Reviews

REVIEW: Jethro Tull โ€“ Too Old to Rock โ€˜nโ€™ Roll: Too Young to Die! (TV special edition – 2CD/2DVD set)

JETHRO TULL โ€“ย Too Old to Rock โ€˜nโ€™ Roll: Too Young to Die! (1976, 2015 Chrysalis TV Special edition 2CD/2DVD)

I foresee a future time, when every man woman and childย will be able to buy deluxe multi-disc box sets of just about every album ever made. ย While old geezers with greying beards will sit back in a rocking chair (a hovering one, no doubt) listening to multi-track backing tapes for every single Poison CD, our children will be able to do the same with a comprehensive book-box version of the NSync debut album. ย It’s going to happen eventually, so we may as well get good albums like Tull’sย Too Old to Rock โ€˜nโ€™ Roll: Too Young to Die! in box set form while the concept still has validity.

Of course this isn’t the first Jethro Tull album to get this kind of treatment. ย A super deluxe Aqualung was a fairly recent release, and I received Benefit myself for Christmas last year. ย The bold four-colour album cover forย Too Old to Rock โ€˜nโ€™ Roll makes for a splendid book-form box with plastic CD trays inside. ย An absolutely massive (80 page) full colour booklet awaits you inside. ย Rare photos are the norm of course, but a features such as “From Carmen to Tullman” about the late John Glascock are valuable reads. ย Detailed liner notes will help you make sense of the track listing, and the multiple versions of each song included. ย Almost all of this material is rare, previously unreleased, or newly mixed material by studio wizard Steve Wilson.

IMG_20151227_162750

Scan_20151229First of all, I was not aware that all ofย Too Old to Rock โ€˜nโ€™ Roll was re-recorded for a UK television special, included here on DVD. ย Anderson had a theatrical presentation in mind, so playing live wasn’t of interest to him. ย But, apparently due to British law, the LPย Too Old to Rock โ€˜nโ€™ Roll could not be used for backing music on a “live” TV special. ย Anderson’s vision seemed to involve the band miming to the album while pulling amusing faces and occasionally acting out the lyrics. ย In order to mime and do it legally, brand new recordings of every song had to be made! ย In fact the band painstakingly took great care in recreating the album, although there are also obvious differences. ย For the DVD and CD, these tracks been newly mixed and are available for the first time. ย CD 1 contains the standard stereo mix of the re-recorded album. ย DVD 1 has the special in both stereo and 5.1 surround.

The original album was also meant to be remixed top to bottom in 5.1 by Wilson. ย  This was not possible, because the original multi-track tapes survived for only five songs, almost the whole second side: ย “From a Dead Beat to an Old Greaser”, “Bad Eyed and Loveless”, “Big Dipper”, “Too Old to Rock ‘n’ Roll”, and “The Chequered Flag”. ย Tull’s semi-acoustic nature lends itself well to a good 5.1 mix. ย The audio field is filled out, but not to excess. ย It’s a good balance and the tracks included in 5.1 shine with fresh light. ย Do not be surprised to hear parts you didn’t hear before.

The bonus associated tracks are a light collection of rare Tull. ย The two bonus tracks from the prior 2002 remaster, “One Brown Mouse” and “A Small Cigar” are included here unaltered on CD 2, or on losslessย 96/24 stereo PCM on DVD 2. ย The unreleased tracks are excellent. ย “Salamander’s Rag Time” sounds like the Jethro Tull collaborating with the Beatles via “A Day in the Life”. ย Meanwhile, “Commercial Traveller” is a lushly arranged and recorded ode to the road with full strings and Martin Barre guitar blazes. ย “Strip Cartoon” also has quaint Beatles-isms though it is really just a bright Tull acoustic jaunt. ย An incredible instrumental take of “Salamander” is pure delight, hearing it ring in live perfection. ย There is also a bare acoustic version of “A Small Cigar”, and earlier versions of “Quiz Kid” and the title track. ย As always, these are available on both the CDs and DVDs. ย Four of these (“Salamander’s Rag Time”, “Commercial Traveller”, “Strip Cartoon” and the acoustic “Small Cigar”) can be heard in 5.1, again mixed by Wilson. ย Expect the same level of lushness and quality as the album tracks, although with the acoustic arrangements, it’s more about the spaces between.

One of the great advantages of the DVD format is the ability to re-release classic Quadrophonic mixes for modern audio systems. ย Like many rock bands (and especially progressive rock bands) of the early 1970’s, Jethro Tull releasedย Too Old to Rock โ€˜nโ€™ Roll in Quad. ย That long unavailable version is right here in 4.0, on DVD 2. ย It’s certainly an interesting animal. ย Where Steven Wilson’s 5.1 mixes envelope the listener in clouds of Tull music, the Quad mixes things hard into individual channels. ย It’s an interesting experience. ย The vocals are mostly on the right, the flute behind, and the other instruments tucked into their corners. ย If you want to hear it as if the music is coming from four separate corners of the room, then this Quad mix is that exactly. ย There is something to be said for this, because you can clearly hear each instrument isolated, and easy to study. ย You can easily lose yourself in a particular part of the mix, which is the benefitย andย weakness of the format. ย Regardless, the classic 1976 Quad mix has parts you won’t hear elsewhere, and it’s available again, and that is a good thing.

