Dave Lizmi Returns! Rockin’ Is His Business on the LeBrain Train

The LeBrain Train: 2000 Words or More with Mike and T-Rev

Episode 75 – Dave Lizmi

By now Dave Lizmi and the Four fuckin’ Horsemen should need no introduction.  Dave was a surprise special guest back when we did Top Album Cover Designers in May.  He’s most famous for being a killer guitarist/songwriter, making his mark in the 1990s with the legendary Four Horsemen.  “Rockin’ Is Ma Business”, “Tired Wings”, “Nobody Said It Was Easy” and “Back in Business Again” are songs that should ring a bell or two.  The Horsemen burned bright and fast, and their story has not been as well documented as it should be.  T-Rev and I intend to fix that tonight.

Dave is a master of tone and riff.  We can’t wait to pick his brain and find out what he’s been up to. And we will be taking your questions! Make sure you tune in live!

Friday July 16, 7:00 PM E.S.T. on Facebook:  MikeLeBrain and YouTube:  Mike LeBrain.

#919: Robert Grass

RECORD STORE TALES #919: Robert Grass

During the summer of 1988, we were lucky to have some cottage visits with the Szabo family.  They had been friends for years.  Robert Szabo is now a successful guitar player/singer/songwriter.  Back then he was a neighbour from school, but his younger siblings Steve and Michelle were also good friends.  They came to visit us at our cottage, and then we went to go and visit them at their place in Grand Bend.  A much busier beach town.

When they came to visit us, we treated them to a backyard barbecue and some fun and amusements.  Steven and Michelle came; Rob was busy elsewhere.  We busted out the games and, as usual, improvised.  We played a drawing game based on the TV show Win, Lose or Draw.  You had to draw sketches and people guessed the words you were trying to draw.  We used coloured markers and went to town on good ol’ lined paper.

We were having a great time but after a few rounds, people were guessing too easily.  I decided to throw a curve ball and pick something to draw that would be harder to guess.  A musical artist but an obvious one that people associated with me.  I chose “Robert Plant”, because I thought it was a recognizable enough name, but not an obvious pick.  Young kids in 1988 were not all familiar with Robert Plant, but some of us were.

Two words.  First word!

I drew Steven and Michelle’s family, with Robert as the tallest.  They successfully guessed “Robert” as the first word.  I hoped this wasn’t too easy.

Second word.  I grabbed a green marker and started drawing plants.  They were having trouble guessing the second word.  Shrubs, weeds, and….

“ROBERT GRASS!” yelled my sister Kathryn, seemingly in victory.

I laughed.  “Who the hell is Robert Grass?” I asked.

“I don’t know!” she answered.

A logical answer I suppose since I did draw some grass with my plants.  After much laughter and giggling, they eventually got the correct guy, Robert Plant, which made a lot more sense than Robert Grass.  And within a year or so, my sister even owned Now and Zen on cassette!  That more than made up for her wrong guess.

 

#918: Drinkin’ Thinkin’

RECORD STORE TALES #918: Drinkin’ Thinkin’

A buddy of mine said the other day, “I saw your clips from the first live show.  I was killin’ myself laughing, that was great”.  The part a lot of people laugh at is when I say “Have I had too much fruit punch this evening?”  I appear drunk but was not.  I told him that, and I had to convince him.  But it’s true.  I don’t really drink.

Note that I said “don’t really”.  I don’t call myself a “non-drinker” or an “abstainer”.  Two summers ago I had a beer with Max the Axe, so I am obviously not a non-drinker.  But that was the first drink in many years, and last drink until present.  I just don’t like the way it makes my stomach feel.  As I got older, my stomach got worse, exacerbated by anxiety and stress.  It’s just not an experience I seek out anymore.

