REVIEW: Foo Fighters – Sonic Highways 1 – Chicago “Something From Nothing”

Back in 2014, Uncle Meat asked me to sit down with him and write up Dave Grohl’s series / album Sonic Highways episode by episode, song by song.  Eight hour day at minimum.  I said OK.  I took meticulous notes.  Then we never finished it.  So I’m posting them all now, nine years late, as-is and unrefined.

FOO FIGHTERS – Sonic Highways 1 – Chicago “Something From Nothing”

Chicago.  20 years.  Time to do something special. Something they’d never done before.

The assumption is that the environment in which you record, affects the finished recording.  The history of each city resonates in the grooves.

Buddy Guy, Joe Walsh, Bonnie Raitt, Rick Neilson, Jimmie Vaughan, Billy Gibbons, and more are all on hand to talk about the Chicago blues.  It all started with Muddy Waters – “Muddy was the magnet.”  The blues clubs in Chicago grew into a phenomenon.  Buddy Guy came to Chicago “looking for a dime, but found a quarter”.  These blues roots later influenced the guitar work of Cheap Trick’s Rick Neilson.  Coming up, he played with all the greats before finding his own fame.

The Foo Fighters enter the Chicago studio of producer Steve Albini, a tenacious bastard of a producer clad in coveralls, to see what will happen.  Dave Grohl is a big fan of his drum sound, having worked with him before on In Utero, and he knows he will get a huge drum sound here.  Butch Vig is the producer for the sessions. Albini, though, was initially attracted to Chicago for its infant punk scene.  He was an “annoying kid” who hung out with the band Naked Raygun, who really kicked off the scene.  Even Dave Grohl’s Chicago cousin Tracey had a punk band called Verboten.  Punk was coming up in Chicago.  The record store Wax Trax was critical to the growing scene.  Grohl himself bought records there when visiting his cousins in town.

“Something From Nothing” begins to emerge from that funky “Holy Diver” riff.  Chris Shifflet lays down a noisy, fast guitar solo with the raving encouragement of his bandmates.  Rick Neilson lays down some thick chords, even though the Foo Fighters already have three guitarists!  Lyrically, a lot of the song comes from Buddy Guy’s own story coming up in Chicago.  The record company wanted him to change his name.  “Buddy Guy isn’t a stage name.”  How wrong they were!  Buddy Guy used to make rudimentary musical instruments with buttons and strings, and that made it into the lyrics.

The result is a powerful, epic song of massive proportions.  It snakes its way through multiple riffs and sections, but it’s that “Holy Diver” riff that first hooks you.  “Funky Diver”, maybe.  It’s a clear sonic assault.  This is, by far, Uncle Meat’s favourite Foo Fighters song.

Episode 4.5/5 stars

Song 5/5 stars

Landings Unboxed! Grace Scheele joins Grab A Stack of Rock to talk about her debut cassette EP!

A blast (-off) was had yesterday, taking a look at Landings, the debut EP by electroacoustic harpist Grace Scheele!  It’s a concept EP about the Apollo 11 mission.  If you like science fiction, space, the moon, chilling, or not chilling, this cassette is for you!  Chromed plastic, sleek packaging, bonus tracks, what more could you ask?  And a small quantity is still available if you’d like your own copy!  You can get it at Bandcamp, and I’m getting a second copy while I still can.  Why?

  • Supporting independent artists is important.
  • Each tape comes hand-sealed in silver foil, with a sticker on the seam.
  • Cassette-only bonus tracks on the B-side!
  • Sensational packaging; chromed cassette shell.
  • Music that is truly out of this world.

Grace joined me on an impromptu short episode of Grab A Stack of Rock on Sunday afternoon, where she explained the creative process, the art, and other details.  Why cassette?  You’ll love the answer.  Also, find out what to do with an ornamental electric harp thingy if you want to have some fun with hacking!  Seriously!

Great little mini-episode!  Thank you Grace for sharing your time with us!

Pick up Landings on Bandcamp!

