kiss

RE-REVIEW: Eric Carr – Unfinished Business (2011/2025 RSD)

The KISS RE-REVIEW SERIES Part 42 Redux:  Eric Carr solo #2 (Reissued).

ERIC CARR – Unfinished Business (Originally 2011, 2025 Culture Factory)

Beloved drummer Eric Carr has two posthumous “solo albums”:  Rockology and Unfinished Business.  Both contain previously unreleased songs written and performed by Carr, some of which are polished up and finished properly, some of which are basic demos.  2000’s Rockology compilation contained a treasure trove of unheard goodies for the fans, but since there is always more to sell, another batch of tracks were unearthed to mark the 20th anniversary of Eric’s passing.  This time they called it Unfinished Business, and this time you can tell that there wasn’t much left in the vaults to release.   Yet, somehow, the Carr estate found even more tracks to release.  In 2023 a “remastered” version of Rockology was released for Record Store Day.  It included five more tracks, including very harsh demos from 1967, and 1974.  It also included a few alternate versions of previously released tracks, of limited value.  Then in 2025, and hopefully for the last time, five more tracks were coughed up on a similar reissue of Unfinished Business.  It is now an hour and 14 minutes long, so buckle up for a bumpy ride.

Getting the cosmestics out of the way first, Culture Factory do a fantastic job with these reissues.  The CDs are designed to look like vinyl.  Rockology was reissued on a black CD, and Unfinished Business is a lovely blue.  While the last album was designed to resemble the Kiss solo albums, this one looks like Creatures of the Night.  The style and obi strips for these reissues mean they also match each other.  Inside is a two-page booklet with very small print, and a sleeve for the CD, featuring two Kiss-era photos of Eric:  One from Creatures and one from Animalize.

There are a few Eric interviews and audio clips included, and the album opens appropriately with Eric introducing himself.  The first song is an updated version of “Just Can’t Wait” from Rockology.  Like a classic early 80s Bon Jovi song, it had slick hooks and hit potential.  This fine demo was just crying out for a lead vocal to finish it off.  This was completed by Ted Poley of Danger Danger.  Though the backing track lacks the fidelity of a proper Kiss recording, the song has taken shape as the shoulda-coulda-been hit that it is.  Eric would have been proud and very happy to hear it as a finished song, even though it sounds like you’re playing an old cassette.

The unfinished “Troubles Inside You” is a demo with regular Kiss collaborator and Beatlemania member Mitch Weissman.  It was recorded at Gene Simmons’ house, but the old cassette must have deteriorated pretty badly.  The music is barely audible, though hints of a good song shine through.  It clearly needed work, particularly on the chorus.  Weissman is on lead vocals, and Eric programmed the drum machine.  It sounds like a Creatures outtake, but this demo is truly chore to listen to.

There are a couple Kiss songs here for the diehard fans.  “No One’s Messin’ With You” is accompanied by an audio clip of Eric explaining that he insisted on singing a song this time.  Yes, that means this is yet another demo of what would become “Little Caesar” from Hot in the Shade (Another called “Ain’t That Peculiar” was released on the 2001 Kiss Box Set.)  This is an almost completely different set of lyrics, although it does have the “Hey Little Caesar” chorus.  In chronological terms, this version probably falls between the other two, with lyrics still a work in progress and a different verse melody.

Disappointingly, some songs here are not recorded by Eric Carr.  “Carr Jam 1991” and “All Hell’s Breakin’ Loose” are not demos.  They are remakes by Zo2 drummer Joey Cassata as a tribute.  Sonically both sound great, but why do we need these?  For “Carr Jam”, we already have a Kiss version which has Eric Carr on drums and Bruce Kulick on guitar.  This one has a guitarist named Benny Doro playing all the electric instruments.  Giving Cassata credit, he plays homage to the Fox’s drum hooks and style very admirably.  “All Hell’s Breakin’ Loose” with Paulie Z on vocals, belongs on a tribute album.  Not an album billed as an Eric Carr CD.

