John Bush and Gonzo Sandoval stopped by the brand new Power 30 in September 1991 to talk about their new album, Symbol of Salvation. Founding guitarist Dave Pritchard passed after a short but impactful battle with leukaemia. The band had to carry on, and they did with a smashing album. There’s a bit of footage from their gig at Rock ‘N’ Roll Heaven. Great if short interview with a couple guys who are now heavy metal legends.
Iron Tom returns with his 2020 list of awesome, a little bit of commentary, and plenty of Youtube videos for you to check out!
- Elder Omens
- King Buffalo Dead Star
- Drive-By Truckers The New OK
- The Atomic Bitchwax Scorpio
- King Gorm King Gorm
- Five Alarm Funk Big Smoke
Let the ‘Wheels on the Bus’ take you on a tight funky ride…
- Jerry Joseph The Beautiful Madness
- Drive-By Truckers The Unraveling
Great album for the shit-storm that was the last four years. However, I’m not sure I’ll be partying to some of it four years from now….
- Brant Bjork Brant Bjork
The coolest dude on the planet being a one-cool-man-band….
- Steve Earle Ghosts of West Virginia
Emphasizing the humanity over politics plays well….
- Deep Purple Whoosh!
After the quality of the last few albums, I don’t know why I was surprised by how much I liked this one… Keep going boys….
- Testament Titans of Creation
This band has been pretty consistent over the decade and have produced another great thrash album that is as catchy as it is heavy….
- Neil Young Homegrown
1974-recorded and 2020-released and enjoyed…I read that Young thinks that the album is ‘the unheard bridge between Harvest and Comes A Time’ and he’s right….
- Armored Saint Punch the Sky
A pleasant surprise…no gimmicks just solid consistent heavy metal.
- Blue Öyster Cult The Symbol Remains
A little uneven but the highs more than outweigh the lows… The videos may be unintentionally hilarious but the rock fire remains….
- Wishbone Ash Coat of Arms
Fans of well crafted rock with tasty twin guitar will enjoy….
- Annihilator Ballistic, Sadistic
A heavy riffy old-school thrashfest that does not let up….
- Jason Isbell, Reunions
It doesn’t quite match the strength of his last two, but that’s only because Isbell has set the bar so damn high for himself… This is an excellent album in its own right….
- Mr. Bungle The Raging Wrath of the Easter Bunny Demo
Ian’s and Lombardo’s presence help Mr. Bungle deliver little on the experimentation, but some great straight-up thrash….
- Brimstone Coven The Woes Of A Mortal Earth
Riffy modern occult rock with excellent vocal harmonies….
- Lowrider Refractions
Who knew there were deserts in Sweden? These Kyuss-wannabies make a good case that there are….
- Wytch Hazel III: Pentecost
Wishbone Ash fans will have lots here to enjoy….
- King Weed – Riffs Of The Dead
- King Weed The Seven Sins Of Doomsday
Instrumental Stoner from France… Groovy cool shit… And there are two more 2020 releases I haven’t checked out yet….
- Diamond Head Lightning to the Nations 2020
A fresh coat of paint on some metal masterpieces and some pretty cool covers….
- Wobbler Dwellers of the Deep
Yes, Crimson and Gentle Giant fans will find much to like here….
- Freeways True Bearings
Vintage 70’s guitar rock for 2020 and they are from Brampton….
- Bonehawk Iron Mountain
- Shuffle Demons Crazy Time
RECORD STORE TALES Part 206: Rock Video Night!
Last time on Record Store Tales, we talked about Andy and Ashleigh and the discovery of great rock bands such as Rush, Max Webster, and Van Halen. Andy was even more curious now about what great rock was out there.
Rock music is about so much more than just the songs. There’s the concerts, the live experience. There’s the history of the bands, the stories and the context. And there were the music videos. How could one possibly talk about a great band like Van Halen without mentioning groundbreaking, defining music videos that they made? Since a picture is worth 1,000 words, I decided the best way to explain these things was to have a Rock Video Night at my place.
