Every good Canadian that was alive and rocking in the mid-80’s remembers the music video: The dudes are breaking rocks in the quarry, in chains. Then the singer stands up and yells, “Gimme an R! O! C! K! Whatcha got? Rock! And whatcha gonna do? Rock you!” And then, freedom! It’s just one of those great 80’s rock music videos, and it’s only one of many on this DVD. Here, you get ’em all from the Capitol years.
The videos are not in chronological order, which would be my preferred arrangement. The DVD commences with the award winning “Running Wild in the 21st Century” featuring Snake the Tattooed Man from London Ontario. The older classics range from edgy to campy, but are always cool in their own way. My preference is towards the live on stage type of video, like the exciting “Wild in the Streets”. On the other hand, “The Kids are all Shakin'” is undeniably fun, with Brian Vollmer playing multiple characters from an old man to a radio DJ. You can’t help but chuckle in your beer.
There are also a handful of rarities here, including the “topless” version of “Gimme Gimme Good Lovin'” that you definitely won’t see on MuchMusic. “Don’t Get Mad Get Even” was only played on Much, like, twice. So it’s pretty rare too. What’s missing is the alternate version of “Wild In The Street” that I have somewhere on a VHS tape, and any sort of special extras like interviews. Also, I have to say that I wish the video for “That Day Is Gonna Come” was on here. It is my all time favourite Helix video but it wasn’t on Capitol. It was on Aquarius.
[I have a buddy, Rob, who used to work for Rogers TV. He told me that he had seen and knew where the tape was for the original “Heavy Metal Love” video. They did an early version of it in T-shirts and jeans, before they changed their image to black leather. Rob offered to copy it for me but I didn’t believe him so I said no!]
Great little DVD. Extra interviews would have been awesome. However a lot of that stuff is available on other Helix DVDs. (Check ’em out.) S.E.X. Rated has one last bonus going for it — it is encoded for NTSC on one side, and PAL on the other. No matter where you are, you can buy it and enjoy the classic videos of 80’s Helix.
4/5 stars
How fucking cool does Brent Doerner look in every single video?
“Ain’t no rest for the Helix band!” – Brian Vollmer
HELIX – half-ALIVE (1998 DeRock)
The 90’s weren’t a kind decade to Helix. Longtime guitarist Paul Hackman was killed in a 1992 auto accident. Without any Helix tracks written for a new album, Brian Vollmer chose to reconceive his in-the-works solo album as a Helix one, It’s a Business Doing Pleasure. The largely acoustic leanings of that (excellent) album didn’t fit with the overall Helix sound, and the album was tragically ignored. It would be five years before half-ALIVE finally followed it.
With their original heavy rock sound intact, Helix came roaring back with this mostly live, partly studio recording. With some live gigs recorded, as well as a handful of unreleased and unfinished new songs, half-ALIVE maybe should have been called one-third-ALIVE. Either way, it rocks. If you’ve seen this band live, then you know how much they kick it on stage.
After the death of Paul Hackman, it seemed like Helix became more a “project” than a band, with rotating members around the nucleus of Brian Vollmer (vocals) and Daryl Gray (bass). On half-ALIVE, you will hear appearances from members such as Greg “Fritz” Hinz (drums), Paul Hackman and Dr. Doerner (guitars), and even a song written by Mike Uzelac, their bass player when they signed to Capitol Records (who was actually a missing person for a long time). In addition, newer members like drummer Glen “Archie” Gamble and guitarists Denny Balicki, Gary Borden, Rick Mead and Mark Chichkan all contribute. These guys helped keep Helix going as a touring entity in the 90’s. Gamble in particular, since he was in the band for almost a whole decade.
Could the Helix of the 90’s cut it as much as the classic 80’s band? The five studio tracks roar “yes”! A far cry from the acoustic rock of It’s a Business Doing Pleasure, this is a return to the hard rock/metal sounds of Walkin’ the Razor’s Edge. Best tracks among the studio crop are “Wrecking Ball”, Steppenwolf’s “The Pusher” and a ballad called “The Same Room” (the single). “Big Bang Boom” is the only one I do not care for. The rest are decent songs, not necessarily career highlights, but solid. Of course, Vollmer’s voice is in fine form. It always is. No matter what Helix do on an album, you can count on Brian’s vocals sounding as they always has. That’s his Bel Canto training.
