REVIEW: Lawrence Gowan – …but you can call me Larry (1993)

LAWRENCE GOWAN – …but you can call me Larry (1993 Anthem/Columbia)

Lawrence Gowan was clearly making changes for his first album since 1990’s Lost Brotherhood.  He was now going by his full name, Lawrence Gowan, though long-timers had a hard time not just calling him Gowan.  He assembled an ace crew of musicians including Robert Fripp and Tony Levin from King Crimson, Ken Greer from Red Rider, Jann Arden, and drummer/producer Jerry Marotta, who goes back with Levin.  The result is a more organic album playfully called …but you can call me Larry.  The sound is pure 1993, in the best possible way.

Tinkling acoustics open “Soul’s Road”, a far cry from from the synthesizers of a decade ago.  This great song soon kicks into gear on the chorus with the crackling electric guitars and the cry of a pedal steel (by Greer).  It reverts back to acoustics and piano on the verses.  Gowan employs just a touch of rasp in his voice for an earthy vibe.  It has just the right balance between hard and soft.  Great opening track, and should have been a hit.

“When There’s Time (For Love)” features Colin Linden on guitar, and stays in the acoustic zone.  This slow song is loaded with melody and passion, and once again really comes to life on the excellent chorus.  This is a ballad for a quiet night in, but it isn’t lifeless at all.  The drums keep it moving, and the musicianship on all instruments is absolutely stunning.  Such a full, rich mix.  You can really feel the bass.  That’s Paul Northfield’s mixing work, done at Morin Heights in Quebec, where the album was recorded.

Co-written with Jim Vallance, “Innocence” goes for a different vibe, with a tense little piano line soon giving way to a powerful chorus.  Tony Levin shares bass duties with Terry Gowan, who is currently touring with his brother in Styx.  This rocker still maintains a touch of acoustic guitar in the background, but this is a rock song with just a hint of nocturnal menace.

Back to ballad territory, “Your Stone Walls” has a folksy sound, beginning with minimal instrumentation and letting the acoustic guitar carry the weight.  It gradually builds, adding organ and drums, but the folksy sound remains.  It’s an exceptionally beautiful song, especially as it continues to grow into something more epic, with soulful backing vocals and keyboards.

Things really pick up on the moving “Dancing On My Own Ground”.  Levin’s bass has a lot to do with why this one moves with such an incredible pulse.  Upbeat and bright, this acoustic rocker is probably the album highlight for those who like feel-good music.  There’s a violin solo to boot.  Gowan’s music always includes outstanding musicians, often from the progressive rock genre.  It’s no wonder he ended up in Styx with that kind of experience.

By contrast, “Cry On My Shoulder” is the opposite; a somber piano ballad.  (Was the idea of having two “On My…” song titles in a row a coincidence?)  This one features ample cello parts, and a stunning slide guitar part by Ken Greer.

Things go suddenly retro on “Moonchild’s Psychedelic Holiday”.  Using sitar became more common in the early 9os, and of course that combined with the word “psychedelic” means we’re going back to the era of free love.  There are only slight Beatles-isms incorporated, but Jim, both Hendrix and Morrison, are cited in the lyrics.  It feels a little corny and contrived, but others may think it’s the best thing on the album.  Enjoy some purple haze and see what you think.

The somber acoustics of “You Never Let Go” feels like we’re back on track.  Yet, it’s poweful.  The lyrics tell a tale of a friend, a bad seed, that Gowan can see the other side of.  Even though it is mostly a quieter song, there is an undercurrent.  A drive.  A power.  A tension.  It’s all released at the halfway point when the electric guitars kick in.  One of the more impressive songs on the album.

Larry goes upbeat again on “(In The) Wild Summer Night”.  It never goes too hard or heavy, but this rocker has some rhythmic piano, great drums, and a bouncing chorus to keep the party going.  If you can criticise …but you can call me Larry for anything, it would be that the album gets burning too rarely.  There is nothing here as bouncing as “Strange Animal” obviously, but “(In The) Wild Summer Night” gets the blood flowing.  The soul singing comes back for the outro, as the drums just light it up.  Get out of your chair!

