star wars

Gallery: “Holy sh*t, jackpot” #2!

A followup to Getting More Tale #477: “Holy sh*t, jackpot, holy sh*t, jackpot…”

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The crappy Walmart at Stanley Park Mall continues to yield treasure to those looking for it.

My weekend was already filled with some golden toy scores.  I picked up the Transformers Titans Return Galvatron figure at Toys R Us yesterday, and the Star Wars Black Series 6″ droid collection too.  These were small triumphs, but the real treasure awaited me today at Walmart.  On clearance!

HELLO NASTYI’m trying to get at least one of every character in the Star Wars Black Series 6″ figures.  As of today, I’ve done it.  The last one dropped into my arms.  Two weeks ago at that Walmart, it was General Hux.  Today it was the ever elusive Resistance pilot Ello Asty!  I’d never even seen one before.  I was so excited that I fumbled and dropped the box!  Small dent in the bottom left corner is my price, but since the toy was $19.99 on clearance, I’ll suck it up.

I also found a few more Titans Returns figures today to go with Galvatron, but there is no question that Ello Asty is my real jackpot today.  Since Ello Asty’s name was inspired by the Beastie Boys (Hello Nasty, get it?) we’ll leave you with some “Intergalactic” to get back to the subject of music.

Well now don’t you tell me to smile,
You stick around I’ll make it worth your while,
Got numbers beyond what you can dial,
Maybe it’s because I’m so versatile.

 

Blu-ray REVIEW: Star Wars: The Force Awakens [Full-on spoilerific]

NEW RELEASE – SPOILERS

STAR WARS: THE FORCE AWAKENS (2015, 2016 Lucasfilm Blu-ray DVD set)

When we last saw our heroes in 1983, Evil had been defeated.  Seemingly, Luke Skywalker fulfilled the prophecy of the chosen one who would bring balance to the Force, via his father Anakin Skywalker.  Appealing to the good still within Darth Vader, the evil henchman of the Empire turned back to the light and betrayed his Sith lord, Emperor Palpatine.  The Rule of Two was broken and the Sith were destroyed, along with their ultimate weapon, the second dreaded Death Star.  In death, Vader redeemed himself.  Luke smiled when he saw the ghost of his father standing next to those of his old masters Yoda and Ben Kenobi.  He turned to rejoin his friends in the celebration of victory.  Roll credits.

For decades, we were told “that’s it”.  That’s the end of the story, said the man who wrote it, George Lucas.  Sure there was talk of a sequel trilogy before, even two sequel trilogies!  This seemed highly unlikely in 1983 as George was adamant that he was letting Star Wars go to work on other projects.  The legacy of a sequel, of “what happened to Luke, Han Solo and Princess Leia later” was left first to novelist Timothy Zahn and then to a whole new generation of writers who filled the galaxy with stories of what came next.  Of course, we all knew that should George actually change his mind and allow sequels to be made, all of that old stuff from the books would go out the window.  No way was anybody going to try and adhere to continuity that somebody else wrote in a novel.

In 1994 there was hope.  Lucas re-emerged and began working on the mysterious and long-awaited Star Wars prequels, Episodes I, II and III.  Questions now could finally be answered.  Who were the Jedi?  Who is Luke Skywalker’s mother, only briefly mentioned before and never seen or named?  Most importantly, how did Anakin Skywalker transform into Darth Vader, and why did the Repulic fall to be replaced by an Empire?   One of the problems with this situation was that some questions are often best left to the imagination.

It was undeniably wonderful to finally return to the Star Wars galaxy, but it is also impossible to overlook how ill-received by fans the prequel movies were.  The stiff acting, the wooden dialogue, the unlikely scenarios and muddled plots of these movies made them difficult to fully enjoy.  Although entire cottage industries had grown out of anticipating the possibility of a sequel trilogy, many fans were happy all the same if they never got made.  Lucas pooh-poohed the idea, now claiming Star Wars was always two trilogies, six movies, and the story of Anakin.  There were no stories beyond that, he continued.  It would be fun, he said, to see what Luke and Han were up to later, but ultimately they would just be extraneous to the actual story of Darth Vader.  The end.

 

"Everyone said, 'Well, are you going to do sequels to the first three?' But that was an afterthought; I don't have scripts on those stories. The only notion on that was, wouldn't it be fun to get all the actors to come back when they're 60 or 70 years old and make three more about them as old people."

“Everyone said, ‘Well, are you going to do sequels to the first three?’ But that was an afterthought; I don’t have scripts on those stories. The only notion on that was, wouldn’t it be fun to get all the actors to come back when they’re 60 or 70 years old and make three more about them as old people.”

 

Or not.

Quietly and in secret, Lucas once again had a change of heart and began work on the Star Wars sequel trilogy.  Realizing that he would not be able to undertake such a massive project at his age, he made the brave choice of handing Lucasfilm over to Kathleen Kennedy, and selling Star Wars to Disney.  Lucas’ story and characters were thrown out, but used as inspiration for what would eventually become Episode VII.  Artists dug way back into the Ralph McQuarrie archives for inspiration, and so decades-old designs for Star Wars were finally able to leap onto the big screen.

