This guest review hit my inbox courtesy of Zach “I Like Iron Maiden” Britton. He is possibly (and quite probably) the only Iron Maiden fan in the world who has had a song written and recorded about his love for the band. Last night he went to see them again.
Opening act The Raven Age features Steve Harris’ son George on guitar.
THE RAVEN AGE – ACC Toronto, April 3 2016 (opening for Iron Maiden)
by Zach Britton “the Lamb Lord”
Five guys dressed like Criss Angel bring you the Twilight soundtrack.
I was not impressed. I’m not kidding about the Twilight soundtrack bit. Though certainly more metal, it spoke to me of the angst of a teen vampire boy courting a human girl. And all their stuff sounded the same to me. I’m no musicologianist*…but I know what I like.** And it wasn’t eight metally tunes about pubescent vampires.
When Bruce Dickinson left Iron Maiden in 1993, the metal world was rocked yet again by another major defection. First Vince Neil, then Rob Halford, and now Bruce! It seemed the old guard of 80’s metal had suddenly fallen from the top of the world, to critical condition on life support.
Some fans gave up. The loyal waited eagerly for news. First were the rumours that Paul Di’Anno would come back (quickly shot down by Steve Harris). Then Michael Kiske from Helloween had his name dropped in a few speculative magazine articles. Finally in 1994, the identity of the new singer was released: Blaze Bayley, ex-Wolfsbane. In North America, the majority muttered, “Who?” The fans who still cared, anyway. Those who did not cut their hair and moved on to Soundgarden and Alice in Chains.
Another long quiet year went by before new Maiden music hit the shelves. When it did, in the form of the album The X Factor, it was clear that Iron Maiden had changed. They were now a quieter, darker animal, with a singer to suit that sound. The departure was not well received. Fans were not impressed by the long, repetitive songs, nor the lower-voiced singer. The album failed to make a significant dent in the charts, although it sold well initially in Quebec, the last stalwart of metal in Canada. One fan who did accept and embrace the changes was yours truly, Mr. LeBrain, but not without taking flak for it.
When the CD was released, I was already working at the Record Store, so I bought it immediately. We didn’t stock enough copies to get it in early, or even offer a good price on it. In other words, we ordered just three copies of the new Iron Maiden CD, with one of those being reserved for me! That’s how far Maiden had fallen. It took two or three good listens to adjust to the new softer Maiden, but certain songs jumped out fairly quickly, such as “The Sign of the Cross” and “Lord of the Flies”. I enjoyed the darkly introspective lyrics on new songs such as “The Aftermath” and “Look for the Truth”.
The girl I was dating at the time was not into rock music; not in the least. The last CD I bought for her was Much Dance ’95, featuring such hits as “What is Love” by Haddaway, “Saturday Night” by Whigfield, and of course, “Macarena”. I even took a bullet and listened to it with her, the whole thing. In turn, she tried to give my Joe Satriani a shot, but she wasn’t particularly interested. I knew there was no chance she’d be into Iron Maiden, but since I was excited that they had new music out, I was talking about it a lot. I tried to tell her how much I was enjoying the new lyrics on the album.
That’s when she said the words I will never, ever forget:
“Why are you even listening to new Iron Maiden? You know they will never be popular again.”
Aye carumba!
Popular? What true Maiden fan ever bought an album because it was popular?
I was deeply disappointed in her words, and even a little hurt. I was trying to convey to her that the words and music were impacting me; I was feeling something and wanted to express that. It is always good when music provokes thoughts and feelings. I would have loved for the album to be successful, but that wasn’t the point. I never listened to Maiden to be cool.
She dumped me shortly after I bought the new Lisa Loeb album for her. Damn you, Lisa Loeb. Then, she started banging an ex-girlfriend of mine, and her new boyfriend…at the same time.
Let me repeat that for you just in case you missed it.
Then, she started banging an ex-girlfriend of mine, and her new boyfriend, at the same time. Both of them.