“Last Laugh” features Jann Arden, slide guitar, dobro, and hand percussion.  This laid back acoustic song really breathes when Jann joins Lawrence on the second verse.  Most songs on this album seem to have a feature or two that makes them stand out from the others.  In this case it’s Jann Arden.  Though it is not a loud song, it’s very powerful.  “We’ll have the last laugh, now…” they sing.

Album closer “Little Face” is the one with Robert Fripp.  Even so, I would have held this song for last anyway.  It is meant to be a closer, with a tension that builds and builds as the song goes on.  Impressive drums here, and a dark powerful vibe with exceptional guitar work by the King Crimson mastermind.  A burning closer with a great chorus.  “Little Face” is the cherry on top of an impressive record.

One look at the covers, front and back, and you know immediately that the design is by Hugh Syme.  Hugh did a number of albums in 1993 with similar fonts and marble designs:  Rush, Coverdale-Page, and Def Leppard too.  In fact this CD layout is virtually identical to Retro-Active by Def Leppard.  Hey, if it works…

4.5/5 stars

Thank you Aaron for this copy!

 

#1139: Bonfire at Lake Water Stones [VIDEO]

RECORD STORE TALES #1139: Bonfire at Lake Water Stones

More people, less wildlife.  That’s a rule-of-thumb at Lake Water Stones.

Why “Lake Water Stones“?  That was a childhood nickname that I had for Lorne Beach, on Lake Huron.  Now in my 52nd summer at the lake, I realize more than ever why it had that name.  As before, I took the drone up to the cottage and filmed lots of video.  I also took the drone far lower over the water, and through the crystal clear ripples, you can see countless stones…rocks upon rocks upon rocks…as far as the eye can see.  There are very few sandy patches at Lake Water Stones this year.  It changes from year to year.  The winter always brings in a new landscape, and seascape.

Back to the wildlife.  On our last trip to the lake, we witnessed our friend the fox, four wild turkeys, and a skunk. There was hardly anybody there that weekend, and it was very quiet.  This time, there were many neighbours.  The animals made themselves scarce.  There was no danger of tripping over a skunk this time.  Even our friend the chipmunk was barely to be seen.

On the flipside of this, we had the chance to meet the folks next door, a newlywed couple we’d never run into before.  Having a drone is a good conversation starter!  Neighbour Danny was treated to the best air show I could offer.  I swooped it down closer to the surface, and buzzed him from a safe distance as he swam.  Later on, I pulled the same stunt while Jen was swimming, and I came within an inch of crashing into a rock.  It was a close, close call and I will not be flying that fast, that close to the water again!  It’s all on video.

Danny invited Jen and I to a big bonfire that night with his wife.  I’m not usually the social type, and as of my friends who have not even seen me yet this year can testify to.  In the interest of doing new things and trying to be social, I decided to go.  Of course, I brought my drone to film it from the air.  It was an impressive fire.  And truthfully, it was nice to be social for a change instead of a hermit.

That was the one new thing we did this weekend, in a summer of trying new things.

I’d be remiss if I didn’t talk about the music we played in the car, and on the porch.  On the way to the lake, I wanted to try one of the new albums I bought when Aaron and I went to Toronto.  I chose Don Dokken’s Solitary, which as I surprised, was an acoustic album.  I enjoyed it, but Jen did not like his cover of Celine Dion’s “My Heart Will Go On” one bit.  I’m undecided.  I don’t have to decide until I review it.  After that, we needed a palette cleanser so I put on Back for the Attack by Dokken.  Not one bad song.

On the porch, I asked Jen to pick bands, and then I would pick a song.  She started throwing me curveballs by naming bands like Judas Priest.  I would then shake it up by playing an atypical song.  In Priest’s case, it was “Before the Dawn”.  When she picked Guns N’ Roses, I went for “Better”.  This fun game kept us entertained for an hour or so.

Saturday morning was spent listening to the best of Kansas, in preparation for the afternoon interview with Tim Durling.  Jex Russell and I had the time of our lives talking to Tim about all things Kansas, and he should know!  A great show, though Amazon failed to deliver my copy of Point of Know Return as planned.  It just flat-out never showed up and they refunded my money.  All I had to show off for the interview with Tim was my copy on 8-track, that he gifted me last summer!

