cd

#1218: When Did You Get Your First CD Player?

RECORD STORE TALES #1218:  When Did You Get Your First CD Player?

 

When I seriously got into music in 1984, cassette was the dominant format in my demographic.  I was 12.  Older kids and adults still bought a lot of records, but when we gathered in the streets, our music was played on portable tape decks:  “ghetto blasters”.  Whether tethered by electrical cords or running free with weak C and D cell batteries, cassette dominated.  Then, one morning, CBC radio was doing a special on a new format:  the compact disc.  Host Clyde Gilmour had the longest running show on Canadian radio, and was known for playing classical and jazz music.  Gilmour’s Albums was the first time I ever heard a CD, but over the radio, it could not be properly appreciated.

In 1987 my cousin and his family came to visit.  They brought with them a CD player and the soundtrack to Good Morning Vietnam.  My biggest takeaway after seeing the format in person myself was there were no side breaks on CDs.  It was a one-sided format.  I had never considered such a thing before.  I didn’t have the imagination to picture a live album without side breaks.  Such a thing had never existed.

It didn’t take me long to discover the temptation of compact disc:  the “bonus track”.  Van Halen’s OU812 was the first CD I spotted with a bonus track called “A Apolitical Blues”.  The Columbia House music catalogue, which we signed up for in 1989, always listed when a format had a bonus track.  Very few records did, but many cassettes and many more CDs did as well.  It was a way of taking advantage of a longer running time without breaks, and to tempt people to make the switch.

For that reason, I officially adapted CD as my newest musical format on Christmas Day, 1989.  My first CDs were Alice Cooper’s Trash, Motley Crue’s Dr. Feelgood, Whitesnake’s Snakebite, and Winger’s debut – with bonus track.  Bob and John Schipper came over to visit during the holidays.  I demonstrated the sound of a CD by putting in Dr. Feelgood, cuing up Time For Change, and letting them listen to the silence at the of the fade.  I cranked it to max.  “No hiss!” I explained.  They didn’t appreciate it the way I did.  Cuing up songs by demand was also a treat.  I remember using it to isolate the track “Ride Cowboy Ride” by Bon Jovi and recording it on its own for cassette.

My first was the Panasonic seen below, atop my parents’ old 8-track deck.  The first of countless many.

I asked some friends for their stories about their switch to CD.  They answered the call, some with pictures.

bicyclelegs:

1990 I think, but I don’t remember the make or model.  By 1990 it was getting harder to find new releases on vinyl in Australia, so my hand was forced to a certain extent. But it was also a financial thing: before 1990 I simply couldn’t afford a CD player.

Dan Chartrand:

Same here for the bonus tracks! Mind you, some cassettes had bonus tracks…and even vinyl had bonus tracks…wish the internet was around to investigate more… My first CD was Dio’s Lock Up the Wolves due to the bonus track that wasn’t on the cassette or vinyl.

Melissa Nee:

I am thinking 87. It was super early.  I started getting CDs from Columbia House before buying in stores. They were pricey.  I think Bon Jovi was $16.

Chris Preston:

1988 for me.  quite honestly it was mostly because a bunch of my friends had CDs and they raved about how great they were. Peer pressure! I had also stopped buying vinyl by that point and I was growing tired of the poor quality of cassettes. It was time to embrace the future with CDs!

Erik Woods:

It was this. Got it some time in the early 90s.

Henry Wright:

I got my first CD player in June 1992. It was a college graduation present from my parents, I think. I had only cassette for many years but already had about 5-10 CDs before I got the player as I had started buying them around 1990-91, I think. Some of them were things I couldn’t find on cassette (typically from the UK), others were just favourite releases I wanted to upgrade. Before I got the player I would make a tape copy for myself on a friend’s. I don’t know if I thought cassettes were an endangered species but I always disliked how often they wore out or were chewed up by the machines and so I was pretty excited about the new format. I never heard of a bonus track until later although I do recall that new CDs often had the same “extra” tracks that cassettes did unlike the LP or 8-track versions.

