2008. Jen and I were newlyweds. A few people had told us that it was the best wedding they’d ever been to, including some Record Store party people. I will take partial credit for assembling some killer tunes, but the truth is we did a cool mixture of traditional and unique. We don’t play by the rules and that’s what our wedding was like. For instance, I was told that I had to stand at the front of the church and wait for people to arrive, all serious and stationary. Screw that! I joined the ushers and I greeted people at the church door as they arrived. I mingled, I chatted, and I had fun. I made sure the guests did too. Later on, the reception was off the hook.
The glow lasted weeks. Jen and I were the “new couple” and we basked in it a while. Soon, however, we had to pass the baton on to the next couple. Some old school friends of Jen’s were tying the knot in Toronto that fall. While Jen and I still felt like the gleaming new couple, this time we were just guests. It was kind of a cool feeling. We were dressed up nicely, but since we were just guests, I didn’t bother with a tie, and I felt way more relaxed.
I didn’t know this couple, but they were very nice and made me feel welcome. That was difficult, since the guests were almost entirely old highschool friends that I didn’t know, and they’d all break into inside jokes and stories that left me feeling like a 13th wheel.
There was one guy who was definitely not one of their old schoolmates. Dressed in suit and tie, this man was 10 or 15 years older than us. He had long black hair specked with grey, in a ponytail, and a fancy goatee. He sat in the chapel, in the row in front of us.
“Who’s that guy?” I asked somebody.
“Their weed dealer,” came the surprising answer.
“Cool,” I said. They invited their weed dealer. Nothing more to add.
The bride entered, the ceremony began, and I sat quietly in my seat. Then, I caught movement out of the corner of my eye.
Movement where there should be no movement…in the drug dealer’s hair.
I watched with mouth agape as the tiniest spider crawled up and down a thread of silk in the man’s hair. Up and down, up and down. I could not believe it. I whispered to Jen.
“Jen…look at his hair…”
It took a moment, but when the spider scooted down his silk fireman’s pole, she saw.
“Oh my God!” Jen has a fear of spiders.
I just laughed behind my hand.
We may have had a unique wedding, but we definitely didn’t have any hair spiders. That was something I’ve never seen since. The happy couple is still together today. As for the dealer…I do not know what happened to him, but I pray that Shelob never had a meal of him!
The first Halloween costume I distinctly remember wearing was a robot suit. My mom and dad got a big cardboard box, cut out a head hole and some arm holes, and helped me decorate it with tinfoil. Then another box became the head. I drew on buttons and knobs with crayons. I was so excited to be a robot that night. That is, until I saw an older kid with a way better robot suit. His had lights! I briefly wondered if he was a real robot and dismissed the thought.
My costumes were sometimes store-bought, sometimes home made. Darth Vader was a plastic mask and glow-in-the-dark sword. Frankenstein was a costume I made myself, using cardboard to cut a square-ish wig, and green face paint. It was so difficult to wash all that green off in the bathtub that night. There was a green ring around the tub that my dad was furious about. It’s very likely I went out as Empire Strikes Back Han Solo in 1980. I already had the costume: a blue hooded snow coat, goggles, with a gun and holster. Another classic Harrison Ford costume was Indiana Jones. I used brown makeup to simulate a 5 o’clock shadow, and had a rope-whip and a gun. I was mistaken for a cowboy, which really peeved me. How could you have not heard of Indiana Jones in 1981? Maybe my costume just wasn’t good enough.
In 1984, my mom sewed us elaborate Ewok costumes. While I wore mine that night, I wore a different costume to school: that of a Cobra trooper from GI Joe! I painted some red Cobra logos on a blue helmet, pulled my shirt up over my nose like a balaclava, and armed myself with a rifle. Back when you could bring toy guns to school! Weren’t those the days? School was very particular about Halloween. You had to participate. If you didn’t bring a costume to school that day, the teacher would take a garbage bag, cut some holes in it, and force you to wear that. I’m not kidding.
I went out for Halloween one more time in grade nine, but that was the last year. I may have only gone to one house: the “fudge house”. There was an elderly couple who made home-made fudge. It was so good, and so popular, that some kids would change costumes and go two or three times. It was very sugary fudge, but so good. Then, the era of Bob-Halloweens began!
From grade 10 onwards, Bob Schipper and I started making out own haunted houses. That’s its own story, but I dressed as Alice Cooper that year. I painted up a black jacket with flames and wore a sword at my side. Doing Halloween haunted houses was our thing for a few years, each time getting more elaborate. We had mummies, scary sounds, flashing lights, spiders and cobwebs, and lots more. It was a passion project. We would spend a month or two preparing for Halloween. November 1st always sucked. Nobody likes cleanup.