Video shoot for the unreleased “The Same Room” clip
From there we go to the live material. Virtually all the hits are present (“Rock You”, “Running Wild In The 21st Century”, “Good To The Last Drop”, “Heavy Metal Love”, “Wild In The Streets”, etc.) There’s also a new acoustic composition called “Smile”, written and performed by Gary Borden. What really sets this live stuff apart from their studio albums is Vollmer’s friendly on-stage banter. As he relates a tale of staying in a hotel in Seaforth Ontario (population at the time: less than 2000), you’ll laugh along, especially if you’ve been there! Equally good is Brian’s mid-song speech in “No Rest for the Wicked”. (Hits that are missing include “The Kids are all Shakin'”.)
The live songs were taken from various tours, 1992-1997, so there are a variety of material and band members (as noted above). Yet there’s a cohesiveness that similar live albums lack. The songs are mixed together and flow seamlessly, and you really can’t hear the five years passing. The sound is hard, clear, and rocking, and begs the question: “What took them five years to release this stuff?” I guess it was circumstance. It had nothing to do with quality, that’s for sure. The performances are raw though, and it doesn’t sound like much in terms of overdubs was done to the recordings.
My only real complaint about this otherwise competent live album is the cheesy cover art. Up close, it kind of looks cheap and crappy. And Brian’s haircut…I’m sorry man! I’ve met Brian and he was so cool and kind, so I hate to say bad things, but yeah…I’m glad you grew your hair back man!
I’ve been a Helix fan a long time. They were one of the first bands I’ve ever liked. I’m pleased to report that their new album, Bastard of the Blues, is their strongest in years and possibly on a par with their best 80’s work. It is their first album with Chris Julke of Cambridge Ontario on guitar, replacing John Claus (who replaced the Doctor, Brent Doerner). This new lineup of the band (still featuring Kaleb Duck – guitar, Daryl Gray – bass, and Fritz Hinz – drums) is again working with Sean Kelly and Aaron Murray, producing one hell of a record. It consists of 8 brand new songs, and 3 slightly older songs that you may have missed the first time.
The title track “Bastard of the Blues” is a mean, fully loaded soul-metal rock song. Soul-metal? Sure, why not? Check out those backing vocals, and the smoking lead guitars. Soul-metal! Songwriting-wise, this is a top drawer. Production-wise, performance…there is absolutely nothing that sucks about “Bastard of the Blues”. Although this is a completely modern song, there are aspects of it that take me back to 1978’s Breaking Loose album, such as its experimental nature with different sections and so on.
It takes balls to name a song “Even Jesus (Wasn’t Loved in His Home Town)”. It’s heavier than the title track, and boasts a nasty little guitar riff to hook you. Once again, Helix raised the bar. Then they change gears: “Winning is the Best Revenge” is solid pop rock that in a just world would be on the radio. This one takes me right back to the mellower sounds on Helix’ 1993 classic It’s a Business Doing Pleasure. Vollmer’s voice is in top shape. Lyrically these two songs really seem pointed at those who may or may not have impeded Helix in the past!
“Screaming at the Moon” would be a cool song live, with it’s lyrics about fists pumping in the air. My favourite song however is the next one, “Metal at Midnight”. If it wasn’t for the modern production I’d swear this song was from 1984. What a great hard rock chorus. I’m absolutely nuts for this song. What is it about bands like Judas Priest and Helix recently, that they have managed to tap into that vintage vibe? I think part of the credit must go to co-writer Sean Kelly, who proved his metal credentials last year on his excellent Metal On Ice EP.
“Hellbound For a Heartbreak” is similar in direction to “Screaming at the Moon”, which is solid hard rock with hooky guitars. But then, I was taken by surprise: “When All the Love is Gone” is an epic 70’s-sounding ballad with a voice singing that I’m not familiar with. Turns out, it’s Daryl Gray! He absolutely nails it. This song could have been at home on Breaking Loose, alongside “You’re a Woman Now”. I tend to like albums with multiple lead singers, so I enjoyed the change of pace.
