Holen MaGroin

GUEST FILM REVIEW: Manhunter (1986) by Holen

MANHUNTER (1986 De Laurentis Entertainment)

Directed by Michael Mann

Did you think Silence of the Lambs was the first film to feature Hannibal Lecter? You were wrong! Brian Cox brought the character to life in Michael Mann’s Manhunter five years prior. It’s the first film adaptation of Thomas Harris’ novel Red Dragon. Despite under-performing big time at the box office, the film has has been reappraised in recent years and given more of the credit it deserves as pioneering influence on the crime genre.

The story follows retired FBI agent Will Graham (William Peterson) being pulled back into the fold by his old boss to catch the latest crazed serial killer known as the Tooth Fairy (Tom Noonan). Graham was responsible for catching Lecter years prior (spelled Lecktor in this movie) although the process left him physically and mentally scarred. Graham’s skill set allows him to adorn the point of view of the killer a process that drains him mentally and leaves him on the cusp of insanity, but makes him remarkably effective in solving cases.

Being pulled from retirement and forced to consult with his assailant Lecter, Graham begins to deteriorate faster than before. Fresh out of one of my favorite films, To Live and Die in L.A., Peterson nails the role, appearing increasingly haggard and desperate throughout the movie. You can see his story in the lines of his sleep deprived face. Brian Cox’s portrayal of Lecter is more grounded, cunning, and disturbing than the uber theatrical Hopkins version. The two don’t share much screen time, but their link is felt throughout the film, particularly when Lecter vicariously finds a way to torment Graham from his cell through clandestine messages to the Tooth Fairy.

Given that this is a Michael Mann film, the whole thing is an aesthetic masterpiece with the “style” knob cranked to eleven. It exudes an aura of cool detachment complimentary to the chilly atmosphere of violent mental depravity. There’s also an emphasis on forensics and detective work many thrillers skip over for the more sensational moments. Here we see the cracks in between, Graham being forced to watch tapes of the Tooth Fairy stalking families before he murders them, trying to piece together a motive.

If you’re any kind of a fan of Michael Mann’s work or crime thrillers in general, there’s no reason I could see this wouldn’t be up your alley. It’s one of his most overlooked works, despite the small renaissance it’s been enjoying recently. Manhunter is smart, stylish, and lying ever in wait for you to discover its assets. Also, Joan Allen is in it, and she’s a total babe.

4/5

GUEST FILM REVIEW: Halloween III: Season of the Witch (1982) – Holen’s Halloween Extravaganza 2024 part 5

HALLOWEEN III:  SEASON OF THE WITCH (1982 Universal)

Directed by Tommy Lee Wallace

I’m sure most of you know by now that Halloween was supposed to be an anthology series, but the first film proved so popular the studio wanted Michael Meyers back for the sequel, and got him. This third entry was supposed to right the ship with a whole new story, but after two films with Michael, fans just couldn’t accept this and the movie was critically and commercially panned at release. Philistines!

Decades later the movie has had a bit of a resurgence, with plenty of loyal fans flocking to it every autumn. If you go into it thinking of it as Season of the Witch as opposed to Halloween III, it might help you appreciate the many merits of this film. It may make me a horror pariah, but it’s my favorite in the series. I’ve never been crazy about the original. I think Bob Clark did the same concept better years earlier in Black Christmas. The other Halloween sequels range from fine to shit to fucking shit.

Absolute legend Tom Atkins takes over for Jamie Lee Curtis as protagonist in this outing, playing an alcoholic doctor who’s also a licentious Lothario. There’s nary a woman in this movie he doesn’t or hasn’t previously screwed. Age, race, relationship status matter not to this man. He’s an equal opportunity womanizer, and that’s why we love him.

The mystery begins when a crazed man being chased runs into his hospital spouting incoherent nonsense, only to be assassinated by a man who blows himself up to avoid further questioning. His buxom young daughter shows up to investigate, and Tom abandons his kids on Halloween and ignores his estranged wife to get to the bottom of this young… I mean… the bottom of the mystery.

Signs point toward an Irish Halloween mask company. Spooky witchcraft, sacrificial rites, and robots abound in honor of Samhain. I always liked that this took the series in a new direction of horror. A kind of mystery thriller instead of a slasher, with a healthy dose of ‘80s camp. Even with the camp, the villainous old man from Robocop’s plan is remarkably sinister. I don’t remember Michael being willing to kill kids; this guy’s taking out thousands of those little fucks.

I find it hard to articulate why I get a kick out of this one so much. I suppose I have a weak spot for older, overweight, alcoholic, grizzled guy protagonists being incredibly politically incorrect by today’s standards. See also Nick Nolte in 48 Hours and George C. Scott in just about everything. Tom Atkins’ character is in that studied tradition, although a steady influx of vaginal variety seems to keep him from being as world-weary as the aforementioned.

Season of the Witch is a perfectly solid horror film, and I’m convinced it’s abysmal reputation is solely due to fans expecting more Michael bullshit. The Carpenter score slaps, the cinematography is vibrant and colorful, and the story progresses logically, however absurd it gets at points. Watch it, or Harrison will curse you with the scent of cabbage.