With all this talk of extras and remixes and surround sound, the original album is almost overlooked! ย Fear not. ย A bit like an afterthought, the original, stereo, classicย Too Old to Rock โ€˜nโ€™ Roll: Too Young to Die! is here, as the final 11 songs on CD 2. ย Even the Benefit super deluxe box set didn’t include the original album on CD. ย If you prefer lossless stereo, it’s there on DVD, too.

What of the original album, then? ย Well, I reviewed that in 2012, and you can read all about it here. ย  A brief summary:


 

SAM_1882Like many Tull albums from the mid-70โ€™s, thereโ€™s plenty of acoustics to go around accompanied by lovely flute passages and complex drum patterns. ย Thereโ€™s also some horns and orchestration courtesy of David Palmer (not yet a full member of the band). ย Personal highlights:

  • โ€œSalamanderโ€, a folksy number with intricate acoustics.
  • The harmonica riffing of โ€œTaxi Grabโ€,ย reminiscentย of an earlier bluesier Jethro Tull. ย The guitar soloing (both electric and acoustic) is also divine.
  • โ€œBig Dipperโ€, a playful yet complex number with plenty of flute and a fun chorus.
  • The masterpiece title track (obviously), lush with ochestration.
  • โ€œPied Piperโ€, one of the most obviously catchy songs on the whole album, albeit still complex with multiple parts and section.
  • The final track of the album, a slow but dramatic grandiose number called โ€œThe Chequered Flag (Dead or Alive)โ€.

 

Too old to rock ‘n’ roll? ย Never. ย Buy this for the grandpa on your lists.

4/5 stars

REVIEW: Star Wars: The Force Awakens soundtrack [spoiler free]

NEW RELEASE – SPOILER FREE

Scan_20160103 (8)STAR WARS: The Force Awakensย original motion picture soundtrackย (2015 Lucasfilm/Disney)

After seeing The Force Awakens on December 18, my radio pal Rob Danielsย who had not seen it yet asked me, “How was it, seeing a Star Wars movie without the 20th Century Fox logo and fanfare at the start?”

It was strange. ย Not unexpected of course; we all know the reason there is an Episode VII today is because Lucasfilm sold Star Wars to Disney. ย The old 20th Century Fox fanfare does not commence the soundtrack, which instead begins with the main Star Wars title theme. ย This quiets and slows, as the covert start to the movie begins.

“The Scavenger” introduces the character of Rey. ย Add this to yet another intriguing piece of character music from the mind of John Williams. ย “The Scavenger” is unlike any of the other Star Warsย cues; it’s brand new, just like the character of Rey. ย I get goosebumps hearing it again, such is the power and identity of the score. ย It also has the tone to connect this new chapter to the other instalments of the saga. ย This is only a brief respite. ย Much like the movie itself, the action resumes shortly. ย The title “I Can Fly Anything” suggests you should fasten your seatbelts for this cue!* ย Williams allows you to close your eyes and picture the flurry yourself. ย He always has; that’s his magic. ย As kids, we would drop the needle onย the soundtrack to The Empire Strikes Back while navigating an asteroid field with our Kenner Millenium Falcons. ย Or, you would flip the pages of your Marvel Star Wars comic movie adaptations, while listening to those records. ย The experience still works today. ย Through the drama and occasional quiet moments of reflection,ย you will notice callbacks to cuesย from the classic trilogy — “The Falcon”, or “Han and Leia” for example. ย These pieces of music are warmly remembered.

When the soundtrack to The Phantom Menace was released in 1999, the track “Duel of the Fates” became a bit of a hit single. ย There is no “Duel of the Fates” here, but “Rey’s Theme” serves well as the memorable track this time out. ย With more subtlety (and perhaps even femininity?), “Rey’s Theme” is a new kind of Star Wars music. ย I have high hopes that the character and story arc will unfold in a way just as emotional and satisfying as her theme music. ย Star Wars deserves to have characters that you can invest your emotions in. ย With the prequel trilogy, I could never feel much for Anakin Skywalker. ย You always knew that no matter what happened in the prequels, he’s just going to end up in the black suit and blowing up Aldaraan. ย Rey’s future is unwritten. ย Having a strong theme will help her character going forward.

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Vintage Star Wars fun can be had on the tension-packed tracks “The Rathtars!”, and “Kylo Ren Arrives”. ย Somber beauty is “The Starkiller”, ironic considering the scene in question. ย For deeper listening, check out the tracks “Maz’s Counsel” and “Snoke”. ย Perhaps there are musical clues buried in these pieces to help us identify who some of these characters may be?