From my mid-20s to my early 30s, I enjoyed a sometimes-drink.  I was a lightweight.  T-Rev was a great buddy to hang out with, and he tried to get me to be more social.  We’d be hanging out with a whole bunch of girls that he worked with at the Waterloo Inn, and I loved hanging out with that group.  They could take it much further than I could, but I did my best.  Beer, shots, depth charges.  Usually, I was just the designated driver.

When I wasn’t driving, I’d have some drinks at work functions.  The Record Store had a birthday party for me at Jack Astor’s.  I loved Jack Astor’s because they had the most amazing seafood linguine, and still to this day, the best lemonade.  None of my co-workers particularly liked it, but it was my birthday so it was nice of them to go there.  As for the drinking, it started with one beer and picked up from there.  Everybody wanted to buy me a shot.  It was a great night and I distinctly remember grabbing a dude’s ass.  No homophobia here, folks.  I’ll save him the embarrassment of being named, but it was a friend who played guitar in one of my favourite local bands.

I am pretty sure I puked the next morning, but I can’t even say for sure which birthday it was.  I think it was my 31st.

Even though my relations with the boss that I refer to as “The Bully” were always rocky, she did attend my birthday party.  Having seen me grab a guitar player’s ass, I thought it might be prudent to just pro-actively apologise in case she was offended by anything she saw.  “Sorry I got a little loud and rowdy when I was drunk,” I said.

“You weren’t drunk,” she flatly responded.

What?  “Yes I was…they started buying me beer right away,” I said, taken aback by her response to me.

“I’ve never seen anyone get drunk off one beer before,” she claimed.

I didn’t know what to say.  She thought I was putting on an act?  I was a little disturbed by her accusation.

At that time I was a skinny guy.  I had very little alcohol tolerance.  Whether she believed me or much, it didn’t take much to make me tipsy.  Add in the natural high you get from your own birthday party, when everybody is nice to you and at least pretends to like you.  Not only was I drunk, but I think that might have been the best drunk I’ve ever been.

What a strange accusation to make.  There was something wrong with this boss.  The professional response would have been, “Apology accepted, hope you had a nice birthday.  Have a good day.”

Circling back, when I appeared drunk on fruit punch in that live clip, I was completely sober.  I was having a lot of fun, and being live on Facebook was kind of like a birthday party.  It’s a natural high.  Your friends are there and you are the centre of attention.  Being “drunk” doesn’t depend on how many beers I’ve finished.  If I’m already surfing the high of life, it just takes a little.  I’m a cheap drunk if I’m in a good mood!

 

REVIEW: Suicide Star – Isolation (2021)

SUICIDE STAR – Isolation (2021)

If you are looking for something classic but modern, with lyrics that matter, then cease your quest.  Suicide Star’s debut called Isolation should be the salve that your soul is craving.  From the ashes of former band Step Echo, with new lead singer Rob Barton, this band is ready to kick 2021’s ass.

CD buyers get a bonus that streamers and downloaders do not — an intro before the lead track “I Survive”.  This intro, complete with air raid siren, explains the “suicide star” concept (with a shout-out to Neil DeGrasse Tyson).  It’s an explosive astronomy lesson!  Isolation is available now, just give the band a shout on social media and it’ll be in your hot little hands before you know it.

Opener “I Survive” is a positive start, with lyrics like “We’ve only just begun, this is the place where I wanna feel alive.”  Rob Barton’s got the pipes and the band has the heft.  Uptempo and heavy, this is the kind of rock we need right now.  The riff by seven-stringer Les Serran kicks, and bassist Aki Maris has the groove locked with drummer Brian Hamilton (also of Storm Force).  If you wanted something energetic and defiant this summer, here ya go.

The first video is for “Mercy”, another upbeat and catchy number.  Each one of these songs has hooks, both vocal and guitar, and “Mercy” just doesn’t let up.  “Have mercy on my anger,” sings Barton with intent.  Lots going on here lyrically, but framed in such a way that you can relate to the words in whatever way suits you.

