Author: mikeladano

Metal, hard rock, rock and roll! Record Store Tales & Reviews! Grab A Stack of Rock and more. Poking the bear since 2010.

#669: Censor This!

GETTING MORE TALEΒ #669: Censor This!

A sequel to Record Store Tales Part 219: Parental Advisory – Explicit Lyrics

Grade 13, otherwise known as our “OAC” (Ontario Academic Credit) year, was critical.Β  They don’t have grade 13 anymore, which is a real shame.Β  Some of the best courses were in that year.Β  I worked my tail off, and got accepted into Wilfrid Laurier University’s History program.Β  That’s why today, I try and mix music and history together in many of my articles.Β  You’ve read about Billy the Kid and the real wreck of the Edmund Fitzgerald here, all within the context of songs.Β  It’s what I enjoy; it’s what I do.

Some of my friends were taking some serious math courses, to enter Computer Science at the University of Waterloo.Β  Those guys worked diligently and I barely saw them all year.Β  I worked hard too, but my courses weren’t like theirs.Β  I had two maths (Algebra and Finite) and three courses in the arts:Β  American/Canadian History, Sociology, and English.Β  All three courses required a major project called an “independent study”.Β  And me being me, I worked music into each.

These were massive projects.Β  An entire term was spent working on them.Β  Because I had so many arts credits, I had more than the average independent study to complete.Β  By sheer bad luck, all three of them were due in the same week.Β  All three also involved a full one-hour presentation.Β  I busted my ass and delivered the goods, in my own unique way.

First was American and Canadian history, which was easily the most intense of the independent studies.Β  I chose to do the War of 1812, which I thought I’d never get because everybody would want to do it.Β  Wrong!Β  Nobody else picked it; it was all mine.Β  My goal was to research books by Canadian and American authors, and compare and contrast their perspectives on the war.Β  It was a very enlightening experience.Β  Do you know how hard it is to find a book written by an American author on the War of 1812?Β  Back then, virtually impossible.Β  I had to resort to American history books on broader subjects.Β  Meanwhile, Canadian books were numerous.Β  For example I used one by noted historian Pierre Burton.

This disparity made it clear how differently the two nations viewed the war.Β  Americans didn’t spend much time thinking about it, while Canadians were eager to boast that it was us who beat the Yankees (more accurately, the British empire beat them) and burned down the White House (that was pretty much us Canucks*).Β  American authors barely mention the war, but don’t consider it a loss.Β  They tended to focus instead of the Battle of New Orleans.Β  This battle took place after the war had officially ended, but because it was an American victory, it was celebrated.

I illustrated this in song.Β  Johnny Horton’s “The Battle of New Orleans” was enjoyed by the classroom, but the point was, it demonstrates how important this one battle was to America, in context of their conflicts with the Brits.Β  Canadians would rather talk about our fiery misadventures at the White House.

I prepared intensely for the presentation.Β  The essay portion was done, so I rehearsed the spoken part several times to get the timing just right.Β  You had to leave time at the end for questions.Β  That was another challenge:Β  you couldn’t prepare for the class questions at the end!Β  You had to know your stuff and be able to answer things off the cuff, which I did.Β  A+!Β  Thanks, Johnny Horton, for all your help and inspiration!

Admittedly, I didn’t put as much effort into the English independent study. I rolled with what I knew best, which was music. For my project I did “Lyrics and Poems on War”. The Gulf War was on, and it was topical. For the presentation portion, I wore a shirt with a picture of Elvis Presley on a tank. It said “Iran, Iraq, I roll”. I hated that shirt; it was a gift from my dad, but it was actually perfect for that day. Some of the lyrics I used were Guns N’ Roses (“Civil War”), Sammy Hagar (“V.O.A.”), Queensryche (“Surgical Strike”) and Iron Maiden (several including “Tailgunner”). I got an OK grade on that one. Considering my work load, I was glad just to have completed it.

For Sociology, I chose censorship as my subject. I knew this would be easy for me to do. Finding books and articles on the subject was easy, but I had an ace in the hole. I had amassed a huge collection of video interviews with rock stars, and many were on the subject of censorship. I didn’t take the easy route; I worked very hard. The only advantage I had was access to my own library, which was extensive, and I knew where every single quote was that I needed.