“Carr Jam” is followed by an interview about Eric’s audition, but it is followed by one of the very worst tracks in terms of quality.  This is “Shandi”, from Eric’s Kiss audition tape, with brand new acoustic backing music.  Unfortunately, Eric’s shaky voice (or a warbly tape) makes this totally unlistenable.  We have to assume it’s the tape, because nobody would dream of sending this to Kiss as an audition.

Two more Kiss outtakes include the legendary “Dial L For Love” and “Elephant Man”.  These were written for Crazy Nights and Revenge, respectively.  Neither were finished by Carr.  “Dial L For Love” has the bones of a good song with a unique 80s riff, including harmonics.  Eric only managed to finish the lyrics for “Elephant Man”, but here it is given music and life by a group of musicians including the late A.J. Pero of Twisted Sister, and ex-Europe guitarist Kee Marcello.  Singer Bob Gilmartin did a great job of it, turning “Elephant Man” into a cross between ballad and rocker, and something Kiss actually could have done on Revenge. “Elephant Man” does not feature Eric, only the lyrics he wrote, but it actually turned out pretty good.  We’ll allow this one, even though Eric isn’t on it, because there was no better way for us to hear his lyrics.

Eric’s Kiss bandmate, Mark St. John, found the cassette tape for “Midnight Stranger”.  It is another unfinished riff.  Mark was slated to overdub brand new solos for this instrumental, but he too passed before he could finish.  This is the original cassette demo.  The riff sounds like a brother to “Carr Jam”.  They are definitely related.  One has to assume that Eric gave this tape to Mark at some time during the making of Animalize.  Obviously, neither Mark nor Eric would be allowed to write on the album, so this is an interesting oddity.

Rockology featured a good Eric original called “Eyes of Love”, which Bruce Kulick finished by adding his guitar.  This version has Eric’s lead vocals backed by a new recording by Benny Doro and drummer John Humphrey.  Obviously, the Kulick version is the go-to.  This version doesn’t add much in terms of value to the fan.  It’s an artificially created “new” version, to flesh out an already dubious CD release.

“Through the Years” features some Eric Carr drum solos edited together, and dedicated to Bill Aucoin (who also features in an audio clip).  The drum solos themselves will sound familiar, as many ended up in “Carr Jam” and Kiss concerts live.

Finally there is a 1967 recording by Eric’s first band The Cellarmen, with Eric on lead vocals.  At the time of the original release for Unfinished Business, this was considered something really rare and special, but it turns out they had more that they were hanging on to.  Now, we get two more Cellarmen tracks:  1967’s Beatles-y “I Cry At Night” and 1968’s “I Found You (One I Adore)”.  These tracks sound pretty decent considering their age.  An official release like this is certainly welcome for these old tapes.  The late 1960s are alive again when you push play.

Several of the remaining bonus tracks are quite long.  Into the 1970s, we have a lengthy jam of “Down By The River”, performed by Salt and Pepper, recorded in 1974.  According to the CD, that is Eric on lead vocals and drums.  It sounds like when Deep Purple Mk I used to do slow psychedelic cover versions, complete with slamming drums.  Not a great cover, but certainly of interest to Eric fans.

“Get Down” is an overlong disco demo by Creation, dating to 1974.  This one is complete with a horn section, sax solos, and organ.  The surviving tape quality limits its listenability.  It’s interesting not only to hear Eric play the disco beats (quite awesomely), but also to hear him sing this soulful style.

Rewinding to 1972, Salt and Pepper also covered “Black Magic Woman”, this time keeping it to about five minutes.  Eric’s drumming on this is absolutely thunderous.  Though it is hard to shake the Deep Purple Mk I vibes, comparing Eric to Ian Paice on this is not out of the question.

