Part 37: When Wives Spill Their Pepsi all Over Ronnie James Dio

Back in 2006, a few weeks after I left the store, I became a “normal customer”.  (As if there is such a thing!)  I started getting calls from my former compatriots any time they saw something cool come in for me.  Which was frequent back then.  Today I have a hard time finding discs locally that I still need, as my collection is pretty beefy.

I drove on a snowy Saturday to one of my former haunts to see my friends and former co-workers.  I managed to snag a mint condition used copy of Dio’s Holy Diver – Live.  It was his newest album.   (Also, sadly, his last album released while he was still alive.)    The package was 2 CD’s including one disc of Holy Diver, performed live in sequence.  I tried to explain to Jen how cool this release was:

It’s the first time he’s played the whole album live.  It was his first album, and considered his best solo album by a lot of fans.  It’s a landmark album — you’ll know some of these songs.

Jen had already heard some Dio.  I played Intermission (on vinyl) for her regularly, and she knew tunes like “Rainbow in the Dark” quite well.  Plus, Jen enjoys back rubs.  If she wanted a back rub, for example, I’d put some tunes on, usually Dio.  Soon it became known as “Dio Massages”.  It wasn’t too long before Jen knew most of Dio’s best tunes from Rainbow and beyond:  “Man On The Silver Mountain”, “Holy Diver”, and so on.  Dio Massages became a regular weekend ritual.

So, when I picked up Holy Diver – Live, I was stoked!  I got it cheap, used, which was not always easy with new metal releases.  Metal fans tend to hang on to their new releases, since they’re not always easy to come across in mainstream retail outlets.   Jen and I listened to disc one, and went to bed.

I had rather stupidly left the CD case (with second disc still inside) on the end table.  Right next to Jen’s can of diet Pepsi.  An idiot could have predicted what would happen next.  My only defense is “I am not an idiot!” but it didn’t save my Dio CD.  Jen reached for her diet Pepsi, missed, and spilled.  Dio was drenched – the booklet, the back cover, and the second disc.  I owned the CD for less than a day, and it was already wrecked.  In the morning, the second disc (previously mint) had little beads of dried Pepsi on it.  The booklet and back cover were a lost cause.  Couldn’t even open the booklet, like a teenager’s first Playboy mag!

I called up my buddy at the store where I had bought the CD.  We’ll call him “Steven Tyler” as an alias.  (He happens to share the name of a famous rock star in real life.)

“Steven!  You got any more of those Dio live albums floating around in the system?”

“Nope, sorry man.  You got the only one,” said Steven.

I ordered a replacement copy from Amazon later that morning.  New.  Over $30 all said and done.

MORAL:  DO NOT LEAVE YOUR DIO DISCS NEXT TO A CAN OF DIET PEPSI OVERNIGHT!

I still love my wife more than anything.  She still loves “Rainbow in the Dark”.

REVIEW: Thin Lizzy – Vagabonds of the Western World (deluxe edition)

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THIN LIZZY – Vagabonds of the Western World (2011 deluxe edition)

Thin Lizzy’s history is much like Deep Purple’s in certain respects. Both bands had an early period (three albums for both bands) with an earlier lineup, and a sleepier 1960’s-oriented sound. This is before both bands galvanized their sounds and boiled it down to rock and roll.

Vagabonds is the third of these three Lizzy albums, and the closest in sound to what they would later become. This is also the best of these three Lizzy albums. This deluxe edition of Vagabonds is also the best Lizzy deluxe edition that I have heard thus far. Both the remastering and bonus material is fantastic. Just listen to that bass intro on “Gonna Creep Up On You”. The original CD release did not reveal this much detail, the bass has so much depth now.

The album itself gets off to a slow start, with “Mama Nature Said”, “The Hero and the Madman” and “Slow Blues” which you will hear on this package no less than four times! None of these songs are personal favourites. However track four, “The Rocker”, is a pure Lizzy classic. It could have fit in easily on an album like Fighting, Jailbreak or Johnny The Fox. It is simply awesome with an extra dose of rocket sauce.