Much of this information is the included documentary, Secrets of the Force Awakens: A Cinematic Journey.  Though that feature does document the emotion and gravitas of what a sequel really means, it fails to really express the true feeling of it all.  For decades, we were told this movie was never coming, but Episode VII was what we all really wanted, not Episode I.  After the credits rolled on Return of the Jedi, did we all not grab our action figures of Luke, Han, Leia and Chewie and try to play out what happened next?  The toy company Kenner tried to come up with new villains (I’m sure “Mongo Beefhead Tribesman” would have been a big hit), and Marvel Comics introduced a new villain called Lumiya, the Dark Lady of the Sith.   Mace Windu, Darth Maul and Qui-Gon Jinn did not exist.  The truth is, even in 1983, we didn’t really care about prequels.  We wanted to know what happened next much more than what came before.  So the dual challenge with Star Wars Episode VII was to not only make a movie that continues the story of the Skywalker family appropriately, but also to live up to everything we imagined and played out as kid.  No pressure, right?

Director JJ Abrams felt the pressure, but what he and his creative team emerged with in The Force Awakens is everything that fans needed it to be.  Not that there were no complaints.  The heaviest criticism laid against The Force Awakens is that it imitates the first Star Wars (A New Hope) slavishly.  Some derisively refer to The Force Awakens as a “reboot”.  The parallels are there, but let us also not forget that Lucas himself tried to make his trilogies “rhyme” with similar circumstances.  Did they go too far trying to copy the original?

A cute heroic droid carries a secret message on a desert world that must get back to the heroes.  A new young character, a loner who is unwittingly Force sensitive, meets this droid and decides to help it.  The desert world is escaped in the Millenium Falcon.  They are pursued by the bad guys, led by a Force-using guy in a black mask and cloak with a crimson red laser sword.  The bad guys have an ultimate weapon, a planet destroyer, and they use it.  Our heroes must stop them from using it again.  This large spherical weapon must be blown up, and a battle of X-Wings vs Tie Fighters will decide the fate of the galaxy.  An old hero from a prior trilogy makes the ultimate sacrifice.  Finally, our young new hero character concentrates to use the Force, and defeats the evil.  Roll credits.

That paragraph describes both A New Hope and The Force Awakens perfectly.   But a lot has changed, too.

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Although we know the events that occurred 30 years prior off by heart, we know very little about what actually took place between Return of the Jedi and The Force Awakens.  Here is what we do know.

After the Battle of Endor and the defeat of the Emperor, Han Solo and Princess Leia had a son named Ben.  The Blu-ray special features reveal that Ben Solo was powerful in the Force, but with equal portions of light and dark within him.  Director JJ Abrams tells us that the man known as Snoke, a dark side user, had his eyes on Ben Solo from the very start.  So, much like his grandfather Anakin Skywalker, young Ben was being watched by a dark side master from the very beginning, and slowly seduced to the dark side.  We also know that Luke was training a new generation of Jedi, but that Ben destroyed it all.  Luke went into hiding, feeling responsible for his failure.  We do not know anything concrete about this Snoke, or where he comes from.  All that we know is that he seems very, very afraid of Luke.  Ben Solo wants to find the map that leads to Luke’s hiding place.  Snoke on the other hand wants that map destroyed if it cannot be recovered.  He would rather that Luke never return to the affairs of the galaxy, where Ben is desperate to find that map, and therefore his uncle Luke.

Our new hero, the girl known only as Rey, has a Force vision in the movie that tells us a little bit more about what happened.  We see brief clips of a massacre in the rain.  Betraying Luke’s students by surprise in the night, it appears Ben, now known as Kylo Ren, has slaughtered Luke’s younglings with the help of his henchmen, the Knights of Ren, about whom we know nothing at all.  We glimpse Luke placing his robotic right hand on his trusted droid R2-D2, perhaps shutting him down.  And most interestingly, we see Kylo Ren killing someone through the back with his lightsaber, from the perspective of someone down below.  Someone small like a child perhaps.

In that vision, which seems to be from the perspective of Rey as a little girl, Kylo Ren appears to be killing one of his fellow Knights of Ren.  Is that indeed what is happening?  Why did Kylo kill that man from behind?  Did Kylo spare Rey from him?  And who is Rey?

There seems little question that Rey is indeed a Skywalker.  It also seems clear that Kylo Ren knows, or at least feels, that there is more to Rey than anyone else knows.  It is Kylo who freaks out every time somebody mentions the scavenger girl from Jakku.  Why?  What is it about the idea of a girl from Jakku that has him so on edge?  Rey is powerful enough to not only resist Kylo’s mind probe, but also reverse it and read Kylo’s mind.  “You’re afraid,” she boldly proclaims, “that you will never be as powerful as Darth Vader!”  She is strong enough to defeat Kylo Ren, at least semi-trained in the lightsaber, in a dual.  Much like three other key characters in Star Wars (Luke, Leia and Anakin Skywalker), she has latent Force talents that are emerging on their own.  And this terrifies Kylo Ren, very much.  “You need a teacher!” he tells Rey, trying to avoid being bested by a girl.  “I can teach you the ways of the Force!”

Kylo Ren is an interesting and complex villain.  He has the fiery temper of his grandfather, but even more wild and untamed.  His unfinished lightsaber is amaturish and dangerous.  Unlike Anakin, he does not feel pulled to the dark.  “I feel it again.  The call to the light,” he confesses to Darth Vader’s melted helmet in meditation.  “Show me again, the power of the dark side,” he begs the spirit of his grandfather.  Wait…”again”?  What’s this “again” business?  When Anakin died, did he not revert to good?  It seems highly likely that Kylo Ren’s master, Supreme Leader Snoke, is manipulating him with this Vader business.  We will not know for sure until Episode VIII…or IX.