From the compilation CD Best Of 1983-2012 comes “Axe to Grind”, getting a second life here. Now here’s an interesting observation: On the Best Of CD it didn’t make a huge impression on me. Here, I’m enjoying it a lot more, particularly for the scathing lyrics. Anybody who has read Brian’s Facebook page knows he’s not shy about sharing opinions, and “Axe to Grind” reminds us of that. Then comes “Skin in the Game” from the EP of the same title. This being an older song, you can hear the presence of the Doctor! Also from that EP is “The Bitch is a Bullet”. It boasts one of those memorable Helix choruses.
Album closer “Sticks and Stones” is another favourite. It’s a fast-paced bluegrass-y metal shuffle! Hey, I don’t know how to describe it better. This is a great song, purely smoking, and showing off the musicianship of these five pros. Much like “Metal at Midnight”, I just can’t get enough of this song!
As an album, Bastard of the Blues is more cohesive and consistent than some of the recent Helix discs, including The Power of Rock and Roll and Vagabond Bones. As good as those albums were, Bastard is better. It feels like a complete album, more so than before. It holds its own against classics like Back For Another Taste, a high-water mark.
I don’t often get preachy in my reviews here, but I will say this: Go out and get Bastard of the Blues. Order it online. Do what you have to do to purchase this album. You’ll be supporting a hard working band that have really earned your dollars. If there was one pleasant surprise of 2014 so far, it is that Helix came out with such an incredibly strong album. They have raised the bar for themselves again.
BRIAN VOLLMER – Gimme An R!
The story of Brian Vollmer, lead vocalist of Helix (2005)
Forget all those books by the mega stars like Slash and Sammy Hagar that have come out in recent years. Those books have one thing in common — they were written (or co-written, anyway) by guys who are rock superstars! Megastars! It’s hard for me as a reader to relate to a guy who hasn’t had to hold down a job in 30 years. Not that there’s anything wrong with stardom, it’s just an observation. I can’t relate to the human beings. Not so with this book!
Brian Vollmer, lead vocalist of the hardest working band in Canada (that would be Helix), comes across as a pretty regular guy. (I’ve met him a number of times, and he’s about as regular as anybody you’d know.) Yes, he’s traveled the world in a rock band and played for thousands of people, but at the end of the day the book is something I can still relate to. Through crappy jobs in crappy convenience stores, crappy apartments, getting mugged, it doesn’t seem like a rock star’s life. There are parallels in the story similar to other bands such as Anvil (another hard-working Canadian band). While Vollmer always manages to scrape by and continue to Rock Us, nothing comes easy. Incredibly through it all Brian Vollmer never really stopped being an artist. He seemed to always keep music, and Helix in his life even after dozens of lineup changes and band members. (Approximately 35 people have been in Helix since 1974. The newest member is Cambridge’s Chris Julke, replacing John Claus.)
From humble beginnings in Listowel Ontario to playing in Sweden, England and Trinidad, Vollmer’s tome has plenty of rock and roll stories. As one of the first Canadian bands to release independent albums in the 1970’s, he was a bit of a pioneer. Gimme An R! is loaded with rock star encounters one after the other, from Eddie Van Halen (on stage!) to Gene Simmons. Vollmer remains himself through it all, even after Helix signed their big deal with Capitol and released “Rock You”. The tragic death of primary co-writer Paul Hackman nearly derailed the band. Even after the departures of longtime partners Brent Doerner, Fritz Hinz, and finally Daryl Gray, Brian kept going. He kept the Helix name alive, finding success on the internet which was a brand new way for him to make contact, and sell albums directly to his fans. Then, a little TV show called Trailer Park Boys helped expose Helix to a new audience.
Included between the covers are dozens of black and white photos of the band over the years. From small-town Ontario to meeting superstars like Richard Pryor and Robin Williams, it’s a pretty cool collection of snaps. Unfortunately while reading I found myself distracted by spelling errors — “Atlantis Morissette” for example. I would like to see a second printing that corrects these mistakes. (A new chapter on the last decade would be cool too Brian!)
Vollmer’s prose is not frilly or poetic, but it’s conversational and descriptive. There’s no ghost writer, so the pictures that Brian paints of all those seedy bars in the dead of winter come straight from his memory to the page. He’s a great storyteller. The bottom line is that the story of Helix keeps you hooked. I’ve had friends come over and pick up the book, and they just get entranced. It’s a really different side of the rock and roll tales. It shows what old fashioned determination and hard work can accomplish.