4/5

GUEST FILM REVIEW: Henry: Portrait of a Serial Killer (1986) – Holen’s Halloween Extravaganza 2024 part 4

HENRY:  PORTRAIT OF A SERIAL KILLER (1986 Maljack Productions)

Directed by John McNaughton

Originally shown at the Chicago International Film Festival in 1986, this controversial low budget portrait of a serial killer took until 1990 to see a wider release. Saddled with the onus of an X rating, the indignation of puritans, and the schlock tagline “he’s not Freddy, he’s not Jason… he’s real,” you’d be excused for dismissing it as exploitative trash from a distance. However, you’d be remiss not to change that opinion after watching the thing.

The film was met with lavish praise from most prominent critics at the time, something few horror movies can ever claim. It’s a bleak, stark, and clinical look at violence and psychopathy. Henry: Portrait of a Serial Killer is a high brow look at a low brow existence of purposeless violence and squalor.

Michael Rooker plays the titular killer with icy perfection. There’s nothing exploitative about it, Henry doesn’t even seem to particularly enjoy the killings. It’s just something to do, a compulsion. He lives with his old prison buddy Otis, an oaf who eventually joins him on his homicidal streak. Unlike Henry, Otis gets off on the killing, giving him a sense of power and thrill. There are times Otis wants to kill out of frustration or passion, but Henry has to hold him back, informing him that’s the easiest way to get caught.

Henry’s modus operandi is to appear as if he has none. His killings are random with a different weapon every time, living as a vagabond to avoid any police suspicion. Otis lacks the discipline to play by Henry’s demented rules for an extended period, and the relationship begins to turn sour.

Joining them in the dynamic is Otis’ sister Becky who comes to live with the two of them. Henry feels protective of her, and she begins to fall for Henry. Incapable of reciprocating any healthy emotional bond with another person causes things go sour between them as well, although Becky doesn’t have the sense to realize this before it’s too late. He comes to view her as dead weight, baggage that will hold him down, and his lifestyle requires that he travel often and light.

Shot on grimy looking 16mm film, the haggard and grainy look compliments the frigid nature of the piece perfectly. When the two leads acquire a camcorder and begin to film the murders, it lends itself even more to a documentary feel. It’s easy to sensationalize material like this, but this grounded approach and the cast’s nuanced performances bring a disturbing verisimilitude. It’s a perfect watch if you’re looking for a psychological approach to ultra violence this Halloween, and it works as a grim character study any other time of year as well.

4.5/5

GUEST FILM REVIEW: Terrifier 3 (2024) – Holen’s Halloween Extravaganza 2024 part 3

TERRIFIER 3 (2024)

Directed by Damien Leone

Since I’ve been covering horror films of old the last two weeks, I thought it apt to cover one more contemporary. As contemporary as it gets as a matter of fact, as I just got out of an opening night showing a few hours before writing this. If you’re unfamiliar with the Terrifier saga, it focuses on serial killer/demonic supernatural entity Art the Clown. Initially appearing in short films and an anthology, he was granted a feature length excursion in 2016, the little indie movie that could, Terrifier. Made for around just $50,000, the film was panned critically, but garnered enough of a cult following to warrant a sequel.

Terrifier 2 was released in 2022 with a budget of just a quarter of a million dollars. However, the film was a surprise hit, making fifteen million dollars at the box office and garnering a number of positive reviews. Fifteen million may not sound like a lot these days, but bear in mind that this is an independent film series so violent that each entry has been released unrated.

And oh: the violence. Director Damien Leone received offers from major studios after the success of the second film to finance the third, but he had the integrity to turn them all down because he knew they’d try to censor his vision. These films make standard slasher flicks look like Walt Disney. Reports of people fainting, vomiting, and leaving the theaters in droves have accompanied the release of each film. None of that happened at my screening of Terrifier 3. The place was packed and people were glued to their seats. I was amused at how many guys were there with reluctant looking dates, possibly getting their girlfriends back for dragging them to something like Anyone But You earlier this year in the cruelest way possible.

It’s not all gruesome macabre gore though. These movies have a spirited sense of humor, and they’re only getting stronger each time out. Art is mute, but unlike other slasher villains, he’s incredibly emotive. David Howard Thorton imbues his performance with the grace, physicality, and body language of a silent film star, leading to moments of genuine hilarity. Whether he’s mocking his suffering victims or eroding their guard before hacking them to pieces, Thorton is perfect and totally committed. I was worried they wouldn’t be able to top sadistic comedy of the salt and bleach scene from 2, but I’m happy to report I laughed as much during 3 than I have at any comedy I’ve seen in years.

 

 

Another impressive aspect of 2 and 3 is the introduction of Sienna Shaw in the former film as the main protagonist. Played by real life martial artist, stunt performer, smokeshow, and general badass Lauren LaVera, we’re gifted a likable character to root for against Art. I say this is impressive because the film manages to have its cake and eat it too. A criticism levied at many slasher movies is that the one dimensional personalities of the victims makes the audience root for the killer, or at least see the movie through their point of view. The film does have its number of anonymous one dimensional meat bags for Art to cut through, but we have someone fundamentally good (angelic even) we hope to see triumph over him. Only after watching him creatively waste the supporting cast of course.

Art disposed of most of Sienna’s friends and family in a Halloween massacre during the second film, and she’s understandably having a hard time coping with that at the beginning of this one. Taking place five years after the previous film, Art being believed dead, Sienna is discharged from a mental institution to the care of her aunt and uncle where she hopes to spend a quiet Christmas with them and her young cousin, Gabbie. Art, who’s simply been dormant, is awakened in a condemned building by a demolition crew. Dispersing them in skin peeling fashion, he now has access to their van and all the goodies inside it.