Matt Phillips:

Summer of 1993; got my first guitar the same month. And it was the Panasonic with the flip top and the jog dial and the ability to skip to the next song on cassettes. This model:

Larry Russwurm:

1988. Most people in residence in Toronto had them already. Someone in residence had one as early as 1986.

Frank Schenker:

The first CD I ever purchased was Surveillance by Triumph. I also bought the cassette tape at the same time in November 1987 and I didn’t even own a CD player. I the spring of 1988, I purchased a Sanyo boom box with a CD player and cassette tape deck.

Rex Smetzer:

1988.  I just have always loved music & was in college at the time, & got it for Christmas.

Todd Evans:

December, 1984. Technics SL-P1.  In early 1984 a local department store had a Magnavox FD1000 on display that you could demo. They had one CD – Rush Moving Pictures. I must have played with that thing for an hour! My parents bought me one for Christmas that year. I remember that a friend bought me two of my first CDs as a Christmas gift – Asia’s first album and Thompson Twins Side Kicks. My parents bought me one to go with the player, but I can’t remember what it was.

It is warming to see some folks embrace the bonus track as I have.  The CD certainly changed our lives when we made the change.  When and why did you make the switch to CD?  Leave your story in the comments below.

VIDEO: 100th Episode Outtake – Harrison’s First CD Collection

Thank you for joining us on Friday April 25 for Grab A Stack of Rock’s 100th episode.  We actually had a lot more material backlogged for that episode, which you’ll be seeing here, so like and subscribe for more!

This fun short video features Harrison walking us through his very first CD collection photo.  You can see Young Harrison was already into Black Sabbath and Iron Maiden, but why, and how?  Harrison walks us through them all in this fun nostalgia (and metal) filled episode.

 

Friday Preview! A Massive Music Haul!

I came home from work last Friday to find not one, not two, not three, not four, but FIVE parcels containing new music!  Of course, if you unbox something these days, you have to do it on camera.  All of this music will receive a closer look on our annual Good Friday Afternoon Show on Grab A Stack of Rock, tomorrow!  However, nothing can top the first look at a musical surprise!

Catch my reaction as I look at:

  • Six versions of the Darkness’ Dreams On Toast album, which will be discussed in more detail on Friday.
  • A brand new EP of previously unreleased music by Mystique!
  • Killer metal from the UK.
  • A surprise gift of a Japanese import.
  • A very special gift from Blotto!

All here in this spontaneous and magical unboxing video!  Tune in tomorrow for our Good Friday show and a deep dive into all this new music, and much more!

VIDEO: Harrison Unboxes Some Metal CDs! (Ode to Jake Not From State Farm)

Readers may not be familiar with Jake Not From State Farm, so let me introduce you.  If you tune in to John Clauser’s channel My Music Corner, he’s done several great videos with Jake.  Additionally, Jake will be joining us later this year for some albums on 50 Years of Iron Maiden.  It turns out that both Jake and Harrison love Blaze Bayley.  And so, they became friends.

Jake had a batch of duplicate CDs that he donated to Harrison’s collection, two of which I want!  That damn Harrison keeps ending up with more and more CDs that I want for myself.

Joining us for this unboxing episode is the man who introduced us to Jake in the first place, Mr. Johnny Clauser.  Mostly, we let Harrison do the unboxing, and lots of show and tell.  Enjoy this short episode.

#1170: The Smaller the Better – Christmas 2024

RECORD STORE TALES #1170: The Smaller the Better – Christmas 2024

2024 was one of our smallest Christmas gatherings, both in budget and in population, but it was certainly one of my happiest.

Sometimes everything just feels right, and this year’s Christmas Eve was held back at the old family home once again.  It was the first Christmas Eve there in over a decade, but that’s my happy place at Christmas.  A place I can feel comfortable.  After all, it was my home for 29 years.  I settled in with my dad and watched Superman the Movie while Jen made cookies.  We awaited the arrival of my mom, Dr. Kathryn, and a few dogs.

Jen knit custom gifts for the dogs (shawls, mittens and hats).  She also knit custom shawls for the ladies, and toques for the men.  I love mine.

As an introvert, I do well in small groups.  Dinner was the traditional beef fondue (or chicken or schnitzel), with bonus vegan options.  I brought over some special flavoured salts and hot sauces to sample.