90% of my video collection was from the Pepsi Power Hour. Back in the days before YouTube, a channel like MuchMusic would have an hour or two a week devoted to the heaviest videos in rock, and I tried to record the show every week. I had amassed a large collection of VHS tapes, probably about 120 hours of music videos, interviews and concerts altogether. That’s not including the hundred or so officially released video tapes that I bought over the years. We had a lot to watch so I had to hone down the set list for the evening.
Since I am and always have been OCD about my music collection, I had a meticulously typed list of every track on every video that I made. I carefully planned the evening’s entertainment. There were some videos that I know these kids had to see. They were all one musical generation younger than me. They grew up on videos like “Jeremy” and “Fell on Black Days”, not “Jump” or “Go For Soda”. I had to make them understand my time, when it was OK to have sword fights and dwarves and laser guns in your videos.
Ash and Andy arrived along with my other employees Braddy D and Chris P. The set of videos that I chose to share with them that evening included:
SAVATAGE – “Hall of the Mountain King”. Summary: Dwarf seeks Mountain King’s gold. Must try to steal it without waking him, while band is playing in the same caverns. Not sure why the King doesn’t hear Jon Oliva singing. (below)
VAN HALEN – “Oh Pretty Woman”. Summary: Lady in distress has been kidnapped by two dwarves. A hunchback in a treehouse (David Lee Roth) telephones a samurai (Michael Anthony), Tarzan (Alex Van Halen), a cowboy (Eddie Van Halen), and Napoleon Bonaparte (David Lee Roth) to save her. (below)
ARMORED SAINT – “Can U Deliver”. Summary: Band driving a Buick with armor and an anti-aircraft cannon seek a glowy sword. Band plays concert in front of rocker dudes and scantily clad babes while wearing leather armor. (below)
GRIM REAPER – “Fear No Evil”. Summary: Band drive a DIY armored APC on a quest to free long-haired slaves from an evil half-man half-something with Wolverine claws. (below)
MIKE LADANO, BOB SCHIPPER and DAVE KIDD – “Nothing But A Good Time”. Summary: A highschool video I made, lip synching to “Nothing But A Good Time” by Poison. We had our English teacher do the schtick at the beginning where he plays the prick boss who gives the kid a hard time before the song comes on. We made it in ’89 and it was our school’s selection to send to the annual regional Film Awards! (below)
Rock Video Night was a great success in many regards. The kids had a great time finally seeing David Lee Roth doing the splits in “Jump”. Ash was still not won over by the rock, but that’s OK. What wasn’t OK is that I had really sour stomach issues that night! I tried so hard to be a good host, and I kept excusing myself, but…they tell me the smell was wafting down from the upstairs bathroom.
So, Rock Video Night ended on a rather stinky note.
NEXT TIME ON RECORD STORE TALES…
Make ’em say uhhh!
A treat for you boys & girls today! A guest shot, a vintage concert review, and a significant one at that. Remember when Metallica was just an opening act for mediocre bands? Meat does. And he’s back to tell you the story. Enjoy the first guest shot of 2013, by Meat!
W.A.S.P. w/ METALLICA and ARMORED SAINT – January 19, 1985
I was lucky at a young age to have the opportunity to see some great concerts. The first concert of my life was at The Center in the Square in Kitchener, Ontario. It was The Monks (remember “Drugs in my Pocket”?) and I went with my childhood friend, Scott Hunter, and his mother. I also saw the almighty Black Sabbath play the Kitchener Memorial Auditorium, three days before my 12th birthday, on the Mob Rules tour on November 19, 1981. I saw Triumph on the Allied Forces tour play the Center in the Square, with my father not long after that. But really my early concert experiences were mostly, and most memorably, with the aforementioned Scott Hunter. I believe it was his uncle who had connections with a concert promotion at the time called CPI. He would leave free tickets at Will Call for us at Maple Leaf Gardens or wherever the show was. We saw the last Kiss tour with makeup at the time (Creatures of the Night tour) on January 14, 1983 with The Headpins opening. Also saw the first ever Kiss tour without makeup (Lick it Up tour) on March 15, 1984 with Accept as the opening act. As well as Motley Crue on the Shout at the Devil tour on June 10, 1984, at what is now the Ricoh Coliseum, also with Accept as support. Many of these shows are quite memorable and monumental, but none so much as the first time I saw Metallica live.