The final track, a cover of “Listen to the Music”, dates back to 1977 and is recorded by Mother Nature Father Time.  This is a nice pop rock song with twangy country guitars.  Eric’s vocals are present but a bit muffled, making it hard to fully enjoy the tracks.  It is a pretty impressive version of the song, with ample accompaniment.

Never mind that the five bonus tracks from Rockology and the five from Unfinished Business could have been released as a single standalone disc, a third Eric Carr album perhaps.  That’s what should have been been done, for the fans who are tired of endless reissues.  Let us hope that more tracks don’t mysteriously turn up on a third go-round of reissues.

2/5 stars

 

 

Happy Birthday Dan! Off The Charts: Dan’s Birthday Live Stream

Happy birthday to my friend and collaborator, Dan Chartrand from Off the Charts.

Though February 22 is his birthday, Dan celebrated online last night with a listening party full of friends.  I was happy to be invited, and so I joined Dan, Steve Deluxe and a couple new friends for some songs.  Each guest picked a song to play that had some kind of connection with Dan.  Of course, having interviewed Rick Hughes of Sword with Dan, it made sense to pick a Rick song from his new album Redemption.

Thanks for inviting me Dan, and happy birthday.

 

#1234: The Legendarium of George: The Official CB Dictionary

Part Four in the Legendarium of George Trilogy

  1. #1182:  The Legendarium of George
  2. #1184: The Legendarium of George: Gene Simmonsarillion
  3. #1186: Reunion of the Legendariumites

 

RECORD STORE TALES #1234: The Legendarium of George: The Official CB Dictionary

“George is a stealer!” said Michelle Szabo from across the street.  It was a well-known fact by the mid-80s.  George was first caught stealing when he was just in grade school.  He stole Play-Dough from Crestview school.  He was caught and shamed via the gossip that spread down the street.  I already knew he was a thief.  He stole some of my Lego pieces from before I was even old enough to go to school.  Eventually, George’s shoplifting became an open secret.  He would boast of things he took.  You’d always wonder if that new “whatever” that he was showing off, was in fact stolen.  He had the balls to steal John Schipper’s bicycle and then store it in his open garage.  I believe he received a righteous pummeling from John over that.

One day he showed up on the front yard while the rest of us were playing, with his latest acquisition:  the Official CB Dictionary.  It was a red hard-cover handbook with gold writing on the front.  It translated CB radio slang into English, and from English back into CB.  Why he stole it, and from where it was stolen, I know not.  But stolen it was.  I suppose he thought it would be entertaining.  None of us owned a CB radio, but every once in a while you could get a trucker on your walkie-talkie if you were lucky.  George had no need for a CB dictionary, but steal it he did, followed by showing off later.

At some point in the book’s history, it was acquired by me.  I don’t know how anymore, but it was probably one of several items that George traded me in exchange for something he wanted.  Indeed, my first Kiss albums were acquired from him in a complex series of trades that, in the end, netted me Kiss Alive! on vinyl, an Iron Maiden single, a Black Sabbath Paranoid cassette, and a Walkman among other scores.  The CB Dictionary probably came into my possession in such a trade.

I thought I could use the book in my fiction writing, but not once did it come in handy for that.  In my younger years, I took it upon myself to write adventure fiction based on similar concepts to GI Joe and the Transformers, but with a heavy metal image.  Alas, my characters never spoke CB.

All these decades, there was only one slang phrase that I remember.  It’s a good one at least.

I remember being confused and befuddled when I opened the book to “A”.

Abuse it:  masturbate

That haunted me for the rest of my days.

Thanks George.

