kiss

REVIEW: Paul Stanley – You Can’t Escape His KISS – Andrew Lloyd Webber’s The Phantom of the Opera (1999 Bootleg CD)

Andrew Lloyd Webber’s THE PHANTOM OF THE OPERA – Toronto Cast Recording featuring Paul Stanley (1999 Phantom Music bootleg CD You Can’t Escape His KISS)

Seeing Paul Stanley perform as the titular Phantom in Andrew Lloyd Webber’s Phantom of the Opera was an experience I’ll never forget.  It was fall, 1999.  I remember hearing an ad on the radio on the way to work that the show was being extended due to popular demand – six more weeks!  I remember jumping around at the Beat Goes On (Cambridge location) chanting “SIX MORE WEEKS!  SIX MORE WEEKS!”  I knew I wasn’t going to miss Paul as the Phantom.  There were a lot of leather jackets in the audience.  A few Kiss shirts.  Not the usual Pantages crowd, but that’s what Paul did for Phantom of the Opera.  He crossed barriers with it.  A little later on, I was gifted a genuine Paul Stanley autograph from DJ Donnie D, who bumped into Paul on the streets of Toronto.  I had a program, an autograph, and the live experience.  All I needed was a CD of the show.

“They’d be stupid not to release a CD version of Phantom with Paul,” I reasoned.  The London and Canadian cast CD releases were bestsellers for us, despite their prices.  A Paul Stanley release would cross over to the rock crowd.  An official CD never came, but fortunately somebody in the audience was recording one of of those shows, and bootlegged it.  The date is unlisted, the CD says “Made in Japan” while the sleeve says “Printed in USA”.  (The number on the CD, 27/110/99 does not refer to a date as the ended on Oct 31 1999.)  This CD bootleg was gifted all the way from Australia, by the Mad Metal Man Harrison Kopp, who knew I had been seeking it a long time.  From Canada to Australia and back to Canada again.

A single CD release with unrelated bonus tracks, this disc focuses on the musical numbers that involved Paul and skips the rest.  This is probably sufficient for Kiss fans.

Being an audience recording, quality is all subjective.  There is some tape warble, which may or may not hinder your enjoyment.  There are people coughing in the audience; the usual sonic flaws.  You can clearly hear that Melissa Dye, Paul’s co-star playing Christine, is a professional while Paul is not.  He often resorts to a “rock frontman” voice to exclaim certain lines.  However, Paul also does an admirable job.  His tenor voice was no longer at its peak in 1999.  He was still up to the task, insofar as a rock star goes.  A tenor like Paul would never have made it to the starring role without his name marquee value.  That doesn’t actually matter when you consider that Paul helmed this show from May to October, to positive reviews.  Of course, there is more to it than just singing.  There is also the acting; the stage performance in costume and makeup.  You don’t get to see that here, but I can assure that Paul knew something about performing to music on stage in costume and makeup.  He brought the same bombast to the physical role as he did the vocal part.

The most memorable musical moments on this CD are the “Phantom of the Opera” and “Music of the Night”, which most people will be familiar with.  Paul’s performance on both is a knockout.  This bootleg recording serves as a reminder that Paul might have been an unorthodox Phantom, but he was still capable, and did the job well…even if you can hear the Kiss frontman in him, from time to time.

The track list on the back of the CD is incorrect.  There are 25 tracks total, provided below.  The bonus material includes four of the 1989 Paul Stanley solo demos:  “When 2 Hearts Collide”, “Don’t Let Go”, “Best Man For You” and the familiar “Time Traveler”.   These are followed by a 1978 interview in seven parts.  An odd potpouri of bonus material to be sure, but such is the liberty of bootleg recordings.

