NEW RELEASE
AC/DC – Rock or Bust (2014 Columbia)
We all know the story, now. Β Malcolm Young, felled by dementia, and his brother Angus carrying on without him (and possibly without drummer Phil Rudd). Β AC/DC don’t want to dwell on the negative, and neither do I. Β Angus assembled 11 new songs from parts that he and Mal had worked on together before he was too sick to continue. Β Nephew Stevie Young, who filled in for Uncle Mal in 1988, stepped up again to do so, this time in a permanent capacity. Β But you wouldn’t know any of that by hearing Rock or Bust.
Sharp as ever, “Rock or Bust”, the current single boasts one of those menacing AC/DC riffs paired with that slow groove they do so well. Β “In rock we trust, it’s rock or bust”. Β Nothing has changed! Β There is little difference between Rock or Bust and the AC/DC back catalogue since 1980 in general. Β New batch of riffs, songs, and melodies. Β That’s about it! Β “Play Ball” has that familiar “AC/DC single” vibe. Β Not too heavy, not too fast, but just right for radio. Β Brian Johnson’s voice has changed very little since the 1990’s. Β He doesn’t screech like it’s 1981 (duh), but he gets the job done fine. Β Johnson reported that he found it hard to continue on without Malcolm but his performance is full of the joi de vivre that you need in an AC/DC song.
“Rock the Blues Away” has future single written all over it. Β This old-timey AC/DC riff is one of those classic rock and roll licks that they used to do with Bon Scott on albums like Dirty Deeds. Β True to its title, the song does indeed rock the blues away and I can’t wait to give it a test run in the car. Β This is a summer time song, not a December song! Β However I should point out that it’s more or less the same song as “Anything Goes” from Black Ice. Β A left turn on “Miss Adventure” yields some funky AC/DC grooves not unlike what they were doing in the mid 1980’s. Β It’s unfortunately the first dud on the album for me. Β “Dogs of War” redeems it, with a “Razor’s Edge” dark vibe. Β The only real noticeable difference from past AC/DC albums is a slicker production on the backing vocals.
Do you need some rock & roll thunder? Β AC/DC got it. Β “Got Some Rock & Roll Thunder” has one of those jangly AC/DC riffs, backing a catchy chorus. Β This sounds a bit like material from Stiff Upper Lip, which is a good thing to me. Β “Hard Times” also sounds similar to that era. Β They’re good enough songs to serve as AC/DC album tracks. Β Then there’s “Baptism of Fire”, back to those fast AC/DC beats that you need every once in a while.
A track that I think should be played live is “Rock the House”. Β This has classic written all over it. Β Taking on a “Whole Lotta Love” groove, it’s hard to resist the urge to bang your head. Β Go ahead, try.
“Sweet Candy” is an ode to strippers, of course. Β What did you expect? Β Look forward toΒ another singalong slow AC/DC groove. Β I have a feeling a few strippers are going to add this song to their repertoire next year. Β Then, ending the album on a funky note is “Emission Control”. Β There are also nods and winks to the Mutt Lange era of AC/DC with the thick backing vocals. Β The song throws me for a loop a bit; I’m not sure if I like it or not.
I found Brendan O’Brien’s production to be a bit thuddy and less bright than Black Ice. Β It still gets the job done, as does Rock or Bust.
3.5/5 stars