Henceforth, I dove headfirst into that Maiden album to drown my misery, and it became one of several discs that were my soundtrack to that miserable winter for me: Maiden, Ozzy’s Ozzmosis, and Oasis’ (What’s the Story) Morning Glory. If there is a reason I have a soft spot for The X Factor by Iron Maiden, you can blame that girl who said they’d never be popular again.
While all is forgiven today, I have not forgotten that remark (obviously), and the amazing thing is that she was 100% wrong. Maiden are more popular today than they ever have been. Their T-shirts have become fashion statements. Kids who weren’t even born when Bruce left the band are buying tickets to see them live in 2016! But much more important than that, they have achieved a level of artistic integrity and consistency that most bands should be envious of.
Maiden, never popular again? File that under failed predictions from the 90’s, right next to the Y2k scare! Up the Irons!
Unless you have been living under a pile of rock (and roll), then you know that the hype machine for a 2016 Guns N’ Roses “reunion” has already begun.
But this is not a reunion. This is not Axl, Slash, Duff, Izzy, and Steven. Matt Sorum is not involved, nor is Gilby Clarke. The new lineup is supposed to consist of: W. Axl Rose, Slash, Duff “Rose” McKagan, Richard Fortus, Frank Ferrer, Dizzy Reed, and Chris Pittman, with new member Dave Kushner (Velvet Revolver) in the third guitar slot.
Of course, many lineups labelled as “reunions” in the past were not. Van Halen’s current “reunited” lineup consists of three classic members and one new guy, Wolfgang Van Halen. Any time The Who go out there for a tour, there are only two original members. Not much can be done about that, with Keith and John both gone. Not that it matters since both bands have made millions on these tours, and both bands even managed to put out new albums, without the full original lineups. New music always trumps a tour.
Few bands seem to reunite with all the beloved members intact, either due to death or stubbornness. There are exceptions, obviously. The Eagles and Fleetwood Mac came together with their most beloved lineups, and a tremendous amount of success, but even they couldn’t make it last. Don Felder was fired from the Eagles years ago. Christine McVie only recently returned to the Mac after being gone for ages, and meanwhile the band did a new album without her. And Black Sabbath? Their farewell tour only has ¾ of the original lineup! Meanwhile Bill Ward sits at home, having alienated the band and Sharon Osbourne. The chances of Ward ever playing drums again in the band he co-founded are slim to none. One does not piss off the Osbourne camp without consequences. Regardless of his reasons, justified or not, a Black Sabbath farewell tour without its still capable original drummer is a hollow thing indeed.
Even when you do get the full original lineup of a band that you wanted, that doesn’t necessarily mean the band is returning to full functionality. When Kiss reunited in 1996 with the full original band, Ace Frehley and Peter Criss were hired hands. They didn’t get a say, they didn’t get a vote. They got a contract stating their responsibilities and compensation. As if Paul and Gene would ever give up any control in their band, now! So what we saw live was Kiss, but what we got behind the scenes and on the album Psycho-Circus was just “more of the same”. Ace and Peter didn’t even appear on many of the songs, even though they were on the album cover. But that’s nothing new for Kiss!
What band has had the most successful reunion? I’m not talking in terms of numbers; then we would probably have to include Spice Girls and New Kids on the Block. Who has had the most success in terms of quality? That would have to be Iron Maiden.
Steve Harris did something very creative when he reunited with Bruce Dickinson. Instead of just bringing Bruce back into the band, he also brought in Bruce’s guitarist and former Maiden member Adrian Smith. But Adrian was not cool with coming in to replace somebody else. “What about Janick Gers?” he asked. Janick had been in Maiden for a successful decade, and Adrian didn’t want him out of a job. Steve always envisioned a three-guitar Iron Maiden, and Adrian Smith coming back gave him that opportunity. It worked out brilliantly, especially live, when it could have been a train wreck. Technically, what Iron Maiden did is the same thing Guns N’ Roses are said to be doing: a new version of the band, with both classic and current members. Maiden made it last, too. Harris was very clear with Bruce: nobody was coming back to Maiden just to hang around a while and leave again. Anybody coming back to Maiden was coming back for life, and that is exactly what happened. Five more studio albums later, Maiden rule absolutely.