Lauren LaVera crushes it here. She played a high schooler in one of those high schools where everyone looks like they’re pushing 30 in Terrifier 2, but here she’s convincing as a traumatized woman that fights every moment to stay strong for those around her. Haunted by violent hallucinations of the people she couldn’t save, LaVera navigates the precarious balancing act of portraying a damaged character that still has her innate toughness.

There are supernatural elements to Art and Sienna explored more in this film I don’t intend to spoil here. The imagery is not subtle, but in a film like this, subtle doesn’t really play. I’ve heard criticism that the plot is somewhat aimless compared to the first two with the addition of all the additional mythos. I can understand boring people considering some of Art’s kills to be unnecessary from an economic writing standpoint, but one of the main reasons people see these movies is for the spectacle of those inventively grotesque murders. Being so hyper-focused on plot is missing the forest for the trees. Besides, Art being on screen is guaranteed gold every time, and I was never bored or felt like the story was dragging when we cut to Sienna, because I liked her as a character and wanted her to prevail.

Admittedly, you need the right mindset or physical constitution to endure or enjoy this thing. Maybe I’m a sick fuck, but I had an absolute blast seeing this in the theater. So far each film has been a step up from its predecessor, and its cliffhanger ending has me excited for part four whenever it’s released. Damien Leone has assembled a group of very talented people, and his direction rises to their level. The film has reportedly already earned fifteen million dollars, which I hope ensures the production of the next one.

4/5

GUEST FILM REVIEW: Pieces (1982) – Holen’s Halloween Extravaganza 2024 part 2

PIECES (1982 Almena Films)

Directed by Juan Piquer Simón

Here’s a video that nasty casual horror fans may not know. Too hardcore for the UK, Pieces is a Spanish-American slasher gore fest, one of the most violent of the ’80s. Fortunately, the film mitigates the viscera with a cheeky sense of humor. By no means would I call it a horror/comedy, but it does sacrifice logic and plot consistency for entertainment. I still have no idea how one suspect is cleared of being the killer; he just shows up free of the police a few scenes later and everyone acts like it’s normal.

Much of the humor comes from poor taste: extremely poor taste. The opening scene presents us with a young boy completing a pornographic puzzle, then butchering his abusive mother with an axe before dismembering her body. When the police arrive, the boy is witty and manipulative enough to pretend to be traumatized and oblivious. It’s a nice touch when your slasher is smart enough to stay out of jail or the loony bin.

The plot picks up decades after the opening scene at a college where the students have a nasty habit of getting disembowelled in creative ways. The cops send in an undercover operative (Mary “the MILF” Riggs) to be the women’s tennis instructor, and keep an eye out for the killer. She’s aided by the one student in the know, Kendall James. Kendall also desperately wants to get in Mary’s tennis shorts, despite the huge age gap.

Graphic hijinks ensue as they piece together the mystery while more bodies drop. One murder leads into an acting moment so astonishingly powerful, it brings tears to my eyes to this day.

And the word “bastard” will send me into a fit of hysterical laughter forevermore. The plot in a film like this doesn’t matter much. You can probably figure out who the real killer is in the first ten minutes. That’s never been the appeal of a video nasty though. As schlocky, stringy, sinewy entertainment, it does its job well. The kills are some of the best of the decade, it’s funny both intentionally and unintentionally, and it’s got that low budget grime that your Halloweens and Friday the 13ths don’t that only make the film feel that much naughtier. Give it a shot if you’ve got the stomach!

3.5/5

GUEST FILM REVIEWS: Alice Cooper’s Top Five Horror Films – Holen’s Halloween Extravaganza 2024

Welcome boys and ghouls to Holen’s Halloween Extravaganza 2024! Throughout the month of October, yours truly will be supplying you with reviews of hellish horror every week. We begin with not one film, but five! I’ve decided to review Alice Cooper’s top 5 horror films according to an interview in NME.

In order to avoid a mammoth length approximating the intimidating size of the LeSausage*, I’ll keep each of these as concise as my loquacious heart will allow. The films are as such in the order that Cooper lists them.

5. SALEM’S LOT (1979)

A TV miniseries based on a Stephen King book as directed by Texas Chainsaw Massacre’s own Tobe Hooper? Sign me up. Featuring some of the greatest and most disturbing vampire makeup ever put to film, the parts that focus on him are the strongest moments of the film. That said, there’s too much fat in the runtime that focuses on the mostly uninteresting townspeople. It could have maintained the slow burn anticipation of revealing the vampire while cutting the three hour run time down to a standard ninety minute feature. Still, the vampire scenes rule.

3.5/5

4. SUSPIRIA (1977)

An iridescent Italian horror classic from Dario Argento. It’s a visually stunning piece with a masterful grip on tension. An American dancer travels to Germany to join a prestigious dance studio, only to learn it’s a front for a coven of witches. Ah, poop. Like several horror movies, it lacks narrative cohesion and momentum, but the visuals, mystery, and creatively graphic kills keep you interested in the ride.

4/5

3. THE HAUNTING (1963)

Black and white psychological terror. One of the all time great haunted house movies. The cinematography is immaculate, light and shadow coalesce with a classic story to foster a genuinely chilling atmosphere. The story isn’t particularly unique, with a scientist visiting a haunted house with several volunteers to prove the existence of ghosts, only to bite off more than they can chew. It’s just executed about as well as you could do so.