From there it’s pretty much non-stop. The title track is up next, a personal favourite with loads of atmosphere. The moody “Little Girl In Bloom” is a tale of a girl who finds herself with child, and must tell her father. Phil Lynott offers his advice on how to do this. Is this based on someone Phil knew? We now know that Phil had at least one son that didn’t know who his father was. Could his mother have been the little girl in bloom?

“Gonna Creep Up On You” and “A Song While I’m Away” end the album in style, a couple of great numbers.

That ends the orginal LP, but disc one is still filled with bonus material from singles and B-sides. One B-side from the original CD is missing, which was “Black Boys On The Corner”. This song however is available on the Thin Lizzy box set, so it can still be had. The other singles and B-sides include the raging classic “Sitamoia”, a song by Brian Downey with its chorus in Gaelic. “Randolph’s Tango” is another highlight, a song which vaguely reminds me of “El Paso” by Johnny Horton in terms of story. It is, not surprisingly, a tango with a fantastic flamenco solo by Eric Bell. You will also hear the funky “Cruising In The Lizzymobile” and the powerful horn-laden “Little Darling” on this disc. “Broken Dreams” and “Here I Go Again” round out the singles. Throw in a couple single edits (for “The Rocker”, “Randolph’s Tango”, and “Whiskey In The Jar”) and you have a near-perfect first disc. But there’s still more. The 1977 remix of “Slow Blues” featuring Gary Moore and Midge Ure is included, its first CD appearance. This track was lifted from a rare remix LP that Lizzy did to bring the sound of their early material in line with what they were doing later. It is vastly different and perhaps superior to the original “Slow Blues”, with Moore re-recording the guitars himself.

The second disc is entirely made up of live BBC recordings, and do they ever cook!  Extra rocket sauce!  They sound incredible and the band was playing great. Live material with the Eric Bell lineup is scarce and this is some of the first live stuff I’ve heard by them. Taken from multiple sessions, you will hear most of the original album performed live as well as earlier tunes such as a sleepy “Things Ain’t Working Out Down At The Farm”. Interestingly, there are also live versions of two later Lizzy tunes: “Showdown”, from Nightlife, and “Suicide”, from Fighting. I had no idea that they were written earlier with the Eric Bell lineup, until now.

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Liner notes are great and there are a handful of pictures included. (There’s even a photo of the very, very rare Funky Junction album, which was basically Lizzy playing Deep Purple covers. Oh, my left nut for a re-release!)

This package is, for a lot of people, probably the only Eric Bell era album that they need. I am happy to report that it is simply a fantastic reissue.

5/5 stars

Part 35.5: Spoogecakes!

A former co-worker gets a case of foot-in-mouth disease!

RECORD STORE TALES Part 35.5:  Spoogecakes!

I’m going to take a break from our regularly scheduled program, and respond to a single reader.  It’s always great to have new readers here at LeBrain’s Record Store Tales, we’ve had people from all over the world, from Russia to Iceland.  Hello!

Still, it came as a surprise to me to get a comment so negative, so full of personal vitriol…yet anonymously!

The comment in question was in regards to Part 35: Due Credit. The submitting email address: bitchingaboutpastemployers@yahoo.com, the pen-name was “Unimpressed”.  Normally I wouldn’t publish a hateful anonymous comment, but this one was bizarre and perfect for another Record Store Tale.

Since this person was anonymous, I will dub them with a name so I have someone to refer to:  Let’s call he or she “Spoogecakes” [Note added:  Her real name is Laura, and she used to have this weird psycho-crush on me back in the day.]

Let’s go!

You are begrudging them for utilizing you where they thought you shined? They wanted you in a position where you were visible to customers first-hand and you sit back and complain?

Dear Spooge:   Yes.  It’s not “utilizising” someone where they shine.  It’s taking advantage of someone in a dead-end job.  Nobody wants to stay “visible to customers” in a retail environment forever.  That’s like saying to a McDonalds employee “you’re really good at making fries, so we’re going to keep you on the fry station.  Forever.”  Know of any better ways to kill worker morale?

