REVIEW: AC/DC – Who Made Who (1986 soundtrack to Maximum Overdrive)

movie-soundtrack-week

Today’s movie soundtrack comes by no coincidence.  Today’s my birthday!  And I got this album on this day in 1987 from my partner in crime for many years, Bob!

 

AC/DC – Who Made Who (1986 Epic soundtrack to Maximum Overdrive, 2003 remaster)

As a movie director, Stephen King is a great novelist.

30 years ago, Maximum Overdrive was King’s directorial debut.  The movies based on his books had been box office gold so far, but King always complained about the adaptations of his original material.  So why not hand the reins over to him?

King’s goal was to make “the loudest movie ever made”, and part of that was leaving the soundtrack to AC/DC.  King issued the film with instructions that “this film is to be played as loud as possible.”  The funny thing, according to him, was that most theaters did it.

AC/DC did the entire soundtrack, a mixture of old and new material.  It was an unorthodox move and it left AC/DC with what some consider to be their first real “greatest hits” album; this coming from a band who in 2016 has yet to issue an actual greatest hits album!

The robotic pulse of “Who Made Who” commences the affair, a massive hit still a radio staple today.  One of AC/DC’s most recognisable tunes, “Who Made Who” was a bigger smash than the movie that spawned it.  That’s Simon Wright on drums, emulating the perfect beats of Phil Rudd before him, creating a fine facsimile.  The keys to the song though are the simple and catchy guitars of Angus and Malcolm Young.  Having nailed down the art of writing catchy bases for songs, the brothers Young really perfected it here.

They also perfected it on 1980’s “You Shook Me All Night Long”.  Placing the biggest AC/DC hit of all time second in line is almost like nailing the coup de grâce prematurely, but there is plenty more firepower on the album.  It works in the second position, cleaning up anyone left standing and getting them shakin’ on the dance floor.

AC/DC added two brand new instrumentals to this soundtrack (“Johnson was sick that day”, joked Angus).  “D.T.” is the first of them, somewhat unremarkable and echoey on the drums.  But this is designed as background music for movie scenes, so it really shouldn’t be measured by the same yardstick as, say, a Rush instrumental.  The second on side two is the peppier “Chase the Ace”.  Punctuated with some cool Angus licks, “Chase the Ace” is simple and effective like “D.T.”.

There were a few tunes from the recent Fly on the Wall album, all killers.  “Sink the Pink” (oh, Brian!) is recorded so muddy that you can’t hear the words, but it does rock.  Angus’ guitar break is pure fun, and the song gets your ass moving.  That leads into the sole Bon Scott inclusion, “Ride On”, from a quieter moment in the film.  What’s really cool is that even though these songs are from all over the place, Who Made Who sounds like a fairly cohesive trip.

Side two commences ominously with “Hells Bells”, a fine way to distribute classic tunes evenly across the sides.  “Shake Your Foundations” is on its tail, hitting you with another blast of AC/DC right in the face.  One of the better tunes from Fly on the Wall, “Shake Your Foundations” does its advertised job.  Yet, I do believe there was only one way to properly end this album.  That would have to be the cannon-fire of “For Those About to Rock”.

Who Made Who was actually my first Johnson-era AC/DC album, given to me by my buddy Bob on this day in 1987.  If this review is slanted ever so slightly in the “pro” direction, so be it.

4.5/5 stars

REVIEW: Heavy Metal – Music From the Motion Picture (1981)

movie-soundtrack-weekHere we go with another week of movie soundtracks! It’s a case of the second one being even better than the first, so let’s start things off properly, shall we?

 

Scan_20160706HEAVY METAL – Music From the Motion Picture (1981 Elektra)

I’d never seen anything like Heavy Metal before.  It was a sci-fi cartoon with a bunch of guys from SCTV doing voices…but it wasn’t for kids!  I probably saw my first animated genitalia in Heavy Metal.  It was also the first time I heard Sammy Hagar.

Sammy’s title track opens the now-legendary soundtrack, which like many others was deleted in the 1990s and commanded heavy prices on the second hand market.  When I worked at the Record Store during that period, there were always plenty of names on the wish list for this album.  There were tracks on here that were hard to find anywhere else.  This version of Hagar’s “Heavy Metal” is different from the one on Sammy’s Standing Hampton LP, and it was not the only such exclusive.  “Heavy Metal” is one of Hagar’s best tunes, simply legendary.  It’s a pummelling good time!