I remember the first time Scott and I heard Metallica. We would have a sleepover at his place every Friday night specifically because Toronto radio station Q107 had their “Midnight Metal Hour” on that night. We would have first heard Metallica (“Seek and Destroy”) either late 1982 or early 1983, before Kill ‘Em All was even released. Obviously it was an instant shot of Metal Up Our Ass! Kill ‘Em All was released on vinyl and cassette on July 25, 1983. I specifically remember (but not exactly when) walking into a record store downtown Kitchener called Records on Wheels and buying that album, Anthrax’s Fistful of Metal and Van Halen’s 1984 on vinyl, all during the same visit. I also remember buying Metallica’s second album, Ride the Lightning, the day it was released. Thanks to the World Wide Web, I know now that date was July 27, 1984. Starting grade ten that September, I was pushing Metallica on anyone that would be open to it at my high school. There were a very select few of us who were die-hards and would have Sony Walkmans stuck to our heads at every opportunity possible. Now I cannot recall if we got free tickets for this particular show, but I do remember how pumped I was when I knew I was gonna see Metallica live.
The bill was as follows: Armored Saint (with Anthrax’s John Bush on vocals), Metallica and W.A.S.P. Yes you read that right. Metallica was opening up for W.A.S.P. I do know that further along on the tour, Metallica and W.A.S.P. would trade headlining sets due to the obvious buzz around Metallica at the time. Here is a picture of an actual ticket stub of this show. Note the price ($15.00) and Armored Saint being spelled wrong on the ticket.
One thing I will add before I go on. Of all the concerts and bands I have seen multiple times live, it is kinda strange I only saw Metallica live twice ever. One of the reasons for this is quite obviously that after their album Load (otherwise known as Mighty Load of Shit), I never really had a great interest in seeing the band live again. But it is worthwhile noting that I have seen Metallica live twice and BOTH TIMES they were opening for someone else. (The second time being the strange bill of The Black Crowes / Warrant / Metallica / Aerosmith on June 29, 1990 at CNE Exhibition Stadium in Toronto) Again, note the ticket price for this. This was before The Eagles ruined ticket prices for all acts with the ridiculous prices for their shows. To quote “The Dude” I hate the fuckin’ Eagles.
So there we were, January 19th 1985 standing in line in front of the late great Toronto concert venue named The Concert Hall. It was freezing cold out, and windy too. So since this was a General Admission event, standing in line braving at least -15 Celsius weather, you can imagine how cold and bitchy people were. I recall the rush of metalheads being ushered quickly into the venue. The second I got in there I went straight for the merch booth and bought a Ride the Lightning tour shirt for me and a high school friend named Joe DeLeo. After that, like seemingly everybody, I had to take a wicked piss. After doing that, I was horrified when I tried to zip my probably really tight jeans back up, and couldn’t because my hands were numb from the cold. My embarrassed horror turned to laughter as I turned my head to see dozens of much older and much larger long-haired headbangers all having the same problem. Only in Canada I guess eh?
Sometime later, Armored Saint took the stage. I remember them being great and how loud it was in there. They were received well and that venue was filling up. While enjoying their set my buddy Scott gets my attention and points to the much-shorter person beside me. Immediately I recognized him as Russell Dwarf from the Toronto band Killer Dwarfs. Their name was very apropos considering this band consisted of nothing but short dudes with long hair. I can only imagine how this band got together. Wonder if an ad went out that said. “Metal musicians needed. Must not be over 5 foot 6 inches tall and have long hair”. I loved that first album. If you don’t know of them, here is their first single and video.
