viewing.
Pick this up. Just give’r.
5/5 stars
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Part 190: The Early Bird Drops the Discs
RECORD STORE TALES Part 190: The Early Bird Drops the Discs
I hated the mornings. What I really hated were people banging on the door to get in before we opened. I don’t know why it bugged me so much. I guess I was just peeved that somebody wanted to cut into my last few moments of unpaid time.
I rarely let people in early. Usually I would go about my business, sometimes I’d let them know I’d be open in 10 minutes, or whatever. My journal records one instance when a fellow didn’t check to see if we were open yet.
Date: 2004/05/19
This one dude was outside the store at 15 minutes before open, trying to get in. The door was locked and when he tried to open it, his bag of CDs fell down to the ground and smashed. He was cursing up a storm out there!
Next time on Record Store Tales…
Let’s talk about classical music!
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REVIEW: Skid Row – United World Rebellion Chapter One (2013)
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SKID ROW – United World Rebellion Chapter One (2013)
I know Johnny Solinger’s been in the band longer than Sebastian was. I know the band probably hate Sebastian’s name even being brought up in a review such as this. I’ve been standing by the band through their last two albums (2003’s Thickskin and 2006’s Revolutions Per Minute). My interest waned quite a bit, on the long wait between releases by the band. This new EP (5 new songs) is failing to rouse me from my ambivalence. So I’ll just come out and say it: Guys, get Sebastian back. It’s time. If Eddie Van Halen can get up on stage again with David Lee Roth and grin that grin of his, then Rachel Bolan can get over Sebastian Bach.
The thing is, there’s nothing wrong with United World Rebellion. (Last album was a “revolution”, now they’re having a “rebellion”. What will the next album be? Defiance, disobedience, dissension, heresy, insubordination, insurgency?) It’s heavy like old Skid Row. It has squealing, howling solos like old Skid Row and riffs reminiscent of the classic stuff. Johnny’s throwing everything he’s got into his performance. It’s just…not memorable.
The most striking song is the first one, “Kings of Demolition”, which is really good. Only problem: It’s more than just a little similar to “Monkey Business” from Slave. “Monkey Business” is a great heavy song, but you’re not going to top it by re-writing it. It’s downhill from there. I must have played this EP eight or nine times now, and I still can’t remember how “Let’s Go”, “Get Up”, and “Stitches” go. They are all heavy, riffy…and non-descript. The only song that stands out is “This is Killing Me”, the token ballad (right smack in the middle of the EP), and it stands out only because it’s a ballad. You can hear the (intended?) similarity to a certain hit ballad by the Sebastian version of Skid Row…but without his soaring vocals. Once again, you can’t create a new memorable song if you’re repeating an old one.
Sorry guys. I’m usually in favour of bands carrying on with new members, because I’d rather have that than no band at all. Unfortunately, Skid Row needs Sebastian Bach as much as Sebastian Bach wants to be in Skid Row. Johnny can take a proud bow, because he’s no slouch and he did the best job possible. I wanna see it happen.
2/5 stars
EDIT: May 15 2013 – There is a European version coming with two bonus tracks, both covers. Bastards.
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REVIEW: The Darkness – “Get Your Hands Off My Woman…Again” (2004 mp3 single)
THE DARKNESS – “Get Your Hands Off My Woman…Again” (2004 Atlantic mp3 single)
After the surprise hit Permission To Land (which was essentially just a released demo) The Darkness were determined to make a better sounding second album. At first it was announced they were going to be working with one Mutt Lange; that didn’t pan out. Up next was Roy Thomas Baker, of Queen fame.
Their first released collaboration was a re-recording of “Get Your Hands Off My Woman” re-titled “Get Your Hands Off My Woman…Again”. It differs only slightly from the original. Better sounding bass, better sounding drums, but almost identical otherwise. There are only two moments were the song deviates from the original: a 5 second piano break at 1:54, and a different, more abrupt ending.
This was released November 8 2004, for one month only, for 99p on the official Darkness site. Since then I understand it’s been very difficult to find online. I like when bands release stuff like this, even though for most people it’s fairly redundant. A lot of bands test the waters by re-recording older material, Axl’s done that and so have others. When they make it available for almost nothing for a limited time, sure, I’ll bite. It’s a kind of immediate release that didn’t exist 20 years ago.