“When 2 Hearts Collide” belies the late 80s recording date with its ballady keyboard direction.  It sounds like a Journey ballad, but it wouldn’t have done Kiss much good back then, when fans were tiring of ballads.  Good chorus and would probably benefit from a quality official release so we can really appreciate Paul’s singing.  “Don’t Let Go” is another ballad, but more in that “power ballad” mold, with a blaring chorus.  Just like every band was doing in 1989.  It could have been a hit, or it could have been forgotten.  Either way, Paul should do his own “Vault” release and get this stuff out there in better quality.  “Best Man For You” is, you guessed it, a ballad.  It sounds like something related to “Reason to Believe” from Crazy Nights.  Fortunately, the last and best song “Time Traveler” did get an official release on the Kiss Box Set.  This one actually rocks!  In that late 80s way, with a drum machine thudding away where you wish it was Eric Carr.  The tape sounds slightly sped up from the official release.  (It happens when it’s tape-based bootlegs.)

Finally the 1978 Paul interviews aren’t too action-packed.  They lack the question portions of the recordings.  The subject is Paul’s 1978 solo album, and what Paul was looking to accomplish.  (Sing more, apparently!)   He was also hoping to appeal to all Kiss fans, and new fans too.  He also hopes that none of the four solo albums would disappoint the fans.  That didn’t happen, but then there is some praise for the late great Bob Kulick and the other players on the record.  He also prophesizes that one day, Kiss will become an institution.  Was he right?  In total, it’s 8 and a half minutes of interview.

A worthwhile purchase if you can find a copy.  There isn’t much in terms of 1999 Phantom recordings out there, and this might be the best of them.

3/5 stars, balancing collectability and sound quality.  Still a must for Paul fans.

 

1. Overture
2. Angel Of Music / The Mirror / Phantom of the Opera
3. Music of the Night
4. I Remember / Stranger Than You Dreamt It
5. The Phantom’s Instructions
6. The Phantom Threats
7. The Phantom Attacks
8. All I Ask Of You
9. Masquerade
10. Wandering Child
11. Let My Opera Begin
12. The Point of No Return / All I Ask Of You
13. Down Once More
14. Finale
15. Paul Stanley – When 2 Hearts Collide
16. Paul Stanley – Don’t Let Go
17. Paul Stanley – Best Man For You
18. Paul Stanley – Time Traveler
19. Paul Stanley Interview 1978 Pt. 1
20. Paul Stanley Interview 1978 Pt. 2
21. Paul Stanley Interview 1978 Pt. 3
22. Paul Stanley Interview 1978 Pt. 4
23. Paul Stanley Interview 1978 Pt. 5
24. Paul Stanley Interview 1978 Pt. 6
25. Paul Stanley Interview 1978 Pt. 7

Off The Charts: Least Favourite KISS Songs Per Album

It started with Joey Suto, and our awesome list of Top KISS Songs from every album!  Then Peter Kerr suggested worst KISS songs, and I ran with it, and wrote a controversial listDan Chartrand picked up the ball, and decided to make a video on the subject.  You’ve read my list, but now you can watch an entertaining video list from Dan and Sidney from Slogan’s Rock and Metal as well.

No surprises here – my list is unchanged.  I did however have quite a few questions and comments as to “why” I made my list the way I did.  These are finally addressed in this video.

Slick and fast, we raced through the KISS studio albums in an hour.  A great viewing.  Don’t miss this one.

🅻🅸🆅🅴: Boxing Day Bash & Christmas Music Hauls with Peter Kerr of Rock Daydream Nation

GRAB A STACK OF ROCK With Mike and the Mad Metal Man

Special 🅻🅸🆅🅴 Episode

Episode 131:  Boxing Day Bash & Christmas Music Hauls with Peter Kerr of Rock Daydream Nation

With bellies and ears full, please join Harrison and I with special guest Peter Kerr, on Grab A Stack of Rock live!  Tonight is the night that we reveal our Christmas musical hauls (and other recent scores).  The pictures in the thumbnail images are just spoiler-proof teasers and placeholders (though time permitted we will look at those recent arrivals too).  We’ll just have to see what the other guys have in store, because I write these posts in advance!  I can tell you that on my side, I have four new discs to discuss, a cherished musical heirloom, a new music T-shirt and more!