The rest of the album is equally awesome.  Riggs (Jerry Riggs, later of the Pat Travers Band) has a Hagar-esque rocker called “Heartbeat” that is definitely good enough for rock n’ roll.  You might not expect DEVO to be on an album called Heavy Metal, but what’s not to like about “Working in the Coal Mine”?  I’m sure more than a few metal fans would have skipped this one back in 1981, but when compared to the next song by Blue Öyster Cult…what’s the big deal?  B.Ö.C.’s “Veteran of the Psychic Wars” leans just as heavily on synthesizer, so purists be damned.  “Veteran of the Psychic Wars” is a classic, through and through, a dark apocalyptic ballad that can’t be touched.  Some would say it was the last gasp of B.Ö.C. before a long period of mediocrity.  Cheap Trick utilised synth too, but their “Reach Out” is a rocker.  Cheap Trick were another band in a period of decline, following the departure of original bassist Tom Petersson. “Reach Out” was a damn fine tune, and not on one of their albums at the time.  (It’s hard not to notice that Tod Howarth ripped off the verses of “Reach Out” for his own song “Calling to You” with Frehley’s Comet.  Howarth later played with Cheap Trick as a sideman.)

Don Felder from the Eagles isn’t the kind of guy you’d expect to hear do a song called “Heavy Metal (Takin’ a Ride)”.  It’s an Eagles-metal hybrid and it’s pretty cool, more metal than Eagles, but you can hear them in there.  He’s followed by Steely Dan’s Donald Fagen who presents the interesting “True Companion”.  It’s progressive jazz light rock nirvana.  The punks will hate it, but the same guys who dig Captain Beyond will appreciate it.  Quite daring to include tracks like this on a CD primarily made up of rock and metal, but this helped open the minds and tastes of many metal heads over the years.  Nazareth re-centers it back to rock and roll, with “Crazy (A Suitable Case for Treatment)”.  It’s not among Nazareth’s best but it’s always such a pleasure to hear Dan McCafferty gargling glass.

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Riggs returns with “Radar Rider”.  Heavy riff in hand, it’s a slammin’ good track.  But it is overshadowed by the bombast of “Open Arms” by Journey, one of the biggest ballads in the history of balladry.  You know what’s funny?  Even though I have heard this song 106,941 times as of this morning, I still smile upon hearing it.  There must be something timeless to it that I can’t explain.

Grand Funk were in a decline (like a few of these bands), and “Queen Bee” from Grand Funk Lives was their contribution.  Good track, though it does not sound much like the Grand Funk I know from the 1970s.  And then it’s Cheap Trick again, with a noisy throwaway track called “I Must Be Dreaming”.  It’s a bizarre track from the high priests of rhythmic noise, but they do bizarre just as well as they do catchy.

There’s one band that I think blew the doors off the album.  One band that, to me, is always associated with this album.  One band that defines the phrase “heavy metal”, and that one band is Black Sabbath.  If you listen to fools, the mob rules!  This was brand new Black Sabbath at the time; Mob Rules wouldn’t be out yet for a couple months.  I have always preferred the soundtrack version of “Mob Rules” to the different recording that made it onto the album.  This could be because it was the first version I owned.  Regardless, to my ears it sounds faster and livelier…and more “Geezer-er”.  Not that it matters, because no matter how you slice it, “The Mob Rules” is a shot of adrenaline right to the heart.

Don Felder takes it back to a slow groove with “All of You”, a good rock ballad with some seriously cool funky bass.  All told, the Heavy Metal soundtrack has some damn fine playing on it from all of these bands — just incredible musicianship in these grooves.  Things wind down with Trust, and a very heavy track called “Prefabricated”.  Nicko McBrain was in Trust in 1981, but this does not sound like Nicko on drums.  The song would have been better without the vocals.  Especially when it’s followed by Stevie Nicks, one of the most iconic voices in rock.  “Blue Lamp” was recorded for her solo debut Bella Donna, but not used.  It’s certainly not outtake quality.  In fact it’s pretty damned classic.

That’s what the Heavy Metal soundtrack is:  a classic.  If you like heavy metal, but don’t like soundtracks, then you should still own this one.  Make it so.