The soundtrack is a wild ride like the movie from which it came, picking up suspense as it nears the end. ย The less said about the last few tracks on the CD the better, except to mentionย that Williams continues to forge new ground for Star Wars right to the finale. ย With passion and precision, every track is the perfect accompaniment.

My only disappointment, although not unexpected since this is only a single CD release, is that some music is naturally omitted. ย The one track I wish was available is the neat rasta-space-blues song playing when our heroes arrives at Maz Kanata’s tavern. ย It’s the “Cantina Band” or “Lapti Nek” of the movie, but it’s not on the CD. ย There are whispers that a 2 CD deluxe edition is forthcoming this year.

5/5 stars

* The Millenium Falcon has seatbelts, but the USS Enterprise does not. ย Discuss!

REVIEW: Deep Purple – Long Beach 1971 (2015)

DEEP PURPLE – Long Beach 1971 (2015 Edel)

This CD is over 70 minutes long. ย It has four tracks. ย The shortest one is 11:05. ย The longest is 27:18. ย We just needed to be upfront with you, about what you are about to read, in case you felt like turning back now. ย This would be the time to do so.

Still with us? ย Great!

This live album was recorded during a period in Deep Purple where their setlist was in a state of flux. ย Their first heavy rock album and first serious bonafide smash hit, Deep Purple In Rock, was still dominating the set. ย The mid-term single, “Strange King of Woman”, had been included on the new album Fireball in the US, but it’s the only new song here. ย Even though the showย was well recorded for radio, this set has never been released before officially.

A energetically ragged “Speed King” opens affairs. ย “A Speed King is somebody who moves very quickly from one place to another, and always gets there first,” says Ian Gillan during the long middle solo section. ย When it’s Blackmore’s turn to play, he’s smooth with just enough rough edges. ย Everybody shines; live in 1971, Deep Purple were a well-oiled machine running on the fuel of pure creativity. ย Ian and the others liked to have a drink now and then, but they were never a drug band until other members joined and brought their troubles with them. ย When a band as talented and unfettered and uninhibited by chemicals hit the stage, this is what can happen. ย “Speed King” is a mind-breakingly enjoyable version, both in spite of and because of its length!

The new single goes down a storm, and Blackmore’s solo is inspired. ย Then “Child in Time”, the old standby since late ’69, begins delicately with Ian in prime voice. ย Deep Purple at full power doing “Child in Time” complete with screams? ย Jazzy shuffle right in the middle? ย Always nice to have. ย The last half-hour of the set is dedicated to “Mandrake Root”, an unremarkable song from the first LP that operated in concert as the forum for their “big” jam, the one that descends into madness and chaos by the end. ย Brilliant stuff, but a bit much for those who just wanna rock.

If four songs loaded with solos are not your cup of java, that’s fine. ย There are plenty more Deep Purple live albums to be had. ย In the 80’s, the soloing was de-emphasized in favour of playing more songs. ย Those albums, featuring the exact same lineup, may be more your speed if this doesn’t sound like your kinda deal.

3.5/5 stars

Blu-ray REVIEW: Ted 2 (2015)

TED 2 (2015 Universal)

Directed by Seth McFarlane

What happens when you let a bunch of now-grown Star Trek nerds from the 80’s make a movie? Apparently, they make Ted. ย If you let ’em do it twice, you get Ted 2.

I really don’t know how this works, but Ted 2 provides ample proof of its own Trek-nerdiness. ย Forget the fact that the climax takes place at New York Comic-Con. ย Do you realize how many Trek actors appear in Ted 2?

  • Patrick Stewart (Jean-Luc Picard), as he was in the first Ted, is the narrator. ย (Don’t forget he is also currently CIA Deputy Director Bulloch on Seth McFarlane’s American Dad!ย )
  • Nana Visitor, better known as Major Kira Nerys on Star Trek: Deep Space Nine, is anย underrated performer with a good role here. ย She still looks amazing.
  • LeVar Burton (Geordie LaForge) appears in a brief clip from Rootsย as Kunta Kinte, but I’m still counting it.
  • Pushing it here, but Ron Canada (from Canada!), who plays the judge in Ted 2,ย did guest shots on three different Star Trek series.
  • Best of all is Michael Dorn (Lt. Worf) as Rick; gay lover to Patrick Warburton’s Guy. ย Took me a while to pick up on the fact that it was Michael Dorn. ย Only when he showed up in uniformย at Comic-Con did it sink in!
Dorn and Warburton as...well, you know who.

Dorn and Warburton as…well, you know who.

So: McFarlane likes Star Trek. ย That’s obvious. ย He likes a lot of stuff, and Ted 2 is less a story than a running series of references to other movies. ย From Jurassic Park to the cheesy ending to Contact, these characters walk and talk quoting movies all the friggin’ time. ย It’s all they do! ย One thing you will see and hear less of going forward: ย Star Wars in any McFarlane production. ย According to the audio commentary, the friendly relationship that Seth used to have with Lucasfilm has vanished since they were sold, and Disney have made it pretty clear that further collaborations will not be happening. ย So you can kiss the idea of a Family Guy: The Force Awakens goodbye.

