REVIEW: Sebastian Bach – Angel Down (2007)

SIMULTANEOUS REVIEW! Check out Aaron of the KMA, who is reviewing this same album today!

bach angel down_0001SEBASTIAN BACH – Angel Down (2007 EMI)

You don’t have to like Sebastian Bach (the person) to like Angel Down. He may be a bit of a blow-hard, but damn, he made another great album. By my counting this is his third legitimately great album (Slave to the Grind and Subhuman Race being the other two.)

Baz’s voice is still powerful, and he still has most of his range. In fact, after the disappointing Bring ‘Em Bach Alive I thought it was all over for the voice. Not so! Angel Down proves it. Bach’s still got the goods. He’s got more character in his voice than he did when he was 19 or 20. Β More grit. Β But his lungs are as powerful as ever, absolutely mind-bogglingly so.

This was (by far) the heaviest album that Baz had made to date. This is way heavier than anything Skid Row has done with or without him. Bach’s working with great people on this, including Roy Z and members of the old Halford band. It doesn’t get much more metal than this. It’s heavier than most Priest albums, and the songs are all strong. They won’t sink into your skull on first listen, or even the third. It’s a challenging listen, the pummeling of guitars and drums are constant and brutal. Having said that, eventually the melodies, riffs, and Bach’s vocals will worm their way into your brain like a virus.

Highlights for this listener included:

  • “(Love Is) A Bitchslap”, which you may have heard in preview form on season 7 of Trailer Park Boys. Β This smoker is a duet with Baz’s buddy W. Axl Rose! Β You can literally smell the rubber burning.
  • “Back In The Saddle”, the powerful Aero-cover, and another duet with the reclusive Axl Rose. To hear Axl and Baz singing together again is awesome; two rock gods shattering the glass and gargling with it after.
  • “You Don’t Understand” with its patented Roy Z guitar riff (which really is just a patented Maiden riff).
  • “Falling Into You”, a Skid-Row-esque ballad along the lines of “Wasted Time” with some gorgeous strings (synth?) and guitar harmonies. Β Another standout ballad is “By Your Side”, along similar lines.
  • The brutally heavy “American Metalhead”. Ignore the fact that Baz lived most his childhood in Canada and considers himself Canadian. I can appreciate that singing “Canadian Metalhead” wouldn’t have the same impact to his core (American) record buyers. Either way, it’s a brutal assault of the ears, as Baz screams his way out of your headphones.
  • “Angel Down”, the title track, which starts atmospheric like a Sabbath opener before hitting that pummeling Pantera riff; Β Baz ripping the vocal cords again.

14 songs, and that’s just a handful of favourites listed above. There are lots ofΒ great moments on this CD. I can’t praise it enough, songwriting and performance wise. Β It really surprised me. Β I didn’t expect something this solid. Β Top it off with another of his dad’s paintings on the cover, and this was the comeback album that fans were hoping for but never expecting.

Think you can handle it? Buy Angel Down.

4/5 stars.

REVIEW: Captain Beefheart & his Magic Band – Trout Mask Replica (1969)

“My smile is stuck; I cannot go back t’yer frownland.” – Don Van Vliet

CAPTAIN BEEFHEART & HIS MAGIC BAND – Trout Mask Replica (1969 Reprise)

Produced by Frank Zappa, written by Don Van Vliet.

I’m no professional musician — not even close. Β I can’t speak that language, so I can’t explain to you why Trout Mask Replica is pure genius. I can tell you that it is not for everybody. Frank Zappa once said, regarding the public’s attitude towards popular music: “Give me something that sounds exactly like something that I already like.” With that sarcastic comment, Zappa hit the nail on the head. Most listeners want music in standard (4/4) time, with familiar tones, and based on familiar scales. If you fall into that majority, do not buy Trout Mask Replica.