When Bob moved on to college and doing his own things, I was left to man the fort by myself. My first Halloween alone was 1991, and a lonely one it was. I began preparing to do the haunted house, alone. Without Bob’s collaboration or input, I made my usual mix tape of scary sounds. I always took these sounds from cassettes I already owned. The bit from Judas Priest’s recent “Night Crawler” with Rob Halford talking about the monster at the door was my latest addition to the scary sound library. When I put the tape together, my sister said there’s “too much Judas Priest!” She was right, but without Bob, I was left to my own devices. I did what I wanted to, for better or for worse.
1991 was a lonely Halloween. It wasn’t fun anymore. It was a lonely time in general. Up until then, I looked forward to our Halloween creativity. I didn’t bother anymore after that. We were seeing fewer and fewer kids at the front door, and for me, without Bob, what was the point?
ALICE COOPER – Breadcrumbs (2024 earMUSIC, expanded reissue of 2019 Edel EP)
Wait a second…”Breadcrumbs“? I thought the full title was The Breadcrumbs EP? It was, but with the addition of two bonus tracks, it appears that Breadcrumbs has been upgraded to an album, with a modified title and altered cover art. Interestingly now the artwork highlights the production of Bob Ezrin.
Back in 2019, Alice Cooper wanted to do a Detroit garage rock record and pay homage to his roots. The Breadcrumbs EP was originally six tracks of stripped down goodness on 10″ vinyl and limited to 20,000 copies. (I own #48!) Now on CD, it is expanded to include the 2020 standalone Covid-era single “Don’t Give Up“, and a live track from 2022.
For the first six tracks (the original EP), Alice is backed by the MC5’s Wayne Kramer, bassist Paul Randolph, Grand Funk’s Railroad Mark Farner, and Detroit Wheel Johnny “Bee” Badanjek. A remake of Alice Cooper’s “Detroit City” (from The Eyes of Alice Cooper) is an appropriate starting point:
Me and Iggy were giggin’ with Ziggy and kickin’ with the MC5, Ted and Seger were burnin’ with fever, and let the Silver Bullets fly, The Kid was in his crib, Shady wore a bib, and the posse wasn’t even alive.
That’s some rock and roll poetry right there. Not one of Alice’s finest songs but worthy of a second chance. Then “Go Man Go” is a new original composition co-written by Wayne Kramer. It’s punk rock Alice, as authentic as the bands he’s paying tribute to. Bob Seger’s “East Side Story” is anchored a steady groove, right out of Hendrix’s version of “Gloria”. A really funky “Your Mama Won’t Like Me” (Suzi Quatro) is the centrepiece of the EP. Horns blastin’, Alice hasn’t been this funky since his dance-oriented Alice Cooper Goes to Hell in 1976. “Devil With a Blue Dress On” (Mitch Ryder and the Detroit Wheels) is the soulful side that Alice occasionally shows. It’s merged with “Chains of Love” (J.J. Barnes) which pulls everything back to rock. Finally “Sister Anne” by the MC5 puts the snot on the nose and the grime in the rock. Kramer’s simply awesome riff is perfectly complemented by Cooper.
The world suddenly changed in March of 2020. By May, Alice had made his statement on Covid-19: “Don’t Give Up”! It’s the most direct, most topical, and the least “Alice” song of the bunch. Why? Because this time he’s not telling stories, or covering a rock classic. This time he’s addressing the listening directly and talking about current events. Wisely, he just stuck to the feelings.
“Yeah, I know you’re struggling right now. We all are, in different ways. It’s like a new world that we don’t even know. It’s hard to sleep, even harder to dream. But look, you got seven billion brothers and sisters all in the same boat! So don’t panic. Life has a way of surviving and going on and on. We’re not fragile and we sure don’t break easy.”
Since it was 2020, the single was recorded in home studios and eventually released on vinyl, with a different version appearing on the Detroit Stories album. This is the first CD release of the original 2020 version. Musically you could call “Don’t Give Up” a power ballad. It has a very 80’s guitar figure, with Alice speaking his message over it. The chorus is more modern, with Alice singing as plaintively as he can. It was never a remarkable track, but it was an important one in its time.
2020’s live version of “Go Man Go” features his live band, including Hurricane Nita Strauss on lead guitar. This is a short blast of live track, and well recorded, at Hellfest 2020. Probably just because of the live vibe, it’s a more enjoyable listen.
Nobody likes getting double-dipped and having to buy the same thing twice. However, we’re used to getting fleeced by now. It’s easy to ignore.