Another triumphant weekend at Lake Water Stones.  It’s wonderful to be able to keep these memories on video.  I hope you enjoy it.

REVIEW: Potensic ATOM SE GPS Drone

Disclaimer:  This review is from the perspective of a drone rookie.  I recently plunged into the hobby, and found it easy and inviting.  Here’s what I have learned in my three weeks as a drone pilot.

Buy the ATOM SE Drone on Amazon!

Potensic ATOM SE GPS Drone With 4K Single-Axis Camera

When I was a young kid, I would come to the beach and watch this older kid fly his remote control airplane over the lake.  He never landed it without crashing, with either major or minor damage.  I thought it would be cool to fly an RC plane like that, but it looked difficult and expensive.  Then, at some point decades later, my dad bought an indoor drone for me.  Just a toy.  Impossible to control, and it went flying off my wife’s head.  Nope, flying things isn’t the hobby for me.  Onto the next thing.

Then, one day after browsing Amazon, I decided to buy a real drone and see what difference it would make.  You only live once.  I chose the ATOM SE by Potensic, which came with two batteries, a remote, all the cables you need to charge and connect it, and a spare set of propellers (with the appropriate screwdriver).  It all came in a nice, padded travel case that holds everything.  It really is an all-in-one package.  You can buy accessories too, including spare batteries and a charger that can do three of them at once (plus the remote).  I also recommend picking up a landing pad, which helps keep your drone propellers out of the grass and/or sand.  The only thing you will need to provide separately is a micro SD card so you can record all that lovely 1080p video you’re going to capture.

My only complaint:  No paper manual.  All you get is a pdf file.  I gave it a read, but I learn by doing, so one Saturday morning when nobody was around, I took my drone over to the park.  Within minutes I was in the air.  (Of note:  This drone is light enough that it does not require a license, so you are good to go.)

It is intuitive and easy to fly.  You just plug your phone into the remote, to act as a screen.  Everything fits perfectly.  The camera is crisp and clear.  For those with a higher budget, the next model up has a 3-axis camera, but this one just moves up and down.  I found this plenty good enough.  The controller has two (removeable) joysticks (with a clever storage solution).  Everything is ergonomic.  The left stick controls altitude, and rotates the drone.  The right stick controls all movement forwards and backwards, and side to side.  It moves equally well in all four directions.

This drone is steady as a rock.  Even in a light breeze, it barely moves from where you want it.  I took it up to its maximum ceiling of 190 feet, and then right down again to land, and it had only moved about a foot.  There are automatic flying modes, such as one where it circles a waypoint (with camera always pointed at the center, a cool feature) and one where it follows you.  You can set a home point for it to automatically return to.  However, I am more comfortable being in control.  That shows you how easy this thing is to use, that I prefer manual controls to automatic.

It’s a fast little drone, and zips right over your head going over 13 mph.  It stops on a dime, and is extremely responsive.  It is also capable of beautiful, slow movements.  The resultant videos are always quality.

When I first bought this drone, a few people were asking me what the heck I would do with it?  Check out the videos below and tell me I’m not having fun!

This is an easy 5/5 stars and a solid gateway into a fun hobby.  You can get an ATOM SE Drone on Amazon.

Save at Capitol One Shopping, at this link.

#1138: ‘Twas 30 Years Ago, at Stanley Park Mall (Story & Video featuring Robert Daniels)

RECORD STORE TALES #1138: ‘Twas 30 Years Ago, at Stanley Park Mall
(Story & Video featuring Robert Daniels)

Since 1991, The Beat Goes On was the easiest place for me to buy new music. The selection wasn’t great, and the prices were high, but it was just a 10 minute walk from my house. When Motley Crue released their long-awaited new album in the spring of 1994, I just grabbed it on my way to school. I bought a lot of important music at that store in the early 90s. Mr. Bungle was my first purchase, as I recall, $14.99 on cassette. I picked up the debut by Fight, the Very Special Christmas compilations, and the Wayne’s World soundtrack.  No, wait – I got Wayne’s World at Zeller’s because the owner was too busy talking to a girl to help me!  When I finally got his attention, he was sold out of Wayne’s World, so I bought it at Zellers down the hall!