As for Snoke, we know he’s a Force user because we are told that he senses Kylo’s weakness, his compassion.  We also know this because he says he’s going to complete Kylo Ren’s training.  And that doesn’t sound too good for Kylo!  His mucking around, trying to retrieve the map from Rey instead of destroying it in BB-8, caused the First Order to lose their gazollion-credit superweapon, the Starkiller.  Think Darth Vader was in shit when he let the first Death Star get blown up?  Just imagine the shit that Kylo Ren is in now.  That new scar across his face his the last of his worries.  When Snoke finds out that he not only got the base blown up, but also let the girl get away and the Resistance find Luke Skywalker…well, let’s just say I wouldn’t want to be Kylo Ren right now.  The “completion” of his training will result in an even meaner and more intense Kylo Ren in Episode VIII.

Kylo’s father Han Solo went down a hero in The Force Awakens.  Now, true Star Wars fans could have seen this coming right from the day they announced the movie was going to be made.  Han Solo was supposed to die in Jedi.  At first, George Lucas wanted balance.  The victory of the heroes should be balanced by a tragic loss, because that’s life.  He eventually backed out of this.  It seemed obvious that the idea would be resurrected for The Force Awakens.  But for Han to go down the way he did?  Perfect.  Flawless.  Some complain that Han should have had the last word;  he did though — his hand on his son’s face says 1000 words.

Chewbacca’s rage in that moment reflected the shock of everyone in the movie theater.  Rey and Finn’s shock and sorrow was what we all felt, even though it was telegraphed from a mile away.  If those gangsters chasing Solo earlier in the film didn’t hint that his luck was running dry, then the moment Solo walked out onto that catwalk surely indicated it was time for his end.   If there is one rule in Star Wars, it’s be careful of catwalks.  Have these people not yet invented the safety rail?  On Earth, that catwalk would have violated so many regulations that General Hux would have been busted down to Colonel.

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The Blu-ray has deleted scenes, and some of them reveal a little bit more detail.  In one, Rey is told that Finn is going to be just fine, something left ambiguous in the final film.  In another, Kylo Ren and a squad of Snowtroopers board the Millenium Falcon after its crash landing on the Starkiller planet.  Knowing Ren would have grown up on that ship, you can only imagine his feelings as he stands in the cockpit.  Other cut scenes, like a battle with Finn and Rey using Snowspeeders, would have made the movie drag.  So here they are for your enjoyment, and separate from the film on a bonus disc.

The bonus disc also includes interesting bits about the different BB-8 droids that were built for the film, and the various creatures and monsters.  Composer John Williams is the star of one featurette.  The CG effects are gone over, and so is the end lightsaber battle with Kylo and Rey in the woods.  Few lightsaber battles in past movies were filmed in a night time setting.  In order to get the reflective glows on film, the actors used actual glowing lightsaber props for the scene.  The result is more realistic lighting in a scene featuring many trees and lots of snow.  Finally, there’s a bit about the famous “table read”.  When the cast were assembled and the script was read in one room for the first time, the photo of this epic “table read” went viral.  You may wonder, what did Mark Hamill do during this table read?  Did Luke have zero dialogue or not?  Good question:  Mark read the narration.  It’s only a shame the full two hour table read wasn’t included.

That brings us to Mark Hamill and Luke Skywalker, the ideal place to leave this epic review.  There he was at the end, after 30 years of wondering “What happens to Luke, the only Jedi left in the galaxy?”   Hamill’s face speaks volumes of what happened to Luke.  Epic pain…sad wisdom…incredible knowledge.  Luke has seen these things and much more, and it is in his eyes.  His light beige cloak is a sharp contrast to the black clothes we last saw him in.  In Star Wars, this communicates a purity awash in the good side of the Force.  Whatever he has done in the years since he left, it is implied that Luke has become as powerful as the Emperor predicted.  Probably more powerful even than Darth Vader ever was.  Supreme Leader Snoke fears Luke Skywalker more than anything the pitiful Resistance can muster.  Who do you think gave Snoke those horrific scars on his head?  Perhaps the reason Snoke fears the last Jedi so much is that he has tasted the blade of that Jedi.

The Force Awakens may take all its plot cues from the original 1977 Star Wars, and that is a fair critique.  As we have shown here, there is also much more to it.  There are layers of mystery that are waiting to be peeled.  When George made the first Star Wars in 1977, he didn’t know he would ever make another one.  There were not as many questions to answer.  What Kathleen Kennedy, JJ Abrams, Lawrence Kasdan and Michael Arndt came up with here was a story once thought impossible to write.  They succeeded in coming up with a sequel idea that continues the story of the Skywalkers, introduces new heroes and villains, and doesn’t seem tacked on or mismatched with the original movies.  It feels completely organic and natural.  Indeed, The Force Awakens feels far more like Star Wars than any of the three prequels did.  That’s something many thought impossible, like making the Kessel run in 12 parsecs.

Everybody’s going to buy this Blu-ray, so the only question left is which version to buy?  I chose Walmart’s which came in a BB-8 case with a little “trading disc” inside.  Only humbug: all those trailers we sat around and watched are not among the bonus features.  But there are many versions out there and here’s a breakdown of them:

  • Walmart – BB-8 case and trader disc.
  • Best Buy – Steelbook case.
  • Target – 20 minutes of additional bonus features including interviews with John Boyega and Daisy Ridley.
  • Disney – free lithographs.

Buy accordingly!

4/5 stars

#477: “Holy sh*t, jackpot, holy sh*t, jackpot…”

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GETTING MORE TALE #477:  “Holy shit, jackpot, holy shit, jackpot…”

Collectors know the feeling.  You walk into a store, and saunter over to a favourite section.  Upon spying a gold mine of things you had been looking for, the euphoric feeling hits you just a shot of adrenaline straight in the heart.