What will happen with Guns N’ Roses? That is harder to predict. It is unlikely their most talented member, Izzy Stradlin, would want to return to the circus of insanity that is a GN’R tour. As for Slash, he has always preferred a stripped down band. It’s hard to imagine how he will be happy playing in a band with two keyboardists, but that’s what they say is happening. How long will it last? A few shows? Coachella and gone? Much like Ace Frehley, Slash will probably be a contracted musician.
A band of Guns’ stature all but had to reunite. The fans have been loudly demanding something like this for over a decade. The fans hoped Izzy and Steven Adler or Matt Sorum would be a part of it, but that has always seemed unlikely. Slash couldn’t even get Izzy into Velvet Revolver. What they are doing is probably the closest to a reunion that is likely. Perhaps Izzy will show up to guest as he has in the past, but fans shouldn’t get their hopes up of seeing Adler on stage.
Perhaps this, the most anticipated “reunion” since Led Zeppelin (also a new lineup with Jason Bonham), will stop the constant questions from the media and fans. “Will you ever get back together?” It must be tiring answering that question daily, when you have new music out there to play. Sometimes a band just has to give in and take a step backwards. Sometimes, as in the case of Iron Maiden, the way forward is to go backwards.
Will it work? The only way to find out is to stay tuned. You know where you are? You in the jungle, baby.
Let’s see if the bad boys of rock and roll can still survive the jungle.
One more list for 2015 arrived at the last minute! Enjoy the rock as prescribed by Dr. Dave Haslam.
GETTING MORE TALE #459.4: 2015 Year-End Lists, part 4 – Dr. Dave Haslam!
First of all – it had to happen sooner or later, but when it does it is still a shock. RIP Lemmy. A true lifer for the rock and roll.
10. Paradise Lost – The Plague Within 9. Drudkh – A Furrow Cut Short 8. Panopticon – Autumn Eternal 7. Mgla – Exercises in Futility 6. Iron Maiden – The Book of Souls 5.Uncle Acid and the Deadbeats – The Night Creeper 4.High on Fire – Luminiferous 3. Deafheaven – New Bermuda 2. Ghost – Meliora 1.Clutch – Psychic Warfare
Honourable Mentions:
Faith No More – Sol Invictus
Lamb of God – VII: Sturm und Drang
Failure – The Heart is a Monster
Baroness – Purple
Elder – Lore
Dishonourable Mention:
Slayer – Repentless (without Lombardo and Hanneman they are a shadow of their former selves.)
GETTING MORE TALE #459.3: 2015 Year-End Lists, part 3 – yours truly, LeBrain!
Unlike my companions in rock, Tom and Uncle Meat, I’m going to be a bit more verbose here with my top lists of 2015.
I thought I had my top five albums down. I didn’t expect any changes, but then a couple respected writers started praising the new Def Leppard album. I decided, against my better judgement to go ahead and buy it. What can I say? Those reviewers were right. It’s a good album. Def Leppard 2015 cracked my top five list, necessitating a top six.
The high quality of new albums by returning bands continues to amaze me. The last band I expected a quality album from this year was Def Leppard. Of course, on the flip side of that, we have Bon Jovi who choked to death on pop dreck. Given what was coming out this year, and what the stakes were (a possible final album from Iron Maiden, the first Faith No More CD in 18 years), you couldn’t have realistically hoped for better than we got. Meanwhile on the new music front, it is hard to find a better debut than …listen, by Stealth. Not rock in any way, but more mind-expanding than anything else I heard in 2015.