Not to mention that this is just one of the Darkness’ best songs, ever. Gratuitous language, hot riffs, screeching high vocals, ripping solos, and hooks for miles. I was sold on the original song on first listen. As for this re-recorded update, I like the better quality sound, but I don’t like the piano break or the ending. Great tune, great sonics thanks to RTB, but I’ll stick with the original!
3.5/5 stars
Since you can’t take a picture of a non-physical product, here’s the CD single that I burned!
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REVIEW: Deep Purple – Stormbringer (35th Anniversary Edition)
DEEP PURPLE – Stormbringer (35th Anniversary Edition, 2009 EMI, originally 1974)
Stormbringer, now available in the gloriously remastered series of Deep Purple special editions, is one of my favourite Purple platters. Now augmented with bonus material, it has finally been given the treatment it deserved. It’s certainly not everybody’s cup of tea, but Stormbringer has earned some begrudging fans over the years. I for one find it a more enjoyable listen cover to cover than 1974’s Burn.
A lot of fans did not like the funkier, softer direction of the band. You can understand this, of course. A fan who loved In Rock, one of the heaviest records of any decade, could easily be turned off by the radio-ready soul funk of “Hold On”. Blackmore himself decried the funky direction of the band.
Here’s the good news: Whatever Deep Purple set their minds to, they could do. And they could do it well.
Blackmore may not have liked the album, and he did take a step back in the mix, (you can barely hear any guitar on “Hold On”). He could stilll adapt to and play any style. His playing here, while sparse, is sublime. Ian Paice takes to the funky rhythms very comfortably, laying down some excellent grooves. Jon Lord steps up to the forefront, supplying some excellent, funky keys.
There are a few songs that harken back to the past: “Stormbringer”, the title track, sounds as solid as any epic the band had ever composed. It could have been on Burn as easily as this record. In fact, it stands out as being out of place: As the opening track, fans must have been shocked and surprised when the rest of the album was so different.
Another song that has shades of older Purple is “The Gypsy”. It’s a slow mournful piece, perhaps akin to “Mistreated” from the previous album. The lyrics are uncharacteristically bleak.
One track showed an interesting glimpse of the future. “Soldier Of Fortune” is an acoustic track which forshadowed much of the music Blackmore would do with Rainbow, and even now with Blackmore’s Night. David Coverdale has performed it live with Whitesnake. I think it’s one of Richie Blackmore’s finest compositions.
Of the other tunes, “Love Don’t Mean A Thing” is one of the funkiest, and one of the most entertaining. It’s just fun to listen to. David and Glenn co-sing this one. Ritchie’s solo is very understated, but appropriate. Glenn takes his first solo lead vocal with Deep Purple on “Holy Man”, a soulful ballad. “You Can’t Do It Right” features probably the funkiest guitar work of Blackmore’s career. It’s fascinating to listen to, and the band really cooks on this one. It’s one of the most extreme experiments of this funky Purple period.
As with all the Purple reissues, this has been lovingly remastered. Finally you can discard your original CD, mastered for digital ages ago, but never really letting the subtleties of the music shine. Stormbringer, of all the Deep Purple albums, perhaps has more subtleties to hear due to the quieter nature of the music.
Bonus material? Oh yeah, there’s bonus material, in this case four remixes by Glenn Hughes. These remixes don’t replace the original songs, but they do act as a companion piece of sorts. Fresh light is shed on alternate takes incorporated into the mixes, and “Love Don’t Mean A Thing” is extended by over half a minute. “High Ball Shooter” is presented in an early instrumental form as well.
As an added bonus, a second disc has been included. The second disc, exclusive to this edition, is a DVD containing the original 1975 quadrophonic mix of Stormbringer! Nice. Apparently, this disc is to be a limited edition so get yours while you can. I liked quite a bit, myself. As with many quad mixes from the 70’s, the songs often bear noticeable differences from the originals. Quad was a gimmicky fad, by today’s standards, but listening to it with the benefit of hindsight is quite enjoyable.