After two sledgehammer tunes, the track “Suicide Star” delivers melodies that are more on the pop side, but with the heavy backing intact.  “Hold on, before you go too far, don’t you know who you are?  You’re a suicide star.”  Cannot get that chorus out of the skull!

The “power ballad” (if you will) is “Eye of the Storm”, but the emphasis is still on the “power” rather than the “ballad”.  It has a majestic guitar riff, and lyrics with some serious heart.  Barton sings ’em with passion, which is necessary when the band rocks this heavy behind.

Back to a tune with a classic metal vibe, “21 Guns” has kick and melody.  “Just say you will,” goes the unforgettable chorus, with some killer chords in behind.  Then comes the heavy “Follow” with a staggering riff, and Priest-like vibes.  The lyrics are fascinating and open to multiple interpretations.  It certainly could be about the last year!   “When the lie becomes the truth…”

“Love Me Like You Mean It” has a Darkness kind of riff; tremendous hooks.  This continues into “No Looking Back”, another lyric that could be about current times.  “I just roll with the changes,” sings Barton.  We can all relate to that.  The hooks don’t let up on “Fractured”, a more plaintive yet still heavy rocker.  The final track is appropriately titled “The Unknown” and concludes the album-length series of catchy vocals and guitar parts.

By the time you’re done the album, you’re still fresh to go in for a second listen.  There is enough going on in terms of guitars and lyrics that you’ll want multiple listens to drink it all in.

4.5/5 stars

Check out this interview by Deke and I with Rob and Brian from Suicide Star. Get an appreciation for the album and what it took to make it.

REVIEW: Slash – Live in Manchester 3 July 2010

SLASH featuring Myles Kennedy – Live in Manchester 3 July 2010 (2010 Abbey Road Live Events)

When Slash went on tour for his awesome 2010 solo album, he could practically only bring one singer with him.  That singer was Myles Kennedy who was more than capable of singing the songs from all the vocalists he had to cover.  The July 3 date in Manchester produced an “instant live” album.  This is as real as it gets.  In fact the set list on the back cover does not match what they actually ended up playing that night.  You could download and print off a replacement instead.

“Ghost” (originally with Ian Astbury) opened the Slash album and also opens the set.  The raw live performance is a contrast to the polished album.  Kennedy’s version of the track is awesome.  He makes no attempt to imitate Ian Astbury and just belts it as he should.  The second track is a largely forgotten tune:  “Mean Bone” from the second Slash’s Snakepit album (Rod Jackson on lead vocals).  This version seems to have more life, but it’s not as exceptional as the other songs, hook for hook.  “Nightrain” is the first of five Guns tunes.  All that needs to said here is that Kennedy can go toe-to-toe with a vintage Guns track, no problem.  Bullseye.

Velvet Revolver next, with “Dirty Little Thing”.  Suddenly Kennedy has to do Weiland and nails it once again.  Four tracks in, from four different bands and singers, he has all the bases covered.  The next singer he has to cover is an easy one — it’s himself on “Back From Cali” from the Slash album.  Myles had two of the best tunes on that album, and “Back From Cali” is received with applause and clapping.  It was clearly a hit with this crowd.

Eric Dover is the next singer covered, and yes that means we’re talking about 1995’s epic “Beggars and Hangers-On” from the first Snakepit CD.  This timeless song always needed more exposure.  It is preceded by some cool slippy-slide from Slash, before he breaks into that riff.  Kennedy’s delivery lacks the rasp of the original, but makes it bluesier.  Now it sounds like an electric prayer from the deep south.  It might be the biggest divergence from an original version in this set.  This is the epic part of that setlist, with “Civil War” and “Rocket Queen” forming a solid 15 minute wall of Guns.  Bassist Todd Kerns backs up Myles, thickening those high notes, but Kennedy needs no help on the difficult “Rocket Queen”.

Velvet Revolver is paid some more respect with “Fall to Pieces” and “Sucker Train Blues”.  “Fall to Pieces” is the only ballad of the set, earning a singalong from the crowd.  “Sucker Train Blues” shifts back into top gear.  You can’t top Weiland at his own game, but Myles turns in some respectable versions.