I have to knock off half a star for the spelling errors. It’s just one of those pet peeves — nothing personal, Brian! I do highly recommend it Gimme An R! to rock fans world wide who’d like a different, more humble angle on the whole rock star thing.
Smash Hits…Unplugged!, the first ever acoustic release by Helix, was certainly a release that deserved more attention. While Helix have continued to make albums (and good ones, too), many of them have been ignored by the media in general. While an album such as The Power of Rock and Roll kicked as much ass as Walkin’ the Razor’s Edge, it went largely unheard. Smash Hits…Uplugged! was a more accessible version of Helix, but it still failed to garner the attention it deserved. I do hear “That Day Is Gonna Come” from this album on the radio from time to time, but this album is too good not to be heard by masses.
This, to me, was the real “classic Helix lineup” reunion album. Unlike Vagabond Bones, you can actually hear Brent and Daryl singing. Daryl Gray in particular contributes a lot to this album, including singing, bass, guitars, and more exotic instruments such as bodhran. All five Helix members participated, including Kaleb Duck with his first Helix album. Old friends such as Sean Kelly and Cheryl Lescom also dropped in.
Every song on this album was a hit somewhere or another, and every song on this album had the potential to be a hit once again. Vollmer sang his butt off as always. Some of these arrangements are startlingly original. Particularly “Gimme Gimme Good Lovin”, which shines with great harmony vocals and mandolin courtesy of former guitar slinger Brent Doerner. This excellent, energetic version is followed by a great single-worthy take of “The Kids Are All Shakin”. The ballads are also well done, in particular the shoulda-woulda-coulda-been hit “That Day Is Gonna Come” and their cover of “Dream On”.
It is a new cover version that really blew me away. Vollmer sings his very best on “Touch of Magic” originally by the late great James Leroy. This long forgotten song is a wonderful tribute to Leroy, an under-appreciated Canadian singer and songwriter from the 1970’s. His original version of “Touch of Magic” was a #6 charting single. While I can’t say that Helix have topped or equaled him, it is a nice tribute and let’s leave it at that.
Really in total honesty, every version here is great — I can’t say much more than that. I found some arrangements, such as “Rock You”, to be pretty standard, while others to be more adventurous especially in instrumentation. A sprinkle of fiddle here, some 12-string there, and you get a rich unplugged album much more interesting than most major bands’.
Pick up Smash Hits…Unplugged! by Helix. Not only do you know all these songs already, but you’re supporting a band that really deserves it.
1987’s Wild in the Streets was one of the harder Helix albums to acquire on CD. Cassette and LP were no problem at all, but relatively few CDs were produced in comparison. In 1992 I found a used cassette, (at a filthy music store in Port Elgin, Ontario) which came in a neat glow-in-the-dark cassette shell. It was the only glow-in-the-dark cassette I’ve ever seen or owned. Cassettes being what they are, I later desired a more permanent copy, CD being my preferred medium. This proved frustratingly difficult to find, even after being hired at the record store in July 1994.
This was important to me, because Helix were my first rock concert, on the Wild in the Streets tour. Johnny Cash was my first concert, but I saw Helix in October of 1987 in the Center in the Square, with Haywire opening, and they were awesome. The album wasn’t one of their best, but it did have classics such as “Dream On”, “Kiss It Goodbye”, “She’s Too Tough” and the title track. That old cassette wasn’t going to last very many plays.
Once starting at the record store, I discovered that Capitol/EMI had long since deleted the album. Brian Vollmer was still years away from reprinting and selling the albums himself, so my only option was to find a used copy. Since we sold used CDs, I hoped that one would eventually float my way. In the meantime I checked the “H” section of every record store I could find. No luck. Years, I looked. Like a woe begotten sailor searching for Cthulhu and the lost city of R’lyeh, I sailed the seas of music, searching.