Lastly, I must acknowledge the great liner notes. The most entertaining story included is in regards to “Love Don’t Mean A Thing.” While in Chicago, Ritchie ran across a street busker, who was snapping his fingers singing a song about money. Blackmore invited him onto Purple’s plane, collected Coverdale and Hughes, and jammed for 20 minutes with this guy who taught them the song and the lyrics. The band finished the song that became “Love Don’t Mean A Thing”, credited to the entire quintet, because nobody ever bothered to get the busker’s name.
Pick up Stormbringer in this 25th Anniversary Edition, and finally you can feel comfortable discarding your original.
5/5 stars for both the music, and the reissue!
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Part 189: Hiding the Music
RECORD STORE TALES Part 189: Hiding the Music
1985:
There was a group of kids on the street (Bob, myself, Rob Szabo, and Peter Coulliard) that were competing for a cassette copy of Kiss Alive II. There was only one copy that we knew of in town on cassette. Guys like Bob and Szabo would know that — they were older, had nice bikes, and probably had been checking all over town. The only copy we knew of was at a store called Hi-Way Market.
Other kids on the street such as George and Todd had the album on vinyl, but Bob and myself didn’t really have any decent equipment for playing records at the time. Cassette was portable, it was our primary medium in 1985. In 1985, you didn’t listen to “albums”, you listened to “tapes”. The cassette copy at Hi-Way Market was priced at $12.99. This was more expensive than most, because it was considered a “double album” even though it was still just one tape.
None of us had $12.99 plus tax right then, but Hi-Way Market had this tape we all wanted. Hi-Way Market was a great store. It had old creeky wooden floors. Downstairs were groceries and clothing. Upstairs, the greatest toy store in town. Every Christmas they did a giant Space Lego display. It was incredible. But off to the side of this store, up a narrow staircase, was a little record store. I bought my first Iron Maiden (Live After Death, on vinyl) there. (I think the deciding factor in buying the vinyl of that album was the massive booklet, a rarity in those days.)
Since none of us had the money, Peter Coulliard hid the copy of Alive II behind something else in the store. Something where no Kiss fan would ever look for it. Probably behind Duran Duran or Michael Jackson. This enabled Peter to have the edge when he finally did gather the necessary funds, thus edging Bob, Szabo and I out in the battle for Alive II.
1999:
These two kids kept coming into the store that were fascinated by my copy of Kiss’ Carnival of Souls. These were young kids…well, about the same age as Bob, Peter and I were back when we pulled this stuff. They did not have the $10.99 ($12.64 with tax) to purchase Carnival of Souls. We didn’t have the only copy they could find, but we did have the cheapest one. The mall stores were asking at least $20 for new copies.
So these kids came in day after day, week after week, moving Carnival of Souls. They continually got more creative with their hiding places. My job was to make sure the shelves were also straight and orderly, and when you’d find Kiss under Anne Murray, you’d put it back. When bosses found Kiss under Anne Murray they’d give you crap. So, much as I sympathized with the kids’ musical choice, they were grinding my gears as manager.
Finally I got fed up. I sent the CD to Trevor’s store with an explanation of why he had to keep it and sell it there. Then the two kids came in again.
“Hey, umm, do you have Kiss Carnival of Souls?” asked the first one.
“Nope, sold it yesterday,” I lied.
“Awwww…” said the second kid.
It had happened. I had become “the man”! I had lost sight of my old self. Didn’t I pull that “hide the album” stunt myself? In fact, didn’t I do it with GI Joe figures at Hi-Way Market? I did!
NEXT TIME ON RECORD STORE TALES…Early Birds.
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The Toronto Musical Collectibles Record & CD Sale
My thoughts are with those in Boston tonight.
Yesterday, T-Rev, Wes and I attended the The Toronto Musical Collectibles Record & CD Sale. T-Rev went specifically hoping to find Ogden’s Nut Gone Flake by the Small Faces, on vinyl, with the original round cover in displayable condition. He came home with that record for the price of $30.
I hit paydirt. I came with $200 and I left with $0 (there was a $5 entrance fee). I also left with seven (7!!!) Japanese import rock albums all with bonus tracks, five 12″ records, a 7″ single, and a rare book. Today I’ll show you the CDs, which I am most excited about! You can see the rest another day.
