#775: Eleven

GETTING MORE TALE #775: Eleven

It was eleven years ago this weekend that life changed forever.

On August 31 2008, I dressed up in a tux, gathered a hundred of our closest family and friends, and got married.  It was the best decision I’ve ever made.

We didn’t get to celebrate ten years.  At this time last year, Jen’s mom was terminally ill.  We were at her bedside.  I know what she would have said to us if she knew what day it was.  “You guys go out, have a nice dinner, on me.  Enjoy yourselves.”  That’s just who she was.  But we didn’t feel much like eating or celebrating.

I think “mum” would appreciate that this year, we are going to celebrate #11.  We’re going to remember her, and we’re going to be thankful that we have each other.  Making #11 our year to celebrate seems appropriate for us; we’re the couple that is 1) always late, and 2) rarely doing anything the “normal” way.

In order to do things right, I’ll be taking a break from mikeladano.com but we will all re-convene back here after Labour Day.

It’s a well deserved break!  We have some general ideas but the plan is just to take it easy and go with the flow.  I just bought a 2 terabyte external hard drive, so I’ll actually be able to take all my music with me, in the car and on the laptop.  I couldn’t do that eleven years ago!

Here are some songs that mean the most to Jen and I.  Turn ’em up and we’ll catch up again next week.


Stompin’ Tom Connors – “Sudbury Saturday Night”

As told in Record Store Tale Part 20: I Believe in a Thing Called Love:

It started with Stompin’ Tom. I think I had told her that I had a stack of new movies, a huge bag of chips & a case of Red Bull, and was ready for the weekend or something. She responded, “Sounds like you’re ready for a Sudbury Saturday Night.” So right then and there, boom! She was speaking my language.


The Darkness – “I Believe in a Thing Called Love”

I was into The Darkness in a big way.  As told in Record Store Tales Part 80, these guys were absolutely one of my favourites when we met.  “I Believe In A Thing Called Love” was a major feature at the wedding reception.


Guns N’ Roses – “Patience”

This was one of Jen’s favourites from the reception. When it played, all the couples slow-danced together. She thought it was a really sweet moment, and a lot of those couples are still couples today!


The Beatles – “Revolution”

When I asked Jen to pick a song she liked, this was the first one she named.


Van Halen – “Why Can’t This Be Love”

Before we met, Jen actively disliked Van Halen (classic rock in general). Today this is one of her favourite songs. Rock radio had a lot to do with that.


Neil Peart – “The Hockey Theme”

Before I met Jen, I’d never heard this theme in my life.  Today, I can name pretty much every Maple Leaf and dozens of other players too.  I can’t believe she’s done this to me!  But don’t you dare call me a “hockey fan”.


The Traveling Wilburys – “Handle With Care”

No story, we just love this song.


Johnny Cash – “In My Life”

I’m sure everybody plays this at their weddings, don’t they? We knew that, so we chose Johnny Cash’s version. Let me tell you, that was a really cool moment, in the church signing the registry to this song. I hope my buddy Tom appreciated that, being such a huge Cash fan. I was psyched for him to hear it at a wedding instead of the usual.

I hope you enjoy some of our songs too.

 

#774.5: Seasons End

Like an old termite-ridden stump, summer 2019 is burned up.

We planned to spend as much of the summer outdoors as possible.  We did that.   I didn’t want to use the precious summer months pounding out words about music.  So I wrote as much as I felt like.  I didn’t get to comment as much.  I had to sacrifice something to make the most of my favourite season.  Music was there with us every day.  I just wanted to enjoy the moments instead of figuring out how to write them down.

Hard to believe another summer has burned away.

There was no single artist who dominated this summer (like Blotto did in 2018).  We enjoyed a variety of Van Halen, Judas Priest, Stompin’ Tom, Whitesnake, Deep Purple, Rainbow, and Helix without rhyme or reason.

It’s already getting colder.  The nights are starting sooner.  I can feel the end of the season creeping, and our summer at the lake is over.

At least we made the most of it.

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Sunday Chuckle: Powered By…

UPDATE:  Finally got her on Dashcam!

I was following an SUV to work the other day. I couldn’t read what they had on the back window, but it was something large. A business ad, maybe? I waited til the next stop so I could read what it was. Curiosity, y’know?