I’ll also reveal what I spent my Christmas money on.

Tonight, 7:00 PM EST, the boys are back in town.

Friday December 26 at  7:00 PM EST, 8:00 PM Atlantic.  Enjoy on YouTube or Facebook.

Recap: Interview With “Shandi” Bassist HARPER

GRAB A STACK OF ROCK With Mike and the Mad Metal Man

Episode 129:  Interview with “Shandi” Bassist Harper

Last night I had the pleasure of interviewing bassist Harper on the subject of Kiss and more. Topics covered:

  1. Guitar tech for Paul on the Dynasty tour
  2. Rehearsing Shandi with Paul and Anton Fig, and recording it with Vini Poncia for the album
  3. Working with Peter Criss on his Out of Control solo band that never toured
  4. Loaning Ace the 12 string guitar he played on Fractured Too
  5. Missing the Space Ace
  6. Loaning the Shandi Thunderbird bass out to a legendary metal bassist who used it on his band’s landmark 1984 album (I love this story)!
  7. Working for LucasArts in the 1990s on a Star Wars video game for the N64
  8. Michael Bolton and his band
  9. An Oscar Award!?
  10. And so much more!

Please enjoy the show! I’ll try to get Harper back for any followup questions.

 

KISS: Best Song Off Each Studio Album on Rock Show Critique [VIDEO]

Hot off the heels of our Whitesnake ranking, Joey Suto invited me back on his channel to talk about my favourite band of all time:  KISS.

This time, Joey and I looked at every single studio album, and every single non-album “bonus track”, and picked ONE song from each.  We didn’t ignore the solo albums, either!  No, we dove in deep this time!  From 1974’s Kiss to 2012’s Monster, we picked one song from each.  Then we looked at Alive II, Killers, Smashes, Detroit Rock City, We’re A Happy Family, KISS 50 and all the box sets and other assorted compilations to choose one and only one “bonus track” from all of them.  This is one of the most comprehensive KISS list shows you’re gonna find on YouTube!

I powered through some bruised ribs to do this show in one shot, no edits!

Check it out below and drop a comment!

 

🅻🅸🆅🅴 Interview With “Shandi” Bassist HARPER – Wednesday live show!

GRAB A STACK OF ROCK With Mike and the Mad Metal Man

🅻🅸🆅🅴 Episode

Episode 129:  Interview with “Shandi” Bassist Harper

Grab A Stack of Rock is proud to announce a special mid-week LIVE episode:  Please join Mike as he speaks to Tom Harper, professionally known as Harper, the guy who played bass on the Kiss hit “Shandi”!   And not only that, but Harper later spent time at LucasArts, helping create some of the greatest video games of all time, including Star Wars: Shadows of the Empire.  Believe us when we say that some of the stories that Harper has are not widely known, and could break the internet.

For example, did you know that the Thunderbird bass guitar that he played on “Shandi” was later loaned out to a legendary metal bassist, who played it on every song of his band’s landmark 1984 metal classic?  We’ll tell you who tonight.

Harper spent time in Peter Criss’ solo band, was friends with Ace Frehley, played with Michael Bolton, and of course played the bassline you know and love from a Kiss classic.  He has also recorded his own solo covers.  There is plenty to talk about tonight, from bass to video games.  Some of these things may blow your minds!

Since this is a special live episode, if you join us in the chat you can ask your own questions of Harper.  We already have some special guest questions to run.  Please don’t miss us tonight, this is going to be a good one!

 

 

Wednesday December 10 at 6:00 PM EST, 7:00 PM Atlantic.  Enjoy on YouTube or Facebook.

VIDEO: INCOMING!!! Mega Mail & a Holy Grail!!