I put together a video tape with all the censorship related interviews: Blackie Lawless, Bruce Dickinson, Dee Snider, Alice Cooper, and Gene Simmons among many.Β  I also used the words of Frank Zappa and George Bernard Shaw. My stance was clearly anti-censorship.

By coincidence, the Sociology teacher was also my History teacher from the prior presentation. In a way that made things easier. She was an amazing teacher and part of the project involved sitting down with her every step of the way. I had to do a proposal for each of the projects, and check-ins as things progressed. This is all normal at the University level, but for highschool, it was all new to me. It enabled her to get to know me a bit better and guide me to better results.

One of the things I wanted to do in the presentation was show the class some album covers that had been banned.Β  I learned from one of the interviews that Scorpions covers were routinely banned.Β  In one of our consultations, I showed the teacher the two banned covers.Β  I figured there was no way she would let me use Lovedrive.Β  A woman’s breast is partly exposed with a man’s bubble gum all over it.Β  Love at First Sting is a rather sexy shot of a woman getting a thigh tattoo.Β  You can see some sideboob,Β  but to me it seemed less dirty.

To my surprise, she chose Lovedrive and said “no” to Love at First Sting.Β  I don’t know if it was the tattoo or the sideboob, but she was clear that I couldn’t use it.

I can’t explain what came over me next.Β  As I rehearsed the presentation the night before, I decided to use both anyway.Β  I didn’t have any other banned album covers that I could use.Β  I didn’t want to presentΒ Appetite for DestructionΒ to the class because it’s just a little rape-y.Β  I just didn’t think Love at First Sting was that bad, and I didn’t have anything else to replace it with.Β  I wanted to have more than just one example of a banned cover.

So, I defied my own censor, and used both.Β  As I handed out the album covers for the class to look at, I caught my teacher’s glance.Β  Not pleased!Β  But she said nothing.

I nailed that presentation.Β  It was another “A”, but she did speak to me afterwards.Β  “You used it anyway!” she said, but I had already won.Β  She knew I did a great job so she didn’t penalize me.

Was I ever glad when that week was over.Β  I worked so hard; I had a little schedule in my locker to make sure I kept on top of everything.Β  I remember walking out of the final presentation, tired but feeling so good.Β  There was only one girl who was in all three of those classes.Β  She came up afterwards and asked, “Didn’t you do two other presentations this week?”Β  I sure did!Β  I admitted that I chose subjects that I was knowledgeable about, but that didn’t mean I didn’t sink many many hours into it.

One of my friends didn’t have it so easy.Β  Danesh was concentrating on his math courses, but English was compulsory for everyone.Β  He chose to do his independent study on Milton’sΒ Paradise Lost.Β  He studied it meticulously and wrote an essay so professional that he was pulled out of class one day and accused of plagiarism.Β  He had to defend his essay, for hours, in front of the entire sceptical English department.Β  All of his friends knew he wasn’t a cheat.Β  He was just gifted.Β  The constant meetings with the English department absolutely tapped him out.Β  What they did to him was unfair and we all knew it.Β  There were some pretty scathing things said about the English department in the underground school newspaper, which I may or may not have had anything to do with.**Β Β In the end they declined to give him an F, but instead gave him a “no report”.Β  And they were 100% in the wrong.***

It wasn’t a pleasant note on which to end highschool for us.Β  At least I was able to give myself a little bit of a rock and roll ending!

 

* My biased Canadian opinion.

** I co-wrote a new version of MacBeth, in Shakespearean English, with Danesh as the hero, all the teachers as villains, and myself as his hotshot pilot sidekick Guitar Solo.Β  I still have it.Β Β 

*** I don’t know if race was a factor or not, but Danesh was a quiet, dark-skinned Guyanese kid.Β  The teachers were all white, and our teacher that year was actually a fill-in.Β  He didn’t know Danesh at all.

REVIEW Round-up: Guns N’ Roses “Not In This Lifetime” Tour (Guest editorial)

GUNS N’ ROSES “Not In This Lifetime” Tour

By David Martin

A little while ago we reached back to the late-β€˜80s with a review of a Guns N’ Roses live session in New York. It wasn’t a perfect recording, but it’s a nice glance back to the early days of a band that’s become one of rock’s truly iconic groups. Another interesting thing about looking back at this time is that Guns N’ Roses has, against the odds, become something of a modern sensation.