I’ll give you an example of the weirdness within, right out of the liner notes. Β “Captain Beefheart plays tenor and soprano saxophone simultaneously on ‘Ant Man Bee’.” Β [My emphasis]

TROUT MASK_0003Those who have studied music, particularly free improvisation, find Trout Mask Replica to be utterly brilliant. It is an ugly duckling of an album, something that seems stark and unforgiving on first listen, but revealing more depth and beauty the more you hear it. There is much to be enjoyed here. The drumming (by Drumbo aka John French) shatters preconceived notions about tempo and timekeeping in a rock/blues context. Bass clarinet is present, a rare instrument these days to be sure, and not an easy instrument to appreciate. The guitar and horns are harsh and difficult for the average listener to digest coming across as nothing more than a cacophony. Often, it sounds as if all six musicians are playing different songs at the same time, and that is not too far off the mark. Yet, these conflicting parts mesh and intersect at key moments, creating an overall effect of, “It sounds wrong, but right.” With repeated listens, it begins to sound more right than wrong. Bits and pieces gradually coalesce, and suddenly it clicks. There are hooks here, catchy guitar parts that reveal themselves slowly. Β The howling moans of Don Van Vliet are always enticing. Β I love his “old man” voice on the scratchy “The Dust Blows Forwards ‘N the Dust Blows Back”.

The music is playful (“Ella Garu” for example). Captain Beefheart plays homage to Americana on “Moonlight on Vermont”. Β “Pachuco Cadaver”, the most immediate piece here, is catchy and pop-like in its structure. Yet Trout Mask Replica‘s prime influence in the blues, both at its most ancient and futuristic simultaneously. If that’s even possible, then Beefheart did it right here. Then again,Β “Hair Pie: Bake 2” is just pure jazz.

TROUT MASK_0006If you gave it a shot and you didn’t like Trout Mask Replica, then that is a question of personal taste and you are not wrong. However, nobody can say that this is “not music”, or that this is the work of “amateurs”. It takes years for musicians to be able to compose and play music of this stature. If you don’t appreciate it, that’s fine. AC/DC are still making records. A lot of people can’t appreciate Edgard Varese or Ligeti either. Yet their music continues to live on years after their deaths. So will it be for Don Van VlietΒ & his Magic Band.

After repeated spins, I believe that even the most jaded of listeners can find something to enjoy if they try. Whether it be Van Vliet’s gutteral blues howling or the loud and aggressive slide guitar, there is much to be loved on Trout Mask Replica. If by chance you are a Beefheart fan already, or are slowly becoming one, there are some interesting companion pieces to be had: Β The one I want isΒ Grow Fins: Rarities 1965-1982.Β  Β It’s a 5-CD box set containing two entire discs of Trout Mask outtakes and sessions.

Buy this if you like experimental Frank Zappa, Tom Waits, Mike Patton, the works of Edgard Varese, early (Easy Action and Pretties For You) Alice Cooper, or free improv.

5/5 stars

#336: Garage Sales

IMG_20141031_171118RECORD STORE TALES Mk II: Getting More Tale
#336: Garage Sales

I used to love garage sales and yard sales as a kid; both going to them and having them.Β  As a buyer, you never know what cool things you will find at a garage sale, from books to gadgets to movies.Β  As a seller, it’s a quick way to de-clutter your house and liquidate junk that’s sitting around.Β  In our last few garage sales, I made several hundred dollars and cleaned out a ton of space.

It’s a lot of work, packing up the stuff and getting it organized, priced and displayed.Β  Making and putting up the signs. Β Creating online ads. Β Opening for business.Β  But you’re not here to read about the tedious aspects.Β  You’re here for the stories.

Some of the most irritating people on this Earth are the early-morning hard-core garage salers.Β  They scour the newspaper ads each week and want to be first to arrive.Β  Since I live in a condo, the last bunch of garage sales we’ve held were at my parents’ house.Β  I would drive over early on the Saturday morning to open up for business.Β  I’d arrive around 6 or 6:30, in order to open up at 7, our advertised time.