After my ill fated dumpster dive, I cheered myself up by opening some mail!  In this video, you will see my surprise as I open:

  • One parcel from Australia, courtesy of the Mad Metal Man, containing bonus tracks and a Holy Grail CD I have wanted since 1999.
  • One parcel from Amazon, featuring a new release that dropped from $30 to $20.
  • A science fiction book by an Australian author.
  • A surprise from Mr. Durling!  A band that he recently published a new book on…

You can hear in my voice how my injured body is weakened…but not defeated!

 

REVIEW: Union – Live in the Galaxy (1999)

UNION – Live in the Galaxy (1999 Standback)

  • John Corabi – vocals/guitar
  • Bruce Kulick – guitar/vocals
  • Brent Fitz – drums/vocals
  • Jamie Hunting – bass/vocals

This great, forgotten Union live album should be added to the collections of any fans of John Corabi or Bruce Kulick.  Packed with great songs from Union, Motley Crue, Kiss, the Scream, and even Cheap Trick and the Beatles, this live album delivers on every level.  11 tracks live, plus two bonus studio songs.  Power to the music indeed!

There are no specifics about recording dates, but regardless the album has been well sequenced, opening with Union’s own album opener, “Old Man Wise”.   Very much a continuation of the Motley and Kiss albums of 1994 and 1997 respectively.  Mix them up with riff and groove sauce, you’d get something like “Old Man Wise”.  Bruce’s playing is always fascinating and “Crabby” was in top voice.  Grit and power are the words of the day.  This song pounds, and Bruce absolutely rules.  We go straight into the equally grooving but more upbeat “Around Again”.  Union had an excellent self-titled album out at the time, and it makes up the bulk of the album.  Fortunately the band’s original songs set a high bar.  Bruce Kulick doesn’t put out crap.  A third song from the debut, “Heavy D…” might be called a ballad, but really it’s a quiet song with heavy parts.  Or is it a heavy song with quiet parts?  It is performed with gusto in either guise.

“We’re gonna do something from Carnival of Souls!  This is called the ‘Jungle’, baby!”  Then Jamie Hunting comes in with that rolling bassline, originally played on album by Bruce himself.  Kulick’s past with Kiss makes an appearance on “Jungle”, a song Kiss never performed live, so quite a treat.  John Corabi’s spin on a Paul Stanley vocal is full of raspy power yet still appropriate.  Hearing this makes one wish that Kiss did have the balls to play it live.

That’s a lot of heavy rock in a row, and to lighten the mood, it’s the Union original “Love (I Don’t Need It Anymore)”, which is dedicated to a certain someone who was involved with a current event in the news at the time.  It’s a little more upbeat, a little more “Motley” and absolutely one of the best Union songs from the debut.  The chorus kills like a classic from Dr. Feelgood.  Corabi then takes us back to his earliest catalogue, The Scream’s “Man In the Moon”.  The Scream were a sort of musician’s super group, featuring Bruce Bouillet and John Alderete from Racer X.  The Scream was more mainstream than that.  This is a melodic rocker with a bluesy twist, and the band do a slamming job of it.

Bruce Kulick takes center stage on another Kiss song that was never played live, and his vocal debut:  “I Walk Alone”, which he wrote with Gene Simmons.  It begins with a short, Zeppelin-esque guitar exercise from Bruce.  As for the vocals, you gotta give Bruce credit for not going back and fixing things.  This is Kulick’s voice raw and exposed and imperfect and yet…perfect for the album.  In many ways, this is better than the Kiss version, as Bruce adds a really sweet guitar outro.

A fun unexpected cover next:  Cheap Trick’s “Surrender”!  The backing vocal abilities of the entire band enable them to easily pull this off.  You’d look at it on paper and scratch your head a bit, but it’s short work for these pros.  It’s all about the vocals.

