RE-REVIEW: KISS – Lick It Up (1983)

The KISS RE-REVIEW SERIES Part 23:

Β Β – Lick It Up (1983 Polygram, 1997 Mercury remaster)

On September 18 1983, Kiss publicly unmasked on MTV.Β  They each appeared with a name tag at a desk and answered questions from the press.Β  Their first album with their bare faces on the cover was just released on that day:Β  Lick It Up.Β  With two non-original members now in the band, and their fortunes fading, it seemed like the best move commercially and artistically.Β  According to writer Robert V. Conte, the Kiss press conference was overshadowed by an MTV special on Van Halen, broadcast the same evening.

It would be easy for skeptics to dismiss Kiss’ unmasking as a mere stunt, and in many ways they would be right, but it was not a decision made lightly.Β  Kiss had legitimate fears about how they could carry on without the makeup and costumes.Β  They came to realize that they could just continue doing what they do – playing their songs live as they always have.

The new album, Lick It Up, was brilliant. It is β€œexhibit A” in the case of β€œDid Vinnie Vincent save Kiss?”  With eight out of ten writing credits, all of them great, it certainly appears that Vinnie gave Lick It Up a swift kick in the afterburner.

The stark white cover featured Kiss in their street clothes.Β  It was a minimalist cover with the only clue to their identities being Gene’s tongue.Β  In Japan, a full cover obi retained the band in makeup (including Vinnie) until you opened the package and saw the white cover inside. Β This led to an urban legend that Japan actually had a rare makeup cover on their edition ofΒ Lick It Up.

Strangely enough, even though Lick It Up was Vinnie’s official debut as a Kiss member, He didn’t play the solo on opening salvo β€œExciter”.Β  This was unknown to fans at the time, but β€œExciter” was performed by Rick Derringer after Vinnie couldn’t nail the right vibe in the studio.Β  It was an ominous warning of things to come.

Otherwise, β€œExciter” ushered Kiss into the 1980s with a sound that fit.Β  It had a chunky guitar chug, and killer melodic chorus, and left the sound of the 70s far behind.Β  Perhaps most importantly, it had no outside writers.Β  Nothing on Lick It Up required outside writers now that they had Vinnie in the band.

After the blowout opening of β€œExciter”, Gene Simmons grindsΒ it down slow with one of his heaviest tracks to date: β€œNot For the Innocent”.Β  Gene adapted his singing style to include a Demon scream, and β€œNot For the Innocent” features lots of it on the outro.Β  β€œNot For the Innocent” built on the heavy Kiss of Creatures of the Night and pushed it heavier.

The first single was the successful and surprisingly simple “Lick It Up”.Β  It’s basically a textbook guitar chug with verses and a chorus – no solo. Β It was enough to go top 40 in the UK and Canada and has since become a concert staple.Β  In fact it’s the only Lick It Up song to remain in the set beyond the 80s, and it’s a pretty good song for what it is.

Simmons returned to the fore on the frenetic β€œYoung and Wasted”, an example of speedy 80s Kiss keeping up with their metal compatriots. Β Fortunately, Vincent provided a kicking riff. Β Live, β€œYoung and Wasted” was often given to Eric Carr to sing.Β  The studio version is the one to beat.Β  Then it was Paul Stanley’s turn in the driver’s seat with β€œGimme More”, keeping things rolling in a non-descript top gear.

One of the most interesting tunes on Lick It Up is the side two opener and second single β€œAll Hell’s Breakin’ Loose.”  It was begun as a Zeppelin-y riff by Eric Carr, and finished by all four members – only the second Kiss song ever credited to all four members.Β  It became, in Eric’s words, a β€œrock and roll rap song!”  That’s not quite so, though Paul’s talk-singing in the verses evokes the basics of rap.Β  No worries though; this is one brilliant Kiss song that really deserved more exposure.Β  One worth buying the album for.

The Simmons-dominated second side of Lick It Up is where most of the treasures are found, but Paul had one more kick at the can.Β  Paul’s β€œA Million to One” is an unsung classic.Β  A defiant StanleyΒ tells an ex that her chances of finding a better lover are β€œa million to one”.Β  With such an awesome song backing him, Paul makes a convincing argument. Β He hits a homerun with melody and angst.

A trio of Simmons tunes ends Lick It Up as one of Kiss’ heaviest album.Β  β€œFits Like a Glove” is speedy-Kiss again, hyper-caffeinated and playing as fast as they can.Β  Gene’s barking out the words, chewing them up, spitting them out and taking no prisoners.Β  Then, he brings it back to a groove on β€œDance All Over Your Face”.Β  It’s a song you might not know, but you should.Β  Kiss’ deep cuts from the 80s have some rare diamonds, and this is one of them.