Our first store didn’t have a computer, just pens and paper. We worked without a computer for years. All of our CD orders and reservations were done manually, in binders and note books. We had several pages of used CD reservations: many people looking for copies of the Beatles’ Red and Blue albums, T-Rev looking for Saga and Steve Earle rarities, and my hunt for the elusive Helix CD. This system wasn’t very efficient, as you basically had to remember what albums people were looking for, and go and check the book for the person’s information. If you saw, for example, a Traveling Wilburys CD in stock, you’d check the book because you knew someone was waiting for it. It wasn’t an exact science but we did the best we could.
In 1996, when I was given my own store to manage, we finally got a computer! The software had a computerized reservation list. When you were entering new arrivals, you’d manually type in a title. So, “MOTLEY CRUE” – “DR. FEELGOOD”. A little note would pop up saying “reservation found”. You would then go to a different screen, find the person looking for the CD, write down their contact info, and delete the reservation. This system was extremely vulnerable to human error. They later refined it, making it smoother and more automated.
I entered my name in for Helix – Wild In the Streets right from the very beginning. With this new computerized system, I figured my chances of finding the CD had improved. Not so.
The months went by, the seasons changed, still no Helix. My friend Len, who was a customer I met via the store, put himself in reserve for the Helix CD as well. I would have had first dibs on it if it came in, but as time went on two or three more people added their names to the waiting list. The likelihood of everybody getting a copy was nil, considering the years that I had been working there and never seeing one. (In good enough condition, anyway.) There was always a hope that one day, a copy or two would float our way. Len eventually found a copy at another store and removed his name from our reservation list. I congratulated him on his excellent discovery. He refused to sell it to me, however, even though I offered him $15 which was more than he paid.
A few months later, Len stopped in for one of his regular shopping visits. A pawn shop named Cash Converters had opened up in our plaza, causing us a little bit of unwanted competition. They too bought and sold used CDs. Usually they took whatever crap we didn’t, but occasionally people brought their good stuff to Cash Converters first.
This time, Len had an exciting piece of news for me. “Do you still need Wild in the Streets?” he asked with a smile. “Because they have one at Cash Converters right now. 12 bucks.”
My eyes popped! Excitedly, I handed Len some cash and asked him to pick it up for me. He returned a couple minutes later, with my own personal copy of Wild in the Streets. Mission accomplished! Finally! It was in like-new condition. All it needed was a fresh jewel case, which I provided as soon as possible. That night I finally had the chance to hear the album, in CD quality sound.
That original CD was in my collection for a long time. In fact only recently did I find the Rock Candy remastered edition with expanded artwork and liner notes, used at Encore Records. I then handed my original to (former customer now friend) Aaron, which he received at Record Store Excursion 2013!
The lessons from this are two-fold:
1) When Record Store Guys befriend their customers, they get CDs out of the deal!
2)When customers befriend their Record Store Guys, they get CDs out of the deal!
Helix will be turning 40 in 2014! When I talked to Brian Vollmer back in September, he wasn’t interested in taking a look back this time. Helix did glance back for their 30th in 2004, and this DVD was one of several celebratory releases.
The Helix DVD, the 30th Anniversary Concert, is one of the best rock videos I’ve seen. This band has so much history, and most of it was onstage that night, July 17 2004.
Vollmer decided to celebrate the 30th in style. Traveling to nearby Brantford and taking over the beautiful Sanderson Centre, Helix unveiled a setlist that honored their entire history, and guested nearly every band member from 1974 to 1990!
There were a few conspicuous by their absence, such as longtime bassist Daryl Gray, and a few that we knew couldn’t turn up (the then-missing Mike Uzelac, the late Paul Hackman). However, Brian Vollmer (only remaining original Helix member) proceeded to reunite members of the original 1974 Helix, which had never even been recorded before! From there we go to the lineup responsible for the first two albums (sans Hackman and Uzelac, replaced here by current Helix alum Rainer Weickmann and 1976 bassist Keith “Bert” Zurbrigg, wearing trademark tux). Brian Doerner is introduced as Canada’s greatest drummer, and while Neil Peart and Gary McCracken might disagree, he’s definitely up there. His brother Brent literally steals the show. Singing such lost classics as “Billy Oxygen” and “Crazy Women”, Brent still has that rock star quality. His guitar playing was stellar that night.