Record shop employees can have a tremendous influence on customer base and at a time when the internet and websites were not as expected and commonplace as they are now, your employers wanted to maintain your skills as a visible employee.

Spooge, how do you know what my employers wanted?

Just because you did something first does not entitle you to be a sycophantic jackass.

Sycophantic?  It’s my fucking story, moron.

It’s called development of ideas and if you did not speak up at the time at what you perceived as slights on your efforts then you are just as much to blame as anyone else. If you wanted to be in the office working in your 30s you should have asked for such work or began the process of finding much more fulfilling employment.

Again, who says I didn’t?  What makes you think you would know?  In fact, we all did — and we were all made promises that never came to fruition.  All kinds of stories.  I remember one story about how we’d have 100 stores across the country in 5 years, and how I’d never have to buy another CD from a crackhead ever again.

Second, it’s not called “development of ideas”.  It’s taking someone else’s idea, and shutting them out.  Period.

You are not a peacemaker. Staying silent and then making public posts like this illuminate a petty passive-aggressiveness that is unattractive and will only fuel your bitterness. It is not peaceful. You are coming up on your 40s and either grow up or shut up at this point. This isn’t High Fidelity and you are not remotely amusing.

How do you know how old I am?  And, let me help with your reading skills, Spooge.  I never said I AM a peacemaker.  I said I WAS a peacemaker.  Give peace a chance?  Been there, done that!  I’m done holding my tongue.   I didn’t at the time, because going with the flow was “better than nothing” as I clearly stated.  But, why do you care?  What makes you take the time out of your (obviously) busy day to write a three paragraph treatise on staying in dead-end jobs?

Lastly:  I’m “not remotely amusing”?  Come on!  Really? — after all, you read it and felt moved enough to respond.

Sounds to me like Spoogecakes has a sore spot or two.  After all, I can’t imagine why a random, anonymous reader would feel so driven to write such a vitriol-filled comment!  What Spoogey  apparently missed was the part where I said I was proud of what I did all those many years ago.

When one creates something, one should take pride in it.  In this case, am I taking pride belatedly.  I am very proud of everything I built and created, and nobody — certainly not Spoogey here — can tell me not to.  I spent way too many years having people tell me to sit down and not to make any trouble.  And here, you’re telling me to “grow up” or “shut up”.  Just like the old days!

Grow up?  Maybe you clicked the wrong link to your Barry Manilow blog, but this blog is about rock and roll.  You can tell by the little guitars going up and down the sides.  Rock and roll ain’t about growing up — it’s about permanent youth!

You can’t tell me to “shut up”.  In fact, the Record Store Tales are only beginning.

Hugs N’ Kisses,

 

Part 36: The Hunt

RECORD STORE TALES Part 36: The Hunt

Before the record store, during the record store, and after the record store, one thing remained constant:  the Hunt.

The hunt for something long sought.  The hunt for something cool.  The hunt for something rare.  Peter and I hunted for all these things together.  The problem was that Peter and I like the same music, so if we’d only find one copy, who got dibs was who found it first.

Peter was at a record show once and asked a vendor, “Do you have Ward One: Along The Way by Bill Ward?”  This solo album by the original Black Sabbath drummer featured guest vocals by Ozzy, making it a must have for both of us  The guy didn’t have it there, but he did have it in his shop in Brampton.  The following week, Peter jumped in his car, headed down to Brampton, and bought it.  I’ve only ever seen this CD twice, and the second time was the time that I bought it.  In the interim, Peter taped it for me.

Today, there are no “shops in Brampton” in which to buy rare CDs.

Kids today would be shocked at the lengths we went to to get albums.  Peter and I once headed down to Michigan with the (essentially) sole purpose of finding rare things.  Peter had heard about this comedy tape called The Jerky Boys that was not out yet in Canada.  Score!  I added to my Savatage collection on the same trip, picking up Power of the Night, which I had never even heard of before.  On another US trip, Peter picked up the Black Sabbath box The Ozzy Osbourne Years.  The set was a pretty decent overview of the first six Sabbath platters plus the then-rare track “Evil Woman”.