We did that Christmas “white elephant” game, or whatever you want to call it.  The “$10 gift game” is another name for it.  Initially, I won this cool set of chocolate “coffee bombs”.  I made it very clear how happy I was with it, and that I intended to make myself a coffee as soon as I got home.  I spotted one with little marshmallows and relished the idea of it.  Then my mom went next and stole it.  I stole it back when I had the chance, and then she stole it again at first opportunity.  The funny coda to this story is that after Jen and I got home, we put on a “Best of Saturday Night Live” show and there was a sketch featuring the exact same game.  One character was complaining that it was a mean-spirited game, because he had received the perfect gift for himself, and someone stole it.  I called my mom to laugh about that.  The story doesn’t end there.

Christmas day featured some sleeping in and some Marvel What If? on Disney+.  SPOILER this episode featured a Kiss song as an integral part of the story, and even had a line of dialogue from Howard the Duck explaining that the song was written by Kiss in 1979.

I won the $25 Amazon gift card at the “Christmas pickle” game.  I wasn’t even going to participate, but after seeing Jen and Dr. Kathryn getting nowhere, I entered the fray.  I quickly boxed Dr. Kathryn into a corner, where she was unable to see the front of the tree, where my mom had announced the pickle to be.  Once spotted, I used the pickle to order the new Van Halen For Unlawful Carnal Knowledge box set.  It’ll be here Saturday.

There were some really cool items in my grab bag this Christmas.

I had hoped someone would get me Brothers by Alex Van Halen, and Dr. Kathryn came to the rescue there.  It’s a beautiful looking book, and emotional too from what I have read while skipping through.

Bubbles from the Trailer Park Boys has a new album out with standards new and old:  Longhauler: The Best of Bubbles and the Shitrockers.  If you need to ask, don’t.  I was surprised that the album was produced and engineered by Eddie Kramer!

Queen’s A Night at the Odeon (1975) is another album that came highly recommended.  I wishlisted it and it magically appeared in my stocking thanks to my parents.  It looks like a winner.

Finally, some anniversary editions from Jen:  Judas Priest’s Rocka Rolla, and Twisted Sister’s Stay Hungry.  Rocka Rolla is probably the best album remix I have heard in my life.  Tom Allom pretty much just made the album sound like itself, but beefier.  As if you had always heard it distant and muffled, and now you can hear it fully for the first time.  As if you just got a new stereo and are hearing this music properly for the first time.  As for Twisted, I find it funny that I already own the 30th anniversary edition, with a very different set of bonus music.

Of interest:  this is probably the 3rd time I have received Rocka Rolla for Christmas.  It is my 2nd for Stay Hungry at Christmas time.

As usual, I received some treats and games, including two more editions of Uno to play at the cottage this summer.  My mom got me some Trailer Park Boys pickle flavoured chips, and who knew that such a thing existed?

As for my mom, she used to do this thing when we were kids, where she would take a larger box of candy and split it up into smaller gifts that could fit into stockings.  She did that for me this year…with her chocolate coffee bombs that she got the night before.  She gave me one of each flavour, since I had called about the Saturday Night Live sketch.  Thanks mom.  You win this time.

Hope everyone had as merry a Christmas as we did!

#1169: Discontinuing the Tapes

RECORD STORE TALES #1169: Discontinuing the Tapes

In 1995, the writing was on the wall.  After struggling for years as a new CD/tape store, the boss discovered a goldmine:  selling used CDs.  The story has been told a dozen times or more, but the short version is this.  In early 1994, the boss brought a small tray of used CDs into the store, priced them, and they sold out immediately.  I think the discs came from his own collection with a few from his brother.  He realized that he could buy used CDs from the public for a few bucks, and then flip them for double or triple the price.  The hunger days ended soon after.

Profit margins on new CDs and tapes was slim.  After you factor in shipping, overhead, paying the part-timers, and an expensive magnetic security system, the boss was left with little for himself, if nothing at all.  He could not survive like that forever.  With used CDs, he could control his own costs.  This was something rare in retail.  Costs are usually determined by your supplier.  You could negotiate for better rates, but it was nothing compared to used CDs.  We could pay five or six bucks for a CD, and sell it for ten or twelve bucks.