Back to the Slash album, “Nothing to Say” (with M. Shadows) was one of the heaviest tunes.  Live, it is not as sharply polished, but it is a banger.  Myles’ own “Starlight” follows, the second of the two excellent tunes he had on the Slash album.  Not quite a ballad, but it slows pace and brings an eerie quiet to the stage, before completely exploding on the skyrocketing chorus.

The instrumentals “Watch This” and “Godfather Theme” give Kennedy a chance to rest up the voice, while Slash gets to do what he likes to do, including lengthy a blues jam.  Then it’s a bright burst of light on “Sweet Child O’ Mine”, and a surprise:  Alter Bridge’s “Rise Today”.  Very cool, after covering all these songs, that Slash then covers a Myles Kennedy song.  It’s quite different from Alter Bridge, more snakey.

The show ends on some classic tunes:  “Slither” by Velvet Revolver, Zeppelin’s “Communication Breakdown” and of course “Paradise City”.  By this time Myles’ voice has been through hell and back, a full setlist of very demanding material.  You can tell, but only barely.  The guy has had to sing songs by everybody from Axl Rose to Robert Plant!  He doesn’t cheat notes, he just barrels on through.

Not played at this show but appearing on the back cover is “By the Sword”, originally with Andrew Stockdale.  Slash’s live band included two Canucks:  Todd Kerns and Brent Fitz, with Bobby Schneck on second guitar.  They nailed it, every song, and had the foresight to be putting out an album that night.

4/5 stars

#916.5: I’ve Been Shot! – Update

In in update to this week’s story, #916: Oh My, I’ve Been Shot! (Again), I am pleased to provide all the nitty gritty details of getting a second jab in the arm of the ol’ mRNA vaccine.

Here it comes.

Are you ready?

I’m not kidding around when it comes to this stuff.  All the nitty gritty details.

Jen and I have experienced an eventful week since getting the second dose of Covid-19 vaccine.  On Tuesday night, about four hours after being shot in the arms, we experienced hunger, so we decided to order in.  We selected Italian, and both ordered the same:  aglio e olio with steak strips.  We each finished about half.  Later on that evening after watching American Dad, I experienced tiredness so I went to bed.  In the morning, the first thing I noticed was that I was hungry, so I was naughty and finished my aglio for breakast.  Around 10 that morning I went to Toys R Us and bought some Transformers, some Marvel Legends, and Star Wars Black Series figures.  I then had an odd tingling sensation, of being lighter in the wallet.  At the same time, a forgotten feeling in my chest emerged — the symptoms of joy from having scored cool stuff in a store once again.

Everything from this point on is simply a blur.  I didn’t know what to do, so I enjoyed the day off I had booked for recovery, wrote a review, and had a generally awesome holiday.

In other words:

Jen and I experienced no side effects.  Sore arms don’t count — that’s pretty much a universal complaint.  I had an amusing moment when I was changing around my box set display.  I was lifting a Def Leppard box over my head when I realized — oh shit, I can’t move my shoulder that high.  I discovered through the day that if I used my arm only from the elbow down, I was good to go. I just avoided moving that shoulder.  Went to work the next day.  All good.

To recap:

Jen and I had Pfizer in April, and Moderna this week.  No side effects.

It feels good to be over and done with this (until the inevitable booster — or not).  Now in a little over a week I’ll be at maximum immunity and I will be celebrating a birthday with my family.  I want to sit down in a room and watch TV with my dad.  That’s an activity I truly miss.  His channel surfing accompanied by grumping and complaining was the highlight of every visit.  I look forward to socializing with my family, playing board games, and maybe even going to see the next Marvel movie in a theater.