You can’t find Japanese imports anymore around here. And many of these are long out of print. I’ve been looking for the Pistols’ Filthy Lucre Live since 1996. Blackmore’s Rainbow is one that I’d seen before. The HMV store at Fairview Mall in Kitchener had one…in 1995. Rob Vuckovich used to try to goad me into buying it, but I couldn’t pay the $50 price tag for just one bonus track. $15 though? With obi strip intact? Hell yeah!
So here’s the list of Japanese imports and what I paid. I believe most of these have to be half of retail.
HAREM SCAREM – Live at the Gods. This is a Japanese exclusive live album. I paid $20, sealed.
SEX PISTOLS – Filthy Lucre Live. I’ve been waiting a long time. I love this album. Two bonus tracks: “Buddies” (“Bodies”) and “No Fun”.
SCORPIONS – Face the Heat. I paid $15, for 2 wimpy bonus tracks called “Kami O Shin Jiru” and “Daddy’s Girl”. Both are ballads, but for $15, no bother!
IAN GILLAN – Gillan’s Inn. This one was a bit more expensive: $30, because it had the DVD (that won’t play in this region). But it also has the bonus track “Eternity” that isn’t even on the Tour Edition.
CORROSION OF CONFORMITY – Wiseblood. I paid $20, has the bonus track “The Land of Free Disease”.
RAINBOW – Stranger In Us All. Bonus track: “Emotional Crime”. Paid $15.
WHITESNAKE – Good To Be Bad. Paid $20, sealed. Two bonus tracks: “All For Love (Alt mix/Doug solo)” and “Summer Rain (Unzipped)”.
Lotsa Beatles
Beatles pommade!?
Telly Savalis!
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REVIEW: The Tom Green Show – The Complete Series – Inside & Outside the Box (2005)
Thanks Dave FM for the chance to meet Tom Green!
TOM GREEN – Inside & Outside the Box – The Tom Green Show: The Complete Series (2005 VSC)
As longtime LeBrain readers know, I was named King of the 4-O’clock 4-Play by Craig Fee on Dave FM. I won a lot of stuff on that show. One of the best things I won was a pair of tickets to see Tom Green at Crysalids Theatre, 9/22/11 with my best buddy Peter. Tom was great, it was a celebration of the true spirit of stand-up comedy and he stuck around to take photos and sign stuff with everybody afterward. I don’t think Tom Green gets enough respect for being an innovator as a comedian. That’s why I felt inspired enough to write this review.
The most important thing to know about Tom Green: MTV ruined Tom Green! The MTV years, although peppered with some genius sketches such as “Undercutter’s Pizza”, was not at all what the original Tom Green Show was about.
This 3 disc set comprises Tom Green’s entire Comedy Network shows. In other words, the good stuff. The weird stuff. The offensive stuff. The stuff that Jackass ended up ripping off (particularly Bam Margera). Best of all though, this is the pre-fame stuff. Tom Green could still run around downtown Ottawa without people knowing it was for a TV show.
You will see herein:
* Tom throwing all of Glenn Humplik’s clothes out of a plane in an evil double-cross.
* Tom burning Glenn’s shirt.
* Will Ferrell proclaiming that he hates Glenn and wants to punch him.
* Tom turning grape juice into pee (for science)!
* The dead raccoon.
* Tom demonstrating how a bus cannot move if you place your face on the bus.
* Repainting his dad’s car with a huge portrait of two naked women (the “slutmobile”).
* “Scuba Hood”. He robs from the poor (fountains in malls, apparently) and gives to the rich (banks).
* Hanging his painting, “Tiger Zebra”, in the Ottawa Art Gallery, and then defacing it.
* and much, much more….
What you won’t see:
* You won’t see any bums on Swedishes. That’s MTV stuff and not even half as good as this earlier stuff.
What I still like about the Tom Green show is that it is seldom mean spirited. He picks on his friend Glenn a lot, which I can’t help but think that Kenny Hotz ripped off later on. Everything else was done in this pseudo-naive childish fashion, and that is why I can watch The Tom Green Show over a decade later and laugh like the first time I saw it. This DVD for me has rendered obselete all of his old VHS tapes that I collected religiously. That stuff is on here, and it’s as fresh as ever.