It was written in huge – I’m talking gigantic – Disney princess font. And it said:

OK then!  I’m not sure how much that costs at the pumps.

REVIEW: The Hellacopters – Head Off (2008 Vinyl Disc)

THE HELLACOPTERS – Head Off (2008 Wild Kingdom Vinyl Disc)

If you don’t know what a “Vinyl Disc” is, that’s OK.  It was a niche format that only last a year or two.  Essentially it’s a CD with an LP groove on the label side.  You could get over 80 minutes on a single disc this way, by placing a bonus track on the vinyl side.  The Hellacopters, however, aren’t an 80 minute album kind of band.  Head Off, their final CD, is only 35 minutes long, plus a 3:20 bonus track on the vinyl side.

Head Off is a covers album, but having heard none of the originals, that wasn’t immediately obvious.  They usually do songs you’ve never heard of.  Covers or not, Head Off is a pretty great collection of the kind of hard rocking melodic gems that the Hellacopters usually specialize in anyway.

The hands-down best track is the last one on the CD:  “Darling Darling” originally by The Royal Cream.  Hard rock with melancholy melody and a guitar solo that slays.  There’s even a Kiss “Easter egg” in the Hellacopters’ version.  We already know they are Kiss fans since they even have a track called “Paul Stanley”, using a bit of one of the man’s awesome riffs.  This time, the Hellacopters lifted a lick that Paul plays live on the intro to “Black Diamond”.  You can hear the lick in the outro, at the 3:00 mark in “Darling Darling”.  The original is found in “Black Diamond” at the 18 second mark, on Kiss Alive!  The Hellacopters turned it into one of the best hooks in “Darling Darling”, and it happens to fit like a glove.  A leather glove, with tassels.

Back to the start, the album opens with a punky rock and roll vibe.  “Electrocute” is by a Swedish band called Demons, and this excellent boogie-woogie will make you want to check ’em out.  Another killer, “Midnight Angels” (The Peepshows) is melodic rock nirvana.  How are these not the biggest rock songs in the world already?  “I’m Watching You” (The Humpers) is a blitz, heads-a-bangin’ along.  It slows a bit on “No Salvation” (The Turpentines), which turns towards down a darker alley, though just as ear-pleasin’.  “In the Sign of the Octopus” (The Robots) is like a vintage Kiss track circa Love Gun, lost to the ages but just as good as the songs you remember.  The Robots stole my love!  The New Bomb Turks are covered next on “Veronica Lake”, pure good time punk rock.  Boogie piano makes it accessible to even the strictest hard rocker.

The CD continues to rock through track after track of brilliance that you’re probably unfamiliar with.  Every song is stuffed with hooks and melodies, no ballads.  The Hellacopters treat each one with the kind of guitar thunder they’re known for.  There are no duds anywhere on the entire album, and even though it’s all covers, it’s not uneven or inconsistent.  You would completely believe that all the tunes were originals, if you didn’t know ’em.  “Rescue” (Dead Moon) could have been a Hellacopters song, easily.  Even the soulful “Making Up For Lost Time” (The Bellrays) sounds natural to this band.

The only track that is a letdown is “Straight Until Morning” (The Powder Monkeys), the bonus track on the vinyl side.  As discussed in the article about Vinyl Discs, the audio quality on this side is utterly atrocious.  Especially when compared to the sharp sounding CD side, this track is flat and noisy.  It is, however, the heaviest and punkiest song on the album, so perhaps this is appropriate?  Even intentional?

Ignoring the sonic issues on the vinyl side, which was really just a novelty factor, Head Off is worth a solid:

5/5 stars

This limited edition also included a pin and a patch, so if you’re looking for your own copy, make sure it’s complete!

 

REVIEW: Kick Axe – Welcome to the Club (1985, 2016 remaster) – Kick Axe series Part Five

Part Five of a series on classic KICK AXE!

KICK AXE – Welcome to the Club (1985, 2016 Rock Candy collector’s edition)

Kick Axe may have had a slight identity issue.

They certainly didn’t benefit at all when two of their songs (“Hunger” and “Nothing’s Gonna Stand In Our Way”) were released under another name on The Transformers soundtrack.  Nobody knew that “Spectre General” was in fact Kick Axe.  Unicron may have been defeated, and Rodimus named as the next Prime, but Kick Axe didn’t gather any of the spoils.  There’s also the issue of their critical second album.  Vices was clearly a metal album and the band had an obviously heavy image, complete with toothy mascot.  When the second album saw its release, the mascot was gone and the lead video was a ballad!