A dramatic “Pain Behind Your Eyes” brings to the stage another soft/hard hybrid with wicked drumming and vocals.  However this is just a prelude to one of the heaviest Motley Crue songs ever:  “Power to the Music”.  Corabi takes center stage doing some screamin’ and preachin’ to the crowd.  The demanding song is handled ably by Corabi, seemingly relishing playing this awesome song live on the stage again.  They probably would have blown Motley off the stage doing the same song.

After some band intros, we get some Kulick solo wailing right into the final song “Tangerine”.  Nothing like the Zeppelin song, this is a riff-rocking groover with excellent melodic delivery by John Corabi.  Union were a melodic band, but John’s approach added the grit and grime that is like rock candy going down.  This song slays with a resilient groovy riff.

Bonus studio tracks are two:  an acoustic rendering of “October Morning Wind” from the debut, and a Beatles cover that blows away the more well know Oasis version.  First up though, the rich acoustics of “October Morning Wind” really bring warmth to a cold subject.  “My pain is measured by a sky that is old and grey,” sings John in a song that may well be about seasonal affective disorder.  Then, the Beatles cover is handled with ease.  “You’ve Got to Hide Your Love Away” benefits from similar acoustic warmth.  It sounds live in the studio, and again the lead and backing vocals make it work seemingly without effort!

Union really made a strong impression with their first two releases, the debut and the live album.  Was it too soon for a live album?  When you look at the setlist, absolutely not.  They had enough material with which to build a very strong set of songs, needing only one true cover (the Cheap Trick song).  The bonus acoustic tracks are icing.

4.5/5 stars

 

Shock Me: The Tragic Passing of Ace Frehley, My First Rock Hero (1951-2025)

When I was in grade eight, I nicknamed myself “Ace”.

I think the reason I picked Ace as my favourite Kiss member (and therefore favourite rock star) back then was twofold.  It didn’t have anything to do with the music.  I didn’t know what songs he wrote, and I didn’t hear any of the songs he sang for a short while.  Early in my Kiss fandom, I picked Ace because of his cool silver makeup, and the spaceman theme.  I was a science fiction kid looking for my next thrill now that Star Wars was over.  It was Kiss.

Frehley’s guitar playing wasn’t complicated, but it was impossible to duplicate.  Kiss know that:  they tried.  Any Kiss fan worth their salt can easily tell the difference between Ace and his final replacement, Tommy Thayer.  Tommy was the next best thing, but he didn’t have that chonky, gnarly feel that Ace poured into every solo and every rhythm track.

Ace’s style was based on the pentatonic blues scales of the classic rock bands he loved.  His rhythms, double tracked with a Les Paul and a Fender, was the foundation of the original Kiss sound.  His solos, blazing and breakneck, were squiggly delights of power.  I loved Ace.

When I got my first Kiss albums in September of 1985, I had yet to hear his voice.  When I finally did on Dynasty, I loved it.  Ace’s voice had a smooth, commercial sound that Gene and Peter’s did not.  I loved “2000 Man” and “Hard Times”.  Especially “Hard Times”, because the lyrics gave a glimpse of the childhood of the Bronx boy named Paul Frehley.

Ace’s first post-Kiss solo album was finally released in 1987, and I was immediately on board.  My sister bought Frehley’s Comet for my birthday that summer.  I loved the album:  “Rock Soldiers”, “Into the Night”, “Calling To You”, “Fractured Too”…I played it back to back all summer.  I dreamed of Ace opening for Kiss on their upcoming Crazy Nights tour.  Hah!  As if that would happen.

Ace’s premature loss is tragic, but what is most tragic is that Kiss refused to allow him back on stage with them during their farewell tour.  By now we have all learned that life is too short to not reconcile with our friends and loved ones.  Kiss never did and now they never can, and that is a tragic loss too.

On September 25 2025, Ace fell in his home studio.  He suffered bleeding in the brain, and was taken off life support on October 16.  Kiss fans worldwide steeled themselves for the news.