4/5

2. THE EVIL DEAD (1981)

Sam Raimi’s feature directorial debut, and Bruce Campbell’s big screen debut. It’s a feature length remake of a 1978 Raimi short film called Within the Woods which served as a demonstration to obtain funds for the full version here. Joel Coen was the assistant editor on The Evil Dead, and was inspired by this approach, opting to shoot a trailer for Blood Simple to secure funding for that film. No Evil Dead, maybe no Fargo, Big Lebowski, or No Country for Old Men either. How about that?

As for the film at hand, it’s a classic cabin in the woods story with gore aplenty and a kinetic campy style. Raimi’s visual style is antithetical to boredom when he’s directing anything except Kevin Costner’s worst baseball movie. The Evil Dead is good clean American fun, but would ultimately be improved upon in every way by the absolutely bonkers sequel Evil Dead II.

4.5/5

1. CARNIVAL OF SOULS (1962)

Perhaps the most overlooked movie on the list, it’s a haunting paranormal thriller with a somewhat predictable twist, but that’s not the point. A black and white haunting miracle of unease and gothic dissidence. The main character even plays a church organ! It excels in the quiet moments, as it builds to its tragically horrific but inevitable conclusion. Shoutout to director Herk Harvey, who also directed the greatest work safety film ever, Shake Hands With Danger.

5/5

Nice picks, Alice! His list meets the Holen seal of approval. Tune in next week kids for something completely different…


* That’s just a rumour.  One I started myself.  Flattery will get you everywhere, Holen!  – Mike

Noirison: Chapter Two – A Tee Bone Man Multiverse Story (by Holen)

NOIRISON: Chapter One

A Tee Bone Man Multiverse Story

By Holen

 

I woke up to a piercing brightness. Artificial brightness. I sat up slowly, but felt cold steel tug me back down at the wrist. I rubbed my eyes with my free hand, and everything started to focus. I was in a hospital room, handcuffed to the bed. My old boss, Captain Mike Ladano, was sitting by the bed casually sipping a cup of what smelled like third rate coffee.

“Harrison. About damn time,” Ladano exclaimed, “happy to see me?” He rose from his chair and stood over me.

“Yeah. Seeing you in the morning gives me warm and fuzzy feelings. Like the good old days.”

“Morning?” he said incredulously. “You’ve been out for about fourteen hours, sport. It’s eight at night.”

A cursory glance at the clock, and the darkness out the window told me he wasn’t yanking my chain. I tugged at the handcuffs.

“Some new law about getting assaulted that I don’t know about?” I quipped.

“You’re a private dick now, Healey. Shouldn’t you know if there was some law like that on the books?”

“Cut the shit, Ladano. It’s been a long day or two.”

Mike displayed a twisted grin. He always got a kick out of me breaking his balls, because he knew that he was the one that ultimately held all the power in our relationship. He took a perverse pleasure in it.

“There’s no law about getting assaulted, but there’s an old one about being an accomplice to kidnapping. It’s typically frowned upon by polite society,” he revealed.

“Kidnapping? What are you going on about?”

He picked up a manilla envelope from the chair, pulled out a photo, and tossed it on my stomach. It was the picture of Savannah that Snow had given me back at his office.

“Savannah Severny. 18 years old. Of course you already knew that, didn’t you?”

“Get to the point,” I urged.

“A witness saw her being dragged into a van by some brute around 4 am this morning. No one’s seen her or heard anything since. We showed up and found you lying in the parking lot with a busted head, and a picture that fits the witness’ description of the victim in your jacket.”

“You searched me while I was out?” I asked indignantly.

“Just doin’ my job, Healey. It was suspicious looking, you have to admit. I did a thorough search of your body. Mine’s bigger by the way.”

“What?” I was taken aback.

He pulled out my .45 and threw it on the bed.

“My gun. It’s bigger. More firepower,” he taunted. He reached into his pocket and came up with a key. He freed me of the handcuffs, and I rubbed my sore wrist instinctively.

Cutting to the chase, he blurted, “Look, I didn’t come here to compare pricks. We both know who would come out on top anyway. I know you didn’t have nothin’ to do with that kidnapping, but I needed to keep you here so I could ask you something. What the fuck is going on?”

“If I find out, you’ll be the first to know.”

Mike grew impatient, “Don’t give me that bullshit, Harrison. You did the best investigative police work on the force. I don’t buy for a second you don’t know shit about this girl, you Aussie bastard!”

“Look, I just got hired to find her last night,” I stated.

“You get hired to find her and then she really disappears? Ironic. Who’s the client?” he asked.

“I’m not at liberty to discuss that. You know I’m bound by confidentiality,” I reminded him. Clearly not what he wanted to hear, he hastily charged over to the bed and grabbed me by the shirt.

“Fuck confidentiality you dingo dicked dickhead! There’s an 18 year old out there missing! Her family hasn’t heard from her in months, and the first news they get is that she’s missing! What do you know you koala humping fuck bag? Who the fuck wanted you to find her, and why?”

“For Christ’s sake, Mike. She’s just two-bit a whore!” I yelled.

Bang. A swift smack upside the head. I saw stars. That’d be the third time I had my bell rung in under twenty four hours. My skull had to resemble the Liberty Bell at this point. I looked up at Mike, and saw the fire in his eyes dissipate. He looked down at his hand, appearing ashamed. He gently let go of me.

