ARMORED SAINT – Symbol of Salvation (1991 Metal Blade)
In 1991, an hour-long album was becoming standard. In Armored Saint’s case, it’s all killer no filler.
It wasn’t an easy time for the metal pioneers. Founding guitarist and songwriter Dave Prichard died of leukemia far too young. He left behind a handful of songs on a 4-track demo. All but seamlessly, Jeff Duncan of Odin filled his spot, while original guitarist (and brother of drummer Gonzo) Phil Sandoval returned to the band. With lead vocalist John Bush, and bassist Joey Vera, this lineup is still current today…although the band obviously broke up when John joined Anthrax for Sound of White Noise!
Although Symbol of Salvation was a triumph and a fine tribute to Prichard, the band did split afterwards. It was 1991, and there was little future for a band like Armored Saint. Fortunately they made this one count.
Symbol of Salvation is unrepentantly heavy. Opener (and lead single) “Reign of Fire” is notable for a number for things. 1) Its incredible heavy chug (written by Prichard). 2) John Bush’s voice, straining at the leash every time he screams. 3) Incredibly crisp and heavy production by Dave Jerden. 4) The very evil looking music video. 5) An awesome chorus! The album would be worth buying for this one song, but fortunately the other 12 are also great.
No less massive, “Dropping Like Flies” is melodic viciousness. Without the speed of “Reign of Fire”, it still retains that screamin’ heaviness. Another highlight is the more mainstream “Last Train Home”, an emotional and strong track that acted as second single. The indelible chorus is impossible to forget. This leads into the heavy “Tribal Dance”, spotlighting the percussion of Gonzo. Joey Vera’s bass work is also impressive here (as it always is). This is jungle metal, perhaps, a stomping romp through the bush with blades unsheathed.
One of the more divisive songs might have been “The Truth Always Hurts”. To these ears, the riff (P. Sandoval/J. Duncan) sounds like sleaze metal from two years prior. You could imagine Poison writing a song around it, though obviously not as heavy! Make no mistake, “The Truth Always Hurts” is heavy, but there are elements here that could work in other genres if stripped of the crunch.
Backwards guitar introduces “Half Drawn Bridge”, an ominous and progressive instrumental which introduces the ballad “Another Day”. It is unfortunate that this song never had a chance like Metallica ballads soon would. It is reminiscent of some of the ballads that Testament were known to do. In case you were worried, it picks up when it’s time for the solos!
The title track “Symbol of Salvation” is a riff monster. Perhaps Hetfield wishes he wrote a reptillian riff as lethal as this one. Brilliant heavy track; Bush at peak scream. Then, there’s a chugging guitar like “Street Justice” by Twisted Sister, which soon breaks loose into the main riff of “Hanging Judge”. Another riff, another chorus, another metal should-be classic. That is nothing compared to “Warzone”, like Iron Maiden on anabolic steroids. That is to say, it has the delicacy of some of Maiden’s work, but with the beefy pummelling of a boxing glove. “Warzone” could be the highlight deep cut – what soloing too!
There is still plenty of metal to go. In an earlier age, Symbol of Salvation would have been a double album (or at least a 3-sider!) but its length is not a weakness. “Burning Question” brings back the speed. It leaps and bounds, once again with brilliant solo work by Duncan/Sandoval. Yet it’s the riff you’ll keep coming back to (if not the chorus).
Perhaps the most impressive song from a technical point of view is “Tainted Past”, the only song with a Dave Prichard guitar solo. They painstakingly pulled his haunting and emotional solo from a demo cassette, and seamlessly used it in this track that Joey Vera wrote. It’s jazzy and progressive to start, before Gonzo’s rock beats begin. It’s definitely unusual and unlike any other song on the album. You could say it’s album epic, which suits, since it’s over seven minutes long.