Our first hints ought to have been when GNR started showing up anew in non-music pop culture. The band put out a vague teaser trailer before screenings of Star Wars: The Force Awakens for instance, and also partnered with an online developer to produce a video game in 2016. The latter was particularly random, though it makes sense when you look at the industry. An Australian gaming resource site states simply that presentation is a huge factor on betting and gaming sites, and part of that means introducing visually and sonically interesting games – like a slot reel based on an iconic rock band, in this case.

Neither a teaser trailer nor a video game tipped us off to what would actually start in the spring of 2016 – one of the most surprising tours, arguably in all of musical history. The band took the stage at Coachella – with Axl Rose and Slash sharing the stage for the first time in years – and kicked off an international slate of shows that ultimately extended into 2018. The tour, dubbed β€œNot In This Lifetime,” has become one of the most successful in modern history from a financial standpoint. And while reviewing it in its entirety isn’t easy (or necessarily possible) we can look at a roundup of reviews for particular shows along the way.

Coachella (April ’16) – β€œThe magic was absent.” This was a take from Vice, building on a headline suggesting that Guns N’ Roses had shown its age at the Coachella show. The review noted hints of pleasure when the band played the hits, as well as Slash’s enduring skill, but ultimately pointed to a lack of chemistry and the simple ravages of time as reasons for an underwhelming reunion.

Detroit (June ’16) – β€œThis was history being made.” This comment came from none other than Rolling Stone, in a piece that directly refuted some of the earlier reviews. Citing a straightened out lineup and an Axl Rose out of the foot cast he’d appeared in for Coachella, it painted the picture of a reunion tour that had found its groove.

London (June ’17) – β€œYou can’t blow the roof off a stadium that doesn’t have one, but they damn well tried.” So said The Guardian after one of GNR’s European shows, painting a picture not only of an electric performance, but of the thrill for an original fan seeing the band back in action again.

Cleveland (October ’17) – β€œGuns N’ Roses have no intention of coasting to the finish line.” This was a take offered on one of the tour’s later dates. Not only was it yet another positive review, but it was one with the perspective to mention the almost universally positive response to the tour – as well as growing hopes of fresh material from the group.

All in all the impression left by the β€œNot In This Lifetime” tour is that while there are occasional frustrations stemming from the simple fact that the band’s members have aged, it’s been good to have them back. And on some occasions, they’ve absolutely wowed all their old fans.

Β 

#668: It’s All in the Name

GETTING MORE TALEΒ #668: It’s All in the Name

At the Record Store, we had a habit of giving customers nicknames.Β  It made them easier to remember…and it was sometimes good for a chuckle!

Some customers, however, needed no nicknames.Β  Their real names were definitely historic enough.

First there was Bill.Β  Bill Board.

If I had a name like Bill Board, I think I would prefer to introduce myself just as β€œBill”.Β  Or I’d just go by William.Β  We had a few CDs on order for Bill Board.Β  It was one of those names that made you say β€œCome again?”

Charlie Brown was another one.Β  You were not required to give a last name to order a CD.Β  Only a first name was necessary.Β  The first time he phoned, Charlie Brown gave me both his names.Β  He requsted a CD.Β  I asked for his info, and I laughed!Β  I thought it was a prank call.Β  β€œYou laughing at my name?” he said.Β  β€œThat’s my real name!”  Charlie Brown, you will never be forgotten.

There was also a fellow named Lynn, no last name given.Β  Yes, there are men out there named Lynn.Β  It’s unusual but not unheard of.Β  However when Lynn was put in the system for a CD order, we made sure to add the notation β€œLynn – a man”.Β  That way when you called for Lynn and left a message, you wouldn’t say something like β€œPlease tell her that the CD she ordered was in.”  We’d know it was a guy and which pronoun to use.Β  That’s how β€œLynn – a man” made it into our order entries!

Finally, we had Zoltan.Β  Zoltan Zonger.Β  What an awesome name!Β  It recalls the β€œZoltan cultists” from the movie Dude, Where’s My Car.Β  Remember them?Β  β€œZOLTAN!”  Good old Zoltan, β€œDouble-Z”.Β  He was not seen much, but his name was there in the order system.Β  It’s the kind of name that jumped out every time you scrolled past it.Β  Zoltan Zonger.