Peter and I used to also look at bootleg videos on our many trips to record shows.  Once again, the hunt for Ozzy and Sabbath continued.  Peter snagged a rare 1995 Ozzy club show with the short lived lineup of Geezer Butler (bass), Deen Castronovo (drums) and Joe Holmes (guitar).  This lineup never recorded an album.  It was memorable for that reason, and also the fact that  when Ozzy shouted, “Do you people want to hear some Sabbath songs?” the crowd responded “NO!“

Even though I was working at the store, I couldn’t rely on the store to complete my collection.  You had to think outside the box, you had to travel, to find those rare items.  I found the rare first Vinnie Vincent Invasion album on CD in Kincardine, Ontario — the one with Robert Fleichman singing.   I also found a Helix single there with a then-unreleased remix on it.  My boss never understood why we’d shop anywhere we didn’t get a discount.  This was why.  You found the coolest stuff in the small towns, the out of the way places.  But you sometimes also had to venture into the epicenter of a record show, and pay a little bit more, to get what you need.

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DUAL REVIEW: The Trashmen – “Surfin’ Bird” / Family Guy “I Dream of Jesus”

THE FAMILY GUY: “I Dream Of Jesus” (Episode 2, Season 7)

My buddy Chris and I seldom agree on anything to do with TV shows. (Two and a Half Men? Seriously Chris?) One fact that we do agree on: “I Dream Of Jesus” had the potential to be the best Family Guy episode of all time. They had it going in the first half, only to blow it in the second.

In a nutshell: Peter gets all nostalgic for the song “Surfin’ Bird” by The Trashmen. He acquires a record and torments his family by playing and singing the song so much that he is literally driving Stewy and Brian insane. To me this was Family Guy at its absolute best.

That was the first half. The second half involved Peter befriending Jesus and the episode just got weird from there. Chris and I both agree: The proper way to end this episode would have been to have another giant chicken fight. Bird is the word. Chicken fight. It could have been perfect!

3/5 stars

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THE TRASHMEN: “Surfin’ Bird” (1963)

I love the oldies. I always have. It probably came from watching movies like Christine and American Grafitti. This is right up my alley. For 1963 this is absolutely raging! “Surfin’ Bird” (actually a combination of two other songs) is rock and roll! I defy you to not get this stuck in your head!

I love stuff like this. If I was a young teenager in 1963, I would have wanted this record.

5/5 stars

Summer 2000

Part 35: Credit Due

RECORD STORE TALES Part 35: Credit Due 

In the late fall of 1995, my enthusiasm for the store had never been greater.  I had already created and posted our very first online ads, on my own time.  The first one was in November of 1994.  I posted it on every C-Net BBS (Bulletin Board System) in the area code.  I drew a full colour (but very blocky!) version of our logo, using the most state of the art BBS software of the time.  It took hours.  In the ad, I hyped that we would be carrying the new Vitalogy album by Pearl Jam the following week, on vinyl!  Limited quantities!

I did this on my own time, because I loved the store.

But back to 1995.  I thought that we had already done an excellent job of giving the store some rocking personality and quality stock.  I had never been more psyched.  I used to go to Future Shop, again on my own time, just to check their prices and stock versus ours.

I decided I wanted to get writing.  I’ve always loved writing and I thought the store could be the vehicle.  I came up with the idea of doing the monthly newsletter.  I even put together a primitive prototype.  It was printed on tractor feed printer paper by a dot matrix printer, stapled in the top left.  It was all I had, but the point was to do a proof-of-concept.  I was demonstrating that we could come up with our own content, from reviews to charts, and do it our way with humour. Not like all the lame corporate type newsletters that other stores had.

The idea was met with dead glances as I passed around my prototypes.  It was shot down for being “too expensive”.

In 1997, the newsletter idea was revived.  It was like mine, but folded instead of stapled, and in two colours at first (red and black).  The kid that printed it couldn’t spell worth shit, but he made it look acceptable for the period.  I received no credit or recognition for what was my idea, nor did I have any creative control at all. I felt like my idea had been taken away from me. But, I went along with it, I happily contributed.  It was better than nothing.