And talk about high stakes on the movie front! The most anticipated movie of all time is going to be the most successful movie of all time, thanks to it pushing all the right buttons while moving the story into its next phase. Because of my wife’s health condition (epilepsy) I don’t go out to movies very often, preferring to wait for the blu-ray. Age of Ultron and Ant-Man pleased me immensely. But worth more than just an honourable mention is Mad Mad: Fury Road. Unlike Star Wars, Mad Max rebooted while going off into a startling new direction. It was probably the most impressive film of the year…but even so, my 2015 was only about Star Wars. Just trust me — see Mad Max: Fury Road. See it many times.
Finally: Rest in peace Lemmy Kilmister, Philthy Animal Taylor (that’s 2/3rds of the classic Motorhead lineup, wiped out), Scott Weiland, Chris Squire, Ornette Coleman, Ben E. King, Percy Sledge, A.J. Pero, Andy Fraser, and of course, B.B. King.
GETTING MORE TALE #459.2: 2015 Year-End Lists, part 2 – Uncle Meat!
List #2 for 2015 comes from the Uncle of the Meat. He needs no introduction here. Looking for some integrity? Then have a gander below.
Meat, Bucky, Tom
UNCLE MEAT’S TOP FIVE ALBUMS of 2015
5.The Book of Souls – Iron Maiden 4.Meloria – Ghost 3.Terraplane – Steve Earle 2.High Country – The Sword 1.Psychic Warfare – Clutch
UNCLE MEAT’S TOP TEN TV SHOWS of 2015
10.Ash vs. Evil Dead 9.F is for Family 8.Daredevil 7.W/ Bob and David 6.True Detective 5.Mr. Robot 4.The Affair 3.Better Call Saul 2.Game of Thrones 1.Fargo
UNCLE MEAT’S TOP TEN MOVIES of 2015
10.Straight Outta Compton 9.Ant-Man 8.Trainwreck 7. Avengers: Age of Ultron 6.Amy 5.Spotlight 4.Star Wars: The Force Awakens 3.The Revenant 2.Jaco: The Movie 1.Love and Mercy
GETTING MORE TALE #459.1: 2015 Year-End Lists, part 1 – Iron Tom Sharpe!
Here we are once again. It’s the end of the year, and that means it’s time for lists!
Iron Tom Sharpe, the near-legendary host of Sausagefest, needs no introduction here. I like to describe him as “one of the Jedi masters who instructed me” in the ways of rock. A former Record Store owner himself, Tom knows his shit. So listen up!
But which one is Tom?
IRON TOM’S TOP SIX(!) ALBUMS of 2015
6.The Atomic Bitchwax – Gravitron 5. Iron Maiden – The Book Of Souls 4.Baroness – Purple 3. Ghost – Meliora 2. Clutch – Psychic Warfare 1. The Sword – High Country
IRON TOM’S TOP SIX(!) TV SHOWS of 2015
6.The Last Man On Earth 5.W/ Bob and David 4.Mr. Robot 3.Fargo 2.Rick and Morty 1.Game Of Thrones
Come back tomorrow for another great list…from the man, the myth, the stinky putrid legend: UNCLE MEAT!
NOTE: Because of the three Top 15 on the 15th posts today, there will be no posting for Wednesday. A directory to all the Top 15 on the 15th posts can be found here. Browse them all!
Getting More Tale #433.9 presents: A worldwide online event! THE TOP 15 ON THE 15th – Guest shot by Iron Tom Sharpe
Latest to throw his hat into the Top 15 on the 15th ring is Iron Tom Sharpe, Meaford’s Greatest Athlete. One of the most knowledgeable rock fans in the country, Iron Tom is a national treasure. He is a former Record Store owner, and one of the Jedi masters who instructed me.
His message to me upon completion of his list: “Fuck that was tough…and I know I left off some big ones…I just know it…Ah fuck, The D! Max!”