Other members from back in the day turned up: Leo Niebudek on drums, and then, finally…Greg “Fritz” Hinz, all the way from sunny Florida, behind the skins to celebrate Helix’ late 80’s heyday.
Not to be overshadowed, the 2004 Helix lineup returned to the stage for some more hits. “Archie” Gamble is a fantastic drummer, it should be noted, spinning his sticks while creatively keeping the time. The addition of a female vocalist, Cindy Weichmann, allowed the band to perform 1976’s “You’re A Woman Now” for the first time ever with a female vocal, just as it was on the album.
The nucleus of this DVD are the six tunes from the 70’s that rarely, if ever, get played today. As great as the hit 80’s material was, the 70’s stuff is what makes this DVD different from any other Helix product you can buy.
There are generous bonus features: interviews with Brian and his ever-supportive wife Lynda, candid scenes of rehearsals and Brian trying to get this monster concert together. There are interviews with fans who traveled all the way across the country to see this one show. Best of all are the clips of the old band members, now short-haired, meeting up again for the first time in years. “I’m Brian Drummer and I play Doerner,” says the drummer as he arrives. As Brian stands next to his twin brother Brent, Fritz says, “I never could tell you two apart”. It’s like watching someone’s family reunion video.
If you are a Helix fan, you have no excuse for not owning this. If you are only a casual Helix fan and want to check out some of their best stuff, this is the DVD package to get. Not only do you get the hits, but you get the history, and that’s not something to be ignored for a band that turned 30.
5/5 stars
This stuff below taken from the Wikipedia page, but I don’t care; I wrote the Wikipedia page.
Chapters
All songs written by Brian Vollmer and Paul Hackman except where noted.
The Band (includes the song “Ave Maria” performed by Brian Vollmer) (6:58)
The Sanderson Theatre (5:54)
The Concert: “Space Junk” (taped intro) (Rainer Wiechmann)/”Rockin’ In My Outer Space” (Bill Gadd, Rob Long, Tony Paleschi, Vollmer) (5:53)
“Running Wild In The 21st Century” (3:53)
“The Ballad of Sam and Mary” (Gadd, Long, Paleschi, Vollmer) (4:11)
“It’s Hard to Feel the Sunshine When Your Heart is Full of Rain” (Gadd, Long, Paleschi, Vollmer) (3:35)
The Original Helix: “Thinking It Over” (studio recording) (Del Shannon)/”Buff’s Bar Blues” (Alex Harvey) (9:59)
The Early Years: “I Could Never Leave” (studio recording) (4:01)
“Crazy Women” (Brent Doener) (3:41)
“You’re A Woman Now” (Hackman) (6:59)
“Billy Oxygen” (Doerner) (5:08)
The Early 80’s: “Women, Whiskey & Sin” (studio recording) (Vollmer) (3:36)
“It’s Too Late” (Doerner) (4:01)
“Breaking Loose” (Vollmer, Doerner) (4:23)
The Capitol Years: “Give It To You” (studio recording) (4:10)
“Gimme Gimme Good Lovin'” (Joey Levine, Richard Rosenblatt) (3:24)
“Heavy Metal Love” (3:45)
“(Make Me Do) Anything You Want” (Paul Naummann, Danny Taylor) (4:03)
“Deep Cuts the Knife” (Hackman, Bob Halligan, Jr. (4:31)
“Wild in the Streets” (Hackman, Ray Lyell) (4:30)
“Dirty Dog” (Vollmer, Doerner) (3:40)
“Rock You” (Halligan) (6:23)
“The Kids are All Shakin'” (4:54)
Aftermath (includes the song “Danny Boy” performed by Brian Vollmer) (3:15)
Brian Vollmer and I, back in in 2007 at Planet Helix!
September 7, 2012: Once again, things are getting exciting on Planet Helix. If the new single / video “All I Want For Christmas is the Leafs to Win the Cup” wasn’t enough, there’s also the new anthology, Best Of 1983-2012.
Lead vocalist and founding member of Helix, Brian Vollmer talked to us about these releases, some special upcoming dates, and a lot more.
The new single seems to be off to a good start, according to the song’s co-writer, Sean Kelly. Brian filled us in.