Unfortunately, characters that quote stuff is as deep as it gets. ย Mark Wahlberg’s Johnny has divorced Mila Kunis, because she was trying to change him too much. ย Well, yeah…that was the whole plot of Ted 1. ย Wahlberg wanted to grow up and marry Mila. ย Now he decides that’s actually not what he wanted, after fighting for it so hard in the first movie. ย In Ted 2, we see Marky Mark hanging around with Ted a lot, and we see him getting into plenty of hijacks, but Mark Wahlberg is little more than a non-character sidekick in this one. ย Ted is Ted; a foul-mouthed Peter Griffin who gets away with it by being a teddy bear. ย Newcomer Amanda Seyfried steals the movie with her likeable lawyer character, Sam L. Jackson. ย And yes, she has not heard of the actor Samuel L. Jackson, nor does she pick up on any of Ted and Johnny’s movie quotes, and that’s the driving force of the trio’s interactions. ย Seyfried is a wonderfully talented actress with a very expressive face, and she easily outclasses everyone she’s in a scene with (except obviously Morgan Freeman). ย To her credit she’s a good sport about her famous large blue eyes. ย They are the butt of a few jokes in the movie — the best ones actually. ย Seyfried is obviously a good shit and I bet she’s fun to have a beer with. ย She also gets to sing, and that award-winning voice performs the original theme song “Mean Ol’ Moon”.

The plot, such as it is, was inspired by the Star Trek: The Next Generation episode “The Measure of a Man”; I shit you not. ย This is even acknowledged by McFarlane in the commentary. ย Ted and Tami-Lynn (Jessica Barth) have been married a while but it’s not working out. ย So, they do what every struggling couple in America does to heal their relationship: ย have a kid. ย At first, you think the movie will be about Ted and Marky Mark getting into hijinks and capers, trying to steal donor sperm from demigods like Tom Brady. ย  Then it awkwardly shifts to a legal slant, with Ted having to prove he is a person and not property in a court, just like Lt. Data did in Star Trek. ย Data had Captain Picardย to defendย him, and McFarlane says that Amanda Seyfriend’s opening comments in the courtroom sceneย were inspired by Picard’s.

In Star Trek, if Data were declared to be property, then Starfleet could have cut him open to mass produceย intelligent androids to serve as a working class. ย In Ted 2, Giovanni Ribisi’s evil Donny wants to do something similar. ย He convinces Hasbro that they can take Ted, and cut him open to see what makes him tick, and repeat the magic. ย Billions of dollars would be made. ย All this hinges on him being declared property in court. ย There would be few repercussions for Hasbro to steal a teddy bear, compared to a person, toย dissect it!

You have to give McFarlane credit for a greatย Mel Brooks-inspired opening musical number, and a brawl finale. ย You have to admire Amanda Seyfried’s abilities, and Pantene Pro V-perfect hair. ย Otherwise Ted 2 is a lazy retread. ย I don’t mean “lazy” in the sense that it wasn’t hard work. ย It clearly was hard work making this movie, doing the perfect CG bear and motion capture. ย The reason we don’t talk about the bear much is that he seems perfectly real at all times. ย No, I mean “lazy” in the writing. ย There are plenty of funny jokes, situations, and lines. ย There are no characters we care or even know much about. ย How did Seyfried’s Sam, age 26, become a lawyer who can play guitar and sing better than 95% of the ladies currently in the top 40, all while suffering debilitating migraines that require her to constantly smoke marijuana? ย How??? ย It’s hard to get involved in the characters when they’re so obviously not human, and I’m not referring to Ted! ย How does Marky Mark support himself? ย Does he still have a job? ย We never see him at work.

Best gag: ย A Liam Neeson cameo. ย Stay tuned for the post credit scene.

Special features: ย Unrated version of the movie, audio commentary, gag real, deleted scenes (mostly alternate lines from scenes in the movie), and plenty of making-of featurettes. ย The “Creating Comic-Con” feature was interesting, from a Trek nerd point of view. ย Check out how they made that giant starship Enterprise that hangs from the ceiling. ย It’s just based on a model that McFarlane had on his desk!

Blu-ray annoyance: ย These text info-boxes advertising other movies pop up on every menu, unless you specifically look for the setting that turns them off. ย That’s…mildly vexatious.

Stupid infobox.

Stupid infobox.

Joke tagline: Ted 2ย –ย more of the same, but now with Seyfried! ย Whose last name I can now pronounce correctly, thanks to the commentary.

3/5 stars

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REVIEW: The Darkness – Last of Our Kind (Christmas deluxe edition)

NEW RELEASE

Last review before Christmas!


 

Scan_20151221THE DARKNESS – Last of Our Kind (2015 Canary Dwarf deluxe holiday edition)

If there is one thing we collectors hate, it’s buying a rare collectible version of an album, only to see it reissued later with more tracks! ย I waited ages to get the Japaneseย printingย of the brand-new Darkness album Last of Our Kind, featuring two bonus tracks. ย Now, just in time for Christmas, the Darkness have released a seasonal deluxe edition, with four bonus tracks this time,ย and special packaging that looks like Darkness wrapping paper being torn open to reveal the CDย inside. ย Even so, I had to order this CD in from Europe.