I remember driving over on that lovely summer morning, still dark outside, and seeing a dude sitting in his car on the side of the street.Β  β€œHe can’t be here for the sale,” I said to myself.Β  β€œI advertised that it starts at 7:00.”   But I had underestimated the tenacity of serious hard core garage salers.Β  I parked, opened the garage door, and began moving things out onto the driveway.

Next thing you know, I notice a guy in the dark garage behind me!

β€œWhere are your Star Wars things?” he asked.

I said, β€œI’m not even close to being ready.Β  They’re here in boxes somewhere but I have to dig everything out.”

β€œDo you have the vintage ones from the 70’s?”

I laughed.Β  β€œNo.Β  I would never sell that stuff at a garage sale!”


I laughed just like this.

Without a word the guy left and drove off to the next sale.Β  Over the next 30 minutes, while I was setting up, cars would drive by, slow down to look at what I had, and drive off.Β  If they didn’t see what they were looking for (presumably big items like bikes and appliances) they kept going.

Typically at a garage sale, you don’t make any money for the first hour.Β  The first hour is only serious salers who are looking for those specific items.Β  They ask what you have and leave.Β  After that things begin to pick up.Β  Most people are pretty nice.Β  As the day goes on, friends and neighbors drop by, but it’s the cheapskates that drive me nuts.

A garage sale is a place where you can buy things dirt-cheap, but even so, I have my limits.Β  The guy that pissed me off the most at the last one was a douchebag in a big black pickup truck.Β  (Why do the douchebags always seem to drive big black pickup trucks?)Β  I had about a dozen DVDs and a couple Blu-rays out for sale.Β  The prices on them were pretty reasonable: I had the Blu out for $4 and none of the DVDs were over $3.Β  And that’s just the stickered prices, I was always willing to make deals with people who bought more than one.Β  Within reason.

The pickup truck douchebag grabbed all my movies and said simply to me, β€œ50 cents each?”

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I said, β€œNo, I can’t go that low.Β  If you take them all you can have β€˜em for $2 each.”

He laughed, β€œ$2 each?Β  Are you nuts?”  Laughed again.Β  β€œYou’re not going to get $2 each for these.”

β€œI already have,” I said.Β  β€œI’ve sold a few already.”

He chuckled again and said, β€œYou’re not going to sell these for $2 each.Β  50 cents and I’ll take them all.”

β€œNo thanks,” I responded.Β  β€œI’d rather sell them separately at full price.”

He began walking away.Β  β€œGood luck buddy, you’re not going to sell any of those movies.”

Again I laughed.Β  β€œI already have!”

Then he said to me, β€œYou know, that place [name deleted] will only give you 50 cents each for movies.”

The funny thing is the place he mentioned was the Record Store in which I used to work!Β  And they were not giving 50 cents each for movies at the time.Β  I had worked there long enough, and sold enough stuff since, that I knew he was full of shit.

I told him who I was, and called bullshit.Β  He drove off.

I admit I was pretty steamed up.Β  But the guy was a total dillhole.Β  Just the kind of garage saler that everybody hates.Β  Like I would have given him the movies with that kind of attitude!

An hour or two later, he drove back!

β€œHey buddy!” he shouted from the window of his truck.Β  β€œHow much for your movies?”

β€œSame as before,” I responded.Β  β€œ$2 each.”

He said something rude and drove off.Β  I responded with something rude and was promptly scolded by my mother!

β€œHe was a dickweed, mom,” I reasoned.Β  He then drove to my sister’s place, who had a garage sale going at the same time, and bought one of her movies for $2 without a single complaint!

I sold all but three of my movies at that sale and raked in a few hundred bucks.Β  I was happy and I just gave the remaining movies away to friends.Β  Although I may still have my copy of Reefer Madness that nobody wants.