 

REVIEW: Grace Scheele – landings (2023 – side one)

GRACE SCHEELE – landings (2023 EP – cassette side one, and download)

I’m a sucker for a pretty tape.  This has to be the prettiest tape I’ve ever seen! Limited to 75 copies, I was very happy to participate in a Kickstarter from electroacoustic harpist Grace Scheele.  It’s called landings and, well, I think Grace says it best on her bandcamp:

“landings” centres on the real and imagined experience of the Apollo 11 mission to the moon; wielding bowed harp, electronic fx, and sampling from speeches, newsreels, mission audio, and NASA’s own interviews with those present at the historic newscast.  Ranging from the ethereally ambient to grinding, jarring industrial noise, the seven tracks across this debut EP represents an imagined journey into the darkness of space.

I’d call it a concept EP, based on that alone.  It’s a real listening experience, with elements that remind me of Pink Floyd, Star Trek, and War of the Worlds.  Some of the speeches and dialogue will be familiar, others will be novel.  There are sounds that, in my limited experience, I didn’t know you could make with a harp.  At 22 minutes, landings is easy to digest in a single sitting, and the download comes with a “gapless version” that enables just that.  The layers of harp, samples, and electronic sound build paint a sonic picture.  You can feel the tension of the launch!  I bet this sounds great with headphones.

The track “pomposity” has been getting some exposure, so if you only check out one track, try “pomposity” for a taste of what this is like.

Of course, the cassette itself will be fun once I have it out of the box, and will include three bonus tracks.  You know me and bonus tracks — Can’t wait to hear those!

I can’t wait until I get this tape unboxed, for which I will be joined on a live stream by Grace herself.  We’ll talk about the music, the artwork, the Kickstarter and of course the cassette itself.

Music like this is hard to rate, because I think it’s art, and what’s the point of rating a piece of art?  It either resonates with you or it doesn’t.  I find landings to be an innovative listening experience, unlike anything else in my collection, and I am looking forward to checking it out in different listening environments.  Headphones next, and then this summer, on the front porch of the cottage at sunset.

4.5/5 stars

Instaspam 2

“Alaye” is a code word in the scam community, meaning “powerful person”.  Instagram scammers from Nigeria use it to identify themselves to one another.  In the screenshot below you can see one person throw the word at me, and when I responded with the same, they admitted they’re a hustler.  This is the second such admission I received when using the code word.

You might also see a couple other words I used.

Stay safe online folks!

Youtubin’: The Mighty Mighty Bosstones – “The Rascal King”

When I feel like crap, the Bosstones can fix it.

Today is a stressful day full of appointments and difficult 401 driving. Wish us luck.

Audio From the Archives: Complete Unreleased 2006 Interview with BRENT DOERNER (Helix, Decibel, My Wicked Twin)

This interview, only my second after Eddie Jackson of Queensryche five years earlier, turned into a terrific text article on former Helix guitarist Brent Doener, called Cranking the Decibels.  I am very proud of that, and listening back to the full 1 hour 16 minute interview for the first time since 2006, I had a lot to work with.  Including some pretty cringey questions from me.  But Brent was more than generous with his time and we had a great chat that zoomed around numerous topics.

Highlights for me listening back today:

  • Brent’s heartfelt admiration for artists he loves and passion for music.
  • Clickbait road and studio stories about music legends such as Lemmy.
  • Tom Jones.
  • Brent taking apart his songs for us, explaining the structures and lyrics.
  • His influences from many genres.
  • A moment at 42 minutes and 30 seconds of Brent miming the drum part to his song “Billy Oxygen”.
  • Praise for his band which included Shane Schedler (guitar) and the late Ralph “Chick” Schumilas (guitar), and trying to woo singer/bassist Hills Walter into the fold.
  • Brent had a warm, open nature, never saying no to a question no matter how dumb, and he helped turn this interview into an extended conversation always circling around the love of music.

This interview was recorded on a Maxell XLII 110 minute cassette with one side change midway.  It’s long but unreleased in this form until now.