“I’m sorry,” he mumbled. He turned away.

“Me too,” I assured him. I had spoken out of turn. I’d forgotten about his first case as head detective years ago. It concerned a blonde that looked a lot like Savannah. She ran out on her folks at 17, got mixed up with the wrong people, and OD’d on horse at age 19. He called in to respond to her overdose. The years hadn’t jaded him enough to be completely numb to such a thing yet. He roughed up the paramedics at the scene, kept injecting adrenaline into her, but it was too late. He almost lost his badge that day for behavior unbecoming of an officer, but the Chief cut him some slack considering the circumstances. Ladano had never been the same since. These days he looked like something that had been rode hard and put away wet. This Savannah case had to hit close to home for him. He slowly turned back to me.

“You really don’t know anything?” he sighed.

“She was in the middle of shooting a movie,” I offered. “That’s all I can really say at this point.”

“Skin flick?” he asked.

“No, I don’t think so. It was for a big production company. Now that’s really all I can say. I shouldn’t even be telling you that, and you didn’t hear it from me.”

“Gotcha. Thanks for your cooperation.”

“Next time don’t cuff me to the bed like street scum if you wanna talk,” I said sarcastically, “just stop by the office. Why do people seem to be so averse to that?”

Ladano half-heartedly chuckled. He walked over to the door, but turned back around for one more wisecrack.

“What the hell happened to you, Healey? If you’d have kept your nose clean, you’d be in my position now. Now look at you.”

“I think I’m doin’ alright, all things considered,” I retorted, “I never was good at respecting the pecking order. Being my own boss was the only way to go.”

“Is that so?” he replied.

“Gives me the freedom to do what I need to for justice without the accountability,” I admitted.

“I’m gonna pretend I didn’t hear that,” he grinned. “Take care, Harrison.” He walked out as I saw his silhouette disappear down the hall. Just as soon as he left, a voluptuous nurse strutted in the door carrying a tray of pills. She was a stunningly beautiful Hispanic woman, effortlessly iridescent.

“Ah, Mr. Healey. How long have you been awake?”

“Long enough to hope those pills could put a horse out. I’ve got a high tolerance,” I confessed.

“Do you have a history of drug or alcohol abuse?” she asked with concern.

“Not if it keeps you from giving me those pain pills,” I joked. I winced in pain as a sharp sensation shot through my brain. “Come on, lady. My head feels like someone’s driving a spike through it.”

She gave me a glance like a stern librarian, the naughty kind. I flashed her a facetious pleading look of helplessness. With my face, it was irresistible. She grinned, rolled her eyes, and handed me the pills.

“Thank you,” I gratefully said. I popped the two pills into my mouth, downed the small cup of water, and stood up from the bed. “You got anything that will keep me awake on these things? I need to be sharp.” She sensually placed her hands on my chest, motioning for me to lie back down.

“I’m not a dealer, Mr. Healey. Now please, lie down.”

“I have a job to do. A young girl’s life may be in jeopardy,” I said stoically. “Guess I’ll have to get some uppers on the street.”

“That’s not funny,” she said, retracting her hands.

“You’re right. I guess I’ve used up all my good will here. I’ll be checking out now.”

“That’s inadvisable in your condition, Mr. Healey,” she warned.

“I’ve been worse. Trust me,” I assured her.

I began to leave the room, each step making all my muscles ache in tandem. I hoped those pills would kick in soon. Just as I was about to reach the hall, I turned around to look at the nurse one last time.

“I’ll look you up sometime,” I wryly promised. Her disappointed expression turned to one of erotic amusement.

“What makes you think I want you to?” she teased.

“What makes you think I care if you do?” I jested. The air seemed to moisten almost instantly. The woman had become a human humidifier.

She ripped off a piece of paper from my chart, produced a pen, scribbled on it, and then seductively strolled over to me, placing her body centimeters from mine, her feminine pheromones massaging my nostrils. She slowly placed the piece of paper in the front pocket of my pants, brushing her hand slowly against my inner leg as she pulled out.

“My name’s Milena. Call me sometime, Mr. Healey,” she whispered.

“Call me Harrison, and I’ll give you a ring when I’m free,” I cooly replied.

I winked and left the room. I heard her try to hide a groan when I had made some distance down the hall. I’d have to remember to call her when I was finished with the case. The way business had been before it, I figured I’d have plenty of time to do so. Of course, the way business had been during this case, it was more likely I’d be her patient again before I had the chance. That wasn’t important though. Savannah was out there somewhere, afraid, having who knows what done to her.

The lady at the desk stopped me and gave me a message. Someone had called for me here. There was no name, just a number. I had a pretty good idea who it was, but how did he know where I was?

I headed downstairs to a payphone and dialed the number. It rang once, and before I had a chance to say anything, Snow was already asking questions.

“Mr. Healey. Have you made any progress?”

“I got another concussion,” I joked.

“Most unfortunate, but I mean in Savannah’s case,” he said, unamused.

“She’s been kidnapped,” I informed him.

“What? That’s horrible! When?” he panicked.

“Last night. She was working at some strip joint, and a big guy threw her in a van when she got off. Nobody’s heard anything since,” I relayed.

“Is there a ransom demand? If there’s a ransom demand, tell them I’ll pay it. Whatever it takes to get her back, I’ll do it!” he exclaimed.