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After the garage sale, my parents went on vacation forΒ a week.Β  While they were away, one of the items we sold at the garage sale turned up sitting on my parents’ front porch, with a note attached.

Somebody had bought a VCR at the garage sale, and a few movies to go with it.Β  Everything worked.Β  The VCR was missing its power cable, but that was all.Β  I have lots of spare power cables around the house, and they’re easy enough to find, so I figured that was not an issue.

Well, some dumb lady β€œreturned” the VCR ($5) and left it, with the movies, on my parents’ porch saying she wanted her money back because it β€œdidn’t work”.

You sure can’t fix stupid.

Fortunately when my folks returned from vacation they settled the VCR issue.Β  The lady came back; she was from the neighborhood, and my parents gave her the money back without incident.

Still, I wondered to myself, β€œWho the hell tries to return something they bought at a garage sale?”  Weird.

That was the last sale we had.Β  Though I am sure we will have more, they certainly are not as much fun as they were when I was a kid!

REVIEW: Criss – Cat #1 (1994)

CRISS CAT 1_0001CRISS – Cat #1 (1994 Tony Nicole Tony)

I am a Kiss fan, and I am also a Peter Criss fan. I like his first bunch of post-Kiss solo albums, Out of ControlΒ and Let Me Rock You just fine. They are not perfect but they have some good songs and are enjoyable, if dated, slices of the era. Β I think most fans would grudgingly admit that Let Me Rock You isn’t bad.

Cat #1 (terrible title!) was supposed to be Peter’s comeback, after a decade of working with bands that went nowhere such as Balls Of Fire and The Keep (with Mark St. John). He later assembled the Criss band, which included Mike Stone (who would later end up in Queensryche). Cat #1 was also preceded by a mail order EP simply called Criss, with some exclusive songs. Β That release was marred by an incompetent record company who took close to a year to mail out the orders.

Unfortunately, Peter did not need a record company to tank this release. Β This CD tanked itself. Β The problems with Cat #1 are three-fold:

1. No great songs.
2. Bland, uninspired performances and terrible singing by the backing band.
3. Bad production and plastic sounding drums.

The one good song is “Blue Moon Over Brooklyn”, the heartfelt ballad written for Peter’s mom who had passed away recently. Β This song, though imperfect, justifies me having it my collection. Β (Well, that and it’s Kiss related.) Β Phil Naro co-wrote this one, and diehard fans know he’s a talented guy who has written some prettyΒ good songs. Β It’s just too bad that “Blue Moon Over Brooklyn” wasn’t fully realized by an ace band and producer. Β Somebody to help Peter know when he’s singing flat, you know?

Naro wrote two tunes here, “Bad People Burn In Hell” is the other. Β It’s not bad either. Β It’s a fun rocker where Peter gets to sing in his Elvis voice for a bit. But that’s basically it. The rest of the songs sound like a hodge-podge of unrelated bits stuck together, and wouldn’t even pass as filler on the worst Kiss albums. You could probably Frankenstein bits and pieces from these songs to make one good song out of the bunch of them, but that’s all. For example, the chorus from “Strike” is decent, put that with the verses from “Bad Attitude”…you know what I mean? Β Maybe you could make one good song out of them. Β  (“Bad Attitude” by the way seems to be about that homeless man who claimed to be Peter as documented on the Phil Donahue show. Remember that?)

CRISS CAT 1_0002The productionΒ though is terribly bland, and Peter’s drums sound likeΒ triggered samples. Β They really sound terrible. Β The drum sound alone robs Peter of the swing. Β It’s distracting. Β His singing is good in spots, and he actually wails pretty good on tracks like “Bad Attitude”. Β “Bad Attitude” is vintage Kiss vocally, but shite musically.