An album like this deserves a memorable closer. That would be “Spineless”, a thrashing good time, and probably the fastest song on the album. Bookending the album with the fastest tunes, “Reign of Fire” and “Spineless”, was a cool move. It’s a neckbreaker for sure. “Spineless! That’s what you are!”
Every metal fan owes it to themselves to check this album out at least once. Do it.
4.5/5 stars
Don’t forget to check out John Clauser’s excellent album battle episode – Symbol of Salvation vs. Sound of White Noise!
I’ve been busy! But I’ve wanted to work with John Clauser for a long time, so when Symbol of Salvation came up in his Armored Saint series, I asked to be included.
I almost bit off more than I could chew! In the same week I had Grab A Stack of Rock and an episode of Grant’s Rock Warehaus. Not to mention, studying up for the Anthrax/Armored Saint battle! After immersing myself in the music for a few days, I think we came up with an interesting and thoughtful discussion.
Praise for John Bush was universal. Which album do you like better?
Join Johnny Metal, John the Music Nut, Roger & myself for this thrashin’ discussion!
John Bush and Gonzo Sandoval stopped by the brand new Power 30 in September 1991 to talk about their new album, Symbol of Salvation. Founding guitarist Dave Pritchard passed after a short but impactful battle with leukaemia. The band had to carry on, and they did with a smashing album. There’s a bit of footage from their gig at Rock ‘N’ Roll Heaven. Great if short interview with a couple guys who are now heavy metal legends.
Last time on Record Store Tales, we talked about Andy and Ashleigh and the discovery of great rock bands such as Rush, Max Webster, and Van Halen. Andy was even more curious now about what great rock was out there.
Rock music is about so much more than just the songs. There’s the concerts, the live experience. There’s the history of the bands, the stories and the context. And there were the music videos. How could one possibly talk about a great band like Van Halen without mentioning groundbreaking, defining music videos that they made? Since a picture is worth 1,000 words, I decided the best way to explain these things was to have a Rock Video Night at my place.
90% of my video collection was from the Pepsi Power Hour. Back in the days before YouTube, a channel like MuchMusic would have an hour or two a week devoted to the heaviest videos in rock, and I tried to record the show every week. I had amassed a large collection of VHS tapes, probably about 120 hours of music videos, interviews and concerts altogether. That’s not including the hundred or so officially released video tapes that I bought over the years. We had a lot to watch so I had to hone down the set list for the evening.
Since I am and always have been OCD about my music collection, I had a meticulously typed list of every track on every video that I made. I carefully planned the evening’s entertainment. There were some videos that I know these kids had to see. They were all one musical generation younger than me. They grew up on videos like “Jeremy” and “Fell on Black Days”, not “Jump” or “Go For Soda”. I had to make them understand my time, when it was OK to have sword fights and dwarves and laser guns in your videos.
Ash and Andy arrived along with my other employees Braddy D and Chris P. The set of videos that I chose to share with them that evening included:
SAVATAGE – “Hall of the Mountain King”. Summary: Dwarf seeks Mountain King’s gold. Must try to steal it without waking him, while band is playing in the same caverns. Not sure why the King doesn’t hear Jon Oliva singing. (below)
VAN HALEN – “Oh Pretty Woman”. Summary: Lady in distress has been kidnapped by two dwarves. A hunchback in a treehouse (David Lee Roth) telephones a samurai (Michael Anthony), Tarzan (Alex Van Halen), a cowboy (Eddie Van Halen), and Napoleon Bonaparte (David Lee Roth) to save her. (below)
ARMORED SAINT – “Can U Deliver”. Summary: Band driving a Buick with armor and an anti-aircraft cannon seek a glowy sword. Band plays concert in front of rocker dudes and scantily clad babes while wearing leather armor. (below)
GRIM REAPER – “Fear No Evil”. Summary: Band drive a DIY armored APC on a quest to free long-haired slaves from an evil half-man half-something with Wolverine claws. (below)
MIKE LADANO, BOB SCHIPPER and DAVE KIDD – “Nothing But A Good Time”. Summary: A highschool video I made, lip synching to “Nothing But A Good Time” by Poison.We had our English teacher do the schtick at the beginning where he plays the prick boss who gives the kid a hard time before the song comes on. We made it in ’89 and it was our school’s selection to send to the annual regional Film Awards! (below)
Rock Video Night was a great success in many regards. The kids had a great time finally seeing David Lee Roth doing the splits in “Jump”. Ash was still not won over by the rock, but that’s OK. What wasn’t OK is that I had really sour stomach issues that night! I tried so hard to be a good host, and I kept excusing myself, but…they tell me the smell was wafting down from the upstairs bathroom.
