THE GUYS – “The Stache Is Back In Town” (2013)
The month of Movember is upon us again, men allowing fur to gather on their upper lips. Some say it is to raise money for testicular cancer research. Some say it is a rite of passage. One way or another, Movember is now intertwined with rock and roll. Long gone faces such as Frank Zappa, John Bonham, and Phil Lynott are remembered fondly. The Guys want us all to remember together.
It’s not the first time. A couple years ago, The Guys brought out the excellent “Man With A Moustache”. It’s a catchy 80’s sounding synthpop-rock tune. It’s hard not to smile at its catchy chorus and wired guitars. It’s irresistible actually. Having sampled their tunage extensively on their website, I can’t say it’s indicative of their sound in general, which varies wildly all over the 1980’s. But you have to be the judge yourself of this talented creative force.
But ya know…The Guys have something new out this Movember. This kind of thing is categorized as a “parody”; I don’t consider it a parody. I consider it a tribute. I consider it a testament to Phil Lynott and moustaches everywhere from coast to coast of this glorious nation and beyond. That song is “The Stache Is Back In Town”. I hope I don’t need to explain this to you, but it’s a cover of “The Boys Are Back In Town” off Jailbreak, by Thin Lizzy.
You can hear it for yourselves, but I think The Guys did a damn fine job of this song. They even call out one of the greatest ‘staches of all television history: Thomas Magnum. That’s right. Thomas Magnus aka Magnum P.I. aka Tom Selleck! Lead vocalist Thomas Love (known to his friends as Marko Fox) explained it to me: “Grooming is essential for success…as a moustache can make anything better. It is not a coincidence that both Thomas Magnum and Jonathan Higgins both had killer staches.”
You can’t argue with that.
I hope “The Stache Is Back In Town” remains a Movember classic for years to come. While I did not participate in Movember this year, you can support the cause here: http://ca.movember.com/ Men’s health is an important issue, but Movember lets us take it a little more lightly. The Guys have the Movember spirit, and I applaud them.
The Guys: THOMAS LOVE – Vocals, Drums, Percussion & Keys JOHNNY KIKX – Vocals, Guitars & Keys BARRY FUSE – Guitars, Bass, Keys & Vocals RICK DANIELS – Bass, Keys & Vocals
Guess What Just Grew Back Again
A Hairy Lip That’s Made To Win
Went From Being A 2 To A 10
Just Because It’s Movember
Thomas Magnum Posters On Every Girl’s Wall
All You Babyfaced Boys Get Ready To Fall
I Hear The Rock That Is Our Party Call
So Let The Mo’ Ruckus Begin
THE STACHE IS BACK IN TOWN
Spread The Aftershave Around
Turn Up That Hairy Sound
No Shaving Cream To Be Found…
You Know That Chick That Turned You Down A Lot?
Every Night She Be Laughing, Blowing You Off
But Now Man She Be Staring, She Be Red Hot
The Hairy Lip’s Got Her Steaming
The Radio’s Playing Our Favourite Song
Called “Man With A Moustache” And It Won’t Be Long
Till All The Ladies Will Want Me To Take Them Home
They Want To Watch Me Shave It In
THE STACHE IS BACK IN TOWN
THE STACHE IS BACK IN TOWN AGAIN!
Mo’ bros lookin’ like John Oates…
Rock & Roll & Recycle! Two weeks ago, Marko showed you how to use an old cassette case to hold a smartphone such as a Blackberry Z10. Unfortunately, as Aaron pointed out, the iPhone charges from the bottom.
So, for iPhone users, I present to you my own original idea of an alternate use for an old cassette case! We all have a ton of these things sitting around!
Stickers from the folks at reprolabels.com.
Thanks to Marko Fox for the suggestion!
We’d always done radio ads. They weren’t mindblowing, but a lot of people responded to them. You’d get people calling every single week saying, “I heard your ad on the radio. You buy used CDs?” Radio ads were also expensive, so obviously you wanted to hit a home run every time.
What I didn’t know is that we had a radio jingle. I didn’t know until I started getting prank called by kids. I’d pick up the phone, hear a couple kids giggling, and then recite this jingle to me. Then they’d laugh some more and hang up. I was perplexed. I had no idea what they were singing.
I went to one of the people in Operations. “These kids just called me singing this song with our store in the words. What the hell was that?”
“Oh that’s our radio jingle. Haven’t you heard it before?”
Hell no! If I had I’m sure I would have spoken my mind. Later on I heard the actual jingle. It wasn’t…bad…it was just…not good. Today, it still haunts my darkest dreams.
Back in the day, the boss used to always ask our opinions on our ads. “What do you think of this one?” We’d throw in our two cents. As the company grew we weren’t consulted anymore. I’m not sure who was consulted, but it sure wasn’t us! We had no issues being honest, positive or negative, and maybe we just said “that sucks” one too many times in the past. Either way our opinion wasn’t sought. But mine sure was given after the fact. When kids start pranking you making fun of your jingle, that’s probably not a good sign.
The funny thing is, Meat already came up with a much better jingle.