I wasn’t the most regular customer for the first three years, because of the pricing.  As a small independent store in a mall, rent and overhead was high while margins were low.  Then came used CDs.

The owner likes to tell the story.  “I came in with a single tray of used CDs and put them on sale,” he said.  Initially our prices were $9.99 and $11.99 for used CDs.  I walked in one day in early July and bought Kiss My Ass, which was two or three weeks old (June 21 1994 release date).  What a steal!  I didn’t want to pay new prices for a handful of songs that I wanted.  I was impressed.  I planned on making my visits much more regular.

Two weeks later, I was working there behind the counter.

Stanley Park Mall was an important location to me, all my life.  I had worked there in 1989-1990 at the grocery store Zehrs, and my dad worked at the bank there through pretty much all the 1980s.  Now I was calling it home again, as I worked the summer of 1994 at The Beat Goes On, learning the used CD trade and rocking the suburbs.  The mall was an ever-changing landscape of stores.  When I started, many were already long gone, such as the comic book store and video rental place.  Today it’s even more of a wasteland, with very little to attract teen mallrats today.  There was once an A&A Records; that closed in 1990.  There were once two banks, a diner, a liquor store, a camera shop, a Zellers with a restaurant, even a video arcade once upon a time.  The mall is barely recognizable from that day I was hired in July of 1994.

When I started at The Beat Goes On, there were just two of us.  I was replacing a part-timer named Craig that was leaving for school.  It was just me and the owner.  It was a pretty incredible time to be at the start of something.  Used CDs were taking off, and we had two tables of them as opposed to one little tray.  Grunge was still powering the charts, with Soundgarden and Alice In Chains lingering near the top.  Kurt Cobain was dead but the music was still selling like mad.  On the other side of the ailes, MuchDance was popular, and there was a new rapper named 2Pac that was making waves.  The soundtrack to Forrest Gump was selling steady despite its high (2 CD) selling price.  “Somebody’s getting rich off that Gumbo thing!” said an old man who didn’t buy it.  It wasn’t us getting rich!  April Wine had a new album, there was a ZZ Top blues compilation hitting the shelves, and it was just generally a brilliant time to be alive.

30 years is an eternity, and the mall has changed, but here we are!  Recently, Rob Daniels joined me for a stroll around Stanley Park Mall, to see what has transpired.  We strolled the hallways, remarked on the stores now long gone, and explored what’s there now.   Enjoy this video documentary on the changes endured by Stanley Park Mall over the last 30 years…three decades to the week since my hiring at The Beat Goes On!

 

REVIEW: Hurricane – Take What You Want (1985 EP, 1989 reissue with bonus tracks)

HURRICANE – Take What You Want (1985 Enigma EP, 1989 reissue with bonus tracks)

Hurricane attracted my attention initially because I was a Quiet Riot fan.  I considered Hurricane to be a “brother” band to Quiet Riot.  Bassist Tony Cavazo’s brother Carlos was in Quiet Riot.  Guitarist Robert Sarzo also had a brother, in Rudy.  I loved that Carlos played bass, and Robert played guitar.  I just knew that they chose those instruments so they could have jammed with their brothers, on guitar and bass respectively.

Perhaps Hurricane are best known as a band that launched its members into higher orbits.  Robert Sarzo has been a member of Geoff Tate’s Queensryche.  Drummer Jay Schellen is in Yes.  Singer Kelly Hansen is with Foreigner.  Big names!

Their debut EP was not a bad start.  It boasted one single/video that impressed me as a kid, but we’ll get there.  The original EP opened with “Take Me In Your Arms”, a tough little rock crooner with a great chorus.  Right from the get-go, it’s the singer that impresses.  The production buried him a bit too far back in the mix.  It may be a case of “too many cooks”, as Kevin Beamish, Mike Clink and Hurricane all get co-production credits, with Bob Ezrin in an executive role!  The swampy backing vocals don’t really help, but fortunately Hansen was more than capable of driving a chorus home.  It was also obvious that Jay Schellen was going to go places.  His drumming here is far from simplistic, standard rock cliches.