4.5/5 stars

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Like many movies with a rock soundtrack, there was also a score for Heavy Metal released.  I asked our friend Rob Daniels from Visions in Sound for a few words on this score in the interests of being complete:

“It’s a great score by the late Elmer Bernstein who is best known for a lot of 80’s comedic scores including Ghostbusters, Animal House and Airplane. His score fits perfectly within the metal music atmosphere, weaving its way through the various stories and songs to the Taarna story. The “Taarna” theme was actually first written for the Farrah Faucett character in the 1980’s film Saturn 3 but was not used. It includes an unusual instrument called a Ondes Martenot, similar to a Theremin but with a physical keyboard. Bernstein used the instrument quite a lot in his scores. While a lot of people know Heavy Metal for the songs in the film the score is of equal note and probably one of Bernstein’s best.”

HMSCORE

 

 

#502: Sausagefest XV: The Complete Countdown

Thanks for hanging out this week for six new instalments of the ongoing series Getting More Tale!  Today we bring the week back full circle.  

 

GETTING MORE TALE #502: Sausagefest XV: The Complete Countdown

Clickity-click the glorious list below to enlarge.  This complete countdown was a blast to enjoy over two nights.  A few people said, “This was my favourite mix of tunes so far.”  As the 15th Sausagefest, that’s a mighty statement.

A couple notes:

Songs with names but no numbers are “tributes” to that particular Fester.

Only three songs that I voted for made the list this year:

  • “Take Hold of the Flame” – Queensryche
  • “Hollywood (Down On Your Luck)” – Thin Lizzy
  • “Empire of the Clouds” – Iron Maiden

You may be wondering what’s up with that version of “Whiskey in the Jar”.  What they did here was an interesting experiment.  Tom called it “ham-fisted”, and it was, but it was still a lot of fun.  We had three votes for “Whiskey in the Jar”, but by three different artists.  Technically, that would count as one vote each for three songs, rather than three votes for one song.  Instead, Tom creatively mixed together a medley of all three versions by the Dubliners, going into Thin Lizzy, then Metallica, back to Lizzy and ending with the Dubliners again.  Ham-fisted perhaps, but an interesting contrast that went over very well with the crowd.

If there are any tunes below that you haven’t heard before, I recommend giving them a spin!

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#501: Free Personality Test

GETTING MORE TALE #501: Free Personality Test

There are very few experiences in the world quite as trying as being forced to listen to a captive audience religious lecture at work.  Now why would that happen?  Well shit; in retail it happens all the time!

At the Record Store, I worked alone most of the time.  Most of us did; we only staffed one person on duty for most of the day, from 10-5, for many years.  This led to a number of inconveniences such as trying to find a moment to eat a lunch or take a wizz.  Everybody dealt with it in their own ways; my way usually involved eating less lunch and more junk food, and getting really good at “holding it” for hours at a time.

But we weren’t busy all of the time.  There were long stretches of…not boredom, but different kinds of work, when the store was slow and empty.  Cleaning, balancing books, organising, doing inventory, taking annoying phone calls from higher-ups asking if the store was busy yet (and then somehow implying it’s your fault because “Cambridge is really busy right now”)…there was always lots to do!  Unfortunately when you were alone at the store, you could sometimes get cornered by a talky customer for long periods of time.

The worst of these “conversations” (not really because they were usually one-sided) were the religious lectures.  These were rare.  I don’t want to mis-represent the situation. These religious lectures didn’t happen every day.  But every once in a while, you would get cornered by somebody who just wants to tell you all about Jesus.

Yes, Jesus.  I was never bothered by atheists, Muslims, Hindus or Wiccans.  It was only the Christians, and only certain varieties of them, that wanted to tell you about their faith.  I have nothing against any religions; I am a Christian myself but I consider this a somewhat personal journey.  I really hate when people get my back up lecturing me about their faith.  I like talking, not being lectured, and not at work!  I’m trapped there; I don’t have an escape route.  I don’t think this is an unreasonable pet peeve.  But it happened.  I’ve been handed Watchtower pamphlets, been invited to church services, and been told the music that was playing was satanic.