REVIEW: Paul Stanley – You Can’t Escape His KISS – Andrew Lloyd Webber’s The Phantom of the Opera (1999 Bootleg CD)

Andrew Lloyd Webber’s THE PHANTOM OF THE OPERA – Toronto Cast Recording featuring Paul Stanley (1999 Phantom Music bootleg CD You Can’t Escape His KISS)

Seeing Paul Stanley perform as the titular Phantom in Andrew Lloyd Webber’s Phantom of the Opera was an experience I’ll never forget.  It was fall, 1999.  I remember hearing an ad on the radio on the way to work that the show was being extended due to popular demand – six more weeks!  I remember jumping around at the Beat Goes On (Cambridge location) chanting “SIX MORE WEEKS!  SIX MORE WEEKS!”  I knew I wasn’t going to miss Paul as the Phantom.  There were a lot of leather jackets in the audience.  A few Kiss shirts.  Not the usual Pantages crowd, but that’s what Paul did for Phantom of the Opera.  He crossed barriers with it.  A little later on, I was gifted a genuine Paul Stanley autograph from DJ Donnie D, who bumped into Paul on the streets of Toronto.  I had a program, an autograph, and the live experience.  All I needed was a CD of the show.

“They’d be stupid not to release a CD version of Phantom with Paul,” I reasoned.  The London and Canadian cast CD releases were bestsellers for us, despite their prices.  A Paul Stanley release would cross over to the rock crowd.  An official CD never came, but fortunately somebody in the audience was recording one of of those shows, and bootlegged it.  The date is unlisted, the CD says “Made in Japan” while the sleeve says “Printed in USA”.  (The number on the CD, 27/110/99 does not refer to a date as the ended on Oct 31 1999.)  This CD bootleg was gifted all the way from Australia, by the Mad Metal Man Harrison Kopp, who knew I had been seeking it a long time.  From Canada to Australia and back to Canada again.

A single CD release with unrelated bonus tracks, this disc focuses on the musical numbers that involved Paul and skips the rest.  This is probably sufficient for Kiss fans.

Being an audience recording, quality is all subjective.  There is some tape warble, which may or may not hinder your enjoyment.  There are people coughing in the audience; the usual sonic flaws.  You can clearly hear that Melissa Dye, Paul’s co-star playing Christine, is a professional while Paul is not.  He often resorts to a “rock frontman” voice to exclaim certain lines.  However, Paul also does an admirable job.  His tenor voice was no longer at its peak in 1999.  He was still up to the task, insofar as a rock star goes.  A tenor like Paul would never have made it to the starring role without his name marquee value.  That doesn’t actually matter when you consider that Paul helmed this show from May to October, to positive reviews.  Of course, there is more to it than just singing.  There is also the acting; the stage performance in costume and makeup.  You don’t get to see that here, but I can assure that Paul knew something about performing to music on stage in costume and makeup.  He brought the same bombast to the physical role as he did the vocal part.

The most memorable musical moments on this CD are the “Phantom of the Opera” and “Music of the Night”, which most people will be familiar with.  Paul’s performance on both is a knockout.  This bootleg recording serves as a reminder that Paul might have been an unorthodox Phantom, but he was still capable, and did the job well…even if you can hear the Kiss frontman in him, from time to time.

The track list on the back of the CD is incorrect.  There are 25 tracks total, provided below.  The bonus material includes four of the 1989 Paul Stanley solo demos:  “When 2 Hearts Collide”, “Don’t Let Go”, “Best Man For You” and the familiar “Time Traveler”.   These are followed by a 1978 interview in seven parts.  An odd potpouri of bonus material to be sure, but such is the liberty of bootleg recordings.

“When 2 Hearts Collide” belies the late 80s recording date with its ballady keyboard direction.  It sounds like a Journey ballad, but it wouldn’t have done Kiss much good back then, when fans were tiring of ballads.  Good chorus and would probably benefit from a quality official release so we can really appreciate Paul’s singing.  “Don’t Let Go” is another ballad, but more in that “power ballad” mold, with a blaring chorus.  Just like every band was doing in 1989.  It could have been a hit, or it could have been forgotten.  Either way, Paul should do his own “Vault” release and get this stuff out there in better quality.  “Best Man For You” is, you guessed it, a ballad.  It sounds like something related to “Reason to Believe” from Crazy Nights.  Fortunately, the last and best song “Time Traveler” did get an official release on the Kiss Box Set.  This one actually rocks!  In that late 80s way, with a drum machine thudding away where you wish it was Eric Carr.  The tape sounds slightly sped up from the official release.  (It happens when it’s tape-based bootlegs.)