The second track gives Tony and Jay a chance to jam a bit before Robert comes in with some squealing guitar.  “The Girls Are Out Tonight” is not especially remarkable, but like the preceding song, it has a great little chorus to go with some pretty poor lyrics.  “Laughin’ and talkin’ about the boys, with whom you want to be seen.”  You don’t see the word “whom” in rock lyrics very often, I’ll concede.  The MVPs on this track are Tony Cavazo with a rollicking bassline, and Robert Sarzo with some great 80s excess on guitar.

The title track “Take What You Want” goes third, with an ominous little riff to open it.  There’s a vibe here somewhere between Journey and Kiss.  Hansen impresses thoroughly with those pipes!  The mood of the song isn’t consistent however, going for a more cliched rock vibe on the verses, while the chorus just smokes.  Almost a great song, but not quite.

Hurricane’s eponymous track was the single/video back in the day, and immediately impressed with the riff.  Traditional metal with a hint of exotic, “Hurricane” was my favourite song for two weeks straight.  “You’re like a hurricane comin’, you don’t forgive!”  Get pumped up and rock this tune on repeat.  It’s great.

“It’s Only Heaven” features Robert Sarzo and Tony Cavazo making really cool, atmospheric sounds with their instruments.  Then Schellen comes in with a classic drum beat, followed by Kelly Hansen.  This ballad could have been a Scorpions song, perhaps.  Vocally it’s very different from the Scorps, but Klaus can sing anything he wants.  Though slow, this ballad could have gone down in history like similar songs by Dokken…except for a really bad key change almost six minutes into the song.  Otherwise, it’s pretty epic and spectacular.  Somebody should have chopped the last minute and a half of it though.

Back to the hard rockin’, “Hot and Heavy” was the closing song on the original EP.  It gets the job done.  It’s fast, rippin’ with shout along hooks, and ready to tear it down.  Robert Sarzo illuminates the sky with guitar pyrotechnics.  Good little tune.  Nothing remarkable of course, but adequate for the task.  The whole EP is above average, because of the skill of the players and some occasional production goodness.  It’s just a nose above the rest of the bands that didn’t quite have the same level of musicianship.

Old CD copies came with a bonus track, “La Luna”, a beautiful classical guitar piece by Sarzo.  There is some really clever backwards guitar mixed in with the forwards.  It’s almost like next level Randy Rhoads.  The entire band got credited for writing, which means the band had an agreement to split writing credits.

This CD reissue has three bonus tracks, all from the next album Over the Edge.  The first is a single version of “Over the Edge” itself.  This hard rocker opens and closes with cool acoustic guitars, which caught my ear back in the day.  I loved this tune.  The production is still a bit wanting, but you can hear the talent shine through.  Schellen’s got a great groove going, and Kelly was so underappreciated as a singer back in the day.

“I’m On To You” was another great single from that album.  This is just an edit version.  This “super stormin’ hook edit” opens straight away with the chorus, which may or may not be to your taste.  “Na na na na na na, I’m on to you!” croons Kelly Hansen.  You’ll love it or hate it.  Finally, the CD ends with “Baby Snakes” (not a Zappa cover)…and finally it’s an instrumental version, without the phone call stuff!  That part of the song was amusing for a few minutes, but hindered re-plays.  This instrumental version remedies that!

Hurricane could have gone further than they did.  Unfortunately for them, Robert Sarzo departed after Over the Edge, replaced by a guy named Doug Aldridge that you might know from some other bands.  They started using outside writers, and that’s rarely a good sign.   They have since reunited, but never with this original lineup again.  An album and an EP was all we got.  At least they were both decent.

3/5 stars for the original EP
3.5/5 stars with bonus tracks

Grab A Stack of Rock talks to Tim Durling about his new Kansas book Let It Be Your Guide: The Kansas Album Review

Huge thank you to Jex Russell and Tim Durling for spending Friday afternoon with us chatting about Kansas!  Tim’s third book, Let It Be Your Guide: The Kansas Album Review, is out now Like his previous two books, you can get this one now on your local Amazon.

Kansas are progressive rock legends, but did they ever get the respect they deserved?  They are still making music today, and good music too.  This book, and this interview, reflect a love of Kansas that perhaps isn’t seen enough in media (mainstream and social) these days.  Tim hopes to change that.  His appreciation for the music is sincere.  As for Jex and I, we could only sit back and learn.