Fuck, I wish I had a cool name like Zoltan Zonger!

REVIEW: Winger – The Very Best Of (2001)

WINGER – The Very Best Of (2001 Atlantic/Rhino)

Winger broke up in ’94, but reunited in 2001.Β  Part of the reunion entailed new music.Β  Before they finally released a new album (Winger IV), they tested the waters with one new song on The Very Best of Winger.Β  Yes indeed, you had to buy a “greatest hits” to get the new song.Β  At least Winger also gave you a Japanese bonus track for your money too.

New tune “On the Inside” was written for Pull (their third album and last before breakup) but recorded for Very Best Of.Β  It’s a chunky, heavy tune with splashes of anthemic keyboard in the chorus.Β  It really underlines that Winger could write and play with integrity when they wanted to.Β  Reb Beach’s solo is unorthodox and outside the box.Β  “Hell to Pay” is listed as an outtake, but it was actually released as a Japanese bonus track to Pull.Β  Stuff like this saves collectors for shelling out mucho dinero for a Japanese import.Β  Good sassy tune, and listen for that scorching outro.

Pull was a record that never got a shot, so it’s OK that the first chunk of tunes are from that album.Β  It deserved a second chance.Β  These are standout songs:Β  “Blind Revolution Mad” smokes white hot, and with depth.Β  “Down Incognito” has a bright, memorable chorus contrasted with groovy verses.Β  90s-style riffing worked perfectly on the track “Junkyard Dog”, a seven-minute thrill ride through different textures.Β  Winger were not playing it simple.Β  Even their ballads from that era have more heft.Β  “Spell I’m Under” has edge under those layered melodies.Β  Few songs are as starkly lovely as “Who’s the One”.

The Very Best of Winger takes a dive after the Pull material.Β  The CD is in reverse chronological order, which almost never works.Β  Yes, it highlights the most current sounding music, but at the cost of consistency.Β  Winger II: In the Heart of the Young was, let’s be honest, not good.Β  The ballads were sappier and the rockers too cheesy.Β  Only “Rainbow in the Rose” really fits on this set.Β  Past the dreck, the four singles from album #1 are included.Β  This means the CD at least ends on an up, though the ballad “Headed for a Heartbreak” is a bit anti-climatic.

Go for The Very Best of Winger if:

a) you want to check this band out, or

b) you want the rarities.

Your needs might be met by just buying Pull.

3.5/5 stars

PRESS RELEASE: Canadian supergroup SNOWSHOE call it a day

They said it was too good to last and they were right!Β  A mere year after announcing their formation, SNOWSHOE are announcing their dissolution.

Personality conflicts erupted on 2017’s Eternal Winter tour, and rifts could not be mended.

“The problem,” says singer/guitarist BILLY SOL HUROK, “is that IRVING COHEN is impossible to tour with.Β  He eats the most foul shit, and then farts unrepentantly all over the tour bus.Β  He doesn’t even care.Β  He thinks it’s funny.Β  JOHN (Y. SCHMENGE, drums) and I said ‘enough is enough’.Β  We can no longer work with Irv,” said Hurok.

“It’s not like we didn’t try,” continues the guitarist.Β  “When you’re on a bus driving fromΒ Puvirnituq, Quebec all the way to Thunder Bay and some guy is dropping toxic shitclouds everywhere, something’s gonna give.

“We stopped at some shitty convenience store in the middle of nowhere Ontario to buy the guy some fuckin’ Beano.Β  At first he refused to take it.Β  He actually said to my face, and I quote, ‘You’re just trying to take away my super power.’Β  Yes he referred to his farts as his ‘super power’.Β  Eventually John got him in a headlock and we made him take the whole fuckin’ bottle of Beano.Β  And it did nothing!

“Touring is hard,” concludes Billy Sol.Β  “You’re living on top of each other in a bus, usually with broken heat or broken A/C depending on the season.Β  Then some jackass decides to unload his colon in your bunk.Β  By the time we hit Thunder Bay I knew this band wasn’t gonna survive.Β  Amazingly, we finished the tour.Β  All eight gigs.Β  We came to blows in Thunder Bay.Β  We were at soundcheck at the venue, Deke’s Palace.Β  Well the fuckin’ owner of the place, Deke Williams, comes out of his office and says, ‘Who the fuck just farted in here?’Β  He said he wasn’t gonna pay us if Irv didn’t cut it out and that’s when I threw the first punch.Β  Irv folded like a napkin.Β  Then the opening band INUKSHUK jumped in just because they’re crazy.Β  The cops had to come out to that one.”