“Take a breath, Snow. I said nobody’s heard anything. And you don’t kidnap a stripper for ransom money. Unless somehow they knew she was connected with you,” I realized as I spoke. “What’s the nature of your relationship with Savannah? Clearly she’s not just another actress to you. What’s going on?”

“I don’t think that’s relevant to your case, Mr. Healey,” Snow curtly rebutted.

“That’s for me to decide, Snow. I’m the P.I., remember?” I reminded him.

“Call me when you have something, Healey,” he spat, hanging up. Rich bastard. This case was starting to stink worse than closing time at a 12 hour fish market. I needed to find Savannah, fast. Problem being, I was fresh out of leads. I decided to head back to the strip joint for a chat with the owner and a few of her pole dancing companions. This time, I was going to be extra vigilant. I wasn’t sure how much more pressure my noggin could sustain in such a short period of time. Luckily, my .45 usually kept even the most violence prone individuals civil enough for a brief discussion. I signed out of the hospital, walked out the doors, felt the cool January air on my skin, and began my walk to the strip joint. My muscles didn’t ache with my steps anymore. Pills must be kickin’ in. Hallelujah.

TO BE CONTINUED…


THE ADVENTURES OF TEE BONE MAN:  PHASE ONE – THE SQUIRREL SAGA 

THE ADVENTURES OF TEE BONE MAN:  PHASE TWO – THE MULTIVERSE SAGA

 

 

THE COMPLETE ADVENTURES OF EDIE VAN HEELIN’

THE WRITER’S ROOM

Noirison: Chapter One – A Tee Bone Man Multiverse Story (by Holen)

NOIRISON: Chapter One

A Tee Bone Man Multiverse Story

By Holen

A cold breeze blew in from the south, rustling the threads on my coat, and shifting my hat ever so slightly. I never could get used to these damn cold nights. I’d spent my nascent years in Perth, Australia. Anything below 60 was too clammy for my good. Leaving home wasn’t my choice, but when you find yourself running amuck of Johnny Law, it’s best to split like a bum at a railroad inspection. New York City had its charms though. I had a nose for action, and this city kept my nostrils flared.

My name is Harrison Healey. I’m a private eye. I used to work for the force, but Captain Ladano considered my attendance too erratic. Of my many virtues, punctuality was not chief among them. I looked more like a cowboy than a gumshoe. I was tan, tall, handsome, and handy with a weapon. A loaded .45 and a license to carry in all fifty states, not that I was too keen on using it. You needed a heater on these streets though, even if it was full of blanks. But if you used dummies, you’d best be ready for the other guy to call your bluff.

Damn, there’s that breeze again. I was only a few blocks from home. I liked to walk some days, it gave me a chance to sweat out the booze, but the cold was getting to me that night. I decided to light a cigar. But where did I put that lighter? It was right about then that a meaty fist the size of a 10 oz steak appeared in front of my face. It was holding a specialized lighter that read, “John T. Dreyfus Productions.” I looked up at the towering lump of meat standing in front of me. This guy was definitely muscle.

“Want a light?” the giant inquired.

“What’s the catch?” I shot back.

“A few minutes of your time. Mr. Dreyfus wants to see you,” he impatiently spat out.

“I don’t presume to know Mr. Dreyfus, and if it’s all the same to you, tiny, I’ve got a bourbon nightcap and a pillow calling my name at home. Tell him to call my office tomorrow and set up an appointment like a normal person.” With that rebuke, I turned to walk away, but the giant had other plans. The 10 oz steak became a hammer and nailed my stomach up against my spine. I hit the ground like a sack of bricks. My still unlit cigar rolled down the curb into the storm drain.

“It wasn’t so much a question,” a booming voice proclaimed from seemingly miles above me. The hammer came ‘round for a second swing, this time whacking my skull. I tasted blood, saw black, and don’t remember too much for a while after that.

I started to come around in a chair. I had no idea how long I was out, but I wasn’t booze drunk anymore, just punch drunk. I had to stop drinking like that. I should have heard a guy his size coming a mile away. A creep that size probably shook the buildings when he walked.

“Ah! He’s coming around! Good thing too, as this whole affair was beginning to try my patience,” an unfamiliar refined voice declared.

I opened my eyes and got a good look at my surroundings for the first time. I was several stories up in an expensive looking room, full of the tacky kind of furniture that only a despicable amount of wealth could ever corrupt you into believing was fashionable. It was still night, but was it the same night? The giant was lumbering in the corner, and a middle aged man with snow white hair approached me.

“My apologies for the rough stuff. My employees can oftentimes be a bit overzealous, but they’re so effective I find it hard to reprimand them!” Dreyfus decreed with insufferable hubris.

“Well if you don’t, I’d be more than happy too,” I groaned. “I think your boy fractured my skull.”

“Now, now, Mr. Healey. Let’s not be melodramatic. I deal with enough of that from my actors. I’m sure your headache is nothing a drink wouldn’t fix. Pick your poison,” he said, gesturing to the extensive supply of liquor on the wall.

“Bourbon, neat.” I guess the moratorium on drinking would have to wait.

“Ah, a man of taste. I understand that Europeans don’t often drink with ice. Is that true of Australia as well? I for one like to savor every sip. I’m a man of refined tastes, and I want to taste every cent,” Dreyfus chuckled, handed me the bourbon, and then poured a glass for himself. I took a sip, and the pain began to subside.