The closer was an apocalyptic rocker called β€œAnd on the 8th Day” which was based on a Vinnie Vincent demo.Β  The verses of that demo became β€œAnd on the 8th Day”.Β  The choruses became a later Vinnie Vincent Invasion track called β€œBoyz Are Gonna Rock”, which we will look at later on.Β  The two songs share DNA but have little else in common.Β  The Vincent demo is the kind of speed rocker that dominated Lick It Up.Β  Meanwhile the Kiss song β€œAnd on the 8th Day” has the slow monster plod, a killer riff, and a chorus that goes on for days.Β  Although it’s never seen the light of a concert stage, it really should have.

Though Vinnie Vincent co-wrote the songs that may or may not have saved Kiss, he was a real problem.Β  His personality didn’t mesh, and his ego got the better of him.Β  He couldn’t come to an agreement with Kiss over his contract, and in fact never signed one to become an official Kiss member.Β  This caused him to be let go at the end of the European Lick It Up tour.

Finding a replacement for Vincent wasn’t easy, and he was re-hired for the American tour, though he still delayed signing a contract. Β Issues with Vinnie grew on this tour, as he grabbed more of the spotlight from his bandmates.Β  Like Ace Frehley before him, Vinnie was given a five minute solo spot, but sometimes Vinnie dragged them out well into overtime.Β  This caused plenty of tension, especially when he once broke into an impromptu solo leaving the band on stage not sure what to do.Β  The issue of Vinnie’s contract became a non-issue when he was let go permanently.Β  The band have had very little good to say about Vinnie Vincent since then, especially when the lawsuits began.Β  Despite this, Lick It Up was not to be Vinnie’s final collaboration with his former band.

Did Vinnie Vincent save Kiss?Β  This argument will go on as long as there are Kiss fans to discuss it.Β  Vinnie certainly did provide Kiss with some grade-A songs, both here and on Creatures of the Night.Β  However he wasn’t the kind of guitar player they needed, who could play the old stuff authentically and also shred with the new kids.Β  If Vinnie hadn’t come along, another talented writer would have, and Kiss would have continued.Β  This doesn’t do anything to discredit Lick It Up, a damn fine β€œcomeback” indeed.

Today’s rating:

5/5 stars

Uncle Meat’s rating:

3.5/5 steaksΒ 

Meat’s slice: Β After my scathing review of Creatures of the Night, I wasn’t sure how to approach this Lick It Up Meat’s Slice. I guess I’ll start with March 15, 1984. My buddy Scott Hunter and I went to Maple Leaf Gardens to see Kiss on the Lick it Up tour, with supporting act Accept! This was to be my second Kiss concert, as we were also at Maple Leaf Gardens for the Creatures tour on January 14, 1983. A concert in which we didn’t know until well after that it wasn’t Ace Frehley on guitar…but none other than Vinnie Vincent. Of course Vinnie was on guitar for the Lick it Up tour as well. Great show with openers The Headpins. Before my 15th birthday, I had now seen Kiss twice. I am 47 now and haven’t seen them live since.

Kiss had taken the makeup off between these albums. Years before I remember seeing a People magazine in my grandmother’s bathroom, while taking a shit, that showed Gene Simmons with a bandana over his face just over his nose. Up until now I had not seen any Kiss member without makeup. So there they are on the Lick It Up cover and all I can think is…”Damn…wish they still had makeup at least for that really ugly dude,” (Vinnie). Β The title track of the album has become a bit of a Kiss classic and is still a great song. Not a lot of this album is exceptionally great in my opinion, but there are some good gems in there. The best of which I think is “All Hell’s Breakin’ Loose”, which I have always loved and still do. Other than those two songs? The album lies somewhere between Meh and Good for me.

Funny Vinnie story for me though. Many years ago our makeshift band at the time were playing a Christmas assembly at St. David’s High School in Waterloo here. I was standing behind the soundboard as my guitar player was on stage doing a sound check. The sound guy asked my buddy Dave to play a bit to get a starting level. As per usual, Dave went ripping into some heavy metal bullshit soloing. After a few seconds of that I could see the sound guy waving his hands in the air in front of me, and after getting Dave’s attention, says into the microphone at the board, β€œOkay Vinnie Vincent…Settle down there.” Β Always found that kinda defined the Vinnie Vincent Invasion.

