radio

#466: Clap for the Wolfman

 

“Another lovely day begins, for ghosts and ghouls with greenish skin. So close your eyes and you will find that you’ve arrived in Frightenstein. Perhaps the Count will find a way to make his monster work today. For if he solves this monster-mania, he can return to Transylvania! So welcome where the sun won’t shine, to the castle of Count Frightenstein!”Vincent Price

GETTING MORE TALE #466:  Clap for the Wolfman

I surely cannot be the only person in the world who heard of rock and roll because of the legendary radio DJ Wolfman Jack…although mine was in a roundabout way!

The irresistibly gravel-voiced Wolfman Jack was born in 1938 as Robert Smith.  A love of classic horror led to the creation of the Wolfman character.  He played rock and roll records from a high-powered transmitter on the Mexico border.  So powerful was the signal that Jack claimed “Birds dropped dead when they flew too close to the tower.”  On a clear night, listeners in the Soviet Union could hear the Wolfman half a world away.

Killing birds and eating records, the Wolfman really came to fame when tapes of his broadcasts were used for radio syndication.  By selling his tapes world-wide, Jack could be heard on over 2000 stations at his peak.    The Wolfman character became synonymous with rock and roll no matter where you lived.

American Graffiti: Richard Dreyfuss and Wolfman Jack

I was too young to know of Wolfman Jack directly.  I was even too young for American Graffiti, the 1973 George Lucas classic about the cruising scene in Modesto California circa the summer of ’62.  Wolfman Jack made a memorable appearance as himself, and did radio DJ intros for most of the tunes through the movie.  This however was preceded by a 1971 Canadian kid’s comedy show called The Hilarious House of Frightenstein. Similarly to of the syndication that made the Wolfman a smash success, Frightenstein was on TV well into the 70’s and 80’s, even though all the episodes were made in 1971.  Via Frightenstein, I learned who the Wolfman was.

Because of the endless re-runs, there was no way for young Canadian kids to miss it.  Before we had cable, it was one of the few shows we could reliably get, both at home and at the cottage, as it was broadcast from Hamilton Ontario.  Billy Van played almost every character himself: Grizelda the Witch, the Librarian, Dr. Pet Vet, Bwana Clyde Batty (a British explorer who ran the “Zany Zoo”), and many more.  Van’s most memorable character however had to be The Wolfman – an actual wolfman radio DJ inspired by Jack, down to the gravelly voice and wolf howls!  The Wolfman would spin classic rock and roll records each show, accompanied by psychedelic images of him dancing and playing air guitar with the character of Igor, played by Fishka Rais.  (The huge Rais was one of very few additional actors on the show.  Vincent Price and Professor Julius Sumner Miller recorded all their parts over the course of the summer of 1971.  And let’s not forget Guy Big, as the Midget Count!)

When the Wolfman’s segments would begin, you would know it immediately.  His theme song was “I Wanna Take You Higher” by Sly and the Family Stone.  “I am the Wolfman!  Ah-oooooooo!” he would howl at the start of his show.  He would play “golden oldies” by the Stones and other classic rock and roll artists, on his radio station “EECH”. He would tell callers that he was “fangtastic”.  (The “golden oldies” concept was brilliant.  Even if he was playing a fairly recent Stones single, he’d call it a “golden oldie”, thus ensuring that the show seemed current even when being broadcast in, say, 1986.  Planning and syndication!)

One of the few Youtube clips featuring original audio and music.

So there I was, a young kid sitting on the basement floor during Canadian winter, playing with Lego and watching  this pretty low-budget kid’s show, when suddenly this wolfman appeared!  “I am the Wolfman!  Ahooooooo!”  I didn’t know the music.  I’d never heard Sly and the Family Stone.  They were great!  I was hooked.  I even made my own tapes of the Wolfman.  I played the Wolfman…and all the other characters.  I had him battling Star Wars composer John Williams for chart superiority!  Fortunately, these tapes no longer exist!

I had no idea yet that Billy Van’s Wolfman was based on a real person.   That came later, probably through my parents, as I learned more about rock and roll.  All I knew was that he was a fun character who played good songs.  “I Wanna Take You Higher” was an early favourite.  The Stones made a strong impression.  He also played Mungo Jerry.  I didn’t like the slow songs.  Unfortunately due to the legal rights involved, “I Wanna Take You Higher” had to be replaced on the DVD versions.  Rights could only be obtained to release a few episodes on disc. (Most of the Youtube clips you will find are overdubbed versions with different music, and a new voice, since Billy Van had passed away before the DVDs were released.)