Finally, I was the guy who ran our website, solo, for the first year or two of its operation.  I conceived all the initial procures, I filled the orders, kept the books, filed the emails, and I corresponded with the customers.  I did it all, myself.  I even wrote the FAQ page, and in fact some of my original words are still there online today.  I answered every customer email and question, myself, positive or negative.  For a little while I had my own office with a computer and phone to work out of, although it was about the size of a toilet. It was still a very rewarding experience.

The website was taken away from me because I was told that my time was “more valuable to us in the store.” Fuck! I didn’t spend all those years working at this place to just end up in a store, I wanted to be in an office, doing stuff! That was what I had been promised! I was turning 30, and I didn’t want to be working in a store anymore in my 30’s, but again, I went along with it, because it was better than nothing.

Some of the other people from the organization say that I didn’t stand up for myself enough, that I should have called bullshit on a lot of stuff.  They were obviously right, but I was always sort of a peacemaker.  Never wanted to raise a stink.  So I didn’t.  I kept the peace and kept my tongue.

But what the hell? I’m proud of what I accomplished there, out of sheer passion to be involved and creative, and it’s time I said so.

 

The fallout was immediate.  Continued in Part 35.5:  Spoogecakes.

Part 34: SPECIAL! “Bands That I Think Suck” FROM THE ARCHIVES!

I was cleaning out the closet two weeks ago.  I found a folder, full of old writing.  I found stuff that I had written with chums Danesh and Andy back in highschool.  But most interestingly, I found this.  This is not my first published work (that would be an article about turtles from grade 2 in the local newspaper).  This may be, however, my first published work along the lines of what I’m doing now.

Dating back to 1995, my second year at the store, I was already getting jaded!  This is my very first music article:  “Bands That I Think Suck”.  It was published in the University of Waterloo paper Scientific Notation as a comedy piece.  Thanks to Abbas Rizvi for doing so, wherever you are.

I still stand by most of this, but I have since grown to like Pink Floyd.  (See:  Part 28: The Boy Who Killed Pink Floyd). 

OK…ON WITH THE EMBARASSMENT!

REVIEW: Alice Cooper – Old School (1964-1974) (4 CD/DVD/LP/7″ SINGLE & BOOK)

ALICE COOPER – Old School (1964-1974) (2011)

This might be the last time I obsessive-compulsively buy one of these crazy expensive box sets. With fresh memories of how beautiful the AC/DC Backtracks Deluxe box set was, I eagerly placed my preorder. I mean, Alice Cooper 1964-1974! The golden years! The orginal Alice Cooper Band! When it finally arrived I was blown away by the packaging, bonus goodies, and other finds.

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However, musically, this is almost not even worth owning. You have to be a massive, massive, die hard Cooper fan to want to hear a whole five minutes of Bob Ezrin’s kids giggling and singing during the School’s Out sessions. You have to be a masocist to want to hear that horrible loud feedback that just goes on forever during a seven minute run through the same song. The radio ads are nice, but hardly what we as collectors want out of a box set of this stature. Sprinkled in with this junk are the odd good live takes, such as “Under My Wheels” in New York 1973. Unfortunately there are just as many early tracks from the Zappa years that aren’t nearly as good, nor recorded that well. Everything on the first two odds n’ sods discs are either live, rough sketches or demos, studio sessions, or radio ads. Lots of repeat too — there are three takes of “Muscle Of Love”, you will hear “School’s Out” three times in different forms, and “I’m Eighteen” three times as well.

The third CD is, disappointingly an interview disc. It’s a shame to spend this much money and only get three CDs worth of music (the fourth CD is a live one). I did enjoy hearing Alice discuss Muscle of Love and the end of the original band. The other surviving band members, and Ezrin, participate in the discussion.

The only real treasure here musically is the fourth CD, a 10 song set from the Killers tour in 1971. This set is duplicated on a 180 gram vinyl enclosed within. It is from bootleg sources, but where sound quality suffers, the band makes up for it in youth. Lots of static and noise but the band is absolutely on fire in a way that they are not on the first two CDs. I also like that they duplicated the look of 70’s bootleg vinyl with the packaging.