Finally the 1978 Paul interviews aren’t too action-packed.  They lack the question portions of the recordings.  The subject is Paul’s 1978 solo album, and what Paul was looking to accomplish.  (Sing more, apparently!)   He was also hoping to appeal to all Kiss fans, and new fans too.  He also hopes that none of the four solo albums would disappoint the fans.  That didn’t happen, but then there is some praise for the late great Bob Kulick and the other players on the record.  He also prophesizes that one day, Kiss will become an institution.  Was he right?  In total, it’s 8 and a half minutes of interview.

A worthwhile purchase if you can find a copy.  There isn’t much in terms of 1999 Phantom recordings out there, and this might be the best of them.

3/5 stars, balancing collectability and sound quality.  Still a must for Paul fans.

 

1. Overture
2. Angel Of Music / The Mirror / Phantom of the Opera
3. Music of the Night
4. I Remember / Stranger Than You Dreamt It
5. The Phantom’s Instructions
6. The Phantom Threats
7. The Phantom Attacks
8. All I Ask Of You
9. Masquerade
10. Wandering Child
11. Let My Opera Begin
12. The Point of No Return / All I Ask Of You
13. Down Once More
14. Finale
15. Paul Stanley – When 2 Hearts Collide
16. Paul Stanley – Don’t Let Go
17. Paul Stanley – Best Man For You
18. Paul Stanley – Time Traveler
19. Paul Stanley Interview 1978 Pt. 1
20. Paul Stanley Interview 1978 Pt. 2
21. Paul Stanley Interview 1978 Pt. 3
22. Paul Stanley Interview 1978 Pt. 4
23. Paul Stanley Interview 1978 Pt. 5
24. Paul Stanley Interview 1978 Pt. 6
25. Paul Stanley Interview 1978 Pt. 7

Off The Charts: Least Favourite KISS Songs Per Album

It started with Joey Suto, and our awesome list of Top KISS Songs from every album!  Then Peter Kerr suggested worst KISS songs, and I ran with it, and wrote a controversial list.  Dan Chartrand picked up the ball, and decided to make a video on the subject.  You’ve read my list, but now you can watch an entertaining video list from Dan and Sidney from Slogan’s Rock and Metal as well.

No surprises here – my list is unchanged.  I did however have quite a few questions and comments as to “why” I made my list the way I did.  These are finally addressed in this video.

Slick and fast, we raced through the KISS studio albums in an hour.  A great viewing.  Don’t miss this one.

🅻🅸🆅🅴: Boxing Day Bash & Christmas Music Hauls with Peter Kerr of Rock Daydream Nation

GRAB A STACK OF ROCK With Mike and the Mad Metal Man

Special 🅻🅸🆅🅴 Episode

Episode 131:  Boxing Day Bash & Christmas Music Hauls with Peter Kerr of Rock Daydream Nation

With bellies and ears full, please join Harrison and I with special guest Peter Kerr, on Grab A Stack of Rock live!  Tonight is the night that we reveal our Christmas musical hauls (and other recent scores).  The pictures in the thumbnail images are just spoiler-proof teasers and placeholders (though time permitted we will look at those recent arrivals too).  We’ll just have to see what the other guys have in store, because I write these posts in advance!  I can tell you that on my side, I have four new discs to discuss, a cherished musical heirloom, a new music T-shirt and more!

I’ll also reveal what I spent my Christmas money on.

Tonight, 7:00 PM EST, the boys are back in town.

Friday December 26 at  7:00 PM EST, 8:00 PM Atlantic.  Enjoy on YouTube or Facebook.