There may be no Tenacious D, and there may be no Max Webster. But here is one kick-ass #Top15onthe15th.
15. The Sword – Warp Riders
14. Metallica – Master of Puppets
13. Deep Purple – Perfect Strangers
12. Frank Zappa – Bongo Fury
11. Led Zeppelin – Physical Graffiti
10.Kyuss – Sky Valley
9. Van Halen – Fair Warning
8. Willie Nelson – Phases and Stages
7. Yes – Close to the Edge
6. Iron Maiden – Powerslave
5. Fu Manchu – The Action Is Go
4. Steve Earle – I Feel Alright
3. Marillion – Misplaced Childhood
2. Queen – Queen II
1. Rush – Moving Pictures
Almost made it:
Orange Goblin – Time Traveling Blues
Crosby Stills & Nash – CSN
Pink Floyd – Animals
Motorhead – Another Perfect Day
Black Sabbath – Heaven and Hell
And finally…an extra bonus. Iron Tom’s Top 5 Live!
Oh, how I loathe lists! Readers seem to love “Top Whatever” lists; different kinds, but I sure do hate making them.
However, I don’t like doing things in half-measures either. So for this, the Top 15 on the 15th, I’ve gone one step beyond. Not only do you get my Top 15 on the 15th, but also a list of the Top 15 tracks to listen to from these 15 amazing albums.
As of today, here are my Top 15. These will change periodically, probably tomorrow, and again the day after. See why I hate lists? In the end I decided that I wanted to fairly represent some of my favourite artists. But enough whining from me — let’s rock. Spin these little bastards for a good time!
15. Judas Priest – Hell Bent for Leather (Killing Machine)
14. Max Webster – A Million Vacations
13. Queen – News of the World
12. Alice Cooper – School’s Out
11. The Beatles – The Beatles (The White Album)
10.Thin Lizzy – Johnny the Fox
9. Led Zeppelin – Houses of the Holy
8. Johnny Cash – At San Quentin
7.Faith No More – Angel Dust
6. Rush – Moving Pictures
5.Van Halen – 1984
Let’s stop here for a moment. The thing about my top albums list is, the top four never change. Four of these five albums have been in my top five for a long as I can remember making lists for. The order may change, but that top four have been my top four, forever. They are indelibly heat-stamped onto my grey matter. These are as much a part of me as my left arm!
4.Iron Maiden – Piece of Mind
3. Kiss – Hotter Than Hell
2.Deep Purple – Fireball
1.Black Sabbath – Born Again
Right there are 15 incredible collections of music, both studio and live. But let’s not fool ourselves. Nobody is going to listen to all 15 of those albums just because some guy on the internet who goes by the name of “LeBrain” said so. I have chosen to distill these 15 amazing records down into 15 key tracks. I’m sure nobody needs an introduction to the big hits, so here are tracks you may not have heard. If you have ever cared about rock music, then you need to listen to these Top 15 Songs from the Top 15 Albums, on the 15th!
1. Rush – “Vital Signs”
2. Black Sabbath – “Disturbing the Priest”
3. Queen – “It’s Late”
4. Iron Maiden – “Where Eagles Dare”
5. The Beatles – “Dear Prudence”
6. Johnny Cash – “San Quentin”
“If any of the guards are still speakin’ to me, can I get a glass of water?”
7. Led Zeppelin – “The Ocean”
8. Thin Lizzy – “Massacre”
9. Alice Cooper – “Gutter Cat vs. the Jets”
10. Deep Purple – “Fools”
11. Iron Maiden – “Revelations”
12. Judas Priest – “The Green Manalishi (With the Two-Pronged Crown)”
13. Alice Cooper – “My Stars”
14. Queen – “Spread Your Wings”
15. Deep Purple – “No No No”
Astute readers will realize that one singer appears on two albums. Ian Gillan was fronting Black Sabbath in ’83 for Born Again, and of course is best known as Deep Purple’s lead howler. Does this double appearance make Ian Gillan the greatest rock vocalist of all time? No. But the greatest does appear, with Queen on News of the World – Freddie Mercury!