You know what happened next.  Expansion!  Waterloo opened, followed by a second store in Kitchener.  These stores had 90% used stock, with a small chart for new releases.  They didn’t carry cassette tapes, at all.  While this surprised me, it was a smart move.  We were ahead of the curve by not carrying cassettes in those stores.   We didn’t even carry used tapes.  For one, it was harder to check them for quality compared to CDs.  For second, it simplified things greatly by only focusing on discs.  One product, one display system, one storage system.  You could take the disc out of the case, hide it behind the counter, and put the empty case on the shelf.  The security system was replaced in this simple way.

Eventually the original Stanley Park Mall store had to close.  Rent in malls is higher than that in plazas.  It was the only store that still carried a full selection of new CDs and tapes.  It closed at the end of 1995, right after Christmas.  And we weren’t allowed to tell people we were closing.  Technically, it was a move.  A new location had been procured in Cambridge.  It too was to follow the 90% used model.  Although we called it a move for the purpose of good optics, the reality was that one store closed and another very different store opened in another city.  The manager was the same, and they took the unsold stock and sold it as used, but it was a new store.

Closing Stanley Park put us in an awkward position.  In 1995, we lived in what was essentially a two format world:  CDs first and foremost, with cassettes still strong, but dying off bit by bit every year.  More and more releases were coming out on CD only.  Vinyl?  In 1994, only Pearl Jam had a mainstream vinyl release.  We carried Vitalogy on vinyl.  It was beautiful.  The boss opened a copy to look at it.  He ended up selling that one to his brother.  But what about that awkward position?  Here we were, going into the Christmas season and selling gift certificates to a small but significant number of people who still only had cassettes players.  We were selling gift certificates to people who were not going to be able to redeem them for cassettes except for a small window:  the six days following Christmas.  Many of those people had been customers for five years, since we opened.

“If someone complains about it, tell them to talk to me, I’ll take care of it.”  The boss was not the kind of person who relished giving people their money back, but I am sure he handled those cases as best he could.  We did special order cassettes for customers for a short period of time in some of these cases; they were isolated cases.  We had some cassettes returned in the new year as well, which had to be dealt with.

I do remember some angry customers.  “Where am I gonna buy my tapes now?” asked one guy who was unhappy, to say the least, that we were closing up, moving to a new location, and ceasing cassettes completely.  I suggested the HMV store at the other mall, but even they were noticeably cutting back.

For me, it was interesting to have lived through these changes in formats.  As a fan, I watched vinyl decline in importance to the point where nobody in highschool bought records anymore.  That was 1986.  Then I lived through the advent of CD, and its eventual replacement of the cassette.  I was working in the front lines at the Beat Goes On when Napster came along, and I saw shelf space once reserved for CDs now showcasing bobbleheads.

I wouldn’t trade it for the world.  All apologies to the inconvenienced!

 

Finding the Beatles and Beck: That’s the “B” Section – Compact Disc Collections with John Clauser @MyMusicCorner

An exhaustive two hours with Johnny Metal took us through almost everything we own in the “B” section of the CD collections!  From Sebastian Bach to Bryan Byrne, we looked at everything on CD, except a few box sets.  As such, we did not see all my Beatles, Black Crowes, Black Sabbath, Bon Jovi, or Blue Rodeo on CD.  We saw pretty much everything else.

Johnny Metal’s collection, as usual, featured some really cool and rare Christian metal, and other assorted metal and blues that most of us might not have heard of.  Many of his CDs included collector’s cards or autographs.  John excluded (most of his) Black Sabbath and all of his Beatles for this exercise.

Speaking of the Beatles, halfway through the show, I realized I didn’t have any Beatles in my stack, which is just not right.  I have lots of Beatles besides the Stereo and Mono box sets.  Then viewer Ashley mentioned I had no Jeff Beck.  Well, obviously I do!  I reviewed two of them here on this site!  I realized I had a whole stack I left behind!