My strategy was “nod and smile”:  Trying not to say too much, trying to get it overwith, and praying to my own Lord and saviour for the phone to ring so I could exit. You may think to yourself, “Well why not just tell the person you’re not interested?”  Because they are used to hearing that and have answers to everything.

The religious solicitation at work continues today but with new methods.  And there is only one church soliciting me today.

It started with the faxes in 2013:  “Come to lunch at the Church of Scientology”.  They were arriving weekly, the faxes, shortly after the new church opened in town.  We joked about going; apparently they had a cafeteria that served lunch.  We were getting sick of all the Wendy’s, McDonalds, and Burger Kings in town, but it never progressed further than joking.   “Wouldn’t it be funny if…?”  Even though they are open seven days a week during the day, the place always looked ominously deserted.  It is mere walking distance from where I work today.

This week, I got my first Scientology invitation at home.  It came in the guise of an offer for a “Free Personality Test” in my mailbox.  It’s a “limited time” offer only (I’m pretty sure that’s false) and takes just one hour.  It’ll help me improve my happiness and success in life.  On the front it says “Oxford Capacity Analysis” (a nonsense phrase unrelated to Oxford university, designed to sound smart), and has graphs inside showing…something?  The numbers on the axes aren’t explained.  Only when you turn to the very back do you see who is offering this “Free Personality Test”, and yes, it’s the local Church of Travolta.

I find all of these tactics very cunning and shifty.  In all these situations, they are coming at the target (me/us) with an advantage.  I was cornered at work at the Record Store, putting me in a situation where it’s hard to escape the lecture.  Today they send out these enticing booklets and invitations without being truthful about who they are until the last page.  There’s something un-trustworthy about that.

Free personality test?  Remember folks — nothing’s free.

 

#500: 500 Up

Holy craaap! It’s chapter 500 of Record Store Tales/Getting More Tale! Chapter one (“Run to the Hills“) was posted on March 9, 2012. Over four years and 500 chapters later, we are still rocking.  If you’ve been here since day one, then you rule.  If you’re new, then stay tuned because the stories are far from over!

500 up

GETTING MORE TALE #500:  500 Up

A little four-piece band from Halifax formed in 1991, at an art school.  Hardly the kind of thing to make history, but they strove to make history just the same.  Another art school band in the 1990’s?  Who needed that?

They named themselves after a friend who had the nickname “Slow One”.  Within a few months, the band known as “Sloan” had recorded and released their first EP, peppermint.   Their debut single “Underwhelmed” began to make waves on MuchMusic and the buzz was building.  Sloan’s secret weapon was the sheer talent of the four members.  Not only were all four lead singers in their own right, but also multi-instrumentalists.  Chris Murphy, Patrick Pentland, Andrew Scott and Jay Ferguson were more than capable of playing whatever music they envisioned.   In 1992, Sloan signed to Geffen.

Sloan’s debut album Smeared boasted a couple hit singles:  a re-recorded “Underwhelmed”, and a song called “500 Up” featuring lead vocals by Patrick Pentland and drummer Andrew Scott.  A few album tracks such as “Sugartune” and “I am the Cancer” gave the album some depth, but it wasn’t until their crucial second LP that Sloan really broke some serious artistic ground.

“500 Up”

Unfortunately that second album, the brilliant Twice Removed, was engulfed in problems.  Chart magazine called it “the best Canadian album of all time”, in 1996.  Geffen however was unwilling to promote it.  They would have preferred if the band remained an alterna-grunge darling, rather than explore the lush sounds of Twice Removed.

The band went on hiatus and somehow managed to extricate themselves from their contract with Geffen.  A brilliant single (“Stood Up”/”Same Old Flame”) released on their own Murderecords let the die-hards know they weren’t dead, although the impression in mainstream circles was that the band had folded.   They were actually hard at work, recording yet another album for just $10,000 in only two weeks.

That album, the critically hailed One Chord to Another, cemented Sloan as a force to be reckoned with in Canada.  Three brilliant singles including the hard edged “The Good in Everyone” ensured Sloan lots of air play in 1996.  But it was 1998’s Navy Blues that hooked me in.

There was a palpable buzz in the air.  Customers were asking about the new Sloan song “Money City Maniacs”, a hard edged rocker often compared to “Firehouse” by Kiss.  Some people know it as the “goat piss” song due to one of the commonly misheard lyrics in the song:  “And the joke is, when he awoke his body was covered in Coke fizz.”  Coke fizz, goat piss:  Same difference right?