The twist in the tale is that Welcome to the Club is considered by many fans to be Kick Axe’s best album; and they may be right.

The record label Pasha was trying to steer Kick Axe in a lighter direction.  Producer Spencer Proffer couldn’t be there, so staffer Randy Bishop was sent to Toronto to write and record the next album with the band.  They did this at the legendary Metalworks, and then the album was sent to Proffer in California to mix.  You’d expect this kind of operation to be detrimental to the music.  You’d be wrong.

The songs are tighter than those on Vices.  Yes, opener “Welcome to the Club” lacks the full-fisted punch of “Heavy Metal Shuffle”, but they are traded in for a dusky, cleaner vibe.  This is an older, wiser band and the lyrics reflect that.  “If you’ve had your share of heartache…welcome to the club.”  The drums are still thunder on tape, and George Criston could bellow like few others, so the “softening” of Kick Axe was actually quite minor.

“Feels Good – Don’t Stop” lets the bass lead the way, for a bangin’ chorus that any band would have given their nuts to write.  Another flawess chorus is found on the powerful “Comin’ After You”, which may in fact be the perfect 1985 hard rock song.  Softer verses build up to the kick of the first chorus, with backing keyboards providing unobtrusive texture.  “Make Your Move” is another expertly written rock song, something like Bon Jovi circa 7800° Fahrenheit.  Did Sambora spend time studying this album?  Then a dramatic “Never Let Go” has a creeping, dark vibe that makes one wonder just what Black Sabbath would have sounded like with George Criston on lead vocals.  When Ian Gillan left to join Deep Purple, Criston was one of the singers that Tony Iommi was very interested in.  This song is a glimpse into what that might have sounded like.

The side two kick-off, “Hellraisers” is a cold steel classic.  A signature guitar lick and a chorus plumbed straight from the most melodic depths of hell is all it takes.  Well, the solo cooks pretty hot too.  “Hellraisers” is most likely the best tune on Welcome to the Club, which goes a long way to making it the best Kick Axe song, period.  By the next track, “Can’t Take It With You”, Kick Axe discovered a time machine and somehow came up with a cool wah-wah riff right out the 2000s.  There is no way we’ll ever know for sure, but it’s not out of the question that this riff was lifted by time travel from John Norum of Europe during the sessions for Start From the Dark.

Anyone who felt Welcome to the Club underdelivered in terms of heavy metal probably thought “Too Loud…Too Old” was the best song.  Heavy groove and speed co-mingle, and the result is one of the heaviest hard rock tracks in the history of the genre.  “Feel the Power” dials it back in terms of heavy, but is no slouch of a track, not with all those Brian Gillstrom drumquakes.  Guitarists Larry Gillstrom and Ray Harvey had a knack for harmony guitar solos, as heard on “Feel the Power”.  Not to mention the capable backing vocals by the entire band, rounded out by Victor Langen on bass.

The oddball ballad goes last, and it really is a surprising one.  Continuing a tradition that would follow through on all their albums, Kick Axe did a cover.  This time it’s the Beatles’ “With A Little Help From My Friends”, but via the Joe Cocker arrangement.  The good news:  George Criston was more than capable of handling the difficult song without sounding like an asshole.  Not an easy task!  He is accompanied by Canadian stars like Alfie Zappacosta, Lee Aaron, Rik Emmett, and Andy Curran which gives the song some authenticity and serious star power.  Lee Aaron in particularly kicks the song right in the nuts when she steps up to the microphone.

It was this track that was chosen as the lead video, and immediately confused all the kids sitting at home watching MuchMusic.  This was the “On the Road to Rock” band, clearly, but they didn’t sound like that anymore.  The music video almost looked like a charity single, with everybody singing together in the studio.  We didn’t know what to make of it, and the clever but tame Hugh Syme cover artwork really didn’t speak like Vices did.

It is always a shame when a great album by a deserving band gets ignored.  Thanks to Rock Candy and their awesome CD reissues, it’s not too late to get into the Club.