Oh!  Speaking of Marvel — watched Black Widow last night, not bad.  Widow was never my favourite Avenger; she and Hawkeye never resonated with me the way that Tony or Steve Rogers did.  Having said that, Scarlett kicked it out of the park with a family-focused storyline and some serious action sequences.  This was her Marvel tour-de-force and she had some intense one-on-one scenes.  The final confrontation with Russian General Whatever-akov (Ray Winstone) was cool because it was different for a Marvel film.  Rachel Weisz and Florence Pugh — also some fine performances and not the last we will see of Pugh.  And finally David Harbour.  You just want to hug that big dirty smelly Russian teddy bear Alexei.  This Marvel film was high on action, but also featuring slow and dramatic character scenes.  A pretty fair balance.  There were a couple neat twists, some cool shout-outs to the Avengers, and of course the obligatory post-credit scene.  We have now seen four entries of the MCU’s Phase Four.  Black Widow comes closest in scale to Falcon and the Winter Soldier, but far grittier.  It’s closest in the sense that it’s character-driven, Earth-bound, and without magic or space aliens coming into play.  And as to how this fits in with the future of the MCU even though it takes place in 2016?  Watch the post-Blip, post credit scene.

All is well.  Admittedly, I was worried about side effects.  A couple of my good buddy co-hosts on the LeBrain Train experienced a day or two of uncomfortable side effects.  So I listened to their experiences, planned ahead, booked a recovery day off work, and hoped for the best while preparing for the worst.  We got lucky this time, which seems miraculous for Jen given her complex cross section of medical conditions.  We rarely get lucky, but this time we did.  Jen is much more social than I am, and she needs to be able to go out and interact socially with her friends.  Me, I’m usually happy just to stay in and listen to music.  Jen and I are good this way.  So she is eager to rejoin society in whatever capacity given Ontario’s state of re-opening.

On last night’s episode of the LeBrain Train, I gave Covid-19 the finger for killing John Prine.

Let’s get this pandemic in the past.  Whatever you are currently doing to keep yourself safe, you’re doing a good job, keep it up!  We all live in different regions with different situations.  Me, I live in Hot Spot, Canada.  Stay out of the hospital.  There is one LeBrain Train guest whose name I will keep private.  He is a Covid long-hauler.  He has felt shitty for 16 months.  Any time something like that happens to someone close to me, it hits home.  I’ve been saying this for 16 months:  don’t be stupid.  Stay safe.  You matter.

 

What are the Top Debut Albums of All Time? Our panel decides!

Fascinating lists tonight, and a clear winner emerged!  This fantabulous list show was brought to you by:

This epic show included some surprises, including about 25% CanCon and none of them named “Rush”.  Even the picks that were only selected once included some pretty massive albums.  Check out the lists, and the graphs by Geoff, and let us know what you think about our picks!

 

Top Debut Albums of All Time — We’ll List ‘Em on the LeBrain Train Tonight!

The LeBrain Train: 2000 Words or More with Mike and Friends

Saturday July 9 – Episode 75 – Top Debut Albums of All Time

 

Our audacious panel is tackling a big list topic this week, brought to you by Kevin:  Top debut albums.  The graphic above is a mere tease.  Some of those albums might be on lists, some might not…you never can tell what you’re going to get with a rogue’s gallery like this:

In a show first, this will be Geoff’s debut as a participant and not just the scorekeeper/grapher!  This will be a lot of fun for us, and hopefully you as well.  Get ready with your own lists — this show’s gonna rock.

Friday July 9, 7:00 PM E.S.T. on Facebook:  MikeLeBrain and YouTube:  Mike LeBrain.

#917: The Dangerous Walk of Death

RECORD STORE TALES #917: The Dangerous Walk of Death

Some of my fond childhood places no longer exist.  What I would give to see some of those places again, as they were in my memories.  Hi-Way Market, the old Record Store at the mall, or my grandpa’s old place in Guelph.  Scant photos exist today.

I did find a couple of pictures from one old place that is no longer as it was.  And that place is called the Dangerous Walk of Death.