Mike Stone sings lead on a couple tracks, and his voice is like…how do I describe this? He’s like Glenn Tipton meets an asthmatic Dave Mustaine or something. Not a good singer at all. When he takes the lead on tracks like “Show Me”, it sinks the song. Even when he backs Peter up on songs like “Bad Attitude”, it’s weak. A third voice is singing on “We Want You”, who I assume from the writing credits is Mike McLaughlin. His voice is even weaker, it’s like a raspy whisper.

Finally Peter recycled “Beth”, yet again. Β It was great to finally have an unplugged acoustic version of the song, but he has really milked that one, hasn’t he? Β It’s a good version, and it’s a slightly different mix from the one used on the earlier EP.

As marked on the cover art itself, Ace Frehley plays guitar on three songs: “Bad Attitude,” “Walk the Line,” and “Blue Moon over Brooklyn”. But you can’t really tell. Β  Let’s talk a moment aboutΒ that cover art. Actually, let’s not: You can see it for yourself, so you decide what you think. Β Challenge yourself to come up with one-word descriptions and post them in the comments.

1/5 stars

REVIEW: Frank Zappa – Baby Snakes (1983)

Third review from Mike and Aaron go to Toronto…Again! Β This Zappa bought at Sonic Boom for $10.99, original green Rykodisc case intact.

BABY SNAKES_0001FRANK ZAPPA – Baby Snakes (1983, 1995 Rykodisc)

Baby Snakes is the soundtrack album to the Zappa film of the same name, famously using clay animation by Bruce Bickford. Β This bizarre landmark of a movie deserves a bizarre soundtrack, which Frank ably delivers with his ace band including Tommy Mars (violin) , Terry Bozzio (on two tracks), Β Adrian Belew (guitar) and more.

Yet the title track is remarkably accessible. Β Sure, there are the typical Zappa elements: high munchkin voices, low Zappa moans, eclectic and humourous lyrics…and playing out the wazoo! Β There’s nothing wrong with these “Baby Snakes” as long as you can keep up with the time changes. Β (This is an edited version of the same song from Sheik Yerbouti.)

Before you know it, you’re live in funky New York listening to “Titties and Beer”. Β These live tracks were recorded Halloween 1977 at the Palladium. Β Will Frank sell his soul to the Devil? Β Is Frank rough enough to get into hell? Β Does he have the style that it takes? Β Listen to “Titties and Berr” and find out (I won’t spoil it).

“The Black Page #2” is infamously hard to play, so just listen up and hear how the pros get it done. Β The percussion alone makes heads spin. Β Another seamless transition goes into “Jones Crusher” which has a classic soul of rock. Β The vocal parts are damn fine, the lyrics hilarious, and Frank’s outro solo smokes. Β A rock and roll slant on “Disco Boy” is a tad faster than the studio counterpart. Β This hilarious ode to vanity and ultimately masturbation is just fun, because who doesn’t love ripping on disco?

PUNKYSide two of the original LP was made up of just two tracks, both long bombers: Β “Dinah Moe Humm” and “Punky’s Whips”. Β The Ryko CD blends the two sides together without a break. Β You can hear the band quote “Sunshine of Your Love”)Β at one point Β in “Dinah Moe” (they quoted “In-a-Gadda-da-Vida” on side one). Β “Punky’s Whips” is a completely different deal. Β Apparently, Terry Bozzio had a bit of a man-crush, or at least a fascination with Punky Meadows from the band Angel. Β This satire poked a bit of fun at the expense of Punky, but who can blame them? Β Who could blame anyone? Β “Punky’s lips, Punky’s lips, his hair’s so shiny, I love his hips!” Β I mean, how can you not make fun of this guy? Β Even though the lyrics are distractingly hilarious, the music goes into epic soundtrack mode by the time Bozzio’s shouting “Jack it Punky, jack it faster!” Β Frank ends the song with one of his signature guitar jams, a sound that this world truly does miss.

Of note: this album was originally released on 12″ picture disc. Β The Ryko CD cover replicates this effect. Β I like that.