This counts as your annual seasonal content here at mikeladano.com, and it’s myย only seasonal content this year! ย Humbug. ย Unusually for a seasonal post, this one is 100% rock!

Buying the album twice hurt a little bit less because it’s really, really good. ย The Darkness have quality standards, and they have not dropped between albums. ย They also had a new member, the talented drummer Emily Dolan Davies, who sadly couldn’t stick around and has since been replaced by Rufus Tiger Taylor, son of Queen sticksman Roger Taylor. ย Emily plays on all tracks herein, and she does so seamlessly. ย On first spinย it would be hard to tell that original drummer Eddie Graham wasn’t around anymore.

Laden with the screams of flighting Vikings, “Barbarian” opens the album heavier than expected. ย “Barbarian” storms the gates, leaving trails of blood behind it, but fear not! ย “Open Fire” is fast n’ catchy hard rock n’ roll, the way the Darkness has always done it. ย The high vocals are toned down, with Justin Hawkins singing in his normal voice for most of it. ย His throat has acquired a little bit of grit to it (light sandpaper only) which he uses effectively on “Open Fire”, which would have been a hit had it come out 10 years ago.

The very best track on the album is #3, the title track, boasting one of those Darkness choruses that has become their trademark and strength. ย “Last of Our Kind” rings down as the highlight album and indeed one of the best songs to come out in 2015. ย Just like he did in the days of yore, Justin lets his voice rip, while laying down Lizzy-like guitar harmonies with his brother Dan. ย If singles were a still a thing, this would beย the one. ย You’ll notice how Davies accents the song on drums the way Ed Graham used to. ย She doesn’t overplay, but she punctuates it where it has to be.

Rather than having used up all their ammunition on these first three great tracks, The Darkness have plenty more shells in the belt. ย “Roaring Waters” is a mid-tempo groove, and almost lacklustreย except for that slippery Hawkins riff. ย  Then you need a ballad, so you get a ballad: “Wheels of the Machine”. ย It’s not as pompous as “Love is Only a Feeling”, but still has the golden Justin voice that makes their ballads either unique or unpalatable, depending on your tastes. ย I say, turn it up. ย You’ll especially want it loud on “Mighty Wings”, which has a neat spacey 80’s sci-fi keyboard intro. ย Don’t be mistaken, for “Mighty Wings” rocks with a groove so chunky that neck strain is a real danger.

“This ain’t no double entendre. ย This ain’t no euphemism. ย This is real life.” ย Well hey, a mudslide is a weird subject for a song, but that’s what “Mudslide” appears to be about! ย “It’s a fuckin’ mudslide!” says Justin, to reiterate his point, after lamenting the loss of his “dear beloved gazebo” in the natural disaster. ย Fortunately, this song kicks lots and lots of ass. ย I wonder how many song lyrics reference a gazebo? ย “Sarah O’Sarah” has a vaguely celtic feel due to the mandolin. ย It’s an album highlight, sounding much like the Darkness’ second LP, One Way Ticket. ย Davies proves her mettle on the chorus section, a gallop of percussion that frankly Eddie Graham didn’t seem to have the chops to do. ย “Hammer & Tongs” shares its pop-chorus bent, but has some juicy slide guitar backing it up. ย There is even a slight Stones vibe in the gee-tars. ย The proper album ends on “Conquerors”, a ballad that serves as the dramatic pompous outro, featuring Dan Hawkins taking the lead vocals.

This deluxe CD continues on, with four bonus tracks, the first two of which are also on the pricier Japanese import version. ย “Messenger” and “Always Had the Blues” are fine as bonus tracks, with “Messenger” being album quality (and then some). ย Lush vocals from the back create swirls of melody that stick in your ear like gum in your hair! ย The real gem among the bonus tracks is the newbie “Million Dollar Strong”, which has a sweet 80’s riff (think Dokken) and a horn section for added oomph! ย The fourth track is their second Christmas single, “I Am Santa”. ย With an obvious “Do They Know It’s Christmas” bassline and beat, plenty of folks will find a nostalgic glow on this one. ย I especially like the line referencing “Ferrero Rocher”, a candy I always look forward to every Christmas. ย Like the chocolates, “I Am Santa” is sweet and delightful.

My only disappointment: ย 2013’s non-album single “The Horn” was not included as a bonus track. ย That leaves it frustratingly unreleased on a physical format.

4.5/5 stars

Japanese version:

Merry Christmas, and stay safe!

REVIEW: Poison – Look What the Cat Dragged In (remaster)

POISON – Look What the Cat Dragged In (1986, 2006 Capitol remaster)

I remember seeing this album in the racks of our local Zellers store. ย I didn’t know the band. ย I thought CC Deville was pretty cute.