Alice Cooper was back in Toronto in 1991, promoting his new album Hey Stoopid in a big way: by playing on top of the iconic HMV building at 333 Yonge St! Shades of Let It Be, but with long hair and mascara, Alice’s band rocked the streets below.
Cooper also spoke to MuchMusic’s Michael Williams about the new album, and collaborating with L.A. friends such as Axl Rose. He dropped a tidbit about their new album and a certain song called “The Garden”.
There’s also a segment here of Alice meeting fans from Operation Rock N’ Roll that same year. Check it out1
Out promoting his big new album Trash, MuchMusic’s Terry David Mulligan spoke to Alice Cooper 35 years ago, in April of 1989. Subjects discussed include Desmond Child, and a return to the sound of Billion Dollar Babies. Have a watch.
Awesome show tonight hosted by Harrison and Jex! Top Five Alice Cooper albums, plus a nice collection from Harrison for bonus show & tell. Harrison has three Alice Cooper albums that I would like to steal from his house. Which ones? You’ll have to watch to find out. But you can check out the boys’ Top Fives below! And as a bonus, I’ll throw in my Top Five as well. Check ’em out!
This was one of my favourite shows to watch! Thank you to Harrison and Jex for doing such an amazing job! This was a great set of lists, and some awesome show & tell from Harrison. My list will be drastically different from theirs!
Thanks for watching and we’ll see ya next week for my birthday!
JEX
5. Special Forces (1981)
4. Trash (1989)
3. Constrictor (1986)
2. Killer (1971)
1. Flush The Fashion (1980)
HARRISON
5. The Last Temptation (1994)
4. Welcome To My Nightmare (1975)
3. Flush The Fashion (1980)
2. Dirty Diamonds (2005)
1. Special Forces (1981)
LeBRAINLESS
5. Welcome 2 My Nightmare (2011)
4. Killer (1971)
3. Love It To Death (1971)
2. Welcome To My Nightmare (1975)
1. School’s Out (1972)
GRAB A STACK OF ROCK With the Mad Metal Man & Jexciter: LeBRAINLESS!
Episode 28: Alice Cooper Rarities & Cinco de Listo!
I’ve been wanting to do something for a long time: Take a day off, sit back, and watch Harrison host the show without me. Seriously! I’ve always wanted to do that. Today I get my wish. For the first time ever, I get to watch Grab A Stack of Rock from the audience.
Join Harrison and Jex tonight as they show off highlights of their their Alice Cooper collections! They will also be bringing back “Cinco de Listo” for the first time in ages, to count down an Alice Cooper TBA list that will rock your minds.
With the Coop’s 29th (not including the Hollywood Vampires!) new studio album Road coming soon, the time is perfect to revisit one of the greatest stars in all of metal history. Ladies and gentlemen…Alice Cooper!
Friday July 14 at 8:00 P.M. E.S.T. / 9:00 P.M. Atlantic. Enjoy onYouTube or on Facebook!
The last song on side one of Alice Cooper’s Billion Dollar Babies album in 1973 was a lyrical departure. Instead of the horrors of monsters, or necrophilia, this time Alice is comically singing about the horrors of dental surgery! Too much candy, and now it’s time for a trip to the dentist. The sound of drills echo in your head as the song plays. Live on stage, Cindy Smith (Neal Smith, drummer’s sister, and future wife of Dennis Dunaway) dressed as a giant tooth and danced around while Alice brushed her with a giant toothbrush.*
Standing among bigger hit firepower like “Billion Dollar Babies”, “Elected” and “No More Mr. Nice Guy”, this ode to dental surgery is often forgotten. If the sound of dental drills give you the heebie-jeebies, then I can understand why. With lyrics about the Marquis de Sade hanging out in Alice’s mouth, I’m glad I didn’t put this song on BEFORE my dental surgery.
Alice Cooper is a lyrical master and there should be no surprise that he has one of the most hilariously horrifying songs about teeth in rock and roll!
Candy everywhere, got chocolate in my hair, Aching to get me. Sticky sweet suckers in the Halloween air, Aching to get me. Saint Vitus dance on my molars tonight, Aching to get me. Aching to get me, get me oh … Take it to the doc, I guess he ought to know, La, da, da, da, da. Which ones can stay, which ones gotta go. La, da, da, da, da. He looks in my mouth and then he starts to gloat. He says my teeth are O.K., But my gums got to go.Oh oh … I come off the gas but I’m still seeing spies, Aching to get me. I can see them all through a glassy pair of eyes, Aching to get me. De Sade’s gonna live in my mouth tonight, La, da, da, da, da, And the rotten tooth fairy is satisfied, La, da, da, da, da, Aching to get me, get me oh …
According to my Facebook memories, on this day in 2009 I was listening to a massive all-encompassing Kissathon. This was done so I could review all the albums before the release of Sonic Boom. The first run of Kiss reviews here on this site came from that 2009 Kissathon. By coincidence only, this past weekend was a mini-Kissathon, started on Thursday night with some music we don’t play as often in the car.