So, Rock Video Night ended on a rather stinky note.
RECORD STORE TALES Part 166: Anthrax – “Cowboy Song”
Stuff like this didn’t happen often, but it did happen. Sometimes one of my customers would just give me a CD that they thought I would want. Unfortunately my journal didn’t record who gave these discs to me!
Date: 2005/11/26 13:14
WICKED! Someone today gave me a free copy of the “Cowboy Song” single by Anthrax, a rare Thin Lizzy cover. Also got Doin’ The Nasty by Slik Toxik for free. SCORE.
Statham did on occasion give me free discs. I recall once he gave me a Black Crowes single. Another one of my customers (name long forgotten) gave me a Jimi Hendrix hardcover book. But this was not a frequent occurrence. Unfortunately, most people treated the guy behind the counter at the record store like shit. I guess that’s part and parcel of working in a buy-and-sell environment. Stuff like this helped make the job tolerable.
This single was a Sam the Record Man exclusive. It came free with copies of Sound of White Noise purchased there, but for a limited time only. I don’t know how rare it is today, but it certainly is a collectible, being a store exclusive.
I wish I could remember who gave me this cool Anthrax single. It could have been somebody I knew that worked at Sam’s (that narrows it down to 3 or 4 people) or somebody I knew that worked for Warner (narrows it down to 2). Either way, I thank you.
Onto the review!
ANTHRAX – “Cowboy Song” (1993 Warner Music Canada promo)
This promo single comes with no case or cover, but does have some liner notes printed on the CD itself. It was produced by Dave Jerden and Anthrax, and all guitars were performed by Scott Ian. Presumably, that means Dan Spitz doesn’t appear on the song.
This was recorded as a bonus track for the Japanese edition of Sound of White Noise, and can be currently found on the remastered edition of the same album. This is an awesome cover, very authentic to the live version that Thin Lizzy used to do, made famous on the Live and Dangerous album. The lead vocals are, of course, by John Bush. John Bush doesn’t attempt to do a Phil Lynott impression (thankfully, that wouldn’t be wise) but does deliver the vocal with his trademark grit.
Scott Ian nails all the guitar parts perfectly. You’d swear there were two guys playing. It comes as no surprise that Charlie Benate’s drum parts are also perfect. I think Brian Downey was and is one of the most underrated drummers in rock, and Benate does him justice.
I love this cover. Anthrax are well known for choosing and performing great covers. Add this one to the list.
A treat for you boys & girls today! A guest shot, a vintage concert review, and a significant one at that. Remember when Metallica was just an opening act for mediocre bands? Meat does. And he’s back to tell you the story. Enjoy the first guest shot of 2013, by Meat!