Taking the gender-bending makeup of the mid-80โ€™s to its logical end point, Poison stormed out of Hollywood and onto the charts.ย  They did this with a handful of great singles, including โ€œTalk Dirty to Meโ€, โ€œCry Toughโ€, and โ€œI Wonโ€™t Forget Youโ€.ย  Also huge, but barely tolerable as a song, was the singalong โ€œI Want Actionโ€.

Bass "rapin'?" Good god!

Bass “rapin’?” Good god!

Armed with just $23,000, Poison recorded Look What the Cat Dragged In with producer Ric Browde (Ted Nugent, W.A.S.P.) in less than two weeks.ย  What they emerged with was a fun, raunchy and terrible sounding album with some big hits and plenty of filler.

โ€œCry Toughโ€ was a tight little opener, a hot and bright rocker about going out and givinโ€™ er.ย  โ€œYou gotta cry tough, out on the streets, to make your dreams happen!โ€ sings Bret Michaels in full-on cheerleader mode.ย  Unfortunately the sonics of the album leave much to be desired.ย  The guitar, drum and vocal sounds are demo quality at best, but thatโ€™s what you get for $23,000 and Ric Browde.

The other singles were all huge.ย  โ€œTalk Dirty to Meโ€ is now minor staple, and โ€œI Want Actionโ€ (annoying as it is) is another.ย  The ballad โ€œI Wonโ€™t Forget Youโ€ is an album highlight, well before Bret & co. had mastered the art of writing hit ballads.ย  Low key, basic and electric, โ€œI Wonโ€™t Forget Youโ€ is very different from โ€œEvery Roseโ€ and some of the later broken-hearted Poison love songs. Paul Stanley has a cameo in the road-ready music video, which didn’t hurt.

That leaves a hell of a lot of room for filler, and Look What the Cat Dragged In has plenty.ย  Of the album tracks, the decent ones include the saucy glam-slam rawking title track, and another song called โ€œWant Some, Need Someโ€.ย  Both tunes could have used some last-minute tightening up, but neither are as bad as the dreck on the tail end of the album:ย  โ€œ#1 Bad Boyโ€, โ€œBlame it on Youโ€ and the horrid โ€œMama Let Me Go to the Showโ€ all suck absolutely.ย  โ€œPlay Dirtyโ€ on side one is also pretty awful.

Even with the quality issues in sound and songwriting, Look What the Cat Dragged In sold over 3,000,000 copies.ย  20 years later, it was given a fresh remastering and three bonus tracks.ย  The remastering could not fix the audio issues, but the bonus tracks are pretty good.ย  Single remixes of โ€œI Want Actionโ€ and โ€œI Wonโ€™t Forget Youโ€ are marginally better than the original album tracks.ย  Somebody realized that they were sonically deficient, and the remixes help a teeny tiny bit.ย  Then Jim Croceโ€™s โ€œYou Donโ€™t Mess Around With Jimโ€ is added to the end, a song that got more exposure on the covers album Poisonโ€™d!ย  The bonus tracks go a long way towards making the album a little more listenable from start to end.

2/5
stars

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REVIEW: KISS – Greatest Live Hits (2015)

NEW RELEASE

Scan_20151212 (2)KISS – Greatest Live Hits (2015 Concert Live limited edition)

“What’s this?”, you ask with scorn. ย “Just another Kiss hits/live thing, is it?”

Yes and no.

Concert Live is a great companyย that records and releases “instant live” albums from major artists like Kiss and Alice Cooper among many. ย You can buy them immediately after the concert, or online as I have. ย Kiss have a lot of Concert Live releases. ย I have three, all from the Sonic Boom tour: ย Montreal, Saskatoon, and Atlanta. ย They are live, not overdubbed, raw and real. ย And expensive! ย So when Concert Live announced they were releasing a Greatest Live Hits CD from these concerts, I clicked the “add to cart” button immediately. ย The original order claimed there were only 200 copies available, but you can now get it from Concert Live as a part of a multi-album box set.

This 2 disc collection has all the classic hits (nothing more recent than ’83) from a variety shows from different nations. ย There are three tracks of Kiss from the Download Festival, in 2008. ย Paul’s voice is surprisingly strong, and the reason why is because they are from seven years ago. ย There is no booklet with details, so only the location of the recordings is obvious from the packaging. ย It is true that Eric Singer covers for Paul when his voice cracks or he cannot hit the note anymore. ย Concert Live seemed to focus on the best versions they could find of these particular tracks, so you get a high ratio of good-to-bad Paul performances.

Below are the recording details, courtesy of rock journalist Mitch Lafon. ย He suggests re-ordering the tunes to create an actual Kiss setlist.

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At this stage, with so many Kiss live packages on the market, there’s no point in discussing specifics. ย The recordings sound as you have come to expect from Concert Live. ย Warts and all, but with sonic care and clarity, these are true live albums. ย When Gene has to suddenly sing in a lower key in “Rock and Roll all Night”, that’s in there. ย This is the kind of thing that drives casual music fans up the wall. ย I actually know people who can’t stand live music because of such realities. ย I find it hard to understand because that is a real moment captured in time, and it’s just a moment. ย The song does not derail and Gene soon returns to the original key.

