I was doing some online reading the other day, on Wikipedia as we often do. I was curious about the book Moby Dick so I clicked the article and did a quick dive. One thing in the article intrigued me immediately. Someone wanted to determine when the first review of Moby Dick appeared in print, and their length criteria for “review” was “three lines or more”.
That got me thinking.
A lot of you want me to do reviews again, which I have been staunchly resistant to. I’m tired of the extensive work that my type of review required. However, would you be interested in a new kind of review that is only three sentences long? Is that something you’d be interested in?
The key here is making the sentences count. Let’s give it a try below. I was recently given this album by good pal Tim Durling.
TRIUMPH – Thunder Seven(1985 MCA)
Far heavier than I expected, given Martin Popoff’s scathing 1/10 star review in Riff Kills Man. Thunder Seven is fine mix of riffy rock, progressive experimentation, Bluesy licks, thundering songs, and even one choral exploration. Highlights are “Time Goes By”, “Follow Your Heart”, “Spellbound”, “Killing Time”, and the beautiful acoustic instrumental “Midsummer’s Daydream”.
Rock Candy, Rhino, Sony Legacy, La-La-Land, Wounded Bird, BGO…all respected reissue labels that collectors seek and value. We looked at a decent cross section from these labels and more on this episode of Grab A Stack of Rock.
Harrison the Mad Metal Man educated us on Oingo Boingo. Rob Daniels highlighted a Loreena McKennit super deluxe that sounds out of this world. Mr. Durling presented a variety of rock reissues including our only vinyl of the evening. I had some cool Johnny Cash on Sony Legacy, and a bunch of Budgie. This is just a slice of what we showed.
Apologies for the audio glitches at the start! We got it figured out and rolled on.
“Ask Harrison” came from a new contributor tonight: Superhero Tee Bone Man himself! California Girl asked some questions about Heart and Pat Benatar, sparking a lively discussion.
Thanks for watching, and if you missed it, you can check it out below!
GRAB A STACK OF ROCK…with Mike and the Mad Metal Man Episode 13: Reissue Record Labels with Tim Durling and Rob Daniels
The original crew of the USS Stackterprise is reunited this week! Ensign Tim Durling, the aficionado of every edition of everything, wanted to discuss record labels that specialize in reissues. Labels like Rock Candy, Sony Legacy, Noteworthy Productions, and many more. Lt. Rob Daniels will be on hand to show off some La-La-Land reissue soundtracks. Commander Kopp and I will also be prepared with some tasty discs of rock. With Durling and Daniels, two radio legends in their own rights, I’ll be able to just kick back, listen and learn.
Additionally: Ask Harrison is back with a new question, and MarriedandHeels has another question for the group.
Join us live!
Friday January 27 at 7:00 P.M. E.S.T. Enjoy onYouTubeor on Facebook.
As your typical mall music store in the 1990s, we had the usual magnetic tag security system. The idea was fairly simple. At the store entrance there was a magnetic detector that you had to pass through. Our merchandise was tagged with these little magnetic strips, about an inch long. If you passed one of these strips through the detector by the door, a loud siren would be triggered. It was one of several loss prevention methods we used.
There were two ways to utilise the security tags. One was to double up with a re-usable security case. These cases locked the CD into a longer “long box” length package. This package was tagged on the inside with the magnetic security system. At the front counter, a special key would unlock the security case. You’d then put another CD in there and re-use it. The other method involved tagging the CD or tape itself, in an inconspicuous place on the spine of the cellophane. In this case, a special magnetic device behind the counter would “de-tag” the disc. It was not totally reliable so you wanted to use the device three or four times, running it over the tag. You wanted to make sure you properly de-tagged the item before the customer left the store.
Since no customer liked setting off the security alarm, it was heavily emphasized: make sure you de-tag! And we had a jar where you had to pay a dollar if you were caught checking out a customer without de-tagging. The boss warned us: everybody screws this up, it’s just a matter of time until you do. I was like, nahhh man, not me. I was hired in July and my first dollar went into the tag jar before Christmas.
The money in the tag jar went towards paying for our annual Christmas dinner. The boss invited one of his personal friends to join us, which in hindsight seems weird. It was a nice dinner though, and we worked hard earning it. My first Christmas there was a busy one and we were both buying and selling discs the whole time, all at one little tiny counter.