“Holy shit! Jackpot…”

Whether you collect music, movies, books, toys, hockey cards or Kiss stuff (they being a whole category of their own), we have all experienced the feelings.  Finding a mother lode of treasures can be such a ride of emotions!  The excitement when you see it all.  The dread when you feel your thin wallet.  The pain of picking out the things you can afford.  The second-guessing and flip-flopping over what to actually get.  The sorrow of having to choose something to leave behind.

This has been happening to me for decades.  Having broad tastes and interests plus a healthy case of OCD will do that to you.  Over 20 years ago, my love for my childhood favourites the Transformers was re-ignited by such a jackpot.  While browsing junk at a church garage sale with my buddy Peter, I ran into a large pile of Marvel Transformers comics.  Most of these were from near the end of the series (issues #50-80), and long after I stopped collecting Transformers.  I couldn’t just leave them there!  Who knows where they would wind up then?  I had to rescue them.

At 50 cents each, this hardly broke the bank, but all the same feelings arose:  The excitement upon spying these comics, the picking out of the ones I needed, the angst of leaving some behind (even though I didn’t really need them).  And it kick-started a stunted adulthood that quickly reverted back to youth, a place I’m still stuck today.

IMG_20160319_105213Today, whenever I spot a stack of Japanese imports at a store (as I did last month as Vertigo Records in Ottawa), the adrenaline hits.

If I spy a pile of 90’s Metallica singles, the same thing happens.

A collection of rare 80’s Canadian metal records?  Same thing again.

But I still collect toys and comics too, and this same experience just happened to me at a local Walmart store.

The Star Wars Black Series 6” action figures have been hard to find.  There are always “shelf warmer” characters that nobody wants, and in 2015 that was poor Finn.  Other figures have been impossible to spot at retail.  Whenever a shipment arrives, people snap them all up and often end up re-selling them on eBay for more than double what they’re worth.  It’s not cool but that’s what happens.  I’m sure the store staff know all the eBayers  by heart, because they the know when the shipments arrive and are there when the store opens.

Cases are also “short-packed”, meaning a box of eight figures might have three Finns, but only one Kylo Ren.

A couple weeks ago, I was at a small Walmart store at Stanley Park Mall in Kitchener.  Interestingly enough, this is the same mall at which the very first Record Store in the chain that I worked opened.  My dad worked at that mall (at a bank), and I worked there twice (at a grocery store and finally at the Record Store).  It’s a pretty shitty mall and the shittiest Walmart around, but sometimes you can find real treasures at the out-of-the-way ones.

Even though this is a sucky Walmart, I still found a Star Wars 6” New Order Flametrooper there a few weeks earlier, so I knew that figures could be had there.  What I did not expect this time were FOUR more figures I needed, and some of the hardest to get:  “Old” Han (the most popular), Captain Phasma (very hard to find), Jango Fett with removable helmet and jetpack, and Finn in Stormtrooper gear!  Most of these are going for stupid money online, so to find them in store was quite an exciting surprise.

I frantically sifted through the row of figures, animatedly pulling out all the ones I needed, and singing out loud “Holy shit, jackpot, holy shit, jackpot, holy shit, jackpot…

That’s when I noticed the stock guy staring at me.  I spied several boxes of figures that he was unloading and opening.  Did he figure me to be one of the eBayers?  Maybe, maybe not, but I then saw two more employees stocking the toy shelves, giving me glances.  I’m sure they all heard my “Holy shit, jackpot” song and dance.   I smiled and ran away.

That haul cost me $100, but it was worth it!  And I still love the rush of discovery.

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#468: The Lies of Ian

We will return to the Deep Purple Project after this instalment of Getting More Tale.

GETTING MORE TALE #468: The Lies of Ian

I feel blessed to have grown up in the 1980’s.  What an era!  It was the age of Star Wars, Van Halen, Dio, GI Joe, and Transformers.  We had the A-Team and Magnum PI fighting on the side of good.  By the end of the decade, hard rock had hit another major peak again (before being dethroned by grunge in 1991).  It was a good time to be in school.  In fact I would argue it was the best time to be in school.

I spent nine years, from Kindergarten to grade eight, in the same place:  St. Anthony Daniel Catholic school.  Or, as my sister used to call it, the “Hell Hole”.  I lived in a great time to be in school; too bad I went to a shite school!  The bullies were mean and the teachers did not give one shit — not even one.  In fact the teachers often exacerbated the situation by embarrassing the shy and fragile in obvious loud ways, giving the bullies more ammunition come recess time.

It was in this environment that I befriended Ian Johnson, a kid with a pretty wild imagination.  He was a good guy, we had birthday parties together and sleepovers and went to movies.  We played a lot of Star Wars.  His dad made Star Wars “tables”:  giant playsets of Dagobah and the Death Star, built out of actual tables with bits cut out.  Ian was definitely the only kid around who had one of those!  He was also the only kid in class who claimed to have ninjas training in his basement.

Ian Johnson lived in a townhouse.  He did not have a basement.

We would walk home from school together, usually in a small group with one or two other kids.  Ian was well known for his tall tales.  He would swear up and down that every word was true.  If that is the case, I have some startling news to share with the world!

1. It was not Walt Disney that came up with the ideas for Bambi.  It was in fact Ian Johnson who gave Disney the idea to make it.  Please don’t scrutinize the timeline of events too closely.  Ian said it; it had to be true.

2. Ian was a mathematician.  He was one of the world’s leading mathematicians.  When I asked him why he failed the math quiz in class, it was because he was “not an expert in math that hasn’t been invented yet.”  (That would be long division.)