Though the trio recorded an album Eternal Winter, it has been shelved indefinitely with no plans for release.

“I have no desire to revisit that record,” says Billy.Β  “I wouldn’t be surprised if the farts soaked into the tape and dissolved it completely, and I don’t care.”

What is next for the three musicians?

“Well Irv can go fuck himself, that’s #1,” Billy chuckled.Β  “Me and John might get into house painting next.Β  He had a good business going up there in Churchill Manitoba and we’re looking into that.Β  Fuck touring!”

Β 

#667: Cancer Chronicles 11

You might have noticed I’ve been quiet the last few days. I have not been able to respond to comments. The reason is, once again, I am supporting someone who has cancer. This person is very close to both Jen and I. They just had their successful surgery yesterday.Β  Now, on to chemo.

It’s all very much deja-vu.Β  Hotel rooms out of town, hospital waiting rooms, doctors and nurses.Β  Yesterday we clocked 10 hours waiting at the hospital.Β  That’s a long day — longer than a work day, and twice as tiring.Β  My dad said to me, “I think you deserve the Congressional Medal of Honor”.Β  But that’s only for Americans.Β  I’ll settle for a plate of sushi at the end of it.

Fuck cancer.Β  Two weeks ago, an original Sausagefester died of cancer.Β  I’ve known him for 23 years.Β  Some of the guys have known him since childhood.Β  His absence this summer will be deeply felt.Β  We will all miss our friend in the orange boiler suit.

These are dark days.Β  Neither of them wanted any online attention, so I’m being purposely vague.Β  Β Just know that 2018 has already taken a toll, and it’s only 1/4 of the way done.

Music has been a blessing, as always.Β  Yesterday the clever frivolity of Spinal Tap kept my spirits up.Β  It’s impossible not to laugh at the absurd “Stonehenge” or the just plain funny “Big Bottom”.Β  (“Talk about bum cakes, my girl’s got em.”)

Fuck the dark days.Β  I do not want to be dragged down by them.Β  I also don’t want any more of my loved ones to get sick, but we know we have no control over that.Β  That is the struggle of life.Β  All I can do is try to keep smiling.Β  So here’s Spinal Tap.Β  Enjoy.

 

Look for Derek Smalls’ solo debut, Smalls Change, April 13 2018.

REVIEW: Ace Frehley – Anomaly (2017 deluxe edition)

ACE FREHLEYΒ – Anomaly (2017 eOne deluxe edition)

Ace Frehley’s solo album Anomaly was a comeback of sorts for the ex-Kiss guitarist.Β  Released in 2009, it was his first solo adventure since quitting Kiss for the second time.Β  In 2017, it was reissued as a questionable “deluxe edition”.Β  Why questionable?Β  There are only three added tracks.Β  The album was remastered (out of necessity so that the unreleased tracks match the album) and a new essay was included.

We reviewed Anomaly back in 2013 as part of a complete Ace Frehley review series.Β  There’s little point in rehashing it all.Β  The good songs are still the good songs:Β  “Outer Space” (Shredmill cover), “Fox on the Run” (The Sweet cover), “Change the World”, “Sister”, “Genghis Khan”, “Space Bear” and “Fractured Quantum”.Β  Three of those songs are instrumentals.Β  The filler is still there too:Β  “Pain in the Neck”, “Too Many Faces”, “Foxy & Free” and so on.

The best of the bonus tracks is “Return of Space Bear”, previously only available by download (and then disappeared off iTunes).Β  This is the first chance to get “Return of Space Bear” in any physical format, if you were lucky enough to get it at all.Β  What is “Return of Space Bear”?Β  Back onΒ October 30 1979, Kiss did an appearanceΒ on theΒ Tomorrow ShowΒ with Tom Snyder.Β Β Ace was “pre-lubricated”, so to speak, and had a little teddy bear Ace with him, “the first space bear in captivity”.Β  Gene Simmons tried to divert attention away from Ace, but a lovably drunk Frehley stole the show.Β  “Return of Space Bear” is a version of the album track “Space Bear”, with Ace’s dialogue re-enacted and added in.Β  Kiss fans will love it.