5/5 stars

#774: The Original Mustard Tiger

GETTING MORE TALE #774: The Original Mustard Tiger

 

Gary was a customer of mine after I was transferred to a store on the shittier side of town.  It’s not like where I worked before was high class.  The new store was in a part of town that, frankly, I never went to when I wasn’t working.  There was nothing in that part of town, just the same fast food joints as everywhere else.  Not a lot of people with disposable income.  The store recently came to an end, to no-one’s surprise.  But that was the store that Gary frequented.

I inherited Gary from the previous manager.  Since we started carrying DVDs, we acquired a brand new niche clientele:  movie and TV fans.  They rarely, if ever, bought music.  It was a whole new market, and Gary was one of the guys who bought DVDs pretty much exclusively.  In particular, he liked TV show season box sets.  M*A*S*H*, Gilligan’s Island, the classics.  He bought a lot — and returned a lot.  He was high maintenance, so not the kind of guy I was really excited to see walk in at any given time.  But that’s retail.

What was most memorable to me about Gary was his appearance.  Large, bald, and…shall we say, unkempt.  The shirt that disgusted me the most was the one that had mustard stains all over the front.  Dried mustard on cloth isn’t my thing when it comes to fashion, I guess.  And when he talked to me, trapped behind the counter, I could barely take my eyes off it.  It was like a car accident — some people can’t help but look.  That was me with Gary’s shirt, which didn’t seem to completely cover his skin, by the way.  The easiest and most accurate comparison would be the character of Phil Collins on Trailer Park Boys.  Gary was taller, but Phil was bald, had a protruding gut, and wore a shirt covered with mustard stains.  Phil’s shirt had a picture of a tiger on it, hence his nickname:  the Mustard Tiger.  Well Gary was the original Mustard Tiger.

I quit the store a couple years later, but life is circular, and that was not the last of the Mustard Tiger.  About a decade ago, Jen and I were obligated to go to a wedding.  It was one of her bridesmaids tying the knot, the one we referred to as “bridesmaidzilla”.  (You can read that story in #559:  Hotel Hobbies.)  I wasn’t thrilled to be going, and for Jen this was kind of a final obligation before she was able to put some distance between them.  They were having a “Hillbilly Wedding”, I believe they billed it.  And guess who the best man was?

It was Gary.  He traded in the mustard shirt for something clean, with buttons.  Adorned atop his bald pate was a 10 gallon cowboy hat.  Upon his ample belly, a giant golden country & western belt buckle.  It looked like the WCW Championship belt, so huge it seemed.

I’m sure that some of you, if you were in similar circumstances, would walk up to Gary and ask him how he’s been doing.  If he even remembered you.  I did not do that.  When I quit the store, I was bitter and wanted to move on with my life.  I didn’t want to talk to Gary and remember all the times he returned some shitty TV show box set.  We all make choices, and I chose to pretend that I didn’t remember the Mustard Tiger.

As if!!

 

REVIEW: Kick Axe as “Spectre General” – The Transformers soundtrack (1986) – Kick Axe series Part Four

KICK AXE as SPECTRE GENERAL – “Hunger” and “Nothing’s Gonna Stand In Our Way”
from Transformers: The Movie original motion picture soundtrack (1986 BMG)

Although the recordings were not released until 1986, it makes sense to talk about “Hunger” and “Nothing’s Gonna Stand In Our Way” now, in terms of storytelling.  After the Vices album was completed in 1984, Kick Axe were tasked to contribute to another project.  And it wasn’t a movie soundtrack.

Producer Spencer Proffer was scheduled to go into the studio with Black Sabbath — a Black Sabbath still fronted by Ian Gillan, though not for long.  Proffer felt that Sabbath needed fresh ideas and recruited Kick Axe to write some.  Though details are murky, we do know that Gillan left Black Sabbath abruptly to record Perfect Strangers with Deep Purple.  Kick Axe frontman George Criston was one of the singers that Tony Iommi was interested in as his replacement.  Whatever happened, no recordings of Sabbath with Criston have surfaced, but we do have the songs Kick Axe wrote for the sessions.

In a strange coincidence, they all first came out on November 9 1985, on two separate albums.  W.A.S.P.’s The Last Command (produced by Proffer) featured the Quiet Riot-like “Running Wild in the Streets”, though without proper writing credit.  Another album produced by Proffer was released the same day:  Ready to Strike by King Kobra.  “Piece of the Rock” and hit single “Hunger” were written by Kick Axe for the Sabbath project.