3. He had a squad of ninjas training in his basement.  Below his townhouse, he had a training facility several storeys deep.  The exact depth changed from tale to tale.  The main takeaway from this is that Ian had a huge concrete ninja bunker full of the deadliest weaponry hiding under his townhouse in suburban Kitchener, Ontario.  This one, nobody bought.  We’d fallen for some of his lies before but this one was just too big and fat to swallow.  We nodded and smiled because to question Johnson’s stories would lead to endless arguing.

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4. Ian knew George Lucas.  He had read Star Wars episodes I, II and III.  He knew what happened in them and described it in great detail.  There was an encounter between Jabba the Hutt and Han Solo, setting up the bounty on Solo’s head.  The level of detail made this one hard to disbelieve.  Solo took a shot at Jabba with his blaster, who jumped out of the way, dodging the bolt.  Indeed early versions of Jabba the Hutt before 1983 did have legs.  He also described a sequence including creatures called “stonemites”.  Solo was hiding in a cave full of these things which could eat through stone like termites through wood.  It wasn’t until 2002 that I learned Ian had lifted these elements wholesale from Marvel Comics’ Star Wars issue #28, from 1979.  That’s why his descriptions were so clear and believable.  It was things like this that made it hard to tell when Johnson was lying or telling the truth.

5. Mixing half-truths with fiction, Ian told us all how he knew Brian Vollmer of Helix.  I later confirmed this part of the story to be true.  Back in Record Store Tales Part 2: Gimme an R! we talked in great detail about a time when Helix were local legends in these parts.  I confirmed with Vollmer myself that he did live on Breckenridge Drive in Kitchener, three doors down from Johnson, exactly as Ian described it.  He would often point to the Vollmers’ townhouse as we rode by on our bikes, but there was rarely anyone home.  Ian also described a Christmas card that Brian Vollmer received from Blackie Lawless of W.A.S.P.  This also turned out to be a true story.  I recognized the card when Brian added a picture of it to the official Helix website.  Again, it was exactly as Johnson told us.  What was not true is that Ian took credit for the “Gimme Gimme Good Lovin'” music video.  “That music video was my idea,” claimed Ian.  “I was talking to Brian Vollmer and I told him, ‘what you really need is a video with lots and lots of girls in it.'”

I will give Ian Johnson credit for one thing, which is while I was still listening to Iron Maiden and Kiss, he had discovered a newer heavier band called Metallica.  They only had two albums out, Kill ‘Em All and Ride the Lightning.  “Have you ever heard Metallica?” he asked me.  “You will.”  He brought the tapes to school and played a track or two.  Giving credit when it’s due, Ian was the first kid I knew to have heard of Metallica.  He was on top of his heavy metal.

That is, until 1986.  That is when Ian Johnson dropped the metal and went full-bore new wave.  “Girls don’t like heavy metal,” he explained to me during a heated argument.  Girls.  PAH!  Like many kids, Ian turned from friend to bully later in school.

This one is for Ian Johnson wherever you are.  I’m sure he’s still out there, consulting Disney on the new Star Wars movie backed by a squad of fully trained ninjas.

REVIEW: Star Wars: The Force Awakens soundtrack [spoiler free]

NEW RELEASE – SPOILER FREE

Scan_20160103 (8)STAR WARS: The Force Awakens original motion picture soundtrack (2015 Lucasfilm/Disney)

After seeing The Force Awakens on December 18, my radio pal Rob Daniels who had not seen it yet asked me, “How was it, seeing a Star Wars movie without the 20th Century Fox logo and fanfare at the start?”

It was strange.  Not unexpected of course; we all know the reason there is an Episode VII today is because Lucasfilm sold Star Wars to Disney.  The old 20th Century Fox fanfare does not commence the soundtrack, which instead begins with the main Star Wars title theme.  This quiets and slows, as the covert start to the movie begins.

“The Scavenger” introduces the character of Rey.  Add this to yet another intriguing piece of character music from the mind of John Williams.  “The Scavenger” is unlike any of the other Star Wars cues; it’s brand new, just like the character of Rey.  I get goosebumps hearing it again, such is the power and identity of the score.  It also has the tone to connect this new chapter to the other instalments of the saga.  This is only a brief respite.  Much like the movie itself, the action resumes shortly.  The title “I Can Fly Anything” suggests you should fasten your seatbelts for this cue!*  Williams allows you to close your eyes and picture the flurry yourself.  He always has; that’s his magic.  As kids, we would drop the needle on the soundtrack to The Empire Strikes Back while navigating an asteroid field with our Kenner Millenium Falcons.  Or, you would flip the pages of your Marvel Star Wars comic movie adaptations, while listening to those records.  The experience still works today.  Through the drama and occasional quiet moments of reflection, you will notice callbacks to cues from the classic trilogy — “The Falcon”, or “Han and Leia” for example.  These pieces of music are warmly remembered.

When the soundtrack to The Phantom Menace was released in 1999, the track “Duel of the Fates” became a bit of a hit single.  There is no “Duel of the Fates” here, but “Rey’s Theme” serves well as the memorable track this time out.  With more subtlety (and perhaps even femininity?), “Rey’s Theme” is a new kind of Star Wars music.  I have high hopes that the character and story arc will unfold in a way just as emotional and satisfying as her theme music.  Star Wars deserves to have characters that you can invest your emotions in.  With the prequel trilogy, I could never feel much for Anakin Skywalker.  You always knew that no matter what happened in the prequels, he’s just going to end up in the black suit and blowing up Aldaraan.  Rey’s future is unwritten.  Having a strong theme will help her character going forward.

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Vintage Star Wars fun can be had on the tension-packed tracks “The Rathtars!”, and “Kylo Ren Arrives”.  Somber beauty is “The Starkiller”, ironic considering the scene in question.  For deeper listening, check out the tracks “Maz’s Counsel” and “Snoke”.  Perhaps there are musical clues buried in these pieces to help us identify who some of these characters may be?