Favorite Tracks: “All Hell’s Breakin’ Loose”, “Lick It Up”

Forgettable Tracks: I don’t know about forgettable, but the rest isn’t that memorable.

To be continued…

Original mikeladano.com review: Β 2012/07/20

 

 

 

 

REVIEW: Europe – Best Ballads (unauthorized Russian release)

EUROPE – Best Ballads (1999 unofficial Russian compilation)

Ah Russian imports! Β Those funky and cheaply printed covers, the lack of liner notes or label information…how quaint. Β It is clear the Tempest Administration had no collusion with anyone in Russia. Β Yet the Russians did hack their database and release Best Ballads anyway, a weird collection of 12 Europe songs and three solo tracks by Joey Tempest. Β This CD originated during the period right before Europe’s triumphant reunion album Start From the Dark, so Best Ballads only contains music from the first five Europe discs.

Because it’s unauthorized and the Russians can do whatever they want, why not have both versions of “Open Your Heart” on one CD? Β The sweeping 1988 version from Out of this World inaugurates the album, a brilliant version often forgotten in favour of the 1984 original. Β What’s the difference? Β John Norum played on the 1984 version from Wings of Tomorrow, and the re-recording has his replacement Kee Marcello. Β The 1988 version also has more modern keyboards added. Β Since both are included, you don’t have to pick a favourite. Β We can all agree it truly is one of Europe’s Best Ballads.

What else is present? Β The “big one” of course, which would be “Carrie”. Β It’s the only track from The Final Countdown, because it was the only hit ballad from that album. Β Other crucial Europe ballads: Β “Dreamer” (Wings of Tomorrow), “Coast to Coast” and “Tomorrow” (both fromΒ Out of this World). Β All timeless and flawless ballads. Β From their first album (1983’s Europe) are a couple songs I wouldn’t have considered ballads. Β In my review, I stated that “Words of Wisdom” has “an acoustic verse [but] that doesn’t make it a ballad!” Β The other track, “Return of the King”, is “still pretty epic and wouldn’t be considered wimpy by anyone”. Β Do they belong on a CD called Best Ballads? Β Who gives a fuck; it’s just a Russian import!

You’ll even find a couple rarities included. Β “Sweet Love Child” and “I’ll Cry For You (Acoustic version)” are both B-sides from the Prisoners in Paradise (1991) period. Β  The title track “Prisoners in Paradise” is also present but again, not really a ballad. Β Either way…all the Europe tunes included are fantastic no matter how you classify them. Β Each one has at least a foot in ballad territory so it all works out.

But what about those Joey Tempest “bonus tracks”? Β Surprisingly good and un-Europe. Β “Under the Influence” flies close to adult contemporary levels. Β “Lord of the Manner” could have been a hit for Rod Stewart, but that’s not a bad thing! Β This is more like soft rock than balladeering. Β “Elsewhere” sounds more like a ballad, enhanced with strings and all the accoutrements. Β All good songs and worth checking out.

Europe’s Best Ballads is not a bad little CD, but being an unofficial release, it’s difficult to reason out a rating out of 5. Β I did the best I could.

/5Β Π—Π’Π•Π—Π”Π«

WTF Search Terms: Amanda Seyfried edition

WTF SEARCH TERMS XXXVI:Β Amanda Seyfried edition

Here at mikeladano.com, we like Amanda Seyfried. Β She’s an actress who has also done plenty of singing. Β She has a great voice; check out the song “Mean Old Moon” below from Ted 2. Β She seems like she has a pretty good sense of humour, appearing in a couple McFarlane films, both of which made fun of her gigantic eyes.

So please welcome Amanda Seyfried to the latest edition of WTF Search Terms! Β It’s the original series of weird things that somebody thought to type into a search engine and somehow end up here!

1a.Β porn pictures of ted2 actress lawyer

1b.Β amanda seyfried feet ted (two searches!)

Here you go, pal. Β I guess this is the picture (from ourΒ Ted 2 review) that he came for!

And here’s the best of the rest for this instalment:

2.Β a disc of worms on the head

3. flower on shit

4.Β disgrace for cum

5. fifty shades of piss

6. dwonload full boobsy_animation_whores_wearing_glasses_acquire_screwed_hardcore_

7. leslie easterbrook arrested

8. solo jim carrey def leppard

9. japanese pornogramm

10. porn bonanza gallery

I hope you enjoyed these weird and wonderful search terms. Β More soon.