The other two extras are demos.Β  “Hard For Me” is an early version of “Foxy & Free” with different lyrics.Β  While less polished, the music is 100% intact and the demo is nice and lively.Β  According to the new liner notes, the record company thought that “Hard For Me” was a bit too dirty, and so demanded new lyrics.Β  Then there is a “slower” version of “Pain in the Neck”.Β  It’s not drastically slower, but a little heavier.

Is it worth re-buying Anomaly just for the bonus tracks?Β  Well, if you hated that weird fold-out box the original came in, then take note this version comes in a standard digipack (with nice embossed lettering).**Β  Online, fans were more excited about the vinyl editions, including a lovely picture disc 2 LP set.Β  Buying it again is justifiable if you haven’t already bought Anomaly, but difficult to do otherwise.*

3.75/5Β stars

* I bought it to beef up an Amazon order to qualify for free shipping.

** On this edition, Les Paul’s name was added to the “In memory of…” on the reverse.Β  Presumably, when Les died in 2009, it was too late to add his name to the back.

COMPLETE FREHLEY REVIEWS

ACE FREHLEY – 12 PicksΒ (1997 Megaforce Worldwide)
ACE FREHLEY – ACE FREHLEY (KISS solo album) (1978 Casblanca)
ACE FREHLEY – AnomalyΒ (2009 version)
ACE FREHLEY – β€œCherokee Boogie” (1996 Attic)
ACE FREHLEY – Frehley’s CometΒ (1987 Megaforce Worldwide)
FREHLEY’S COMET – Live + 1Β (1988 Megaforce Worldwide)
ACE FREHLEY – Loaded DeckΒ (1998 Megaforce Worldwide)
FREHLEY’S COMET – Milwaukee Live ’87 (radio broadcast CD)
ACE FREHLEY – Origins Vol. 1 (2016 eOne)
FREHLEY’S COMET – Second SightingΒ (1988 Megaforce Worldwide, 1998 reissue)
ACE FREHLEY – Space InvaderΒ (2014 E One/Victor Japan)
ACE FREHLEY – Trouble Walkin’ (1989 Megaforce Worldwide)
Return of the Comet – Tribute to ACE FREHLEYΒ (1997 Shock Records)
Spacewalk – A Salute to ACE FREHLEYΒ (1996 DeRock/Triage)

 

#666: 666

GETTING MORE TALEΒ #666: 666

“Here is Wisdom, Let him that hath understanding count the number of the beast.”

Ye metal fans!Β  You have all heard of the number of the Beast, but do you actually know what it is?Β  Iron Maiden mined the Bible for lyrical ideas in the early days.Β  The Book of Revelation was a favourite of theirs.Β  Of the Beast, it tells us that we can identify him by his number.Β  This is not Satan himself, but the first Beast of the apocalypse, the end of the world.Β  The Beast, it says, comes from the sea.Β  There are many interpretations of the Revelations.Β  Three main schools of thought are that these are prophecies of events that already occurred, will occur in the future, or are happening now in the present day.

The Beast will “rise up out of the sea, having seven heads and ten horns, and upon his horns ten crowns, and upon his heads the name of blasphemy. (Revelation 13:1)”Β  Scholars say the seven heads represent seven kings. Β The 10 crowns are 10 more kings that have yet to be crowned. Β With an appearance like that, why do we need a number to identify the Beast?

Relevation is a symbolic book of the Bible and no one really claims to understand it all. The apocalyptic writings say that the Beast and the false prophet will muster the armies of the world against the man on the β€œwhite horse”.Β  When they lose, they are tossed into a β€œlake of fire”.Β Β Some theologians believe the number 666 symbolizes the nations of the Earth that are in conflict with God.Β  In the 1980s, some thought that 666 represented President Reagan, whose full name, Ronald Wilson Reagan, is three names of six letters each – 666.Β  Indeed, Reagan changed his Bel-Air address from 666 St. Cloud Road to 668.