Him and Tom used to eat at this greasy spoon place in (I think) London. Tom used to say, “Man, the food here isn’t good, but it’s cheap.” Meat would respond, “Yeah, just think about the money you save on the food.” And that turned into a jingle.
In his best Michael McDonald voice, Meat would close his eyes tight and croon, “Think about the money you saaaaaave on the food!” It was hilarious.
So, the next logical step was, “Think about the money you saaaaaave on the tunes!” Perfect!
The jingle was never used. But what do I know? It’s not like I’ve ever had my own theme songs played on the radio…
Thanks Marko Fox for the sound clip of the first broadcast of my custom made Marko theme!
You’ve seen me say it here many times: I love physical product. I hate being forced to download something. I hate paying money to own…what? 1’s and 0’s floating on a magnetic disc, a fragile thing that can die just because it wants to. Know what I mean?
I like packaging. I like knowing who wrote the songs, who produced them, who played what. I like artwork, I like lyrics, heck I even like the thank-you’s! Ever read the thank-you’s inside Def Leppard’s Hysteria? Extensive and hilarious! Mostly though, I think you gain an appreciation of an artist’s body of work, the more you know about it.
I like CD’s, and I’m fortunate to have worked in a CD store for pretty much the entire age of CD domination. When I began in ’94 we still sold tapes, and I was actually still buying tapes, if the price was right. Cassette was my primary physical product for another year, before I began the slow (still incomplete) process of re-buying all my tapes on CD.
For example, Wolfsbane’s first album. Still don’t have that on CD, very hard to find in this part of the world.
My CD collection increased approximately by 50 times, over my years there. I love physical product!
I like to keep them in good shape, and for that reason, I’m glad about the improved quality of digital media and players these days compared to back then. I don’t have to haul my discs around with me anymore when I’m heading to the cottage. I used to pack 15, 20 discs for variety. Now I just load up a 64 gig flash drive, and throw it in the car. When I get to the cottage I have my mp3 player at the ready. I don’t have to worry about breaking the cases, scratching the discs, or anything.
You know something? When I was a really young fella, like 13 or 14, we used to go to the cottage for 2 weeks at a time in the summer. When you’re 13, you get bored pretty easily at the cottage, so I began bringing my entire tape collection, my record collection, and my turntable with me. Incredible! Granted my collection wasn’t big, it was two cases of tapes and about 5 records, but still. Today, flash drive, MP3 player. Done.
But I’ll always keep my physical product, and at home I will listen to nothing else. I think my buddy Marko Fox at 107.5 Dave FM said it very well:
Technology is my mistress as well…and I love her…but I still must be surrounded by records, tapes and CDs for my soul to survive.
That’s it right there.
I’ve posted this video once before, but I don’t care, it rocks.
Holy crap! Part 60 already? I hope you’ve been enjoying the Record Store Tales so far. For this sort-of-but-not-really-special edition, I’m going to take you back to the start.
Marko Fox asked me today, “LeBrain, how did you get to be LeBrain?” Well, it was a unique set of circumstances Marko.
1. Obsession. Ever since I was a kid I think I was an obsessive-compulsive collector. I had to have every Star Wars figure, I had to have all their names memorized, I had to have it all.
2. Rock Magazines. The first rock magazine I ever bought was an old Circus special on Kiss. All my friends seemed to know all the important details about bands: Which guy was the bassist and which played guitar, the names of the members, the brands of the guitars. I decided to needed to catch up and so I started reading magazines.
3. The Power Hour. This MuchMusic show ran for an hour, twice a week. Two hours of pure rock a week! I taped them religiously and never missed one until I got my first part-time job.
4. Columbia House. Remember them? Buy 11 CDs for a penny, get 2 free, and only have to buy 8 more at regular club prices within the next two years? We got Columbia House when I was in grade 11, my sister and I, and we split it evenly. I read the Columbia House catalog cover to cover every month. So that meant I not only knew who Iron Maiden was, but also Miles Davis, Bell Biv Devoe, and Alan Jackson.
Those four factors sealed into my brain and endless stream of musical knowledge and listening experience that has only grown with the the birth of the Interweeb.
Jump-cut to 1994. It is July. I just started at the record store a few days ago. My boss is having me file discs to get to know the inventory. He is shocked that I know where to file Miles Davis. He is surprised that I know which Alan Jackson album has “Chattahoochee” on it. He asks me how I know this stuff? I tell him, “Columbia House!”
It wasn’t too long before I was teaching him things, too. I remember I bought a disc for stock by Pigface (Fook). The next day he took me aside, holds up the CD, and says, “What is this that you bought? You paid $4 for this?” I said, “Yeah. Side project of Ministry.” That was when I became known as the guy who knew the side projects from just about everybody.
He was more than happy to stock something if I told him I know it would sell. With him knowing what was going on with the charts, and Trevor knowing what was happening with new rock, we were a formidable force.
So there you go, Marko. That is how LeBrain became LeBrain. You’ll note that two of the four contributing factors don’t exist anymore, so perhaps there could never have been a LeBrain if not for the 80’s!
Check out this clip from me, asking Marko Fox a very important question, on the air. This was Tuesday May 1.