I wonder whatever happened to Glenn’s clothes?
5/5 stars
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REVIEW: Ozzy Osbourne – iTunes Festival London 2010 / “How?” (iTunes exclusives)
Today, T-Rev, Wes and I are attending The Toronto Musical Collectibles Record & CD Sale in Mississauga, Ontario. Wish us luck in our musical quests! For today, an Ozzy rarities review.
OZZY OZBOURNE – iTunes Festival 2010 (iTunes exclusive EP)
Jesus Murphy! How much live product does Ozzy need? Remember back in the 80’s when he used to moan and moan about record companies who wanted to release live stuff with his hits and Sabbath tunes? Well, for a guy who complained about it, he sure didn’t break the cycle.
This is Ozzy’s third live EP (after Live E.P. and Just Say Ozzy). For those keeping score, Ozzy also has four full length or double live albums, a live bonus disc to the Diary of a Madman album, and several live bonus tracks. But who’s keeping track? I guess it’s kind of cool that this EP was released three days after it was recorded on July 3, 2010…if you were there…or even knew it was happening…I guess.
Anyway this live EP was cool at least because it was the first live product available with Ozzy’s new guitar wizard Gus G. The band was rounded out by Blasko (bass), Tommy Clufetos (drums) and Adam Wakeman (keys). Hmm, didn’t two of those guys also play on the last Black Sabbath tour?
It’s entertaining enough, but any Ozzy live product in the last 20 years has felt like “just another live album” to me. Even with the new lineup on this one, I can’t feel too excited. At least I got one song that I didn’t have any live versions of: the new “Let Me Hear You Scream”. Oh, wait, hold on — another live version was on the Scream tour edition that was released a few months later! Jesus! This iTunes version sound like it has loads of taped backing vocals. Too bad.
“Mr. Crowley” is next, a fine version, nothing wrong with it, after all these years nothing can compete with the version on Randy Rhoads Tribute. Gus G plays the solo pretty much perfectly, but something’s missing. Maybe it’s that the song is tuned down for Ozzy’s voice. Ozzy reminds us that he wants to see “some fuckin’ hands”. Another Blizzard of Ozz track follows, “I Don’t Know”. Gus G gets to do some more original shredding here, as he puts his own spin on an Ozzy classic. This guy will be a guitarist to watch, as he grows.
“Suicide Solution” is the third of three tracks from Blizzard. I think it’s a shame that Ozzy keeps playing the oldies while leaving more recent songs behind him. On this EP, only “Let Me Hear You Scream” is newer than 1991. I for one would probably poop if I got to hear something like “Perry Mason” or “Trap Door”. At least Gus G breaks the world landspeed record with his solo.
One song I never liked, ever, is “I Don’t Want to Change the World” from No More Tears. This is the fifth version I own now. It’s just…I dunno…I hate the chorus. It’s too pop for Ozzy. It’s like Bon Ozzy, or something. Ozz Jovi.
My favourite track is last: “War Pigs”. Even though “War Pigs” is on pretty much every Ozzy live album ever made, this version is one of the most fun! I just love when Ozzy tells the audience this:
“Clap your fuckin’ hands, come on you fuckin’ assholes!”
That is just hilarious! I always laugh. When I put this song on mix discs, I always label it “War Pigs (‘You fuckin’ assholes’ version)”.
OZZY OZBOURNE – “How?” (2010 iTunes single)
The last thing I want to talk about is Ozzy’s studio version of John Lennon’s “How?”. This is also an iTunes exclusive, released in October 2010, shortly after the EP. It was released on what would have been Lennon’s 70th birthday, with the proceeds going to Amnesty International.
Causes and good intentions aside, I think this version is just as crappy as anything on Ozzy’s dreadful Under Cover CD. This is just…dull, boring, and not good. I don’t know who played on it or produced it because there are no credits. (Physical product! This is why I care!)
iTunes Festival London 2010: 2.5/5 stars
“How?”: 1/5 stars
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