With the imagery and mystery inside, the Book of Revelation is great source material for heavy metal lyrics.Β  The Bible has always been a source for popular music.Β  Pete Seeger wrote “Turn! Turn! Turn!” around the Book of Ecclesiastes, but Revelations is great for darker themes. Iron Maiden (and even Anvil) made the number of the Beast famous to the secular community.Β  Every metal head knows the number of the Beast. Or do they?

It turns out, the number may have been wrong all along.Β  Older and older fragments of the Bible are constantly being unearthed.Β Β The oldest manuscript of Revelation chapter 13 (Papyrus 115) found to date is 1700 years old. This ancient fragment gives the number of the Beast as 616.

Scholars today are split.Β  Many think 616 is the original number of the Beast, later changed to the more interesting 666 for aesthetic reasons.Β  Try this trick with a calculator or spreadsheet:Β  The sum of the numbers 1 through 36 is 666.

If this is true, Iron Maiden has a lot to revise, and metal fans may have some tattoos to fix!

REVIEW: Rush – A Farewell to Kings (2017 super deluxe edition)

RUSH – A Farewell to Kings (2017 Anthem 3CD/1 Blu-ray/4 LP super deluxe edition, originally 1977)

And the men who hold high places,
Must be the ones who start,
To mold a new reality,
Closer to the heart,
Closer to the heart.

Today’s rock fans have a new reality of their own:Β  a market flood of “anniversary” or “deluxe” reissues far and wide.Β  The floodwaters are murkier when multiple editions of the same reissue are available, or when reissues are deleted in favour of new reissues!

2017 represents 40 years of Rush’s fine sixth album A Farewell to Kings.Β  An anniversary edition was guaranteed, but choose wisely.Β  For those who need the brilliant new 5.1 mix by Steven Wilson, you will have to save up for the 3CD/1 Blu-ray/4 LP super deluxe edition.Β  Only that massive box set contains the Blu-ray disc with Wilson’s mix.

To frustrate fans even further, A Farewell to Kings had a 5.1 reissue back in 2011, as part of the Sector 2 box set.Β  That 5.1 mix (byΒ Andy VanDette) has received heavy scrutiny from audiophiles.Β  Steven Wilson, however, is well known for his work in the 5.1 field, and his work on the 40th anniversary mix lives up to his reputation.Β  His crisp mix is deep but unobtrusive.Β  It is occasionally surprising but always stunning, and over seemingly way too soon.Β  The separation of instruments is done with care, and without robbing the music of its power.Β  Rush albums were fairly sparse back then but Wilson managed to make a full-sounding mix out of it.

Powerful is A Farewell to Kings indeed.Β  Though the title track opens with gentle classical picking, before long you’re in the craggy peaks of Mount Lifeson, with heavy shards of guitar coming down.Β  Young Geddy’s range and vibrato are remarkable, though for some this is the peak of Geddy’s “nails on a chalkboard” period.

11 minutes of “Xanadu” follows the trail of Kublai Khan.Β  “For I have dined on honeydew, and drunk the milk of paradise!”Β  Neil Peart’s lyrics rarely go down typical roads, and “Xanadu” surely must be listed with Rush’s most cherished epics.Β  Volume swells of guitar soon break into new sections unfolding as the minutes tick by.

“Closer to the Heart” is the most commercial track, never dull, never getting old, never ceasing to amaze.Β  “Woah-oh!Β  You can be the captain and I will draw the chart!”Β  Poetry in motion.Β  “Closer to the Heart” may be the most timeless of all Rush songs.

“Cinderella Man” and “Madrigal” live in the shadow of “Closer to the Heart”, always there but not always remembered.Β  (Ironically enough, both these tracks were covered by other artists in the bonus tracks.)Β  “Madrigal” acts as a calm before the storm:Β  a cosmic tempest called “Cygnus X-1”.Β  Another great space epic by Rush cannot be quantified in language.Β  As it swirls around (even better in 5.1), you’re transported across the universe by the black hole Cygnus X-1.Β  Peart hammers away as Lifeson and Geddy riff you senseless.


The blacksmith and the artist,
Reflect it in their art,
They forge their creativity,
Closer to the heart,
Yes closer to the heart.