We had one surprise lined up for Tim, a Grab A Stack of Rock first.  In a surprise appearance, TVC bandmate and book cover artist Matt Phillips explains what went into the artwork, and other important details about publishing a book like this.  Indeed, there are photos of articles from Tim’s personal collection inside, all laid out beautifully with great care.  Thank you Matt for sending in this great video.  If you want to know about some of the Easter eggs on the book art, watch this video.

Congratulations Tim on this third book, and please support him by picking up a copy on Amazon.  Jex and I will be back from the cottage soon for another Grab A Stack of Rock.  Thanks everybody for your viewer questions and comments!

SHOW NOTES

“A FAN’S EAR-VIEW OF WHAT MAKES KANSAS’ MUSIC SO SPECIAL” – Jeff Wagner

Tim, what took you so long to write a third book?  Y&T was 7 months ago.

Tell us your point of entry into Kansas.  (I do not remember ever seeing Kansas on MuchMusic)

One might argue that you were born to write this book, given your channel “Tim’s Vinyl Confessions”.

During a debate of greatest “Song 1 Side 1” in history among the lead characters in the movie High Fidelity, Jack Black’s character criticizes one of John Cusack’s character’s proposals as “too obvious, like ‘Point of Know Return'”.

Let’s assume you’re talking to Kansas megafans watching this show, who have every album already. Why should they buy this book?

The band is known for clever wordplay in titles, such as “Point of Know Return” and “Leftoverture”. Did you sneak any clever wordplay into this book that you can tell us about?

Let Tim Be Your Guide: Grab A Stack of Rock talks to Tim Durling about his new Kansas book!

GRAB A STACK OF ROCK With Mike and the Mad Metal Man
Episode 64: Let It Be Your Guide: The Kansas Album Review with Tim Durling

Masquerading as a man without a reason, Tim Durling is a wayward son no more!  Now with his third book on the shelves, it’s time to talk to Tim about his latest tome:  Let It Be Your Guide: The Kansas Album Review.  Like his previous two books, you can get this one now on your local Amazon.

Cohost Jex Russell and I will be chatting with Tim this afternoon about all the usual stuff:  the genesis of the idea, recruiting the coterie of “Wheatheads” (including Jex and I, among other members of the community) and the brilliant cover artwork by Matt Phillips.  We also have a very special surprise for Tim, plus lots of physical product to show.  This time, I’ve got an 8-track!

Today’s show will be a free-flowing chat, and it will be live, so you too will be able to ask Tim your Kansas questions!  Let Tim be your guide.

From Amazon:

THE MUSIC IS ALL FOR YOU.

LET IT BE YOUR GUIDE: The Kansas Album Review is an in-depth look at America’s premier progressive rock band, and celebrates 50 YEARS OF KANSAS!

Led by the songwriting and multi-instrumental genius of Kerry Livgren, the pristine pipes of Steve Walsh, and the cutting violin of Robby Steinhardt, Kansas emerged from their Topeka home base with their 1974 debut album, to take on the world… and win! Initially met with confusion from music buyers, Kansas eventually captured the hearts of listeners far and wide. Kansas has proven that a band writing—and playing—music their way can succeed, and flourish:

  • 7 Billboard Top 40 singles
  • 7 Billboard Hot 100 hits
  • 5 Gold albums
  • A 4X Platinum album
  • A 4,000,000-selling album
  • A 3,000,000-selling greatest hits
  • A Platinum live album

After 50 years, Kansas continues to produce vital, new music, and brings their songs to audiences night after night.

Let It Be Your Guide gathers together a coterie of “Wheatheads” to wax thoughtfully on the deepcatalogue this band possesses. Each of the band’s 15 studio albums are explored thoroughly, with space also given to their many live albums, and compilations.

BOOK FEATURES:

  • An interview with Kansas cover artist Denise De la Cerda, who painted the artwork for The Prelude Implicit (2016), The Absence of Presence (2020) and the Kansas’ 50th Anniversary Poster!
  • Foreword by Jeff Wagner, who was the Product Manager at InsideOut music when they signed Kansas in 2014!
  • Insightful contributions from no less than 30 Kansas Super Fans!
  • Over 250 pages and many B&W photos from Tim Durling’s personal collection, including 8-tracks, records, cassettes, CDs, tickets and more!