“Money City Maniacs”

Upon release, we gave Navy Blues daily store play.  I can all but guarantee that album was played in one of our stores each and every day upon release in ’98.  Although it was not as well received critically as the prior two Sloan albums, it did go gold and earned a Juno nomination for Best Rock Album.

Even though Navy Blues was the first Sloan album I bought, I didn’t become a full-fledged Sloan fanatic until they did the inevitable double live album.  Sloan are Kiss fans and classic rock fans, so a double live was all but inevitable.  It’s only appropriate that this is the album that cemented my fandom.

4 Nights at the Palais Royale was recorded in Toronto, and the full tally was 28 great all-original songs over the course of almost two hours.  It is simply one of the greatest live albums I’ve ever heard:  fun, very live sounding, with loads of audience participation.  The band consider it representative of a typical Sloan show, and you can hear both their sloppy rock chops and lush pop vocalizing.  It’s all there.  The package was brilliant, stuffed with photos and liner notes from the band.  If one can claim a single moment when Sloan “arrived”, I would argue for 4 Nights at the Palais Royale as that moment.   Talk about being on a roll:  the even managed to release another studio album that year!  (My favourite one, Between the Bridges.)

Now completely addicted to Sloan, I bought all the albums, and then soon upgraded them.  During a trip to Toronto in 1999, I headed over to the once-big HMV on Yonge and bought all the Japanese versions of the Sloan albums, with bonus B-sides added.  It was quite a haul and a brilliant score.  Like any good classic rock band, they have a number of B-sides that are as good as the hits.  I still have these; it is hard to find Sloan singles, but worthwhile.  Some of their most interesting material exist on B-sides, such as the aforementioned “Stood Up”/”Same Old Flame” and the impossible to find instrumental “Rhodes Jam”.  (I’m still missing that one.)

Though the Sloan story continues on today with 11 albums and a 25th anniversary tour, my story peaks here.  That double live album remains the high water mark for this fan.  It’s a time machine.  Upon hitting play I am instantly transported back in time.   What a glorious summer that was.  As it turned out, 4 Nights at the Palais Royale is the exact same length as a drive to the cottage.  As such it got car play almost every single trip.  Even my grandmother liked it.

On the occasion of this 500th instalment of Record Store Tales/Getting More Tale, I encourage everyone to check out some Sloan.  Not only an incredible band, but Canadian, eh?

4 NIGHTS

Selected Discography

1992 Peppermint (EP)
1992 Smeared
1994 Twice Removed
1996 One Chord to Another
1998 Navy Blues
1999 4 Nights at the Palais Royale (live)
1999 Between the Bridges
2001 Pretty Together
2003 Action Pact
2005 A Sides Win: Singles 1992-2005 (best of)
2006 Never Hear the End of It
2008 Parallel Play
2009 Hit & Run (download-only EP)
2010 B Sides Win: extras, bonus tracks and b-sides 1992-2008 (download-only compilation)
2011 The Double Cross
2014 Commonwealth

#499: Top Five Most Heinous Rock Criminals

Welcome back to the week of Getting More Getting More Tale.  This one is…not funny.

GETTING MORE TALE #499: Top Five Most Heinous Rock Criminals

Who are the biggest dicks in rock? People who have committed crimes so atrocious, so heinous, that forgiveness is all but impossible? Here is a list of some of the most well known examples of extreme douchebaggery in rock and roll.

SID5. Sid Vicious (Sex Pistols)

Not everybody gets to have Gary Oldman play them in a movie. In order to attain this dubious distinction, you have to be the bassist for the most notorious punk band in the world, stab your girlfriend (Nancy Spungeon) to death, and then die of an overdose before the case can go to trial. The unanswered questions will remain so forever.

PHIL4. Phil Spector

The genius producer extraordinaire may have been most well known for his “wall of sound” in the 1960’s, but today people remember him showing up in an array of outrageous wigs for his murder trial. On February 3 2003, actress Lana Clarkson was killed by a gunshot to the head at Spector’s mansion. Spector was found guilty on April 13 2009, and has been in jail ever since. His bald mugshot was a stark contrast to the huge wigs he was known for.