I hope Ace is not just remembered for the classic Kiss songs he wrote and played on.  I hope attention is paid to his solo albums, from which you could build an absolutely killer boxed set.  Tracks like “Insane”, “Juvenile Delinquent”, “Trouble Walkin'”, “Space Invader”, “I Wanna Go Back”, and “Mission To Mars” should all be given just as much attention as “Rip It Out”.

The first original Kiss member to fall was Ace Frehley.  That is a sad landmark.   Let us remember him not for the feuds, the drama, or the negative words that Gene and Paul bandied about too often.  Let’s remember Ace for his charisma and most of all, his music.

Rip it out, Ace, for Words Are Not Enough.

#1211: Public Speaking

RECORD STORE TALES #1211: Public Speaking

The year:  1980.

I stood there in the gymnasium, in front of the whole school, holding my two cue cards in my hands.  I had the whole speech memorized.  This would be the second full performance.  I was already chosen as the best speech from my class, so now I had to say it in front of the school:   “My Trip to Alberta”, written by Mike Ladano with a little help from his mom.  It was the story of our summer 1979 trip to the mountains.  The exciting climax to the story was the moment that I fell into the Athabasca glacier.  It was August and I was excited to make a snowball.  ‘Twas the adults who gave me this idea.  “You’ll be able to make a snowball in the summer!”  So I ran towards the snow, and fell into a cold icy stream of water.  I was soaked and it kind of ruined the day for me, but on the other hand, it made for a great speech.  I did a great performance of it, certainly better than most of the other kids.

I came in second, because the teachers thought I probably received too much help from my parents.  I didn’t.  My mom provided the neat and tidy printing on the tiny cue cards, but the words were mine.  It made me bitter and I didn’t put that kind of effort into writing a speech in later years.

Public speaking topic in Grade 5:  Pac-Man

Public speaking topic in Grade 8:  Kiss

Public speaking topic in Grade 9:  Iron Maiden

The Kiss one…oh the Kiss one.  It was good.  I started it by shouting, “You wanted the best, you got the best!  The hottest band in the land, KISS!”  I know I was pissing off the Catholic school teachers every time I mentioned the album Hotter Then Hell.  I can’t say this wasn’t intentional.  I no longer wanted to participate in the big speech-off in the gymnasium.  No matter how great my Kiss speech was, there was no way I’d ever be chosen, so it was the perfect topic.

I have a love/hate relationship with public speaking.  I’ve always been good at it, but the creation of the speech and the anxiety leading up to it lead me to procrastination.  I had to do several more big ones through school.  In my grade 13 year, I had three class-long presentations to do, all within the space of a week.  I had another speech to do in my first year of Sociology at university.  I don’t remember a lot of specifics except that they went over well.  I try to be expressive and speak naturally.

There’s a line that kids always said back in school.  “When am I going to need to use this in my real life?”  Remember in Superbad, when Jonah Hill was talking about making tiramisu in Home Economics class? “When am I going to make tiramisu? Am I going to be a chef? No!”  I haven’t needed public speaking in my professional life, but in my personal life, the experience sure did come in handy.

I’ve spoken at two weddings, and now three funerals.  These things are necessary.

The year:  2025.

I did a eulogy at my grandmother’s funeral recently.  I spent a few weeks working on the speech and polishing it, but not rehearsing it.  I didn’t want that emotional experience, of reciting the speech.  I wanted the first real reading to be live at the funeral.  I was nervous as hell.  I had this idea in my head that I would know everyone in the room.  That was not the case.  My mom has a large family, and so many people came that I kind of recognized but could not remember well.  I became more and more nervous.  I had two panic attacks that day.

The priest, Father Phil, took us aside and told us the order in which the funeral would proceed.  I was last, but I knew my cue.  Fortunately, Father Phil was great (this is not always the case at a funeral).  During the service, he told us of a Bible passage that said “God’s house has many rooms,” and there is a special room prepared for everyone.  He asked what room my grandmother would choose to go to?  There was a long pregnant pause and so I said “the gardens!”  Father Phil said “Great; she would love the flowers in the gardens”.  Suddenly something clicked in my head.  I unrolled my speech, which by now had become a tight scroll.  I found two spots in the speech where I could tie into Father Phil’s gardens.