The soundtrack is a wild ride like the movie from which it came, picking up suspense as it nears the end.  The less said about the last few tracks on the CD the better, except to mention that Williams continues to forge new ground for Star Wars right to the finale.  With passion and precision, every track is the perfect accompaniment.

My only disappointment, although not unexpected since this is only a single CD release, is that some music is naturally omitted.  The one track I wish was available is the neat rasta-space-blues song playing when our heroes arrives at Maz Kanata’s tavern.  It’s the “Cantina Band” or “Lapti Nek” of the movie, but it’s not on the CD.  There are whispers that a 2 CD deluxe edition is forthcoming this year.

5/5 stars

* The Millenium Falcon has seatbelts, but the USS Enterprise does not.  Discuss!

#459.3: 2015 Year-End Lists, part 3 – LeBrain!

GETTING MORE TALE #459.3:
2015 Year-End Lists, part 3 – yours truly, LeBrain!

Unlike my companions in rock, Tom and Uncle Meat, I’m going to be a bit more verbose here with my top lists of 2015.

I thought I had my top five albums down.  I didn’t expect any changes, but then a couple respected writers started praising the new Def Leppard album.  I decided, against my better judgement to go ahead and buy it.  What can I say?  Those reviewers were right.  It’s a good album.  Def Leppard 2015 cracked my top five list, necessitating a top six.

LeBRAIN’S TOP SIX(!) ALBUMS of 2015

6. Def Leppard – Def Leppard
5. Stealth – …listen
4. Queensryche – Condition Hüman
3. The Darkness – Last of Our Kind
2. Faith No More – Sol Invictus
1. Iron Maiden – The Book of Souls

2015

LeBRAIN’S TOP FIVE TV SHOWS of 2015

I actually watched enough TV this year to make up a list!

5. Unbreakable Kimmy Schmidt
4. The Big Bang Theory
3. Star Wars: Rebels
2. Better Call Saul
1. American Dad!

BIG BANG

LeBRAIN’S TOP MOVIES of 2015

As far as I know, only one movie came out this year, right?

1. Star Wars: The Force Awakens

FORCE

2015 IN SUM

The high quality of new albums by returning bands continues to amaze me.  The last band I expected a quality album from this year was Def Leppard.  Of course, on the flip side of that, we have Bon Jovi who choked to death on pop dreck.  Given what was coming out this year, and what the stakes were (a possible final album from Iron Maiden, the first Faith No More CD in 18 years), you couldn’t have realistically hoped for better than we got.  Meanwhile on the new music front, it is hard to find a better debut than …listen, by Stealth.  Not rock in any way, but more mind-expanding than anything else I heard in 2015.

And talk about high stakes on the movie front!  The most anticipated movie of all time is going to be the most successful movie of all time, thanks to it pushing all the right buttons while moving the story into its next phase.  Because of my wife’s health condition (epilepsy) I don’t go out to movies very often, preferring to wait for the blu-ray.  Age of Ultron and Ant-Man pleased me immensely.  But worth more than just an honourable mention is Mad Mad: Fury Road.  Unlike Star Wars, Mad Max rebooted while going off into a startling new direction.  It was probably the most impressive film of the year…but even so, my 2015 was only about Star Wars.  Just trust me — see Mad Max: Fury Road.  See it many times.

Finally:  Rest in peace Lemmy Kilmister, Philthy Animal Taylor (that’s 2/3rds of the classic Motorhead lineup, wiped out), Scott Weiland, Chris Squire, Ornette Coleman, Ben E. King, Percy Sledge, A.J. Pero, Andy Fraser, and of course, B.B. King.

Happy New Year, everybody!

 

fnm

 

#457: Making the Best Buy (Or, making lemonade from lemons)

SOUTH PARK

GETTING MORE TALE #457: Making the Best Buy
(Or, making lemonade from lemons)

In Getting More Tale #326, we lamented that the once-mighty retail chain Best Buy isn’t what it used to be.  This time, we’ll take a look back at the store’s history.

Who doesn’t love those fact-filled Uncle John’s books and calendars?  Here’s the entry for December 2 2015.  Before reading this I had no idea, nor did I really care how Best Buy started.  Uncle John changed my tune:

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Scan from the Uncle John’s 2015 desk calendar.

Back at the Record Store days in the early 2000’s, the Boss was bracing for a new Best Buy store to open nearby.  He figured that we’d probably feel some short term pain, but in the long term the store should draw more customers to the area and we’d benefit from their presence.  He also strongly encouraged us not to shop there, a big US chain edging into our turf.

I tried to avoid shopping there at first, but the convenience was too much to resist.  When I needed printer ink, computer supplies, or a new movie release, they were right there, and they usually had everything I came in for.  That made it hard to avoid.  I still tried to shop locally — I remember making special trips to Steve’s TV in Frederick Mall to buy the Star Wars trilogy on DVD.  Between big items like TV sets, and small ones like candy, I know I have easily spent thousands of dollars at our local Best Buy stores.   They also had hard to find items, such as the rare ZZ Top box set that came in a little box shaped like a barbecue shack (Chrome, Smoke & BBQ).  The guilt felt for shopping a big US conglomerate was tempered by the savings and convenience.

That was then.  As mentioned in chapter #326, Best Buy took a serious dump a few years ago.  Still, a few weeks back, I had the chance to stop by one with my friend and sometimes contributor, Thussy.  We had an hour to kill before a work dinner, so we popped into Best Buy, prepared to spend money if they had something we wanted.  We spent an hour in the store, but no dollars.