VARG3. Varg Vikernes (Burzum)

This bizarre tale cannot be summed up in a paragraph. Varg did 21 years in jail for stabbing Mayhem guitarist Euronymous (Øystein Aarseth) to death. Vikernes has explained and justified the events of August 10 1993 many times, but every interview just makes the situation more bizarre and surreal. Vikernes is a free man today, continually working on and releasing new music with his solo project Burzum.

VINCE2. Vince Neil (Motley Crue)

Drinking and driving is a crime that no-one should ever take lightly. When it involves injury and death, that goes double. On December 8 1984, a drunk Vince hopped into his Pantera with Hanoi Rocks drummer Razzle Dingley to pick up some more booze. Neil hit an oncoming car, seriously injuring its passengers, and killing Dingley. Neil spent 15 days in jail. To make matters even worse, this was not Neil’s last instance of drinking and driving. He faced charges in 2007 and again in 2010. This is an example of a man who is old enough to know better, but will never learn.

WATKINS1. Ian Watkins (Lostprophets)

Ian Watkins is in jail right now, and hopefully will remain there for a very long time. His crime? According to investigators, Watkins is a “committed, organized paedophile” and “potentially the most dangerous sex offender” they had ever seen. His lack of any sort of remorse has made his crimes that much more disgusting.

#498: Hang-Up Wars

Welcome back to the week of Getting More Getting More Tale!

PHONE

GETTING MORE TALE #498: Hang-Up Wars

When the employee Joe “Big Nose” began working at one our stores in the late 90’s, he quickly became known for his surly phone demeanor.  Not towards customers mind you; just towards co-workers!  Joe was not much for pleasantries:  “How ya doin’,” or “Have a great day.”  We have said it many times in these pages before:  Joe Big Nose was a very unique person.  And hilarious.

The first time I ever spoke to Joe on the phone, I was calling his store from mine, looking for a stock check.  Somebody wanted to see if a particular CD was in stock at his location.  Joe pleasantly got it for us, took down the customer’s info, and put it aside.  “Hey thanks a lot eh!” I said to the new guy.  He didn’t answer.

I stared at the phone.  “Did that guy just hang up on me?”  He had!  Joe doesn’t wait on the phone long enough for thanks and goodbyes.  In fact there were uncountable times I thought I was speaking to him, and he had already hung up!

“Don’t worry, that’s Joe,” said his boss.  “He doesn’t mean anything by it.  That’s just his way.”  OK, then, fine and dandy!

As I befriended Joe over the years, we would get into some friendly competitions over who could hang up the phone fastest on the other person.   This started as part of the normal course of a day.  We’d call each other looking for stock, but when business was done, it was only a question of who could hang up on the other fastest.  My strategy was delaying him by asking something like, “I just have one more thing for you to check,” and THEN hanging up.

This grew into a competition with a life its own.  We began calling each other with no purpose other than just to hang up.

For example, “Hey, do you have a used copy of the new Metallica?”  CLICK!

Or, “Mike, I have a customer who wants to know if the new Bon Jovi is any good?”  CLICK!

Or my favourite, just at the start of the call:  “Hey Mike.”  CLICK!

We took this to its natural extreme, which was me phoning Joe and hanging up just as he answers.  A hang up can’t get much faster than that!  I won the hang-up wars!  (The bosses didn’t approve, but since the owner started the store pranks in the first place by stealing my Mars bar, I think they had it coming!)

Victory!

 

#497: Sausagefest 2016 Official Report

Welcome to another week of Getting More Getting More Tale!  Join us each day this week for a new instalment of the Getting More Tale series, including the all-important, top-secret #500.

 

 

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GETTING MORE TALE: #497: Sausagefest 2016 Official Report

I have returned, bitten by many insects of all kinds, from Sausagefest.

Every year, Countdown has its own personality, or personalities.  This year, the fifteenth annual, the 81 songs were drawn in almost equal amounts from the fountains of heavy metal and soul/funk.  There was Metallica, and there was Five Alarm Funk.  There was Iron Maiden, and there was Charles Bradley.  It was a stunning mix, also including long bombers by Yes and ELP.   Because of this year’s countdown, I will soon be purchasing Close to the Edge by Yes, and a number of Clutch CDs.