Random observations:

1. When “Strutter” begins, the first second sounds uncannily like “Hide Your Heart” and it always takes me by surprise!

2. It’s nice to get “Rock and Roll all Night” out of the way early, but “I Love It Loud” as a closer? ย That’s a weird way to end an album: on a sluggish, way overplayed note!

3. On “Let Me Go Rock and Roll”, Eric Singer tries to do his version of Peter Criss’s shtick, talking to the crowd in the cool-cat voice. ย Unfortunately I find this to sound contrived and awkward for the new Cat Man, Eric.

4. Tommy Thayer haters can suck it. ย He’s playing the styleย Paul and Gene want him to play, and he does his job perfectly. ย This is the Kiss sound they have gone for, a classic Frehley guitar sound, and Tommy Thayer’s the man for that job so long as the Ace Man isn’t.

I was pleasantly surprised by the overall quality of this disc. ย A few more concert details would have been nice, and some of the edits between tracks aren’t so great, but this is a worthwhile buy for any fan of the present day Kiss!

 

3.5/5 stars

MOVIE REVIEW: Star Wars: The Force Awakens [Spoiler-free]

NEW RELEASE – SPOILER FREE ZONE!

Star_Wars_The_Force_Awakens_Theatrical_PosterSTAR WARS: THE FORCE AWAKENS (2015)

Directed by JJ Abrams

“Faster, more intense!”

15 minutes ago, I was sitting in my theater seats. ย That’s how fresh this review is!

As mentioned in this morning’s post, Star Wars Episode VII is the movie I really wanted to see, ever since 1983. ย We didn’t care about backstory, we didn’t want to see prequels. ย All we cared about was “What happens next? ย What happens to Han, Luke and Leia?” ย That’s one reason Timothy Zahn’s written sequel, the “Thrawn Trilogy”, was so well received by fans worldwide. ย But that’s just a book — what really happens after the second Death Star is destroyed?

Now I know, and I am not disappointed.

Director JJ Abrams has re-captured the magic. ย The lived-in universe is back. ย The wooden, stiff dialogue and exposition are gone. ย The new quartet of leads (Adam Driver, John Boyega, Oscar Isaac, and especially the impressive Daisy Ridley) are everything we wanted out of a new generation of Star Wars heroes and villains. ย They will now join the pantheon of characters that live on in our hearts. ย The camaraderie and friendships that were never believable in the prequels have finally come back to life. ย Without the misguided hands of George Lucas at the tiller, the Star Wars sequel trilogy has begun anew, with life.

Rey is a scavenger on the desert planet of Jakku. ย The parallel here to Tattooine is unmistakable and obviously intentional, but Jakku has its own charm by being strewn with original trilogy space junk. ย In fact, the whole movie is littered with original trilogy callbacks, from certain objects on a familiar starship,ย to the overall look and deco of the universe. ย The galaxy has seen a lot of wear and tear, but a new threat called the First Order has risen, and wants to see the end of the New Republic. ย The Republic (which we don’t get to see much of), is defended by aย secret organization much like the rebels, called the Resistance. ย They are led by General Leia Organa, continuing on doing what she knows how to do best. ย How does Rey fit in? ย When a droid carrying a secret message for the Resistanceย (sound familiar?) and an ex-stormtrooper fall into her life, it will never be the same again.


Uber-fans will like to know that there are some shots and lines in the trailers that are differentย in the movie.

The new characters serve the archetypes that worked in classic Star Wars movies. ย You haveย anย orphan on the desert world, a hotshot pilot (or perhaps two), and the cute but witty little droid who helps out at all the right moments, but mostly needs rescuing. ย Original? ย Not hardly. ย The original trilogy, with its familiar set pieces and dialogue, are omnipresent. ย Fans have set the bar much lower since the prequels, and a group of re-tread heroes will have the fans satiated. ย Then we have the villain, Kylo Ren, the enforcer of the First Order, and face of the Disney marketing campaign. ย Much has been made of Ren’s wimpy voice, but in full theater sound it works much better. ย Adam Driver, an extremely talented and distinguished looking actor, fit the role like a glove. ย His epic temper tantrums rival those of his idol, Lord Vader himself.

But don’t worry. ย There aren’t any dreadful “Noooooooooo’s” or lines about sand being course and getting everywhere. ย There aren’t wishy-washy speeches about love, although Finn and Rey have a bond that could develop into romance later on. ย Writer Lawrence Kasdan, who worked on the classic trilogy and knew where Lucas wanted to take this thing, helped tremendously. ย From opening crawl to final scene, this feels right.

In many respects, The Force Awakens is Han Solo’s movie. ย When he and Chewbacca hook up with our new heroes (in a totally believable way), he takes over the lead and drives the plot forward. ย Harrison Ford seems to have turned his “Han Solo” knob up to 11. ย The older, wiser and sadder man has seen it all, now. ย As another character once said, “It’s not the age, it’s the mileage”. ย Solo and Chewie’s presence make the whole thing really feel like Star Wars.