The one thing I would have bought would have been the new Adele CD, 25, for my mom.  (Yes, it’s for my mom.)  I know Best Buy pretty much cut audio CDs from their stores completely, but hey, it’s Adele.  Worth a try, right?  Even my grocery store has the new Adele.  Best Buy did not have the new Adele.  I wasn’t really surprised.

We were tempted by some of their blu-ray deals.  We saw a reissue of Monty Python and the Holy Grail, which I have already bought thrice, no more no less, over the years: VHS, DVD, and special edition DVD.  This new version was a blu-ray, with the same features as the DVD, but a neat little castle set and plastic animals to catapult over it.  Very tempting indeed.  But both of us said no.  We survived their $7.99 cheapie blu-ray bin without spending a penny.   The only thing that was almost a serious temptation was that new remote controlled Star Wars Sphero BB-8 toy. It was $180, and it is definitely a neat little toy. But what the hell was I going to do with it? With a big record shopping excursion in Toronto on my horizon, the $180 would be better saved.

It was a pleasant trip to Best Buy, and we marvelled at all the new televisions and gadgets.  We were asked by one pleasant employee if we needed any help, and only once, which is exactly how you want it.

Best Buy, what happened to you?  Obviously, their story didn’t end with opening 1000 superstores.  They continued to grow, by acquiring other electronics and music retail chains, such as Sam Goody.  Their presence in Canada was felt in 2001, when they bought out our own, similar chain:  Future Shop.  That’s when they began horning in on our territory, and freaking out the Boss.  They continued to expand and acquire, and their services such as the Geek Squad became household names.  It seems this is where Best Buy and I parted ways, as they focused more and more on electronics, and less on the media that I often came in for.  They bought mobile phone stores and services, and became the first non-Apple distributor of the iPhone in 2008.   Phones, game consoles and tech support took over the spaces once designated for music.  Meanwhile online, Best Buy’s on-demand movies, improved web sales services, and quick delivery began to dominate.  I bought my laptop online, and it was at my door to me a few days later in the post.  Around 2010 however their sales began to dip, but Best Buy shed some weight in order to continue to survive.

It just hasn’t happened with much of my help.

This year, Best Buy’s Canadian acquisition Future Shop bit the dust.  I hadn’t done much shopping there lately either, for the same reasons as above.  The two stores were all but identical, and sometimes existed side by side!  It was no wonder they shut their doors.  Others re-opened under the Best Buy banner, but it was a major hit for the company.

I think Best Buy will continue to exist, but as online ordering and home delivery becomes the norm, I think the stores will be able to shrink in size and survive.  Large items like televisions might remain in-store for customers to try out, or to pick up after ordering online.  Small items like movies might be phased out altogether, since Amazon’s own home delivery is the king of convenience.

I will continue to watch Best Buy, and sure, I’ll be cheering from the sidelines.  I would very much like to buy something cool at a great price from them again, some day.

 

SEAN BEAN MEME

 

MOVIE REVIEW: Star Wars: The Force Awakens [Spoiler-free]

NEW RELEASE – SPOILER FREE ZONE!

Star_Wars_The_Force_Awakens_Theatrical_PosterSTAR WARS: THE FORCE AWAKENS (2015)

Directed by JJ Abrams

“Faster, more intense!”

15 minutes ago, I was sitting in my theater seats.  That’s how fresh this review is!

As mentioned in this morning’s post, Star Wars Episode VII is the movie I really wanted to see, ever since 1983.  We didn’t care about backstory, we didn’t want to see prequels.  All we cared about was “What happens next?  What happens to Han, Luke and Leia?”  That’s one reason Timothy Zahn’s written sequel, the “Thrawn Trilogy”, was so well received by fans worldwide.  But that’s just a book — what really happens after the second Death Star is destroyed?

Now I know, and I am not disappointed.

Director JJ Abrams has re-captured the magic.  The lived-in universe is back.  The wooden, stiff dialogue and exposition are gone.  The new quartet of leads (Adam Driver, John Boyega, Oscar Isaac, and especially the impressive Daisy Ridley) are everything we wanted out of a new generation of Star Wars heroes and villains.  They will now join the pantheon of characters that live on in our hearts.  The camaraderie and friendships that were never believable in the prequels have finally come back to life.  Without the misguided hands of George Lucas at the tiller, the Star Wars sequel trilogy has begun anew, with life.

Rey is a scavenger on the desert planet of Jakku.  The parallel here to Tattooine is unmistakable and obviously intentional, but Jakku has its own charm by being strewn with original trilogy space junk.  In fact, the whole movie is littered with original trilogy callbacks, from certain objects on a familiar starship, to the overall look and deco of the universe.  The galaxy has seen a lot of wear and tear, but a new threat called the First Order has risen, and wants to see the end of the New Republic.  The Republic (which we don’t get to see much of), is defended by a secret organization much like the rebels, called the Resistance.  They are led by General Leia Organa, continuing on doing what she knows how to do best.  How does Rey fit in?  When a droid carrying a secret message for the Resistance (sound familiar?) and an ex-stormtrooper fall into her life, it will never be the same again.


Uber-fans will like to know that there are some shots and lines in the trailers that are different in the movie.

The new characters serve the archetypes that worked in classic Star Wars movies.  You have an orphan on the desert world, a hotshot pilot (or perhaps two), and the cute but witty little droid who helps out at all the right moments, but mostly needs rescuing.  Original?  Not hardly.  The original trilogy, with its familiar set pieces and dialogue, are omnipresent.  Fans have set the bar much lower since the prequels, and a group of re-tread heroes will have the fans satiated.  Then we have the villain, Kylo Ren, the enforcer of the First Order, and face of the Disney marketing campaign.  Much has been made of Ren’s wimpy voice, but in full theater sound it works much better.  Adam Driver, an extremely talented and distinguished looking actor, fit the role like a glove.  His epic temper tantrums rival those of his idol, Lord Vader himself.