Join us for the talk, and support Tim by buying the book at the Amazon link above!

Friday July 5 at 4:00 P.M. E.S.T. / 5:00 P.M. Atlantic.   Enjoy on YouTube or on Facebook!

 

 

BONUS:  Tim’s Guide to the Kansas Compilations!

VIDEO: Floating Like! Over the glassy waters of Lorne Beach (Lake Huron)

I finally had the courage to take the drone over the water. The sky was cloudy and the sunset invisible, but the blue-green waters shine brightly in this video. It’s really special and my best drone video to date.

Music: “Floating Like” by the Arkells, from the album Blink Twice.

My Music Corner: Temporary Replacement Singers

This week, I was honoured to be on John Clauser’s My Music Corner one more time, to discuss Temporary Replacement Singers in the 1990s.  We tackled four singers and four bands.  My choice:  “Corabi Crue”, aka “Motley ’94”, perhaps the most underrated of them all.  We talked the genesis, highlights, lowlights, and how it all ended.  I’ll let John tell the story from here:

Anthrax‬ ‪Iron Maiden‬, Motley Crue, and Judas Priest ‬ all went through a period from the 90s into the 2000s where either the original singer (or more known singer) left the band, and they were temporarily replaced. What became of the music made during the era for each band?

On this, I moderate a discussion between Mike Ladano, Peter Jones, Jake Not From State Farm, and my co-captain John The Music Nut as we look into each band.

 

#1137: A Little South of Sanity: What I’ve Been Up To…In Photos

RECORD STORE TALES #1137: A Little South of Sanity: What I’ve Been Up To…In Photos

Madness reigned.

As you may be aware from the last cottage video, disaster struck when we returned home on June 23.  My old shelves, which I’ve had over 40 years, finally fell apart, and a few hundred of my precious CDs hit the ground.  Some were damaged, some just have broken cases.  This was a pretty traumatic experience for a collector.  After considering quitting the hobby for good (more grief than it’s worth?), and wasting time and money with a carpenter, I decided to rip my music room apart and see what I could do.

I moved everything around to make space, and then got to work.  I chose a couple bookshelves on Amazon.  They’re not ideal for CDs, but the music is off the floor now.  Shelves are better than floors, even if the discs are in stacks and not rows.  The two shelves I chose can hold 350 lbs each.  More than enough.  They arrived on Saturday.  In the time it took to listen to all of Aerosmith’s double live A Little South of Sanity, Jen and I had the shelves built.

A Little South of Sanity more than describes the week I had, mental health-wise.  I told people I was done with physical music, and therefore the show and site would be ending.  I’d move on to drone videos.  I really was ready to sell it all.  Looking at my damaged Metallica Live Sh*t box set, which was mint when I bought it in 1997, was heartbreaking.

The new bookshelves were so surprisingly easy to put together (even we could do it!), that I ordered a third to replace an old ugly wooden unit.  Then, I began sorting.  I’m maybe halfway through putting everything back in alphabetical order.  The discs used to be scattered through three rooms.  Now I’ve got it down to two!  In the end, there will be two CD towers, three of these new bookcases, and a few shelves for box sets.

It’s a work in progress.  On Sunday, I spent six hours filing.  It felt amazing to see my entire Iron Maiden collection in one place again (excluding box sets and abnormal sized boxes).  Soon, all my Deep Purple, Marillion, Aerosmith and Kiss will join them.  It’s a long process hindered by a shortage of space, but it’s coming together.

By Saturday, my mental health was good enough that Jen and I went out to the Farmer’s Market for the first time together since her dad was alive.  We stocked up on schnitzel, sweets and cheese curds, but the main reason we went was actually quite epic, and relevant.  We met, in person, the incredible Nurse Kat.  She is the first Grab A Stack of Rock guest that I didn’t know previously, that I have now met in person.  And she too had great success, finding lilies to replace the ones eaten by a rabbit.  In happy coincidence, both she and Jen were decked out in AC/DC gear.  So it was success all around!

I will say with cautious optimism that this summer is looking up.  Wish me luck and hope that nothing got permanently destroyed in my music avalanche of 2024!