My biggest concern going into this was that a Star Wars sequel trilogy would not feel like it was part of the whole; it would feel tacked on to the end. ย That is not the case. ย While George Lucas had nothing to do with the film, it does carry his wish that a new Star Wars trilogy would focus on a new generation of heroes, while remaining a story about the Skywalker family. ย JJ Abrams has done that, in an appropriate and lively way. ย The new Star Wars is the most exciting in many years, and what it lacks in originality it makes up in spirit. ย I can’t wait to see where it goes next.

My only serious beef is about this new superweapon the First Order have. ย Superweapons are a part of Star Wars, and always require blowing up. ย This one made no sense at all, especially how it was visually depicted. ย We need Neil DeGrasse Tyson to do a pop-up video and tell us just how stupid that thing is. ย If you thought the “red matter” and destruction of Vulcan sucked in Star Trek, wait until you see this stupid thing. ย Just pretend it makes sense and watch the pretty starship dogfights.

Oh, and Luke Skywalker? ย Some will be disappointed, but those who love Star Wars will have the same goosebumps that I did. ย Mark Hamill is the man. ย Luke is back, looking weary butย powerful and wise. ย There are a lot of loose ends to tie up. ย Get ready, galaxy.

4/5 stars

Don’t forget to tune in tonight at midnight (ET) for Rob Daniels’ Visions In Sound, when he and I will be playing the brand-new Star Wars soundtrack composed by John Williams! ย Tune inย locally on your FM dial toย CKWR 98.5, or elsewhere, just click โ€œlisten liveโ€ย via their website! ย The show runs from midnight to 2 am (ET). ย Coffee?

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EDIT: Stream the whole show here!

REVIEW: Brant Bjork and the Low Desert Punk Band – Black Flower Power (2014)

 

Bought at Sonic Boom during Mike and Aaron Go to Toronto Againโ€ฆAgain! for $14.99 brand new.

Scan_20151203BRANT BJORK and the LOW DESERT PUNK BAND – Black Flower Power (2014 Napalm)

I’m a little pissed off that I didn’t get this album last year. ย If I had, it might have dramatically changed my Top 5 of 2014 list. ย Ever since I first grew to love Black Sabbath, I mourned that nobody (including Sabbath) were able to really capture the ingredients that made the early band special. ย Brant Bjork and the Low Desert Punk Band have grabbed onto some of that magic. ย Their bassist, Dave Dinsmore, is the most Geezer-ish bassist I have heard outside out Geezer Butler himself. ย The songwriting gravitates to those chunky kinds of riffs that Black Sabbath made their home. ย That’s not to say that Black Flower Power is a Sabbath clone — not at all — but it does have those elements, among many. ย You’ll hear me reference the Sabs more than once in this review.

‘Twas the good sir knight More Wood that introduced me to Brant Bjork, via Fu Manchu and Kyuss. ย Yet his solo work has reached and sometimes surpassed the heights of his former bands. ย I’ve never been disappointed with any of his projects, although Jalamanta was and remains a favourite. ย Black Flower Power has the potential to beย that, too.

Over the course of eight tracks plus two bonus, the Low Desert Punk Band law down a variety of grooving rock. ย Bjork brings his diverse influences to the table, so you’ll hear latin influences sitting comfortably next to punk rock. ย Mostly, you will hear pure 1970’s rockin’ groovalicious smoke, and judging by the artwork, it’s the funky green smoke. ย “Feelin’ so high, so alive” sings Brant on “Boogie Woogie on Your Brain”, so we know where his head is at.

Bonus tracks are always interesting, because I say, hey! ย Why not just put more songs on the album if they’re good? ย “Hustler’s Blues” makes sense as a bonus track because it’s kind of outside the general direction of the album. ย It has laid-back aspects that are more Black Flower Power meets Jalamanta. ย Brilliant jam, though, especially as it accelerates towards the end. ย The second bonus track is “Where You From, Man?”, a title taken from the lyrics to “We Don’t Serve Their Kind”. ย The songs are unrelated, though. ย “We Don’t Serve Their Kind” is a driving metallic sludge with a chorus that will assassinate your brain; ย “Where You From, Man?” is a jammy instrumental that meanders around with, what sounds like, samples quotes from James T. Kirk?! ย (Wonder where he got that idea?) ย It’s also one of the most Sabbathy, in terms of the early jazzy jamming Sabbath.

No matter your musical persuasion, it’s hard to deny the genius contained herein. ย If you’re attracted to playing, there’s that. ย Experimentation, yup, just listen to the guitar noise manipulation that passes for a solo in “Where You From, Man?” ย Melody is here, in aggressive rock form. ย Folks, this is quality shit.

Highly recommended, especially to fans of Queens of the Stone Age, Kyuss, Fu Manchu, and the mighty Sabbath.

5/5 stars