My moment came.  I started rough.  Starting is always the hardest part (unless you start with “You wanted the best grandma, you got the best grandma!” but I chose not to Kiss-ify my speech).  It took three or four sentences to find my voice and my rhythm, and I was off to the races.  I was brisk and expressive.  I started making gestures with my hands to emphasise words.  I was loose and improvised here and there.  Then came the two moments I was preparing for.

“It was always fun to visit Grandma’s house.  My dad and I would pick carrots from her garden – remember what I said earlier about the gardens?  She had the best carrots, and we took them all, much to her scolding!  [Improvised portion in italics.]

Then the second instance.  Speaking about driving her to the lake, and placing my hands in the steering wheel position, I said, “she would point out all the flowers along the way – remember what I said earlier about the gardens? – which I couldn’t stop to look at because I was driving!”

People laughed in all the right spots.

I sat down, and my dad clapped once, and shook my hand.  My mom and my aunt said “Great speech”.

The funeral ended.  My knees were limp and my hands were numb.  I sat, exhausted, and drank some lemonade (with gingerale, a delightful mixture), and just tried to unpack and unwind from what had just happened.

I was approached by friends.

“Great speech!” they said.

I was approached by distant relatives.

“Great speech!” they said.

I was approached by old friends of my parents.

“Great speech!” they said.  Even Father Phil said it.

I started to think to myself, I think I just gave the best speech of my life.  A moment that can never be re-captured.  It was live, it happened, it existed for a fleeting moment and now it is just a memory.

“I wish I had recorded myself,” I lamented.

“No, it was great, we will always remember it,” said everyone else.

But if I had recorded it…would it have been the same?  Would I have been distracted by the recording device?  Would I have been able to perform it exactly the same, if I knew it was going down on tape?  Would the added pressure have hurt the performance?  These are quantum questions we can never answer.  Sometimes the mere observation of an act can change the act, in physics and in life.  (Maybe there’s no difference between physics and life.)

One of the warmest moments came when an older gentleman walked up to me, rubbed my shoulders, and told me that the speech made him feel like he got to know my grandmother.  I was so overwhelmed with faces and names, that I have no idea who he was anymore.

One guest even told me he watched me on YouTube.  That was pretty cool.  He liked the speech, too.

The most important comment came from my mom, who said that my grandmother would have loved the stories I chose to tell in my speech.  Of course, that is the most important thing.  I have told a lot of stories about my grandmother over the last eight months.  Some of them were hilarious, but she wouldn’t have liked them.  For example, the time she gave me some money and told me to “go and buy one of your CD records.”  That’s funny, but she wouldn’t have wanted any stories that made fun of her, so I left all of that out.  If I had kept them in, the speech would have been more like a stand-up comedy routine!  And that would be fine for another time.

I think this speech was the best public speaking I’ve done to date, and I think it’s my proudest moment in my life.  And it all started in 1980, in a glacier in British Columbia.  If I hadn’t fallen in, maybe I would never have been able to do a speech like that for my grandma.  The universe is a multitude of possibilities.  Maybe I was meant to fall in, just as Gollum was meant to find the One Ring?  In this reality in which we all co-exist, I’m just trying to make it through day by day.  However it came to be, I did something that somebody had to do, and my grandmother is now smiling down on me.  I can hear her voice.  She would say, “That was lovely, Michael.  Just lovely.”

That’s more than enough.  However it came to be, the culmination of all these experiences coalesced into a moment that was there, and gone.  I’m just glad I was the conduit.  And it was a heck of a lot better than the 1983 Pac-Man speech!

To read the written version of the speech, click here.