W.A.S.P. w/ METALLICA and ARMORED SAINT – January 19, 1985
By Meat
I was lucky at a young age to have the opportunity to see some great concerts. The first concert of my life was at The Center in the Square in Kitchener, Ontario. It was The Monks (remember “Drugs in my Pocket”?) and I went with my childhood friend, Scott Hunter, and his mother. I also saw the almighty Black Sabbath play the Kitchener Memorial Auditorium, three days before my 12th birthday, on the Mob Rules tour on November 19, 1981. I saw Triumph on the Allied Forces tour play the Center in the Square, with my father not long after that. But really my early concert experiences were mostly, and most memorably, with the aforementioned Scott Hunter. I believe it was his uncle who had connections with a concert promotion at the time called CPI. He would leave free tickets at Will Call for us at Maple Leaf Gardens or wherever the show was. We saw the last Kiss tour with makeup at the time (Creatures of the Night tour) on January 14, 1983 with The Headpins opening. Also saw the first ever Kiss tour without makeup (Lick it Up tour) on March 15, 1984 with Accept as the opening act. As well as Motley Crue on the Shout at the Devil tour on June 10, 1984, at what is now the Ricoh Coliseum, also with Accept as support. Many of these shows are quite memorable and monumental, but none so much as the first time I saw Metallica live.
I remember the first time Scott and I heard Metallica. We would have a sleepover at his place every Friday night specifically because Toronto radio station Q107 had their “Midnight Metal Hour” on that night. We would have first heard Metallica (“Seek and Destroy”) either late 1982 or early 1983, before Kill ‘Em All was even released. Obviously it was an instant shot of Metal Up Our Ass! Kill ‘Em All was released on vinyl and cassette on July 25, 1983. I specifically remember (but not exactly when) walking into a record store downtown Kitchener called Records on Wheels and buying that album, Anthrax’s Fistful of Metal and Van Halen’s 1984 on vinyl, all during the same visit. I also remember buying Metallica’s second album, Ride the Lightning, the day it was released. Thanks to the World Wide Web, I know now that date was July 27, 1984. Starting grade ten that September, I was pushing Metallica on anyone that would be open to it at my high school. There were a very select few of us who were die-hards and would have Sony Walkmans stuck to our heads at every opportunity possible. Now I cannot recall if we got free tickets for this particular show, but I do remember how pumped I was when I knew I was gonna see Metallica live.
The bill was as follows: Armored Saint (with Anthrax’s John Bush on vocals), Metallica and W.A.S.P. Yes you read that right. Metallica was opening up for W.A.S.P. I do know that further along on the tour, Metallica and W.A.S.P. would trade headlining sets due to the obvious buzz around Metallica at the time. Here is a picture of an actual ticket stub of this show. Note the price ($15.00) and Armored Saint being spelled wrong on the ticket.
One thing I will add before I go on. Of all the concerts and bands I have seen multiple times live, it is kinda strange I only saw Metallica live twice ever. One of the reasons for this is quite obviously that after their album Load (otherwise known as Mighty Load of Shit), I never really had a great interest in seeing the band live again. But it is worthwhile noting that I have seen Metallica live twice and BOTH TIMES they were opening for someone else. (The second time being the strange bill of The Black Crowes / Warrant / Metallica / Aerosmith on June 29, 1990 at CNE Exhibition Stadium in Toronto) Again, note the ticket price for this. This was before The Eagles ruined ticket prices for all acts with the ridiculous prices for their shows. To quote “The Dude” I hate the fuckin’ Eagles.
So there we were, January 19th 1985 standing in line in front of the late great Toronto concert venue named The Concert Hall. It was freezing cold out, and windy too. So since this was a General Admission event, standing in line braving at least -15 Celsius weather, you can imagine how cold and bitchy people were. I recall the rush of metalheads being ushered quickly into the venue. The second I got in there I went straight for the merch booth and bought a Ride the Lightning tour shirt for me and a high school friend named Joe DeLeo. After that, like seemingly everybody, I had to take a wicked piss. After doing that, I was horrified when I tried to zip my probably really tight jeans back up, and couldn’t because my hands were numb from the cold. My embarrassed horror turned to laughter as I turned my head to see dozens of much older and much larger long-haired headbangers all having the same problem. Only in Canada I guess eh?
