Mk II

REVIEW: Deep Purple – Power House (1977 Japanese import)

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DEEP PURPLE – Power House (1977  Warner Bros, Japanese import)

I have always loved listening to the Power House album, featuring the classic Deep Purple Mk II era. After Purple broke up in ’76, the market was inundated with compilations and live albums. This one, and others like Last Concert in Japan, and When We Rock We Rock… were snapped up by fans who wanted more Purple. All of these albums have been rendered redundant by superior, current Deep Purple remasters.  If you’re the kind of fan who collects all of those 70’s posthumous Hendrix albums, then you’ll dig Power House, a brief but enjoyable romp through less familiar Purple. You’ll even get the original liner notes by Simon Robinson.

Power House consisted of 6 then-unreleased tracks. Here’s your complete track list:

1. “Painted Horse”.  This is an outtake from the Who Do We Think We Are sessions in July 1972.  This is the track that Blackmore “didn’t like”.  He hated what Gillan did with the vocal, and demanded it be changed.  Gillan refused, and the result was a great, unique Deep Purple rocker that remained unreleased until after the band was defunct.

2. “Hush”
3. “Wring That Neck”
4. “Child In Time”
From the Concerto for Group and Orchestra program in September 1969.  The original hit LP release of the Concerto had just the three movements of that piece.  Deep Purple played a standard three song set before the Concerto, and here it was released on Power House.  These three versions remain among my favourite performances of these songs.  “Child In Time” had yet to be recorded on album, and Jon Lord’s melodies are experimental and in development.  Very cool.  It’s “Hush” that really smokes, a definitive version of this cover.  Gillan made it his own right there.

Today the Concerto is available remixed on two discs, with the full piece, the Deep Purple set, and the Royal Philharmonic’s rendition of Malcolm Arnold’s “Symphony No. 6”, which was also performed that night.

5. “Black Night”.  Another nearly definitive version in my books!  This is a B-side, recorded at the Made in Japan dates in August 1972.  This is widely available today on various extended versions of the Japan shows, the Singles A’s and B’s, 24 Carat Purple, and many others.

6. “Cry Free”.  Outtake from the Deep Purple In Rock sessions in January 1970.  It is incredible how fertile the band were in the early 1970’s.  As if In Rock wasn’t amazing enough, this kind of song doesn’t even make the album?  Amazing that Deep Purple’s outtakes were so impressive.  That they could throw this away speaks volumes of their confidence at the time.

Regardless of Power House being superseded in recent years by better packages, I still enjoy this album, in this sequence.

4/5 stars

REVIEW: Deep Purple – The Battle Rages On… (1993)

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DEEP PURPLE – The Battle Rages On… (1993 BMG)

After the ill-fated (but personally enjoyed) Slaves and Masters, Deep Purple realized the only way forward was with Mk II screamer Ian Gillan back at the mike. With a full album’s worth of material already written with former singer Joe Lynn Turner, all Gillan had to do was turn up and re-write the melody and lyrics. Much to Blackmore’s chagrin! Blackmore had no qualms telling Gillan that he preferred the original lyric and melody to “Time To Kill”.

Much heavier than Slaves and Masters, The Battles Rages On is much more in line with albums such as Fireball, Perfect Strangers and Machine Head. Lord’s Hammond organ is much more in the forefront. However, a vintage sound does not a great album make. The Battle Rages On has 10 tracks, 5 of which are good and 5 of which are filler. This was disappointing for me personally, but some (M.E.A.T. Magazine and Martin Popoff included) have rated this album very high.  Joe Lynn Turner derisively calls this album The Cattle Grazes On.

The five tunes I like: “The Battle Rages On”, “Anya”, “Time To Kill”, “Ramshackle Man”, “Solitaire”.

The title track is absolutely monstrous. I remember hearing it on the radio and thinking, “Bloody well right!” Big beefy riff, angry lyrics!

“Annihilation, kill ’em all. Capitulation, watch the mighty fall. The road to glory is lined in red, and though the reason now is gone…The Battle Rages On!”  (Always wondered if this was about Gillan and Blackmore.)

The song is a Purple epic, along the lines of “Perfect Strangers” or “Knockin’ At Your Back Door”. Just an awesome track.  I understand that in 2013 they have actually returned it to the set.

“Anya” is a keyboard driven rocker, Jon Lord style, lots of drama. “Time To Kill” is sort of a heavy pop rocker with Gillan trying to get philosophical with the lyrics, which Blackmore hated. “Ramshackle Man” is blues rock, pure and simple as Purple have specialized in. “Solitaire” is mournful, sad, kind of unlike anything Purple had really done before.  Gillan’s droning melody seals the deal.

The rest of the songs just do nothing for me. Some, like “One Man’s Meat” have decent riffs and parts, but weak melodies and lyrics.  As songs, they don’t add up to a satisfying listen.  It is a shame, given the strength of the good songs on the album.

Blackmore left in the middle of the tour.  Joe Satriani filled in, and there was talk that he wouldn’t mind joining Purple full time.  His time proved to be temporary, and Steve Morse has been in the band almost 20 years now. When Joe Satriani was in the band, they did an awesome version of “Ramshackle Man”, which I have on a video bootleg from the European tour.  There was an official live album with Blackmore from the tour, called Come Hell Or High Water.  As well, you could buy official bootlegs with both Morse and Blackmore in a box set called Collector’s Edition: The Bootleg Series 1984-2000.  And let’s not forget the Come Hell Or High Water video, with Blackmore throwing that water bottle in Gillan’s general direction…

Check out Satriani’s outro solo starting at about 7:07…smokin’!

To me, Purple’s true comeback was 1996’s Purpendicular. Having said that, the five good songs on The Battle Rages On are worth the purchase at a reasonable price. And hey, maybe Popoff was right, and I’m just not getting it. You decide.

3/5 stars

And check out these cool supplementary releases, all of which deserve their own individual reviews.

Part 168: The Constipated Ritchie Blackmore

RECORD STORE TALES Part 168: The Constipated Ritchie Blackmore

The date:  Before Christmas 2005 (my final Christmas at the store)

The place:  My store

The characters:  Myself, and “Box Set Man”

I had this one great customer, and dammit, I cannot remember his name.  We called him “Box Set Man” because he bought and sold a lot of box sets.  In fact, I have a Japanese Deep Purple Purple Chronicle 25th anniversary box set from his collection, complete with obi strip.

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Box Set Man also collected rock photographs, original photographs from private collections, unpublished anywhere.  He bought them at record shows, by networking (he was once a concert promoter) and from eBay.  He would trade photos in his collection for more desirable ones as well.

Just before Christmas 2005, Box Set Man came in with a gift for me.  He handed me a plain yellow envelope.  Inscribed on the envelope was this:

Merry Xmas Mike

This photo is from a private collection from Germany “Blackmore”.

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Inside the envelope was an original Ritchie Blackmore photo.

Ritchie is obviously digging deep into a guitar solo in this photo.  Stratocaster raised, eyes closed, Ritchie is givin’ it all he’s got.  But the overall effect is one of Ritchie looking like he has to go to the bathroom.

Christmas 2005 was my final Christmas at the store, but Box Set Man didn’t know that.  I don’t remember why, but head office had asked me to keep my departure under wraps.  The announcement wasn’t made until my final day at the store (Jan 4, 2006) and as it turns out, that was the day I told Box Set Man as well.

So, without further delay, I present to you this original photograph that I have dubbed “The Constipated Ritchie Blackmore”!

NOTE:  After posting this, my former co-worker Pat reminded me that Box Set Man’s name was Dan!