But don’t worry.  There aren’t any dreadful “Noooooooooo’s” or lines about sand being course and getting everywhere.  There aren’t wishy-washy speeches about love, although Finn and Rey have a bond that could develop into romance later on.  Writer Lawrence Kasdan, who worked on the classic trilogy and knew where Lucas wanted to take this thing, helped tremendously.  From opening crawl to final scene, this feels right.

In many respects, The Force Awakens is Han Solo’s movie.  When he and Chewbacca hook up with our new heroes (in a totally believable way), he takes over the lead and drives the plot forward.  Harrison Ford seems to have turned his “Han Solo” knob up to 11.  The older, wiser and sadder man has seen it all, now.  As another character once said, “It’s not the age, it’s the mileage”.  Solo and Chewie’s presence make the whole thing really feel like Star Wars.

My biggest concern going into this was that a Star Wars sequel trilogy would not feel like it was part of the whole; it would feel tacked on to the end.  That is not the case.  While George Lucas had nothing to do with the film, it does carry his wish that a new Star Wars trilogy would focus on a new generation of heroes, while remaining a story about the Skywalker family.  JJ Abrams has done that, in an appropriate and lively way.  The new Star Wars is the most exciting in many years, and what it lacks in originality it makes up in spirit.  I can’t wait to see where it goes next.

My only serious beef is about this new superweapon the First Order have.  Superweapons are a part of Star Wars, and always require blowing up.  This one made no sense at all, especially how it was visually depicted.  We need Neil DeGrasse Tyson to do a pop-up video and tell us just how stupid that thing is.  If you thought the “red matter” and destruction of Vulcan sucked in Star Trek, wait until you see this stupid thing.  Just pretend it makes sense and watch the pretty starship dogfights.

Oh, and Luke Skywalker?  Some will be disappointed, but those who love Star Wars will have the same goosebumps that I did.  Mark Hamill is the man.  Luke is back, looking weary but powerful and wise.  There are a lot of loose ends to tie up.  Get ready, galaxy.

4/5 stars

Don’t forget to tune in tonight at midnight (ET) for Rob Daniels’ Visions In Sound, when he and I will be playing the brand-new Star Wars soundtrack composed by John Williams!  Tune in locally on your FM dial to CKWR 98.5, or elsewhere, just click “listen live” via their website!  The show runs from midnight to 2 am (ET).  Coffee?

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EDIT: Stream the whole show here!

#455.5: More Star Wars radio, tonight!

SWTFA

Tonight at midnight, you can again catch me LIVE on Robert Daniels‘ radio program VISIONS IN SOUND.   Tune in locally on your FM dial to CKWR 98.5, or elsewhere, just click “listen live” via their website!  The show runs from midnight to 2 am (ET).  Coffee?

Tonight’s subject:  STAR WARS: THE FORCE AWAKENS!  The brand spanking new soundtrack by John Williams.

This will be our first time hearing it.  Last week, Rob and I covered the music from the classic trilogy also composed by John Williams.  We had an amazing time talking about the music, what it means to us as fans, and what it does for the films.  Tonight will be interesting because I have no idea what the music sounds like!  I am hoping to see The Force Awakens this morning or afternoon.  One thing I mentioned to Rob last week (and I can’t even remember if this was on or off the air) was that this is the movie we have really been waiting for since 1983.

In ’83 when the credits rolled, all we really wanted to know was “what happens next?”  Lucas had long teased us with the idea of three trilogies, but after Jedi it soon seemed unlikely that a sequel trilogy would ever happen.  In 1983, we didn’t care about whatever happened Episodes I, II, or III.  Many of us consider that to be backstory that would be better off left to the imagination.  Kind of like reading the indices in a Tolkien book.  We really wanted to see what happened next with Luke, Leia and Han.  Would Luke become the most powerful Jedi ever?  What new threats would emerge now that Vader and the Emperor were dead?  And most interestingly, would Luke find and train new Jedi Knights, as Yoda instructed him?  “Pass on what you have learned.”

That’s what we wanted to see.  Then Lucas crapped out and said, “No more Star Wars.  We’re done.”

By the time 1994 rolled around, his tune changed.  It was Jurassic Park that did it.  Lucas became enamoured with computers and said, “Now we have the technology to go and do Star Wars the way I always wanted to do it.”   He began work, and as the prequels emerged from 1999-2005, Lucas often said “I only have ideas for six movies.  That’s all there is.  There are no sequels.  The story is about Anakin Skywalker’s fall and redemption.”  Yada, yada, yada….

I’ve always believed that George Lucas, much like his creation Han Solo, was just “making it up as he goes”.  Although George did come up with story ideas for Star Wars Episode VII and beyond, what we will see today is a brand new creation.  Lucas always said that if there were to be any sequels, they would be about Darth Vader’s grandchildren with Luke playing a mentoring role, like Obi-Wan Kenobi.

Today, we finally find out.

But tonight, I hope you’re able to tune in and catch what I assume and hope to be some incredible music.  The Force Awakens will be the seventh Star Wars film composed by John Williams, and I am certain that it will be a treat.  I’ve already reviewed all the classic trilogy soundtracks already, so if you need to catch up before the awakening, here they are:

Check in tonight, and may the Force be with you!  Always.

EDIT: Stream the show now, right here:
Visions in Sound archive