5/5 stars

#335: Musical Archaeological Discovery!

It’s #throwbackthursday!

RECORD STORE TALES Mk II: Getting More Tale
#335: Musical Archaeological Discovery!

A couple weekends ago, I had a chance to dig through some old boxes looking for musical memories. Β  I found that, and a lot more.

I discovered a complete inventory of my entire music collection, that I had made as a kid. Β Most of it was on cassette. Β There’s no date on it, but thanks to my photographic memory of musical life events, I can easily date this to within +/- a couple months. Β Let’s have a look and figure out when I made this inventory.

The first thing I noticed was there are 24 CD titles on this list. Β I received my first CD player for Christmas of 1989. Β That would place this list a fair bit after Christmas of ’89.

In the section for “Videos”, I only had four VHS titles at the time: Β Kiss, Def Leppard, Judas Priest, and Warrant. Β I know I received a Faith No More (You Fat Bastards) video for Christmas of ’92. Β So we’re well before December 1992.

Back to the CD section. Β The presence of the Led Zeppelin box set helps me narrow it down further. Β I know I received that box set for Christmas of 1990. Β I also remember getting Slaughter’s Stick It Live tape on December 28th of that year, and that cassette is on this list.

I distinctly recall my birthday in July 1991. Β I received Alice Cooper’s Hey Stoopid on cassette (thanks sis), and Van Halen’s For Unlawful Carnal Knowledge on CD (thanks Bob). Β Neither are on this list. Β Therefore, this was made sometime betweenΒ Christmas of 1990, and July of ’91. Β Just over six months. To narrow it down as tightly as possible, I need to look for purchases that I know I made in early 1991.

In April or MayΒ ofΒ ’91, I can remember getting the new Mr. Big (Lean Into It) on cassette, and the first Raw M.E.A.T CD. Β Neither are on here. Β Most definitively however, missing on this list is David Lee Roth’s newest, A Lil’ Ain’t Enough. Β I know I got that for Easter of 1991. Β Now we’re really close. Β Somewhere between January to March of ’91!

I know IΒ bought the uber-rare cassette single for Helix’s “Good to the Last Drop” really early in 1991. Β Snow was still on the ground, and that cassette single is not listed here. Β  Therefore: I concludeΒ that I created this listΒ after ChristmasΒ 1990 or early in 1991, but probably during Christmas break 1990! Β I would have had the spare time to work on it during break.

Some additional observations:

1.Β Apparently I hadn’t yet discovered alphabetizing.

2. The dollar values printed represent approximateΒ guesses as to retail value. Β I later made a revised list that replaced this with 5 star ratings, but I have not as yet found that version.

Here it is, now preserved digitally forever! Β And look — I only owned one CD single!* Β Final interesting note: Β Most of the items on this list are long gone. Β I’ve upgraded to CD on all the cassettes and only kept a handful. Β I have most of the vinyl, but I gave away my ’45 of the Wrestlers. Β I have some of the CDs, but others (Kiss, Bon Jovi, AC/DC, Van Halen, Slaughter, Maiden, Motley Crue) have long been replaced by remasters.

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INVENTORY_0001

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* Iron Maiden’s “Holy Smoke”, bought at Dr. Disc in the autumn of 1990.

DVD REVIEW: KISS – 20th Century Masters: The DVD Collection (2004)

KISS – 20th Century Masters: The DVD Collection (2004 Universal)

These 20th Century MastersΒ DVDs were a fun way to pick up key music videos from major bands at a cheap price. Β Today this role is largely filled by sites such as YouTube. Β The KissΒ edition features five of their biggest from the 1980’s: Β One with makeup, four without.Β  One each from Creatures, Lick It Up, Animalize, Asylum, and Crazy Nights.