Ultimately, “Hunger” by Kick Axe did finally come out in the summer of 1986.  Too late, perhaps, considering people assumed it was a generic cover of a King Kobra song.  Especially since no one had ever heard of…Spectre General?

Who the hell is Spectre General?!

For reasons unknown but said to be contractual, Kick Axe couldn’t release their own song under their own name, so Proffer invented Spectre General, and that’s how they’re credited in Transformers: The Movie.  The band didn’t even know about it.  They had two songs on the original 10 track album:  “Hunger”, and a new song called “Nothing’s Gonna Stand In Our Way”, a cover version (John Farnham original) intended for the next record Welcome to the Club.

Perhaps it’s the familiarity of the King Kobra recording, but this version of “Hunger” does stand in its shadow.  Both Mark (Marcie) Free and George Criston are stellar vocalists, and the Free version just had more…weight.  Kick Axe’s original is heavier and chunkier, so perhaps in that way it’s actually superior.  “Nothing’s Gonna Stand in Our Way” is an upbeat number, hook-laden, with the trademark Kick Axe “chug” and backing vocals.  It’s pretty essential to have both these tracks to augment a Kick Axe collection.

Besides not getting their real name in the album, other contributions by Weird Al Yankovic and Stan Bush were featured more prominently in the movie than the two “Spectre General” songs.  The band Lion got to do the movie theme song.  Those were some memorable movie moments to any kid in the theater, particularly the Stan Bush selections.

It’s pretty amazing that Kick Axe came up with “Hunger” but were never really recognized for it.  It’s a great song and their original version of it is the proof.  Also strong, “Nothing’s Gonna Stand in Our Way” would have made a fine addition to the next album.  Clearly, the Canadian quintet had big league talent the whole time.

4.5/5 stars

WTF Search Terms: Snake the Tattoo Man edition

WTF SEARCH TERMS XLII: Snake the Tattoo Man edition

It has been six months since the last WTF Search Terms, and in that time, search terms have been dominated by the one and only Snake the Tattoo Man.

Snake is a character I encountered back in the Record Store days, as recounted in Record Store Tales Part 118:  Famous Persons.  There are three main things Snake is known for:

  1. Getting over 90% of his body tattooed.
  2. Being a guest on the Phil Donahue show because of discrimination against his tattoos.
  3. Subsequently starring in the Helix music video for “Running Wild in the 21st Century”.

People have been doing as lot of searching for Snake in 2019.  They don’t always get the video right (Helix), or the TV show (Donahue) or the city (London).  But they sure do wanna do see the Snake!  I’ve highlighted some of the funniest mistakes.

  • aerosmith video featuring snake tattoo man
  • bill also known as snake lots of tattoos from st thomas ont that was in a movie and on montel show around 1991-2000
  • pictures of a guy named snake in london ontario with tatoos
  • pictures of snake the tattoo man london ontario
  • image of snake the tattoed man from london on
  • snake london ontario
  • snake london ontario tattoo
  • snake tatto man
  • snake the tatto man
  • snake from london ontario
  • snake man covered in tattoos
  • london ontario snake guy
  • brantford man named bill fully tattooed
  • snake’s first claim to fame was appearing on the phil donahue show
  • helix what was snake mans tattoos real name he is from london ont
  • phil donahue with snake man tattoo guy london ont

Learn more about Snake in the MuchMusic interview below, taken from my personal collection!

 

Sunday Chuckle: Kiddie Chairs

This year’s Sausagefest was close to perfect.  I must be getting the hang on this camping stuff.  There was just one hiccup:  my chairs.

I wanted some new chairs this year.  My dad said to me, “Don’t buy chairs, I have two brand new ones you can have.  Just come over and get them.”  So that’s what I did, and we were off to the races.

After we arrived, unpacked and set up, I realized the problem.  My dad doesn’t read stuff when he buys it I guess, he just goes for the lowest prices.  That’s how I ended up with two kiddie chairs.  Large enough for a small child, and extremely painful for a fully grown adult.

See the picture below.  That’s my teensy weensy fucking chair that I had to sit in for two nights.  My ass is still recovering.

Thanks dad!