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Finally, there is a 7″ single, heavy vinyl, a replica of Cooper’s first single from 1967 as Nazz. The tracks are “Wonder Who’s Loving Her Now?” and “Lay Down And Die Goodbye”.  (I only wish that there was a way to download this in mp3 format with the purchase of this set.)  See scan below for complete tracklist for the entire box set.  LeBrain is nothing if not helpful!

There is a documentary DVD included as well, which although containing lots of fun vintage clips, is very poor value for the money. You are treated to — for the second time now! — the same interview that you just finished listening to! And not only that, but they chose to shoot the interview with the original band in a noisy maintenance room. Why?

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Now, packaging wise, this box set is a whole other beast!

The box itself is shaped like a kid’s school desk. The old wooden kind that they had in the 50’s, with the top that opens up and the ink well. It’s hinged and it opens where the school desk would. It is very sturdy and the hinge is metal. Inside are, as discussed:

The 12″ vinyl of the live 1971 show.
The 7″ single reproduction.
1 DVD, Old School 1964-1974
4 CDs, Old School 1964-1974

There is a yearbook, with the whole story told by multiple sources. However, a few things are brushed over, such as the alcohol problems that were setting in. Alice was a full blown alcoholic, a 2 beer first thing in the morning kind of guy. His guitar player Glen Buxton was so wasted that they had him onstage with his guitar turned down to 0, and having a guest guitarist play way off to the side. So none of this is in the yearbook. Great photos though, particular of Alice’s own yearbook. The entire band were a highschool band. All five guys. Lots of great photos from this era, and on to the mid-70’s.

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There is a booklet, inside of which is a reproduction concert ticket from 1972 for Wembley. (£1.00 admission back then apparently, imagine that today!) There is also a 1971 tour book (Killers tour), a complete reproduction, and a whole bunch of 8 1/2 x 11 poster reproductions. Lastly there is a replica setlist, which is nothing special. The thing I don’t like about this booklet is that you have to be very careful when you put items back into it, or when you fold everything back together you’ll dogear something.

As I said in the beginning, I think this is the last time I buy one of these box sets compulsively. I knew the music was likely to be iffy and it was. I probably should have saved my money, although the box is a beautiful conversation piece.

2/5 stars, regrettably.

REVIEW: Black Sabbath – Heaven and Hell (deluxe edition)

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BLACK SABBATH – Heaven and Hell (2011 deluxe edition)

Of the Sabbath reissues, Heaven and Hell has proven to be one of the most anticipated, but also one of the most skimpy. Anticipated, because in addition to the usual B-sides, this one also includes some previously unreleased live tracks. Skimpy, because the bonus disc only has a minimal seven songs on it.

Even the most diehard of Ozzy fanatics usually begrudgingly concede that Heaven and Hell is a damn fine album. Powerfully heavy, but clean, slick and to the point, Heaven and Hell is the only Black Sabbath album to feature the lineup of Ronnie James Dio on lead vocals, and original members Tony Iommi, Geezer Butler, and Bill Ward. As such it has a different vibe from Mob Rules, due to Bill’s swing and thrift. Nobody can swing like Bill Ward, and I believe that Vinny Appice would agree with me. There is nary a weak song on the whole album (although “Lady Evil” comes close as far as I’m concerned). There are no less than two crucial singles, in “Neon Knights” and “Die Young”, both trademark Dio speed rockers. There is also, of course, the epic title track. A riff so famous that it rivals such classics as “Iron Man” and “Paranoid”. Let us not forget that when Tony Iommi appeared at the Freddie Mercury tribite concert back in 1992, it was “Heaven and Hell” that Brian May chose to introduce Iommi with, not “Iron Man” or “Paranoid”!