IRON MAIDEN – The Book of Souls(2015 Parlophone, collector’s book edition)
I have a new hero. His name is Bruce Dickinson.
Bruce has not only beaten cancer back to that dark hole from which it came, but he takes command on Iron Maiden’s new opus The Book of Souls.
Even though he only has writing credits on four of the 11 tracks here, his impact is massive. With lungs of iron, Bruce propels everything. For the first time (possibly) ever, I feel that the most important band member is not leader Steve Harris, but the singer himself.
Right from the opener “If Eternity Should Fail”, Bruce is center stage. He wrote this complex number himself. It boasts one of Maiden’s most memorable choruses yet, and musical twists and turns that return us to Powerslave. Meanwhile, there is a hook that reminds me of Bruce’s solo song “The Ghost of Cain”, from Accident of Birth.
We took a good look at the lead single, “Speed of Light” a couple weeks back. Maiden often write a fast, heavy blazer to go with a new album, and that’s “Speed of Light”. Even though it is the single, it is far from the strongest song. Written by Bruce and Adrian Smith, it is certainly a good Iron Maiden track, but in comparison to the monuments of metal that surround it, “Speed of Light” feels like a brief diversion from the epic metal moments at hand. Adrian’s solo, however, is delicious.
“The Great Unknown” (Smith/Harris) opens softly, but even so there is a menacing tone to Bruce’s voice and the underlying instruments. With a slow, thrusting riff, “The Great Unknown” soon lurches forth, a killer metal march for the ages. Bruce pushes his voice to the very limits, giving it all and then some. As with many of the songs on The Books of Souls, I hear hints and echoes of past Maiden epics. This is not a lack of originality, more like a signature — familiar but always different. “The Great Unknown” ends on the soft note with which it began.
What is an Iron Maiden album without a Steve Harris bass intro? He and producer Kevin Shirley captured a wonderful bass sound on this album. “The Red and the Black”, another epic, is the only Harris solo writing credit. It has a riff that takes me all the way back to Killers, but then it is gone, and it’s onto another riff…and another…and another. At 13 minutes in length, this is one of those trademark Harris songs. Time changes galore, loaded with hooks. You can draw parallels to many epics from the past, but to do so takes away from this one. “The Red and the Black” is a proud achievement, a passionate metal song as only Iron Maiden can really do. Adrian Smith handles one of the guitar solos with a huge splash of wah-wah, and that is simply a thing of beauty. In sum, if you took a little bit of everything that makes Iron Maiden great and unique, then all those ingredients are in “The Red and the Black”. Bass outro, and that’s that.
A semi-shorty (5:52) is in the next slot, a fast riffer called “When the River Runs Deep” written by Steve and Adrian. This one is hard to compare to any past Maiden tracks, as it occupies a space all its own. Adrian Smith sometimes brings in riffs that sound like something other than Iron Maiden, and I think that’s “When the River Runs Deep”. Adrian takes another wah-wah solo, but not to be outdone is Janick Gers who throws down an edgy solo of his own. As far as Iron Maiden goes, this song is guitar solo nirvana.
A 10 minute epic always makes a good closer when you’re Iron Maiden, so the title track “The Book of Souls” (Gers/Harris) is last for disc one. Gentle acoustic guitars and keyboards emulating pipes tell us that this is previously uncharted territory. Then “The Book of Souls” trudges forth, with a beat not unlike “Mother Russia” from No Prayer for the Dying. There’s far more to the song than that, however. Soaring lead vocals (Bruce only seems stronger!) just ice the cake. All three Maiden guitarists shine on this, but Janick and Adrian have some solos that just play off each other so well. You want those trademark Maiden guitar melodies? How about galloping riffs? Nicko McBrain killing it on the drums? Maiden deliver, in top notch style, everything and then some more.