 

 

#569: Webb Surfing

GETTING MORE TALE #569: Β Webb Surfing

Some readers are young enough to never have known a time without the internet. Β Half my lifetime ago, in 1997, the World Wide Web was was a luxury that few had regular access to. Β Tom, T-Rev and myself were eager to check out what the web had to offer to a bunch of music geeks. Β We visited an internet cafe in downtown Kitchener, paid a couple bucks, and searched. Β Remember Webcrawler?

T-Rev was trying to find rare releases by Steve Earle, and another country rocker named Webb Wilder. Β Trevor owned his album Doo Dad and wanted to see what Wilder had been up to since. Β He found a plethora of releases listed on some now-defunct website. Β He also confirmed the existence of Steve Earle’s very rare debut EP, Pink and Black. Β Thus the Pink and Black EP became one of T-Rev’s first “Holy Grail” must-haves. Β Meanwhile, I was exploring previously unseen Deep Purple live albums and compilations.

Together we decided we should join forces and orderΒ some impossible-to-find CDs that we knew were out there, but lacked access to. Β Tom had a friend who had the internet at home: Β British Phil. Β What luck! Β One winter evening we ventured to British Phil’s house and gathered around a small computer monitor in the basement. Β CDNow was the best online retailer for music. Β We took turns browsing and deciding. Β The only one who didn’t order anything was British Phil. Β Trevor bought Webb Wilder’s Town and Country. Β I can’t remember what Tom would have chosen, but I remember mine well: Β Deep Purple’s Stormbringer. Β It was $30. Β I had it on cassette, but I was dying to get a CD copy.

British Phil and LeBrain

We pooled our goodies into one order and used my credit card. Β A week or two later, we each had some new music to enjoy. Β Our test run went smooth without a hitch. Β Having proven that ordering music online was safe and easy, the door had opened to hundreds upon hundreds of purchases over the years. Β Now, it’s simply second nature.

I need some new tunes and have a $25 Amazon gift card to burn. Β I think I’m going to place an online order right now!

REVIEW: Cinderella – Gold (2006)

CINDERELLA – Gold (2006 Universal)

When a band like Cinderella, who only have four studio albums, get a double CD “best of” compilation, it had better be good. Β Fortunately Cinderella’s edition of the Gold series offers value for the money and unreleased live tracks to boot.

All the Cinderella albums are represented, including the criminally underrated Still Climbing album from 1994. Β Cinderella did not “go grunge” as so many others did. Β As “Bad Attitude Shuffle” indicates, they simply doubled down on their own brand of bluesy hard rock with bite. Β From the same album, “Free Wheelin'” and “Talk is Cheap” both show fearless commitment to the genre. Β Then the ballad “Through the Rain” also from Still Climbing provides the balance. Β Cinderella have successfullyΒ employed ballads since day one, because they happen to be quite good at them.

Among their greatest ballads: “Don’t Know What You Got (‘Til It’s Gone)”, “Heartbreak Station”, “Coming Home”, “Wind of Change”, and “Nobody’s Fool”. Β Each one of these tracks is worthy to be on this compilation. Β Some of their slower material either bordered on blues, or were just flat-out blues songs. Β Some are here: Β “Long Cold Winter”, “Dead Man’s Road”, and “Sick For the Cure”. Β Then there is the soulful “Shelter Me” that is harder to categorize. Β But of course Cinderella are best known as a hard rock band, and most of the material falls into that vast category. Β Many of these tunes are truly awesome. Β “Shake Me” was first to gain attention, with some noting similarities to AC/DC. Β “Hot and Bothered”, originally from the Wayne’s World soundtrack, combines the blues and rock in a tasty confection. Β “Second Wind” from Long Cold Winter kicks ass, and “Gypsy Road” is here too, albeit in live form.

The live tracks are all credited to a Japanese promo CD called Last Train to Heartbreak Station, which appears to be a completely different thing from their Japanese EP called Live Train to Heartbreak Station. Β Rarities are always welcome on a compilation, but one has to wish that the great single “Gypsy Road” was also included in its studio version. Β It’s a good enough tune that it wouldn’t be a crime to have two versions on the same CD.

Because of theirΒ feminine name and some really bad wardrobe choices, Cinderella was written off by many people without hearing any of their rocking material. Β While that is a real shame, Cinderella hasn’t made a new album in 23 years so this would be a good one-stop-shop to get much of their best material. Β Augment this baby with a copy of their classic Long Cold WinterΒ CD and you will have enough Cinderella to have a good representation of their best stuff.