Really, Heaven and Hell is a perfect Sabbath album, perhaps the only truly perfect Sabbath album besides the crucial first six with Ozzy. While I love Born Again (my favourite album of all time by anybody) even I must admit that its production values make the record an ugly duckling. No such problem here. Martin Birch has expertly recorded the band. His production is not the wall of sludge of early Sabbath.  It is a clearer, leaner beast, but no less mean.  The teeth are sharp indeed.  (This is before Birch allegedly succumbed to cocaine on Mob Rules.)

The bonus disc begins with the two live B-sides, “Children of the Sea” and “Heaven and Hell” itself, both (in my opinion) superior to the later live versions due to the presence of Bill Ward. “Heaven and Hell” is clipped off at the end however, I believe this is the version from the 7″ single, not the 12″. (But fear not, the full 12″ version is later!) Then there’s a 7″ mono version of “Lady Evil”, the only song I didn’t need to hear twice. Although I have to admit I had no idea they were still making mono records in 1980.

Finally there are the previously unreleased live songs! All the best tunes, recorded live in 1980 with Bill Ward on drums, and in this batch of songs is also the 12″ version of “Heaven and Hell”, the full 12 minute version that I have on the “Die Young” single. This has all the solos and Ronnie’s singalong vocals.

So there you have it. Not as much running time as Mob Rules, but Mob Rules also didn’t include anything that wasn’t unreleased.

5/5 stars. A landmark album, and this is the version to own. Oh, and the remastering sounds great!

Part 33: Special Orders

New CD special orders were something we did, but not frequently, because often the person wouldn’t pick the disc up. At one point in 1995/1996 though, we got this new distributer who had the most insane shit in his catalogue. Our own stock improved dramatically because of this. Suddenly we were carrying the Japanese import Hormoaning by Nirvana in our regular stock.  We were also getting in these UK-issued Iron Maiden imports with bonus discs of B-sides.  They are rare and highly coveted today.  Trevor and I oversaw the stocking of this stuff.  Trevor was made store manager of this first location in 1996, and I was given my own store a few months later.

For me personally these were the peak years, when Trevor and I had the most creative control over the store.  For example I remember we had a “forthcoming releases” board, that Trev and I updated every month.  As a joke, we always had Guns N’ Roses on the board as coming “in 6 months”.  This is because even back in 1996, the new GN’R album was constantly being announced and then delayed.

It came out for real in 2009.

We were also alble to use this new distributer to add to our own collections.  For myself, I ordered a complete set of the afforementioned Maiden collections, 10 albums altogether.  I also got all the new Maiden singles as they came out.  It was a great time to be a collector, and if Trev and I thought something was worth stocking, we had the freedom to do so.  We were starting to carry Oasis singles, where they had always avoided that kind of stock before.

Trevor had his finger on the pulse of what was coming out.  He tweaked onto Oasis very early.  He got me into it very quickly.  In a time when good new rock bands were few and far between, Oasis were a breath of fresh air to me.  For a change, a band inspired by the classics like the Beatles and Stones, not another punk or grunge band. 

One thing Trev and I tried to special order for ourselves, but never managed to get, were the Japanese imports of the first two Oasis discs.  They each contained bonus tracks:  “Sad Song”, and “Bonehead’s Bank Holiday” respectively, both great tracks.

Sometimes a customer would special order something, and you couldn’t wait to see it come in.  I remember a guy ordered Twisted Sister’s Live at Hammersmith, back in a time when it was absolutely impossible to find any Twisted Sister in any stores, let along a double live.  I couldn’t wait to check out the tracklisting.  My buddy Aaron special ordered the Sloan 2 CD edition of One Chord, but we failed to hook him up.  He bought it elsewhere.  No hard feelings Aaron.

I probably special ordered stuff for myself more than Trev did.  Trev had a saying:  “Don’t buy it new.  If you buy it new, it’ll come in used a week later.”  And he actually had a pretty good batting average with that saying.  I would say a good 75% of the time, when Trev or myself bought something new like a special order, we saw a used copy come in within the next 7 days.

It was almost like magic. 

Nowadays, there’s never a need to special order anything.  Amazon and eBay are both happy to do that for you.  New or used.  And the collection grows….