“Sean’s from North Bay [Ontario], and he told me we’re getting airplay up in North Bay on that song.” The video is also doing well: “We’re up over 5000 hits now, and we’re hoping that the video goes viral. It’s early in the season…there might not even be an NHL season this year!”
Oh Brian, don’t get me started on Gary Bettman!
The collector in me was excited about the vinyl release of the single. It’s also going to be on the anthology CD, but the vinyl is designed for collectors in mind.
“I had initially wanted to do vinyl on the Christmas album [A Heavy Mental Christmas], but when we wrote this song, I thought that we’d do vinyl because it’s a collector’s item. It’s kind of a novelty type of thing, and I think that it’ll appeal to not only Helix fans but also Toronto Maple Leafs fans. They might like the vinyl just to have in the rec room up in the bar. We sell it for $19.99 so it makes a great stocking stuffer for people.
“We did it on green vinyl too, to fit in with the season somewhat, and when we go through that pressing we’ll probably change colours.” Just FYI Brian: my wife, Mrs. LeBrain, is really hoping for blue!
“We’ve been trying to write a Leafs song for a couple years,” adds Brian. “We had the working title of ‘I’m Bleeding Blue & White Tonight’. And we never quite got the song together. And then we did a radio session, where we were finishing off [new song] ‘Axe to Grind’, which is also on the anthology album.” Brian was then supposed to meet up with Travis Wood, of the band Whosarmy (from the TV show Cover Me Canada, which Brian also guested on incidentally).
“I didn’t want to go too early, and just sit around at the restaraunt. So we started fooling around and all of a sudden, within a couple of minutes we wrote ‘All I Want For Christmas is the Leafs to Win the Cup’. The song was recorded within two weeks.” The hilarious video was done right after that. I forgot to ask Brian if any Habs fans are offended!
All I Want For Christmas is the Leafs to Win the Cup
You can buy the single on the green vinyl in a bundle with a T-shirt and the new CD, Best Of 1983-2012. “The Best Of album I just put out has a lot of tracks that you wouldn’t normally hear [on other best of albums] by Helix. Stuff like ‘Animal Inside’ off the Vagabond Bones album. ‘Get Up’ and ‘Fill Your Head With Rock’ from The Power of Rock and Roll album.”
Coinciding with these releases is the forthcoming Heavy Mental Christmas tour.
“Yes, we just added another date in Cornwall. We have seven dates, mostly through Masonic temples, legions, moose halls, through southern Ontario. It’s a multi-media show. We’re taking out screens, so there’s some video segues between songs, other times there’s still pictures with Christmas themes…some of the cameras that are places strategically around stage are broadcasting whatever member might be doing a solo during the song.”
You may want to consider getting your tickets now, as these shows are special indeed, and feature a new lineup. Not only will you meet the new Helix guitarist, John Claus, but “also Sarah Smith. Sarah Smith is a great London [Ontario] artist, she’s got two CDs out now under her belt, she’s a great addition to the show. Just a smiling, very talented person. She’s on with us instead of Kaleb [“Duckman” Duck, guitars]. Kaleb really didn’t want to do Christmas songs! Initially, we were going to go with one guitar player, and then I thought of Sarah.”
This turned out to be a good decision, according to Brian:
“I always walk out of our Christmas practices with a big smile on my face. I love playing the material, and it’s really fun with this group of people, to do these songs. I wouldn’t want somebody to do any of my projects that wasn’t totally into it.
“It’s a labour of love. We’ve been working on this show over a year now.”
Really?
“Setting up the website, and the tickets, and the halls, and putting together the show, learning the show, and getting the multi-media involved.” But it is truly a labour of love, and you can tell by the amount of work that Brian and the band has put in so far.
I mentioned new guitar player John Claus. As previously reported, longtime axeman Brent Doerner will be leaving Helix at the end of September 2012. Brian helps shed some light on this lineup change, and what bringing in a new member does for the band.
“We have two more dates with Brent at the end of this month. One’s at the Rockpile in Toronto, the other’s at the Masonic Temple in Stratford. That’s a multi-media show as well. Tickets are going fast for that one, I think a lot of people want to come and see Brent before he goes.
“Brent’s been in the band since about 1975. No hard feelings with him leaving at all. He just wants to pursue video production, and in fact, Brent will still be involved on a creative level with the band, helping us do our videos.