4/5 stars

REVIEW: Tonic – Lemon Parade (1996)

TONIC – Lemon Parade (1996 Polygram)

“If You Could Only See” was both the song the put Tonic on the map, and the one that put the bullet in their career. Β If you’re over a certain age, you remember the powerful and tasteful ballad from when it hit the charts in 1997. Β I had the album already. Β I bought it when it first came out, after reading a glowing review in the local paper and seeing a used copy pop in at the Record Store. Β Finding Jack Joseph Puig’s name in the producer credits got my attention too.

Tonic’s debut Lemon Parade is a great sounding CD, thanks to Puig and the richly arranged guitars of Emerson Hart and Jeff Russo. Β When the guitars are center stage, all is well. Β The opening duo of “Open Up Your Eyes” and “Casual Affair” have the punch that people don’t always associate with Tonic. Β These guys could play. Β “Casual Affair” in particular has angst and emotion ripping out of those six-strings. Β When they get heavy, like on “Wicked Soldier”, there is always something bright and chiming going on with backing guitars. Β Check out “Celtic Aggression” for a fine example of their guitar expertise. Β Emerson Hart has an emotive voice, whether rocking out or serenading the ballads.

It’s the ballads the people remember, and you have to admit that when you break it down, “If You Could Only See” is a fantastic song. Β Layers of chiming, chugging and sliding guitars are right there beneath the core melodies. Β On the mandolin-infused “Mountain”, plus “Soldier’s Daughter” and “Lemon Parade”, you can absolutely hear old-tyme southern influences creeping through. Β Tonic have traits that sound as if from another era, in many ways. Β These are actually quite great songs, largely forgotten because of that one hit.

There are only a few songs that don’t score top marks: Β “Thick” (no hooks), “Mr. Golden Deal” & “My Old Man” (both too sleepy). Β The rest is pretty solid.

3.5/5 stars

REVIEW: Faith No More – Introduce Yourself (1987)

FAITH NO MORE – Introduce Yourself (1987 Slash)

Faith No More’s second LP (and major label debut) is their only so far not to have received a deluxe or expanded edition. Β The bizarre thing about that is that Introduce Yourself is one of their best, totally deserving the honour. Β Faith No More have several 5/5 star albums in their catalogue, and Introduce Yourself is [spoiler] one of them [end spoiler].

Chuck Mosley was the singer, a bizarre frontman with a totally unique style and a penchant for putting stuff in his dreadlocks. Β One of his lyrics says it best. Β On the first Faith No More album, he wrote “They say that when I’m supposed to be singing, all I’m really doing is yelling, oh well…” Β Mosley’s stuffy-nose stylings are an acquired taste, especially if you have only heard Mike Patton. Β In Faith No More, it worked and set up what Mike Patton was able to do later on. Β Mosley is melodic in a bizarre, off key way.

“Faster Disco” isn’t that at all. Β It’s mid-tempo Faith No More, in the style they created and mastered. Β There is a chunky guitar riff (or two). Β There is an underscore of keyboards holding down the melodic foundation. Β There is a solid beat, and a strangely catchy multi-tracked vocal.

Faith No More are also known for funky Billy Gould bass beats, and that’s “Anne’s Song”. Β Chuck has a conversational vocal, sorta-rapped, sorta-spoken. Β It too is strangely memorable, and it was one of two singles.

The title track “Introduce Yourself” is fast and fun, and also lives up to its name! Β Chuck introduces the band in the lyrics, but the song is so incredibly fast that it’s over in 1:30. Β Too bad, because it’s awesome. Β Another style Faith No More are known for is the “dark and ominous” song. Β “Chinese Arithmetic” is one of those, a weighty track with keyboards providing glimmers of light. Β One of the strangest tracks is the staggering “Death March”, which is also hilarious. Β “How much for a transfer, man? Β 95 cents? Β Fuck you, I’ll skate to the beach! Β And look better getting there!”

The most famed track is “We Care a Lot”, the most well known single from this album and also the title track from the prior album. Β The lyrics were updated and the music re-recorded. Β This version is the best one, what with that line about “We care a lot / about Transformers, cuz there’s more than meets the eye!”

“R n’ R” is caffeinated Faith No More, blowing down the doors with hard rapping and riffing. Β Then is “The Crab Song”, which Mike Patton once described as a “sad song”. Β It has that, and it also has the split personality thing going on. Β Halfway in, it abruptly changes into a riffy, bass-slappy stomp. Β At almost six minutes long, it’s one of the earliest examples of Faith No More creating mini-epics by assembling seemingly mismatched components.