The security alarms were loud. You could hear them down the hallway of the mall, all the way down to the Zellers store. That’s how I got caught one time. I was hoping the boss didn’t hear me while he was out doing his bank run, but he did, and I had to pony up my dollar. I couldn’t remember if I de-tagged the guy or not, which meant I probably didn’t. But sometimes I swear it was just that the device wasn’t de-tagging properly. Some box sets also had two or three tags on the shrinkwrap. There were multiple ways to screw it up.
Thieves always find ways around your best security measures, and ultimately the tags were not worth the cost and were phased out in future stores, in a new and innovative way: ditching new product almost altogether in favour of a 90% used strategy. But that’s a whole other story.
Paul McGowan is back with another question I’ve always wondered about. Audiophile customers at the Record Store would claim that the CD layer of Super Audio CDs sounded better than a regular CD. That didn’t seem likely or even possible. Paul clears it up here, and I’m not surprised at all.
Some of the most fun shows are the unexpected ones. I had no idea how much fun it would be to talk Karate Kid and Cobra Kai for an hour. But when you have Rob Daniels and Dr. Kathryn along for the ride, you’re bound to learn something. I have a feeling that this show will be some of the best Karate Kid content on YouTube. We covered it all, and Dr. Kathryn taught us just about everything we needed to know about this long-lived and well-loved franchise.
We saw books, autographs, CDs, action figures and a personal message from actor Sean Kanan. We also saw a lot of Cobra Kai branded clothing! But even better than the things we looked at were the stories that we heard. Whether personal stories, or tales of the making of the movies, the talk was top notch tonight.
Meanwhile, Harrison schooled us on Ninja Turtles, another popular martial arts franchise. Rob also showed us some cool Bruce Lee soundtracks.
For “Ask Harrison”, we had a surprise question from “Blaze Bayley” himself! We also had a group question from MarriedandHeels about that most hated of bands: Nickelback! Discussion ensued.
This turned out to be the second most popular show we’ve done to date! Thanks for watching everyone!
GRAB A STACK OF ROCK…with Mike and the Mad Metal Man Episode 12: Karate Kid/Cobra Kai with Dr. Kathryn and Rob Daniels
Every once in a while, we have to do a show that I know nothing about. Why? Because I love hanging out with guests like Dr. Kathryn and Rob Daniels. If Dr. Kathryn says “I wanna show off all my cool autographed Karate Kid stuff,” then I have no choice but to oblige.
This week, Dr. Kathryn and Rob Daniels will be talking Karate Kid and Cobra Kai. We will see action figures, autographs, and a personal message from Cobra Kai actor Sean Kanan.
Meanwhile Harrison has some Teenage Mutant Ninja Turtles for that martial arts action, and I will show off my Reaction Figure collection, since they also make Karate Kid toys. Join us!
Friday January 20 at 7:00 P.M. E.S.T. Enjoy onYouTubeor onFacebook.
There was one chain back in the Record Store days that was considered our chief rival. They weren’t really; they were actually much bigger than us, but the Boss Man really had his radar locked on that one specific rival. The other guy made an offer to buy us out, but there wasn’t much he could do if we were not for sale. It was a cold war rather than a hot war from my perspective. I did have to eject the rival from my store once. We had standing orders (and a picture of the guy behind the counter, a Mutt Lange lookalike) to eject if he was seen in store. That wasn’t fun. He was with someone else, a buddy or a business associate and I had to kick him out!
I cannot be certain, but I think one of the main reasons the Boss Man didn’t want his rival in our store was one particular secret.
It is true that we had a general policy of “loose lips sink ships” – meaning “don’t say shit”! You can imagine how much the Boss loves my website, which is why I don’t name any of the guilty parties, but these stories are from another millennium. None of it actually matters anymore. One thing he didn’t want known is just what we were using as our pricing guide when buying and stocking used CDs from the public.
The rival’s store had an annual catalogue. It was about the size of a telephone book. From the very start, we used that catalogue as a guide. We knew their lowest retail price for everything they sold, which was virtually everything currently in print on a major label. Every year, the store managers were sent out to buy the latest issue. One at a time, so as to not raise flags. Every year, we had to make white book covers to disguise the true origin of the catalogues that we could be seen flipping through. When things got computerized, we scanned, line by line, every single CD in that catalogue to begin our own pricing guide.
It grew from there by many times over, as we added discs from other labels, out of print CDs, and everything else we ran across in our travels. Within a short period of time, our pricing guide was many times the size of their original catalogue. Obviously, having a custom made pricing guide on the computer was superior and a mere glimpse at the future. Still, I kinda miss wrapping those big ole catalogues in paper and decorating the new covers. The new kids will never know.