“I tell everyone that Brent, when he initially came back to the fold, he was only going to be here for six months, and he ended up staying three and a half years! He definitely was better than his word, and stayed for a long time. So I’m really grateful to him for that.”
On John Claus, who will replace Brent:
“He plays piano and guitar. He sings, so he’s a great addition to the band. Nice guy, great personlity. Whenever we hire new people in the band, we don’t want any ego trips. So, to get someone who has a nice personality and just a good human being is a nice thing to have.” John will join the band completed by longtime members Daryl Gray and Greg “Fritz” Hinz, on bass and drums respectively.
The piano aspect will come into play for future shows. Brian reveals that he and John will probably perform “Dream On”, the Nazareth cover, from Helix’s Wild in the Streets album, as a duo during upcoming Helix concerts. “And the Christmas shows, we’re doing ‘Hallelujah'” says Brian of another piano-based cover to look forward to!
It’s great to see Helix continue forward through the years. Brian has worked hard, starting in the 1970’s as an indi artist, and now today continuing down that path. Once again the band is behind their own music releases, selling it themselves. Brian has nothing but praise for the team he’s surrounded himself with in recent years.
“I write with Sean [Kelly] nowadays, he’s a great writer, nice person to work with. Aaron Murray is my producer, he studied from Danny Broadback, who won a Juno for Engineering. And Danny studied with Jack Richardson, who as you know produced Alice Cooper and the Guess Who, and all sorts of people.” Brian adds, “Moe Berg [The Pursuit of Happiness] sometimes comes in to write with us, Sean and I.”
Thanks to Brian Vollmer for updating us on all the new happenings on Planet Helix! Try to get out to see the Heavy Mental Christmas tour, and get tickets while you can!
HELIX – “Good To The Last Drop” (1990 cassette single)
One thing though that I thought I lost was all my cassette singles. They were stored in a shoebox at my parents’ house, and I thought I lost them in a move. In that box of cassette singles were some tunes that could not be replaced on CD, because they don’t exist on CD. One is the original version of “S.E.X. Rated”, by Helix. There was a remake done on 1999’s B-Sides album with the original lineup, and it’s awesome. There is however an earlier version from the “Good To The Last Drop” cassette single that is early enough that it had to be Paul Hackman on guitar. It was noticably different from the 1999 version, and I have hunted and hunted to find a CD version, but none exist. I tracked down a couple “Good To The Last Drop” CD singles, but they contain just one track, the Remix version of “Good To The Last Drop”, which they later re-released on a Best Of CD.
“Good to the Last Drop”, the remix version, is superior to the album version. The main difference is that catchy keyboard hook. That’s not there on the album version. It’s not available on many CD compilations now, although its B-side is not.
In 2007, my parents were digging away in the basement and they found the box of cassette singles. There are a couple other winners in there too. But the Helix one is there, and in remarkably great shape, probably because BOTH tracks are on each side, so you’d play the tape half as much. The integrity of the tape would presumably last longer. At least if one side starts to sound bad, you can play the other side.
The song is really different from the other version, it starts with a spoken-word intro. Somebody that sounds like a radio DJ says, “Hi, this is Johnny (something?). And this is for the girl that wants me to love her for her mind. But I want to love her because of what she doesn’t mind.” And then the band kicks in, and the lyrics to the song are the same as the ’99 version. Sounds like it could be Fritz on drums. On the cassette sleeve, the track is credited as “Produced by Helix” as opposed to Helix and Tony Bongiovi, as the album was. Recorded at a separate session perhaps? Daryl’s bass sounds great, punchy and driving. In general the track sounds great.
I like how the cover says “INCLUDES BONUS UNRELEASED TRACK”. The back cover reveals the tape was released in 1990, probably late 1990 if I remember, because I seem to remember getting this tape around or during Christmas holidays 1990.
Incidentally, I emailed Brian Vollmer about this version of “S.E.X. Rated” and asked if there was a CD version ever coming. He said he can’t remember anything about another version. I asked Daryl Gray, and his response is below:
try the CD version of Long Way To Heaven album…
Nope. Sorry Daryl! Not there, got that one too. So there you go! A Helix rarity that even the band doesn’t seem to know about. Cool.
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