1. Crazy Nights (1987). Even the underdogs deserve some love. Listening to this album inspired me to write a new Record Store Tale about the experience of hearing it for the first time. You see, for me this album was unique. I got into Kiss in 1985 just as Asylum was released. In two years, I collected, listened to, and absorbed all the Kiss albums to a degree only a kid that age can. Crazy Nights, therefore, was the first “new” Kiss album to come after completing my journey through their discography. And unlike Asylum, it was different. I spent a morning writing up the impressions I had in 1987. As for the car trip, we laughed at some of the terrible lyrics and obvious musical attempts to copy Bon Jovi, but it was an enjoyable listen.
2. Dynasty (1979). After the Paul-dominated Crazy Nights, I wanted to hear something with all four guys singing lead. There are very few albums like that, and only three with the original lineup: Love Gun, Dynasty, and Psycho-Circus. I went with Dynasty this time. A short but very energetic listen as we passed through Palmerston, Wingham, and Whitechurch on the way to the cottage.
3. Gene Simmons (selections from) (1978). Once we hit Lucknow it was time to put on an album for the last 20 minutes or so of our drive. Gene Simmons was under-represented in our first two choices. Only two Gene songs on Dynasty, and only four on Crazy Nights. The Demon needed some love, and I wanted to expose Jen to some of his more…ahem…questionable material. We played a lot, some good some bad. The good: “Radioactive”, “Mr. Make Believe”, “See You Tonight” “Always Near You/Nowhere To Hide”. The bad: “Burnin’ Up With Fever”, “Tunnel of Love”, “Living In Sin” and…yes…”When You Wish Upon A Star”. I remember back in the old days going to the lake with my parents. Sometimes they’d let us listen to an album on the car deck instead of our headphones. My dad praised “When You Wish Upon a Star”. “Finally, a good song!” he said. Good song perhaps, but not a good vocal performance! I explained to Jen how Kiss fans were shocked and flabbergasted when Gene’s album was finally released.
As the gentle strains of Pinocchio completed their final crescendos, we pulled into the driveway at our humble place in paradise.
Our little furry friends the chipmunks began visiting, as did a pair of blue jays that I named Domaso Garcia and Lloyd Moseby. These blue jays were brave little birds and I managed to get a little bit of footage up close. However by Friday morning the calm turned to distraction! I worked on completing an upcoming list, my second collaboration with Jonathan Lee. If you recall, Jonathan and I ranked all the Kiss albums from worst to first a short while ago. Now we are finishing up another comprehensive pair of lists, on another band we both love (and you do too). When they are ready, the lists will be revealed…but not until they are ripe! I had to work on my list while the chipmunks and blue jays made annoyances of themselves, distracting me from my rock and roll duty. Therefore the peanut supply was cut off for the rest of the weekend, especially when the chipmunk ate his way through the bag.
Unlike the last several weekends, this one was fairly uneventful. We did get in a good swim, and some footage of crystal clear waters. Listening to Kiss (and then Judas Priest) on the porch, working on writing, playing video games and cooking meals. In fact the only “new” thing that really happened this weekend was the cooking of the Saturday steak.
For the first time we tackled a 2″ thick tomahawk steak. It was actually 2 1/2″ at the thickest point. It was fun to cook but the fat content caused lots of flame-ups so it was a matter of taking care. Jen thought it was the steak of the summer.
Traveling home was uneventful, until we passed Listowel (home of the original Helix). At this point, traffic was heavy. An impatient pair of blondes in a red jeep decided that passing cars the conventional way going to take too long, and so they went onto the gravel shoulder, and passed three cars including myself on the right. I gave ’em the horn as they endangered my life, and they didn’t even look over. I imagine the inside of their jeep smelled like Patty and Selma from the Simpsons. They had that kind of look.
A few miles down the road, I had an opening so I went for it and passed them, flipping them the bird as I did. They didn’t seem to notice, but they remained stuck in the line of traffic for the rest of the ride home. I never saw that red jeep again. This all happened to the tunes of Raise Your First and Yell by Alice Cooper. The exact song they passed me on was “Chop, Chop, Chop”.
We came home tired and had some naps. Funny that even though the weekend was less active than others this summer, we were just exhausted. I was too wiped out to work on a video, but hopefully that will come. In the meantime I’ll just sleep and wish upon a star.