That’s how much B stuff I have.  Bon Jovi was the majority of it, and a lot of it turned out to be Bon Jovi I don’t even like.  There was, however, some Bon Jovi that I really really do like, and I hope you enjoy having a look at them.

We saw a lot of CD singles, remasters with bonus tracks, deluxe editions, remasters, digipacks, Japanese imports, and even one 3″ CD.

Thanks for watching this show, which might take you two viewings to finish, but that’s it – that’s the B section, done n’ dusted.

The “B” Section – Compact Disc Collections with John Clauser @MyMusicCorner

GRAB A STACK OF ROCK With Mike and the Mad Metal Man
Episode 74:  The “B” Section with Johnny Metal

Johnny Metal Homework is back for the third week in a row, to grab some stacks of rock!  As a sequel to our “A” section show, this time we are diving into some killer “B’s”.  You’ll be seeing my Black Sabbath, Bon Jovi, and yes…Blaze Bayley.  This episode will exclude box sets which have been shown off before on their own dedicated episodes.  CDs only; no vinyl, cassettes or 8-tracks on this week’s episode.

John says it won’t be as crazy this time (no 74 CDs from a Christian parody band), but it will be  heavy!  The big section is loaded with “Big” bands (Wreck, Sugar, House), and plenty of “Black” (Sabbath, Country Communion, Label Society, Star Riders, Jack).  Let’s take a deep dive into some Japanese imports, rarities, and heavy hitters.

Join us live!

Friday October 11 at 7:00 P.M. E.S.T. / 8:00 P.M. Atlantic.   Enjoy on YouTube or on Facebook!

A Mighty Wind is Blowing with Dan Chartrand, Uncle Meat & Johnny Homework

Johnny Metal earned a new nickname tonight:  Johnny Homework!  His meticulous research and notes provided a solid backbone of knowledge on which we arranged an awesome discussion.  The topic:  the now-classic Christopher Guest mockumentary A Mighty Wind!

Together with Uncle Meat and Dan from Off the Charts, we tried to cover every aspect that we love about this movie.  We went deep on the following topics:

The cast

  • Our favourite bands
  • Our favourite songs
  • Favourite scenes
  • Fred Willard
  • The Kiss at the End of the Rainbow
  • The ending

Additionally, we looked at CDs, vinyl, and a very nice songbook from Johnny Homework.  Gotta get that physical product in.

Thanks for joining us!

 

 

A Mighty Wind Appreciation, with Dan Chartrand, Uncle Meat & Johnny Metal

GRAB A STACK OF ROCK With Mike and the Mad Metal Man
Episode 73:  A Mighty Wind Appreciation, with Dan Chartrand, Uncle Meat & Johnny Metal

In 2003, Christopher Guest unveiled his third improv comedy movie, following Waiting For Guffman (1996) and Best In Show (2000).  While each film has its focus (a small town play; a dog show), it was 2003’s A Mighty Wind that “tapped” into the spirit of music that made Guest a fan favourite in the first place.  This time it’s folk music!

The Folksmen are a fictional folk band that actually opened for Guest’s “other” band, Spinal Tap.  Ironically, all three members are the same:  Guest, Michael McKean, and Harry Shearer.  Together with Mitch & Mickey (Eugene Levy and Catherine O’Hara) and the New Main Street Singers (Jane Lynch, John Michael Higgins, Parker Posey, Paul Dooley et. al.), the bands have reunited for a big folk show in New York City.   As he often does, Fred Willard stole the show in this film.

This hilarious comedy boasts an incredible soundtrack of originals and one cover (“Start Me Up”), and tonight I’ll be joined again by Dan Chartrand and Uncle Meat to discuss it.  With them will be John “Johnny Metal” Clauser, who has wanted to do this topic with us for some time now.

You might not be as family with A Mighty Wind as you were with This Is Spinal Tap, but you won’t regret spending an hour with us tonight.  It may not be heavy metal, but good music is good music, and this soundtrack is loaded with great songs.  Join us tonight!

Friday October 4 at 8:00 P.M. E.S.T. / 9:00 P.M. Atlantic.   Enjoy on YouTube or on Facebook!