It was time for the Mighty Metallica. They started out with the first track off Ride The Lightning, the classic riff-monster “Fight Fire With Fire”. At this point I was probably about mid-way to the stage in a sea of metalheads. This was before the days of the “moshpit”. This was more of a Hair Swarm packed with long-haired sardines covered in denim and leather. It would have been about half-way through the show that I wormed my way to the front of the stage. This was no easy task as I am sure you can imagine, however being only 15 and much smaller than the masses (with the exception of the Killer Dwarfs of course), there I was literally feet from what would become the best-selling metal band of all-time. This brings me to a memory I will cherish forever. The seemingly monstrous Cliff Burton was right in front of me. I reached out and had in my hand, the bottom leg of his ragged bell-bottom jeans. He tried to kick me in the face, and thankfully missed. Can’t blame him either for trying to kick my head off, and honestly it was the first thing I thought of when said legend died in a bus accident a year and a half later in Sweden on September 27, 1986. R.I.P. Clifford Lee Burton. Check out this YouTube audio clip I found of Metallica playing “Seek and Destroy” from this exact show. Gotta love YouTube.
Check out this set list of the show the next night in Buffalo at some place called the Salty Dog Saloon. (I couldn’t find the Toronto set list online but I am sure it is identical)
- “Fight Fire With Fire”
- “Ride the Lightning”
- “Phantom Lord”
- “(Anethesia) Pulling Teeth”
- “For Whom the Bell Tolls”
- “No Remorse”
- “The Call of Ktulu”
- “Seek & Destroy”
- “Creeping Death”
- Guitar solo
- “Am I Evil?”
Which brings me to winding down this novel of a concert review. How could W.A.S.P. possibly follow Metallica? Well, I do remember chants of “you suck”. I remember that the front was nowhere near as packed as it was for Metallica. Maybe Blackie thought he could follow them by drinking fake blood out of a skull (which he did). Here is a quote from Mr. Blackie Lawless comparing separate tours with both Slayer and Metallica and musing about this particular tour.
Blackie: I’ll tell you what was worse – us and Metallica. It was our first or second U.S. tour. It was us, Metallica, and Armored Saint. When they (Slayer) went out with us, they were still an up n’ coming band, didn’t have a lot of fans, so there was a pocket of division every night. With Metallica, I kid you not, it was like an invisible line was drawn right down the middle of the room, and half was theirs and half was ours. It didn’t matter what we were doing on stage. It looked like two opposing armies. Sometimes we just stopped what we were doing and watched. It was a war.
I realize that the merit of music is subjective and it is all in the Ear Of The Beholder. But lets face it. W.A.S.P. really does kinda suck. Some good moments but really not much to speak of. During their set myself and others that with us were just kind of mulling about as most others were really. It was during this time that a guy we were with named Kevin B. (nicknamed Little Dude) said that he saw Geddy Lee and Alex Lifeson leaving out a side door during their set. Now to give some perspective on this, this person was a known bull-shitter. None of us believed him. True story: Kevin years later had trans-gender surgery and now is known as Treva. But anyways, we shrugged this off as yet another lie from Little Dude. It was months later reading a Blackie Lawless interview in Circus magazine that I read this quote. “Geddy Lee and Alex Lifeson were actually at one of our shows in Toronto last year…. But they were not there to see us.” A classic example of the Little Dude who cried wolf.
In alphabetical order, here’s Part 1: 88 albums that meant the world to me in the 1990’s but never got the respect I felt they deserved. When appropriate, I’ll pop in with comments. Part 1! Enjoy!