One of the fulfilling activities at the cottage was to go for a long walk.  If you said “I’m going for a walk,” it could mean you’d be gone for hours.  There was so much to explore in just our little subdivision.  If we walked to the north, there was a river and sometimes we’d walk along the riverbed and explore it inland.  To the south was another river and the Dangerous Walk of Death.

My dad and sister discovered this place.  There was a road to the south we called the “K” road.  Today it is Kuehner Street.  It had developments on both sides and came to an abrupt end after several cottages.  It ended at a trail, and that is where our fun began.  When we were very young, I used to scared my sister by telling her that “Henry the Hermit” lived in the very woods that our little trail crossed through.  (I also convinced my cousin that sharks could swim up through the pipes into the toilets.)

When you entered the trail, you were immediately swallowed by the trees and things got dark quickly.  It was a narrow space but you never passed anyone else.  You had to walk single file.  It seemed to be our place and our place alone.

If you traced this trail all the way to the end, there was a clearing where an old abandoned cottage once burned down.  Then, the river that my dad dubbed “Dead Man’s River”.  He called it that for good reason.  Snapping turtles were known to make their home there.  We were careful not to step in the waters of Dead Man’s River.

Today there is a quaint little walking bridge that takes you over to the next subdivision.  In our day, it was only possible to cross when the riverbed was dry.  But crossing was not the way to the Dangerous Walk of Death.  To embark on that journey, one had to follow the river inland.

Once again, my dad and sister found the inland path.  It had obviously been purposely cleared by someone many years ago.  It ran parallel to the river, through the deep forest.  Dad used to tell us that many of these trails were original indigenous hunting grounds.  He was probably right.  Artefacts were found by an archaeological team several years ago that proved the original inhabitants used to fish there.  We were acutely aware that we were on very old land when we went on our walks.  The wilderness had probably not changed that much and it was easy to imagine stepping back in time and bumping into a tribe of fishermen and hunters.  They would have had a different name for this place.

Inland we walked, through different kinds of terrain.  There was one area we called “stump land”.  You had to watch your step, and walking there at night was foolish.  Many times did one of us trip in our journey through stump land.

In the middle of stump land was a very small clearing with a large rock in the middle of it.   Sitting Rock.  This was our stopping point.  It was quite scenic.  The sun would dance through the trees making spectacular patterns of light on the ground.  Fortunately I have a picture of this very place as it was in the mid-90s.  An ex-girlfriend and I made a trip to the lake in August 1995 and took this picture.  A much skinnier me is seated upon the rock.  My Jann Arden “Insensitive” hat, a free promo from the Record Store, sits on my melon. And there I am on my mossy seat.  I used to think this would be a cool spot to film a music video — me on acoustic guitar.  Once, I sketched a picture of how cool I’d look playing acoustic guitar on top of Sitting Rock, me and my mullet and a guitar I couldn’t play.  In the real photo, to my right you can see the trail behind.  But this was not the place to turn back.  Greater challenges and better views were ahead.

Following the trail further inland, you would reach a spot that appeared to be the end of the line.  However if you pushed through the overgrown branches, you would find a sparsely wooded area that went steeply uphill.  Watch your step that you don’t go over the Cliffs of Insanity.

This was the end of our odyssey.  Here the trees cleared again and you could look down upon the river below.  I do not have a picture of the view from here, but I do have a picture of us crouching at the edge of the cliff.  The only hint of the chasm beneath are the trees behind us.  You can tell from the distance and height of these trees that there must be a large gorge behind.

Here we usually turned back.  In younger and more adventurous years we kept venturing inland through the woods until we finally hit the main road.  Then we would walk back home.  But that way was far longer and stank of anticlimax.  Our pilgrimage’s natural end was at the cliffs and I’m glad I at least have a partial photographic document of this walk.

If Sitting Rock is still there, then it is inaccessible and on private land.   These photos could be the only ones that exist of our old stomping grounds.  And before us, the ones that lived off this land.