Introduce Yourself concludes with a pair of fast, impacting song. Β “Blood” is carried by a lofty keyboard part, and hammered forth by a relentless Chuck Mosley. Β Then “Spirit” is the finishing touch, a heavy-as-fuck Jim Martin guitar riff. Β  In the back, drummer Mike Bordin is physically assaulting his kit. Β Mosley puts his throat to full intensity as the band rips all the way to the end.

Introduce Yourself is brilliant, and it’s easy to overlook it because Mike Patton has since become a dominant presence. Β Introduce Yourself is every bit as challenging, intense, unorthodox, melodic and heavy as any of their later albums. Β Do not dismiss it; instead make it a priority.

5/5 stars

 

#568: Time Traveler

GETTING MORE TALEΒ #568: Time Traveler

Not a pet peeve, exactly, but annoying just the same: Β Why did customers ordering CDs often leave a work number as their only contact? Β Was this CD such an urgent issue that one had to be notified immediately at work? Β I’ve never left a work number as a contact for anything I’ve ever ordered from a store. Β Why would I? Β Call me at home. Β Leave a message if you have to. Β Let me know it’s in, and I’ll pick it up. Β I won’t make you jump through hoops or speak to my receptionist, just call me.

I would also tend to think that receiving calls at work about something as trivial as a CD might not be the best plan. Β “You have a call from a client on 201, and a call from a CD store about the new Sarah McLachlan on 202.” Β I don’t know and I still don’t understand. Β Leaving a work number was an annoyance to us all. Β  A couple times, a customer left just a first name and a work number. Β Upon calling the number, I was told “We have three people here with that name.” Β Great. Β Can you put me on the line with the one who listens to Sarah McLachlan?

Then it would really grind my gears when one of the “work number” people would come in and say “I’ve been waiting for a call and you never phoned me.” Β Then I’d pull the CD and find the slip inside where it said “left message” and the date. Β Of course this could happen at home too, and you could usually tell when a disinterested parent or roommate wasn’t taking down the message. Β At least in those cases, you could make a note to do a callback because it didn’t seem like the person was going to get the message.

The most memorable “work number” guy was a fellow that used to come in during 1996-1997. Β I’m guessing he was self employed because he seemed to be the only one working at that number. Β What I remember most was how he answered the phone: Β “Time travel,” he would say. Β Ring ring,”Time travel!” Β That’s how he answered the phone. Β “Ummm, is Greg* there?” we’d ask. Β Then he’d act weirded out that somebody called and asked for Greg. Β I assume the business was called Time Travel and I have no idea what they did, though we certainly did speculate. Β Thus, his nickname at the store became “Time Traveler”. Β It didn’t help that he was a bit of an ass and nobody liked dealing with him. Β I think that’s why he stopped coming in. Β He could sense that nobody liked helping him.

Did he run a travel agency? Β Maybe he was building a time machine? Β Or better yet, maybe he had combined the two — a time travel agency! Β Want to see the Spanish Inquisition? Β Book a trip with Time Travel today!…or yesterday! Β Ask for Greg.

* not his real name

#567.5: Thanks Rob! (Visions in Sound)

Regular readers know that for the past five weeks (except one!) I’ve been appearing with Rob Daniels on his radio show Visions in SoundΒ atΒ 98.5 CKWR, talking about movie soundtracks. Β Also appearing were Erik Woods and Jason Drury live from the UK. Β May was Star Wars month, and we did four shows dedicated to the 40th anniversary of that franchise:

May 6: Star Wars for a New Generation (Rogue One, Rebels)

May 13: Alternate Forces (Star Wars video game soundtracks – I missed this one due to prior commitment)

May 20: Β The Prequels (Music from Episodes I, II, and III)

May 27: Β Where it All Began (Music from the original trilogy)

And there was also the June 3 show, the celebration of The 30th Anniversary of Spaceballs, a classic Mel Brooks parody of Star Wars (and other classic sci-fi).

All these shows and more can be accessed on the Visions in Sound archives.

So thanks Rob for asking me to be on the show, and to new friends Erik and Jason.

Not to toot our own horns too much, but these were great shows. Β It’s hard to listen live at 12:30 in the morning, but if you take the time to listen to one of these shows in the archives, I know I’d appreciate it. Β Great music was played, much geeking-out was had, but you’ll also hear a ton of knowledge that you probably never knew before, from four guys who live and breathe this stuff.

Hoping to do this again soon!

— Mike “LeBrain”