- Aerosmith – Nine Lives (better than Get A Grip)
- Armored Saint – Symbol of Salvation (John Bush lead vocals, nuff said)
- Barstool Prophets – Last of the Big Game Hunters (from Ottawa Ontario Canada, great album)
- Big House – Big House (from Edmonton Alberta, long forgotten hard rock classic)
- The Black Crowes – Amorica (my favourite)
- Black Sabbath – Cross Purposes (bleak gooder from the Martin-era Sabs)
- Blue Rodeo – Nowhere To Here (psychedelically delicious)
- Blue Rodeo – Tremelo (acoustically psychedelically delicious)
- Bon Jovi – These Days (their most mature albeit darkest work to date)
- Gilby Clarke – Pawnshop Guitars (the all time best GN’R solo album)
- Alice Cooper – The Last Temptation (fans love it in hindsight, but it sold poorly in 1994)
- Corrosion of Conformity – Deliverance (I was hooked upon hearing “Clean My Wounds”)
- Coverdale Page – Coverdale Page (unrightfully ignored? well, most just disrespected)
- Cry of Love – Brother (guitarist Audley Freed plays his Fenders like bluesy butter)
- Deep Purple – Slaves & Masters (I have a soft spot for this ballady Deep Rainbow disc)
- Deep Purple – The Battle Rages On (there are some strong forgotten tracks here)
- Deep Purple – Purpendicular (one of the best records of their career)
- Def Leppard – Slang (ditto)
- Bruce Dickinson – Balls To Picasso (I believe I’ve discussed these enough in my in-depth reviews)
- Bruce Dickinson – Accident of Birth
- Bruce Dickinson – The Chemical Wedding
- Dio – Strange Highways (it took a while to grow on me, but at the time it was criminally ignored)
Part 2 of 4 coming tomorrow…
Back in 1985 or so, MuchMusic was the window through which we discovered the vast majority of heavy metal. For a while there, my sister had good taste in music. Her favourite band was Motley Crue. She was obsessed with their tall, tall hair. I taped her the first two albums, Too Fast For Love and Shout At The Devil on two sides of a 90 minute tape.
Together, we watched a shitload of videos. Our favourites were often the ones where the band seemed to be on some sort of quest, or adventure! Some of these videos I haven’t seen in years, so forgive me if the memories are hazy…
Motley Crue – “Too Young To Fall In Love”. It seems like some little kid is telling Motley Crue something important, and then they kick some ass. My sister used to say to me, “I think that kid is telling Nikki Sixx to stand up.”
Lionheart – “Die For Love”. You gotta see this one. Dennis Stratton, ex Iron Maiden. This evil guy in a white suit and a wheelchair has a pretty blonde girl captive! The band must come to the rescue! I hope their hair doesn’t get mussed! Good song though. Great song, even. SERIOUSLY funny video though, like those poses…the singer jumps around…they kind of dance-fight with the bad guys….
Queensryche – “Queen of the Reich”. The Queen turned them to stone!
Thor – “Knock ‘Em Down”. Thor (Also known of Jon Mikel Thor) was this musclebound metal singer, and his video was hilarious. This evil space-witch named Pantera enslaves the population of the world below! Thor, riding in his space ship (which is obviously a Millenium Falcon model with some battleship parts glued to it, and crewed by nothing but big-breasted women), beams down! The evil space-witch shoots him with her red eye lasers, but Thor reflects it back with his mighty hammer! The space-witch is defeated!
Dio – “The Last In Line”. That video actually scared me a little, with the monsters leaking fluid and stuff. I’m glad the kid got out of hell, although it looks like Dio has to stay.
Dio – “Holy Diver”. Always the hero, Dio awkwardly weilds a sword that is obviously too big for his tiny frame. But he does slay an ugly dude who doesn’t put up much of a fight. Is that Jimmy Bain? George used to say Vinny Appice is the guy forging the sword. Is this true?
Grim Reaper – “Fear No Evil”. The band ride into action on an armored APC (Asskicking Personnel Carrier), with spikes and tusks! They must free the slaves of the evil minotaur. Steve Grimmitt breaks the chains of the slaves with his bare hands!
Armored Saint – “Can U Deliver”. At least the beginning part, they seem to be looking for a sword in a desert! A techno-coloured desert!
And of course, Kiss – “All Hell’s Breakin’ Loose”. Gene doesn’t seem too impressed with Paul’s swordplay. Vinnie looks less like a chick than in the previous video. The post-nuclear holocaust seems to have somehow increased the size of women’s breases, if this video is to be trusted.
RECORD STORE TALES Part 12: The Pepsi Power Hour
I’m going to take you back in time a bit. Back to a time before the record store….
I remember back to the 80’s and early 90’s when MuchMusic was king. Back when there was no Jersey Shore and they played actual music videos. There was no internet at that time, so you had to go to the store to buy your music (more often than not, on cassette). To hear new bands, you watched videos on Much and listened to the radio. There was no YouTube.