Sometime later, Armored Saint took the stage. I remember them being great and how loud it was in there. They were received well and that venue was filling up. While enjoying their set my buddy Scott gets my attention and points to the much-shorter person beside me. Immediately I recognized him as Russell Dwarf from the Toronto band Killer Dwarfs. Their name was very apropos considering this band consisted of nothing but short dudes with long hair. I can only imagine how this band got together. Wonder if an ad went out that said. “Metal musicians needed. Must not be over 5 foot 6 inches tall and have long hair”. I loved that first album. If you don’t know of them, here is their first single and video.
It was time for the Mighty Metallica. They started out with the first track off Ride The Lightning, the classic riff-monster “Fight Fire With Fire”. At this point I was probably about mid-way to the stage in a sea of metalheads. This was before the days of the “moshpit”. This was more of a Hair Swarm packed with long-haired sardines covered in denim and leather. It would have been about half-way through the show that I wormed my way to the front of the stage. This was no easy task as I am sure you can imagine, however being only 15 and much smaller than the masses (with the exception of the Killer Dwarfs of course), there I was literally feet from what would become the best-selling metal band of all-time. This brings me to a memory I will cherish forever. The seemingly monstrous Cliff Burton was right in front of me. I reached out and had in my hand, the bottom leg of his ragged bell-bottom jeans. He tried to kick me in the face, and thankfully missed. Can’t blame him either for trying to kick my head off, and honestly it was the first thing I thought of when said legend died in a bus accident a year and a half later in Sweden on September 27, 1986. R.I.P. Clifford Lee Burton. Check out this YouTube audio clip I found of Metallica playing “Seek and Destroy” from this exact show. Gotta love YouTube.
Check out this set list of the show the next night in Buffalo at some place called the Salty Dog Saloon. (I couldn’t find the Toronto set list online but I am sure it is identical)
“Fight Fire With Fire”
“Ride the Lightning”
“Phantom Lord”
“(Anethesia) Pulling Teeth”
“For Whom the Bell Tolls”
“No Remorse”
“The Call of Ktulu”
“Seek & Destroy”
“Whiplash”
Encores:
“Creeping Death”
Guitar solo
“Am I Evil?”
“Motorbreath”
Which brings me to winding down this novel of a concert review. How could W.A.S.P. possibly follow Metallica? Well, I do remember chants of “you suck”. I remember that the front was nowhere near as packed as it was for Metallica. Maybe Blackie thought he could follow them by drinking fake blood out of a skull (which he did). Here is a quote from Mr. Blackie Lawless comparing separate tours with both Slayer and Metallica and musing about this particular tour.
Blackie: I’ll tell you what was worse – us and Metallica. It was our first or second U.S. tour. It was us, Metallica, and Armored Saint. When they (Slayer) went out with us, they were still an up n’ coming band, didn’t have a lot of fans, so there was a pocket of division every night. With Metallica, I kid you not, it was like an invisible line was drawn right down the middle of the room, and half was theirs and half was ours. It didn’t matter what we were doing on stage. It looked like two opposing armies. Sometimes we just stopped what we were doing and watched. It was a war.
I realize that the merit of music is subjective and it is all in the Ear Of The Beholder. But lets face it. W.A.S.P. really does kinda suck. Some good moments but really not much to speak of. During their set myself and others that with us were just kind of mulling about as most others were really. It was during this time that a guy we were with named Kevin B. (nicknamed Little Dude) said that he saw Geddy Lee and Alex Lifeson leaving out a side door during their set. Now to give some perspective on this, this person was a known bull-shitter. None of us believed him. True story: Kevin years later had trans-gender surgery and now is known as Treva. But anyways, we shrugged this off as yet another lie from Little Dude. It was months later reading a Blackie Lawless interview in Circus magazine that I read this quote. “Geddy Lee and Alex Lifeson were actually at one of our shows in Toronto last year…. But they were not there to see us.” A classic example of the Little Dude who cried wolf.
ARMORED SAINT – Symbol of Salvation (1991 Metal Blade)
mikeladano.com 