Next, Rush forged their creativity on the road.Β  They recorded their London show on February 20, 1978 at the Hammersmith Odeon.Β  Previously, 11 songs from this show were released as a bonus CD on the live Rush album Different Stages.Β  This newly mixed version adds intro music, the missing three songs and the drum solo.Β  (The missing songs were “Lakeside Park”, “Closer to the Heart”, and all 20 minutes of “2112”.)Β  Because this set has all the songs in the correct order, the old Different Stages version is obsolete.

Opening with “Bastille Day”, the London crowd is into the show from the start.Β  They cheer for the familiar “Lakeside Park”, which is followed by “By-Tor & the Snow Dog”.Β  This early Rush material is as squealy as Geddy has ever sounded.Β  He’s pretty shrill but Rush are tight.Β  It gets more adventurous when “Xanadu” begins, and from there into “A Farewell to Kings”.Β  Hearing Rush do all this live helps drive home just how talented they are.Β  The powerful set rarely lets up, as it relentlessly works its way through early Rush cornerstones.Β  “Working Man”, “Fly By Night” and “In the Mood” are played in quick succession, but is “2112” that is the real treasure here.Β  Anthems of the heart and anthems of the mind; classics all.


Philosophers and plowmen,
Each must know his part,
To sow a new mentality,
Closer to the heart,
Yes, closer to the heart.

What about bonus tracks?Β  You got ’em.Β  As they did for 2112, Rush invited guests to contribute bonus covers, and each does their part.Β  Headlining these are progressive metal heroes Dream Theater with their own version of “Xanadu”.Β  Dream Theater really don’t do anything small, so why not an 11 minute cover?Β  Mike Mangini is one of the few drummers who could do justice to such a song — well done!Β  Big Wreck do a surprisingly decent take on “Closer to the Heart”.Β  Not “surprisingly” because of Big Wreck, but “surprisingly” because you don’t associate Big Wreck with a sound like that.Β  Ian Thornley ads a little banjo and heavy guitars to “Wreck” it up a bit.Β  His guitar solo is shredder’s heaven.Β  The Trews’ take on “Cinderella Man” is pretty authentic.Β  Did you know singer Colin MacDonald could hit those high notes?Β  He does!Β  Alain Johannes goes last with “Madrigal”, rendering it as a somber tribute to the kings.

The last of the bonus tracks is a snippet of sound called “Cygnus X-2 Eh”.Β  This is an extended and isolated track of the ambient space sounds in “Cygnus X-1”.Β  Steven Wilson speculated it might have been intended for a longer version of the song.


Whoa-oh!
You can be the captain,
And I will draw the chart,
Sailing into destiny,
Closer to the heart.

Box sets like this always come with bonus goodies.Β  The three CDs are packaged in a standard digipack with extensive liner notes and photos.Β  Four 180 gram LPs are housed in an upsized version of this, with the same booklet in massive 12″ x 12″ glory.Β  The LP package alone is 3/4″ thick!

A reproduction of the 1977 tour program is here in full glossy glory.Β  This contains an essay called “A Condensed Rush Primer” by Neil.Β  Additionally, all three members have their own autobiographical essay and equipment breakdown.Β  Alex Lifeson’s is, not surprisingly, pretty funny.Β  Things like this make a tour program more valuable and as a bonus, this is a great addition to a box set.Β  Digging further, there are two prints of Hugh Syme pencil sketches.Β  These works in progress are interesting but it’s unlikely you’ll look at them often.Β  The turntable mat is also just a novelty.Β  Perhaps the goofiest inclusion is a little black bag containing a necklace with a Rush “king’s ring” attached to it.Β  Wear it to work next casual Friday!


Whatever edition of A Farewell to Kings you decide to own (the most logical is the simple 3 CD anniversary set), you can rest assured you are buying one of the finest early Rush albums.Β  If you have the wherewithall to own the super deluxe with 5.1 Steven Wilson mix, then let the photo gallery below tempt you.

4.5/5 stars

Sunday Chucke: Honky Tonk?

One of the guys at work is Italian.Β  He’s originally from Amalfi, where I traced my own family from.Β  As you’d expect, he has an amazing accent.

We were talking about old video games, and he said, “Oh, my grandkids have one that they love, have you heard of it?Β  Honky Tonk, they call it.”

Honky Tonk?

It took only a second to know he was talking about Donkey Kong!

Hey, it’s great to know that the kids are still playing the classics. That makes me smile.