There was this frickin’ awesome show on Much back in the day — you remember it. It was originally only on once a week (Thursdays at 4 if I recall) and was hosted by one John “J.D.” Roberts. Yeah, the CNN guy. After he left, the hosting slot rotated between Michael Williams, Steve Anthony, Erica Ehm and Laurie Brown and then finally the late Dan Gallagher. Despite his long hair, Dan didn’t know a lot about metal — he didn’t know how to pronounce “Anthrax” and had never heard of Ratt. But that show was by far the best way to hear new metal back in the day.
That show was THE POWER HOUR.
It was so popular that they eventually had two a week, Tuesdays and Thursdays at 4, which was awesome for me since by 1989 I was working every Thursday at Zehrs. I could still catch one a week, usually.
I remember tuning in, VCR at the ready to check out all the new videos and catch onto the newest bands. There was this band called Leatherwolf that I found via Hit Parader magazine and first heard on the Power Hour. I loved that band. There was another band called Sword from Montreal. Psycho Circus. Faith No More. Skid Row. Armored Saint. Testament. You could always count on the Power Hour to have Helix on. That show rocked.
They had some of the best interviews as well. Usually they’d have someone come in and co-host for an hour. They had everybody from Gene Simmons to Brian Vollmer to Lemmy. In depth stuff too, at times.
Then in 1990 something else cool happened. I discovered a magazine called M.E.A.T (the periods were for no reason at all, just to look cool like W.A.S.P. but eventually they decided it stood for “Metal Events Around Toronto”). M.E.A.T was awesome because it was monthly, free, and had in depth articles clearly written by knowledgable fans. There was no magazine with that kind of deep coverage. Even Slash loved M.E.A.T, at a time when Guns hated rock magazines! I loved M.E.A.T so much I eventually sent them $10 to subscribe to a free magazine. I did this on a yearly basis.
I discovered a whole bunch of great bands via that magazine. I Mother Earth, Slash Puppet, Russian Blue, Jesus Christ, not to mention they were way ahead of the curve on alternative. They had a Nirvana concert review back in 1989. They got behind Soundgarden way before they were cool. And you could count on them hanging onto the oldies. They’d put an indi band from Toronto on the cover one month, and put Black Sabbath on the cover the next month. Next issue they’d have an in-depth interview with Kim Mitchell. They’d talk about bands that nobody else did.
Their CD reviews were my bible! My music hunting was probably 90% based on their reviews, especially since by then the Power Hour had changed into the 5 day weekly Power 30 hosted by Teresa Roncon, and sucked. The started playing too much thrash and grunge and never gave the old bands a shot anymore.
Things have changed so much now. I never get into new bands anymore, back then I used to just eat them up. I guess new bands just don’t interest me anymore. I like my old time rock and roll. I did buy the new Sheepdogs, twice. The last new band I got totally and 100% excited about was The Darkness, and that was, what…2003?
Yet I can’t get into these new metal bands. The music sounds so sterile to my aging ears. The rock has lost its balls. The album I have been most excited about in 2012 was the new Van Halen — a band that is approaching 40 years old. But my God does it rock. Kiss and Black Sabbath both have new records coming out, and I’m excited about them, but I could two shits about the new Nickelback.
In a lot of ways, it’s a better time for music now. With eBay and Amazon I’ve managed to fill nearly every gap in my music collection. There are some bands that I now have complete sets of, and others that I am achingly close. I’m missing 4 Maiden EP’s and 1 Deep Purple import, for example. Back in the 80’s you didn’t have access to this. You didn’t even have access to an accurate and complete discography. It wasn’t until the internet that this kind of information was even available.
Aside from that, today kind of sucks for music. Sure, it’s easier to find new bands now, but we did OK in the 80’s. M.E.A.T turned me on to lots of bands, and they were always giving away sampler cassettes. Much played all the new videos by all the metal bands at least once, basically. You had to work a little harder, but we only appreciated the music more. It wasn’t disposable.
And there were a lot more new bands around that just plain rocked!