Bruce and Adrian co-wrote “Death or Glory”, opening side two with frenetic drums and riffing. Going for the throat, The Book of Souls has more fast riffs per minute than any Maiden album in decades. In five brief minutes, you are blasted against the wall, bounced off the floor, and nailed to the ceiling. Don’t hurt your neck from all the headbanging. This time, the guitar spotlight is on Dave Murray for an intense, dramatic solo.
“Shadows of the Valley” (Gers/Harris) sounds a lot like “Wasted Years” at first, but only briefly. If anything, “Shadows of the Valley” recalls Dance of Death-era Iron Maiden. Although this song is not as powerful or memorable as others on the album, it does contain some seriously incredible instrumental moments.
One of the most heartfelt and powerful songs on the album is the shortest. “Tears of a Clown” is a thoughtful moment about Robin Williams. The poignant lyrics are to the point:
All alone in a crowded room, He tries to force a smile, The smile it beamed or so it seemed, But never reached the eyes, disguise, Masquerading as the funny man do they despise.
I found this to be one of the compelling songs. Of all the bands to commemorate Robin Williams, I did not expect it to be Iron Maiden. But they did it in such a way that it completely fits.
Dave Murray and Steve Harris might not have known that Bruce already has a solo song called “Man of Sorrows”, but it doesn’t matter much since Maiden’s song is called “The Man of Sorrows”. Musically this sounds much like X Factor-era Maiden. Bruce takes it to a higher level than that. Dave himself has a nice slow bluesy solo at the end that is just pure gravy.
The biggest surprise, the biggest song, and the biggest challenge has to be “Empire of the Clouds”. Written solely by Bruce and coming in at almost 20 minutes, it is unprecedented in the Maiden canon. Never before have the credits “Bruce Dickinson – vocals, piano” been written inside one of their albums. For the first time ever, the piano is a part of Iron Maiden’s makeup. Maiden have used orchestras before, and the strings return as well. “Empire of the Clouds” is a peak accomplishment, something that they (and Bruce) can proudly proclaim, “we did that”. The piano is a natural fit, in the way it is used to make an epic song even more dramatic. Aviation has been one of Bruce’s favourite lyrical subjects for a long time, but “Empire of the Clouds” might be his first song about airships. You can trust him to instill it with all the drama and heaviness that you expect from Iron Maiden.
Even though 92 minutes have elapsed, The Book of Souls does not particularly feel longer than A Matter of Life and Death or The Final Frontier. Like those two previous records, The Book of Souls is going to have to be digested long-term, returned to again and again to fully absorb and appreciate. This is an album in the true sense: best appreciated in sequence, as a single work. There’s an intermission in the middle for you to change CDs and take a break, but I recommend diving right back in once again.
With Bruce’s very serious health scare, and the increasing age of the band, there is always the chance that this could be the last Iron Maiden album. Of course, some said that about The Final Frontier as well. It seems that ever since Brave New World in 2000, Iron Maiden have set to top the previous album each time. The cumulative effect of that is that they had a hell of a lot to live up to on The Book of Souls.
Mission accomplished.
5/5 stars
Disc 1
1. If Eternity Should Fail (Dickinson) 8:28
2. Speed Of Light (Smith/ Dickinson) 5:01
3. The Great Unknown (Smith/ Harris) 6:37
4. The Red And The Black (Harris) 13:33
5. When The River Runs Deep (Smith/ Harris) 5:52
6. The Book Of Souls (Gers/ Harris) 10:27
Disc 2
7. Death Or Glory (Smith/ Dickinson) 5:13
8. Shadows Of The Valley (Gers/ Harris) 7:32
9. Tears Of A Clown (Smith/ Harris) 4:59
10. The Man Of Sorrows (Murray/ Harris) 6:28
11. Empire Of The Clouds (Dickinson) 18:01
For the official KeepsMeAlive review by Aaron,click here!
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