“I Love It Loud”, of course, features the band in full makeup and costumes, including Ace Frehley, even though he did not play on Creatures of the Night. Β This brilliant video spoofed the popular “rock and roll is brainwashing our kids” fears of the 80’s. Β In this video, Kiss use their incredible brain powers to do that very thing. Β Gene can even melt objects with his fire breathing, through a fucking television set.

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Let me set the stage for you in the clip for “Lick It Up”: Β It is the Future. Β Nuclear war has seemlingly reduced America to a wasteland, the population are dressed in rags. Β The only human beings left alive are women…and of course the fourΒ guysΒ from Kiss (now including Vinnie Vincent on guitar). Β Only they can bring salvation (and music) to the surviving ladies.

“Heaven’s On Fire is a pretty standard 80’s video. Β The band frolic with babes, Gene wags his tongue, Eric shakes his hair. Β This video isΒ howeverΒ notable as the one and only appearance of guitarist Mark St. John (who replaced Vinnie Vincent) on lead guitar.

The clip for “Tears Are Falling” isn’t the best. Β It’s a better song than a video, but there’s a cool part where Bruce plays a guitar solo in the rain. Β It’s too bad that Kiss chose the Asylum period for a garish set of sequined covered bathrobes, a popular 1985-86 trend.

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“Crazy Crazy Nights” boasts some pretty big production values and the debut of the “new” late-80’s KISS sign. Β I hated the softening of the musical and visual direction of Kiss in this video. Β This is the beginning of Paul Stanley merely dancing with his guitar in videos, rather than playing it. Β Watch the video. Β At no point is Paul doing anything more than wearing or dancing with his guitar!

Eric Carr was the drummer on all tracks, rest his soul.

3/5 stars

KISS DVD 20TH CENTURY MASTERS_0001

REVIEW: Leadfoot – Bring It On (1997)

LEADFOOT – Bring It On (1997 TMC)

This band was first brought to my attention courtesy of Tom Morwood. Β Leadfoot might be considered a spinoff band from Corrosion of Confirmity. Β Bassist Phil Swisher and vocalist Karl Agell were members on the critically acclaimed Blind album by that band. Β Leadfoot has a similar kind of appeal. Β It has groove, balls, guitars and no bullshit. Β Bring It On is their debut.

One major issue with Bring It On is one common to so many records. Β It features a strong, memorable and overall top drawerΒ first side, leading into a dull and monotonous second side. Β Too bad, because side one is really, really good. Β The title track for example has all the qualities I like in stoner rock: Β groove, howlin’ vocals, enough melody to get me by, and gutsy memorable guitars. Β The drums have some swing to them, the guitars have a southern flavour, and the lyrics are cool and defiant. Β “Bring It On” indeed.

Other standouts:

  • “Soul Full of Lies”, throwing some snaky guitars down.
  • “High Time”, my favourite. Β It starts with a “Radar Love” vibe, but then goes sludgy awesome.
  • “Roll All Over You”, an AC/DC-meets-Danzig prowler.
  • “Right Between the Eyes”, just an assault of bass and groove. Β Aptly named.
  • “Ripe”, my other favourite. Β This is just melodic singalong rock, though I have no idea what the lyrics are about.
  • “Sooner”,Β a relentless battering of drums and chords.
  • “Under the Sun”, which has a superficial resemblence to “Supernaut” by Black Sabbath.

And it’s pretty much downhill from there. Β There’s nothing overtly wrong with the rest, just nothing overly special or memorable either. Β At least in comparison to the far superior first half of the album.

3/5 stars

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#334: Tyler and LeBrain episode one – “Nickelback” (VIDEO)

NEW SERIES!

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RECORD STORE TALES Mk II: Getting More Tale
#334: Tyler and LeBrain – episode one – “Nickelback”

Please welcome fellow Sausagefester, Dave FM listener, and lover of leather-clad blues-infested classic rock and roll: Β Tyler. Β We’ve decided to team up for musical commentary on a few different topics. Β Today’s subject:

Nickelback.

Hope you enjoy, and comment here for discussion.