The countdown began, appropriately, with a song by Hibakusha and a previously unheard Paul MacLeod comedic bit.  MacLeod had a comeback show scheduled for the same weekend as Sausagefest.  It is sad that it could not come to pass.

I was given 10 songs to do “LeBrain” intros for.  They were as follows:

78. “Hanger 18” – Megadeth (for this I did a 7-minute comedic steam-of-consciousness bit as my own intro)
67. “Go Down Gambling” – Blood Sweat and Tears
60. “Snakes for the Divine” – High on Fire
55. “Rock and Roll Suicide” – David Bowie
49. “Why is it So Hard” – Charles Bradley
42. “Old Joe’s Place” – The Folksmen
36. “Burn In Hell” – Twisted Sister
29. “Fade to Black” – Metallica
18. “The Sounds of Silence” – Disturbed
11. “Empire of the Clouds” – Iron Maiden

Now, I do not care for Disturbed, and I did not want to introduce that song. I wanted another tune because I had an intro planned already for it (“Hollywood”, by Thin Lizzy). Tom and Uncle Meat refused to give me Thin Lizzy. They did not want to hear Disturbed so they left it to me. I told Meat, “Fine, but I am going to record my intro in the bathroom while taking my morning shit.” And that’s exactly what I did. The intro was received…with grace, all thing considered, by the people who voted for Disturbed. I have no issue with David Draiman, he is an incredibly gifted and obviously trained singer. It’s just not my cup of tea. It’s not a song I wanted to hear done that way. So I did my intro the only way I knew how: with exaggerated disgust. Love it or hate it, nobody ignored it!

The weather was a challenge, but not unbeatable.  Friday afternoon and early evening, we were pelted with rain, hail and lightning.  Due to the weather forecasts, it was decided late last week that there would be no live jams this year.  The more capable among us assembled tarps and gazebos to protect the precious Wall of Sound, and us.  Standing in the refreshing rain on such a hot day, I felt like Andy Dufresne after having climbed through the mile-long shitpipe.  There were many personal highlights for me this year, but I will say this. I am glad that I slept in Saturday morning, and did not go into Flesherton to get breakfast at the Flying Spatula. A highlight of previous trips, the Spatula is now under new, surly ownership. Our guys were treated to disinterested and slow service. One group of eight guys was asked to share one booth. Disappointing. We’re disappointed in you, Flying Spatula.

The most important part of Sausagefest besides the countdown is the camaraderie. Every year it gets better, too. Many of these guys only see each other once a year. Some of us show up fatter, balder, or both. Some of us even showed up with a broken ankle. That’s dedication. It’s that important to us.

Or, as Uncle Meat sang during his interpretation of Pink Floyd’s “Hey You”:

“Hey Scott,
Where the fuck are you?
Did you have better things to do
Than rock and roll, man?”

Can’t wait to do it all again.

This is Ken.

REVIEW: Frank Zappa – Zappa Picks – by Larry LaLonde of Primus (2002)

Scan_20160613FRANK ZAPPA – Zappa Picks – by Larry LaLonde of Primus (2002 Rykodisc)

This was a cool idea for a series.  I love the concept.  Big name fans of Zappa compiling their own Zappa disc.  I only know of one other disc — a Zappa Picks by Jon Fishman of Phish.  I prefer Primus to Phish, so getting Larry LaLonde’s instalment of Zappa Picks seemed like a good idea.  LaLonde assembled an eminently listenable, endlessly entertaining and humorous Zappa album. And of course the playing is still stunning, because it’s Zappa.

What I like about this album is that you get a lot of great and challenging tunes that aren’t on the Simply Commercial hits album. In fact I think there’s only one song that appears on both! The CD is sequenced in such a way that it sounds like an actual album in terms of flow. Songs merge into each other seamlessly and the pacing is perfect. I’m discovering a lot of music I missed, because I simply don’t have all the Zappa albums.  Who does?

This is spacey fun.  It’s guitar nirvana.  It’s percussive.  There is a wealth of material both instrumental and vocal.  It’s weird all the way to the edges of comprehension.  It stretches every genre you can think of.  It’s anything but boring.

Highlights:

  • “Five-Five-FIVE”
  • “Dumb all Over”
  • “Camarillo Brillo”
  • “Doreen”
  • “Wind Up Workin’ in a Gas Station”
  • “Black Page #2”

5/5 stars