“Look pal, I don’t mean to be rude, but I have no idea who you are, or what you could possibly want from me,” I said.

“You’ve never heard of John T. Dreyfus Productions? I’ve been a pillar in the film industry for thirty years, by the looks of which is longer than you’ve been alive. Haven’t you ever been to a cineplex?”

“I’m a music guy.”

Dreyfus scoffed.

“Well, it’s impertinent to the matter at hand anyway,” he proclaimed. He took a sip of his bourbon. “Despite all the pageantry, what I desire from you is fairly standard. I’d like to hire you to find somebody.”

“I’m in the phone book, didn’t you think to try that first?” I quipped.

“I’m afraid it was a matter of some urgency, and I’m not accustomed to waiting.”

“All right then. What was so urgent you needed to give me a concussion?” I sarcastically inquired.

“An actress. She’s a newcomer, set to play a starring role in my latest film. This woman is a natural! Talented, and not so hard on the eyes either if you catch my drift. The picture is set to start filming next week, but she hasn’t been to rehearsal in the last three days. No one knows where she is, and I refuse to recast her. I want her in that film, and John T. Dreyfus gets what he wants!” he exclaimed in third person.

“I picked up on that, yes.”

“As I’m sure a man of your intelligence has already concluded, I want you to find her, and bring her to me.”

“What if she doesn’t want to come back?” I barbed.

“Well, I presume a man of your distinguished physical attractiveness should have no trouble convincing any woman of the heterosexual persuasion to follow you anywhere,” he said. I couldn’t tell if it was flattery, or an honest observation. In spite of all my vices, I was good looking.

“Dame got a name?” I asked.

“Savannah Severny. Doesn’t the alliteration just tickle you?”

“No,” I bluntly replied. Dreyfus sighed.

“In any case, here’s her profile shot,” Dreyfus handed me a picture of a beautiful blonde. She was a looker all right, but she had that sadness hidden under the surface. Someone had taken a belt to her too many times as a kid, or maybe no one was there to do it at all. Another broken beauty.

Dreyfus interrupted my thoughts saying, “And then there’s the matter of your pay. How does $500 a day suit you?”

It sounded good, great even. Business had been on a downward slide for months, but I wasn’t about to tell him so. I flashed a sour look.

“$750. How about that?” Dreyfus offered.

“Plus expenses,” I added.

“Well, naturally.”

I bit my lip and tried to hide my smirk. This wasn’t a parsimonious man. His po ckets clearly ran as deep as his influence. Still, something about him rubbed me the wrong way. Those rich producer types always had ties of which I never wanted to be associated. But at the end of the day, I couldn’t hide from the ugly naked truth, I needed the money.

“All right, I’ll take your case,” I agreed.

“Excellent,” Dreyfus opened a drawer and produced several bills. “Here’s a two day advance. Keep me updated on any progress.” He shook my hand with his right hand, and handed me the bills with his left. I stood up to leave, shot the muscle a quick glance of defiant bemusement, and walked towards the door.

“One more thing,” Dreyfus quickly said. I slowly turned, inadvertently betraying my annoyance.

“Forgive me, dear boy. I’m afraid I’m rather unschooled in the fine art of brevity. But seeing as you seem to have a proclivity towards impetuosity, I’d say we make quite a pair,” Dreyfus wryly remarked.

I stared in waiting.

“A bit of dry humor. Perhaps, misplaced. I’m afraid I mistook my audience, and mistook you for a risible man,” he conceded.

“What is it?” I said curtly, finally losing all patience. Briefly, I caught a sinister glance cast out of Dreyfus’ eyes. It was only a fraction of a second, then he quickly composed himself. This man was definitely a professional.

“Confidentiality is something I hold sacred. From now on, I’d like you to refer to me in all communications and in any notes you may take for this case by a false name. You are to refer to me as Snow. Understood?”

“I think I can manage.”

“Good. On your way then.”

On my way then. The ink hadn’t even dried on our deal and already I was like one of his lackeys. I rode the elevator down to the ground level, questions spinning on my mind. Why me? A man of his financial stature could afford anybody to find this broad. Why’d he employ the services of my crummy dime store operation? Maybe he had looked in the phonebook. Everyone flips to the middle anyway, and my name is right around that area. The c-notes in my pocket helped to pacify my restless mind. I wasn’t sure how I’d find this Savannah lady, but I had a good idea of who I should ask first. Before I saw him, I had to stop by a gas station for a few tallboys.


I slid into T-Bone’s, a local jazz club and found a table near the back. The guy I was looking for was up onstage, a guitarist known only by the name Holen. He was an esteemed player. Everyone knew of him, but no one knew what he looked like. He was an invisible man, sharp-dressed, but tough to discern out of context. He lived for his instrument, it was the only thing in the world that brought him happiness. That and any kind of liquor he could get down his gullet. Hence the cold tall boys in my coat.

I sat there and watched his set. I decided to have a cigar, but remembered I didn’t have a light. It was just gonna be one of those nights. Holen took his solo, then a bow, and made a predictable beeline for the bar. I met him there, tallboys still frosty in my coat. Sweat still dripping from his invisible brow, Holen turned in his barstool towards my direction.

“Harrison Healey. To what do I owe this undoubtedly dubious pleasure?” Holen exhaustedly proffered.