Recap: Interview With “Shandi” Bassist HARPER

GRAB A STACK OF ROCK With Mike and the Mad Metal Man

Episode 129:  Interview with “Shandi” Bassist Harper

Last night I had the pleasure of interviewing bassist Harper on the subject of Kiss and more. Topics covered:

  1. Guitar tech for Paul on the Dynasty tour
  2. Rehearsing Shandi with Paul and Anton Fig, and recording it with Vini Poncia for the album
  3. Working with Peter Criss on his Out of Control solo band that never toured
  4. Loaning Ace the 12 string guitar he played on Fractured Too
  5. Missing the Space Ace
  6. Loaning the Shandi Thunderbird bass out to a legendary metal bassist who used it on his band’s landmark 1984 album (I love this story)!
  7. Working for LucasArts in the 1990s on a Star Wars video game for the N64
  8. Michael Bolton and his band
  9. An Oscar Award!?
  10. And so much more!

Please enjoy the show! I’ll try to get Harper back for any followup questions.

 

KISS: Best Song Off Each Studio Album on Rock Show Critique [VIDEO]

Hot off the heels of our Whitesnake ranking, Joey Suto invited me back on his channel to talk about my favourite band of all time:  KISS.

This time, Joey and I looked at every single studio album, and every single non-album “bonus track”, and picked ONE song from each.  We didn’t ignore the solo albums, either!  No, we dove in deep this time!  From 1974’s Kiss to 2012’s Monster, we picked one song from each.  Then we looked at Alive II, Killers, Smashes, Detroit Rock City, We’re A Happy Family, KISS 50 and all the box sets and other assorted compilations to choose one and only one “bonus track” from all of them.  This is one of the most comprehensive KISS list shows you’re gonna find on YouTube!

I powered through some bruised ribs to do this show in one shot, no edits!

Check it out below and drop a comment!

 

🅻🅸🆅🅴 Interview With “Shandi” Bassist HARPER – Wednesday live show!

GRAB A STACK OF ROCK With Mike and the Mad Metal Man

🅻🅸🆅🅴 Episode

Episode 129:  Interview with “Shandi” Bassist Harper

Grab A Stack of Rock is proud to announce a special mid-week LIVE episode:  Please join Mike as he speaks to Tom Harper, professionally known as Harper, the guy who played bass on the Kiss hit “Shandi”!   And not only that, but Harper later spent time at LucasArts, helping create some of the greatest video games of all time, including Star Wars: Shadows of the Empire.  Believe us when we say that some of the stories that Harper has are not widely known, and could break the internet.

For example, did you know that the Thunderbird bass guitar that he played on “Shandi” was later loaned out to a legendary metal bassist, who played it on every song of his band’s landmark 1984 metal classic?  We’ll tell you who tonight.

Harper spent time in Peter Criss’ solo band, was friends with Ace Frehley, played with Michael Bolton, and of course played the bassline you know and love from a Kiss classic.  He has also recorded his own solo covers.  There is plenty to talk about tonight, from bass to video games.  Some of these things may blow your minds!

Since this is a special live episode, if you join us in the chat you can ask your own questions of Harper.  We already have some special guest questions to run.  Please don’t miss us tonight, this is going to be a good one!

 

 

Wednesday December 10 at 6:00 PM EST, 7:00 PM Atlantic.  Enjoy on YouTube or Facebook.

VIDEO: INCOMING!!! Mega Mail & a Holy Grail!!

After my ill fated dumpster dive, I cheered myself up by opening some mail!  In this video, you will see my surprise as I open:

  • One parcel from Australia, courtesy of the Mad Metal Man, containing bonus tracks and a Holy Grail CD I have wanted since 1999.
  • One parcel from Amazon, featuring a new release that dropped from $30 to $20.
  • A science fiction book by an Australian author.
  • A surprise from Mr. Durling!  A band that he recently published a new book on…

You can hear in my voice how my injured body is weakened…but not defeated!