“A little sloppy tonight weren’t you?” I ribbed.

“It was our third set! I’m getting the shakes. And you know I never drink before or during a performance,” he spit back.

“I might find that impressive if those weren’t the only times you aren’t nursing a drink.”

“Speaking of, why don’t you cut to the chase so I can get straight to it? I got a date with the demon rum.”

“I need some information,” I said bluntly.

“Of course you do. You ever think about just making a social call?” he jested.

“I’m not the social type, Holen. Tell me everything you know about this broad,” I extended the picture out to him.

“What’s in it for me?” he grunted. I produced the tallboys.

“They were out of Mickey’s big mouth cases. I figured these would do,” I ribbed.

“Well, that’s a start. Her name’s Crystal. Well, probably not, but that’s what they call her. She dances over at the Two-Bit strip joint off of 10th street. You hurry, you might catch the end of her show.”

“I heard her name’s Savannah.”

“It probably is, but that’s not what they call her down there.”

“You sure it’s her?” I pressed.

“Yes. That’s not the type of dame you mistake for somebody else.”

“Thanks. Take it easy there, Holen. I could almost hear your liver crying above your guitar.”

“I never stop ‘til I’m three sheets to the wind. Otherwise, what’s the point?”

I patted him on the back and proffered a simple, “Do as you will.”

“I intend to,” he quipped back.

Holen was certainly a character. The tosspot took the piss out of everything and everybody. There was something about him I admired though. He’d found his niche and was content indulging his vices nightly. I took leave of T-Bone’s and set out for the strip joint. Luckily for me, it was only a few blocks away. I checked the time, it was a quarter to four. I’d better get moving if I wanted to catch Savannah.

I hastened my pace. The exertion helped subdue the cold. I made good time, and saw several girls being escorted out of the strip club by what had to be the bouncer. I snuck back in the lot behind the place. I didn’t feel like having another confrontation with a brainless brawn. Standing out of sight, I perused the shadowy figures, looking for one that resembled Savannah. No such luck yet. I saw a dark silhouette about to turn the corner, and then felt a heavy object strike the back of my dome with extreme force. So much for avoiding another head injury…

TO BE CONTINUED…


THE ADVENTURES OF TEE BONE MAN:  PHASE ONE – THE SQUIRREL SAGA 

THE ADVENTURES OF TEE BONE MAN:  PHASE TWO – THE MULTIVERSE SAGA

  • Chapter Eighteen:  Shinzon – Origins (By LeBrain)
  • Chapter Nineteen:  Tee Bone Man and Superdekes vs. the Lego (By LeBrain) coming soon
  • Chapter Twenty:  The Death of… (By LeBrain) September
  • Chapter Twenty-One:  The Fate of… (By LeBrain) October

 

  • Noirison:  Chapter One (by Holen)
  • The Mole in Rock and Roll Heaven (by 80sMetalMan) TBA
  • Shinzon – Dread and the Fugitive Mind (By Harrison Kopp) TBA

 

THE COMPLETE ADVENTURES OF EDIE VAN HEELIN’

THE WRITER’S ROOM

 

 

11 Albums + 1 Desert Island = 6 Great Lists

The rules were flexible to say the least, but the lists were solid as rock! What 11 albums would you bring with you, if you were stranded on a desert island? And why? Each of us had our reasons and some great lists.

Unfortunately John Snow (2loud2oldmusic) could not make it tonight.  He felt terrible about cancelling, but fortunately pinch hitter Aaron from the KMA stepped in at the last minute with a list he made while cooking dinner!

Your panel this week was:

The lists start at 0:25:20, and as always Aaron wrote ’em down.  Read ’em at bottom!

The schedule:

April 30T-Bone returns and we discuss Van Halen’s 5150 in depth.  Guests:  Kevin (BuriedonMars), Uncle Meat, Superdekes, and Aaron.

May 7Paul Laine from Danger Danger and the Defiants with co-host John Snow.

May 14:  List show by Uncle Meat’s suggestion — Best Cover Tunes — with panel TBA.

May 21:  New booking!  Sean Kelly (Coney Hatch, Crash Kelly, Helix, Lee Aaron, Trapper, Nelly Furtado) joins us with co-host Deke!

May 28Dave Lizmi of the Four Fuckin’ Horsemen!  Co-host will be T-Rev.

June 4:  One year anniversary of Harrison’s first appearance.  We re-hash the Top 11 Priest Albums and will have Geoff Stephen to graph it!  Co-host is TBA.

June 18Robert Lawson, author of Still Competition: The Listener’s Guide to Cheap Trick.  Hosted by Superdekes.

All aboard!

 

 

 

Desert Island Discs on this week’s LeBrain Train

The LeBrain Train: 2000 Words or More with Mike Ladano

Episode 61 – Desert Island Discs

This topic has been in the hopper a long time.  Contributed by longtime reader Holen, the Nigel Tufnel Top Ten Desert Island Discs are the 11 albums you would bring with you if you were stranded on an island (with a hand-cranked record player obviously).  Surely a great subject for discussion!

Your panel this week will include myself and:

Just as interesting as the lists will be the rationale for inclusion.  And remember:  it’s more fun when you can watch live and participate yourself!  Subscribe to my YouTube and get notified every time I go live, announced or otherwise.

Friday April 23 7:00 PM E.S.T. on Facebook:  MikeLeBrain and YouTube:  Mike LeBrain.