Wolfman Jack himself appeared on many television shows and records over the years.  After American Graffiti, he appeared in the ill-advised sequel, which flopped.  TV loved him; he even guested on Battlestar Galactica’s spinoff series Galactica 1980.  Notably, in 1974 he appeared as himself on The Guess Who’s classic single “Clap for the Wolfman”, a memorable tribute featuring plenty of the Wolfman’s trademark growl.  His influence trickled down, creating waves far exceeding the radio broadcasts that once reached Russia.  Via these tributes to his accomplishments, the Wolfman served to introduce rock and roll music to new generations, either via TV and movies or Billy Van’s character inspired by him.  Clap for the Wolfman indeed!

#398: New Rock, Old Rock

RECORD STORE TALES MkII: Getting More Tale
#398: New Rock, Old Rock

A selection of songs I’ve been rocking out to on the radio lately, for your consideration and perusal.

ROYAL BLOOD – “Figure It Out”
It seems that bass/drums duos are all the rage. I like this awesome, aggressive groove from the English duo of Royal Blood. Just slammin’! Proof that you don’t need more than two people to make good heavy rock!

DEATH FROM ABOVE 1979 – “Trainwreck 1979”
Having ignored these two Canadian guys for years, I have recently become infatuated with “Trainwreck 1979”. I could do without the piano touches and the “woo ooo ooo’s” but it’s hard to deny that this is a slamming song living up to its name. Well done, Death From Above 1979.

THE TREWS – “New King”
This aggressive riff-based song combines three elements I love about the Trews – guitar hooks, memorable melodies, and a great singer. Bonus points for cool lyrics like, “A bitter hipster hick, Can’t stop talking shit, The F’N idiot, Don’t know when to quit.”

DANKO JONES – “Do You Wanna Rock”
No surprises here! Danko Jones = Danko Jones = Danko Jones, but it’s always nice to hear a new track. This one’s pretty simple — it’s about rocking! More cowbell!

I MOTHER EARTH – “The Devil’s Engine”
Different from anything I’ve heard this band do before, “The Devil’s Engine” combines traditional IME percussion with metallic riffs and licks. With the prior single “We Got the Love” out in 2012, it would be nice to get a new album by I Mother Earth.

THE PRETTY RECKLESS – “Follow Me Down”
I haven’t been a fan of the Pretty Reckless. Until now I’ve found their music to be tiredly generic. This track, however, kicks it! Taylor Momsen’s turned herself into a metal howler, in her natural environment. Her songs can get repetitive but I’m not bored with this one yet.

I’ve also recently rediscovered some of these tracks that I knew very well, but have been dusted off on the radio recently.

AC/DC – “Rock the Blues Away”
I’m glad that after “Play Ball” and “Rock Or Bust”, this excellent AC/DC track has been chosen as the newest single from AC/DC’s latest. It’s absolutely a favourite of mine! Great choice for a single.

NEIL YOUNG – “Downtown”
I’m pleasantly reminded of this collaboration between Uncle Neil and Pearl Jam, showcasing their kickass new drummer Jack Irons. A great, simple little rock tune.

TRIUMPH – “Lay It on the Line”
This is undeniably a Canadian classic of double-necked guitar majesty. I noticed that the version getting airplay today is the beefier remixed version, from Greatest Hits Remixed. (I was the only listener that noticed, I know because I wrote in to ask about it!)

Part 320: End of the Line #6: The Birth of LeBrain

RECORD STORE TALES Part 320: End of the Line #6: The Birth of LeBrain

I discovered quickly that listening to rock radio in an office was much better than listening to CDs in the Record Store. They really hounded me about my in-store music selections.  With the radio, nobody yells at me about the music. I could just enjoy it as I worked, and the music has not been lame!  Just this week, I rocked out to Judas Priest’s “Painkiller” and Savatage’s “Hall of the Mountain King” at work on the radio.  Last week it was Slayer.  I doubt I ever played any of those songs in the Record Store.  Traffic reports are an added bonus.

Our office has its radio set to 107.5 Dave FM, and it is through them that I met new friends such as Marko Fox, Craig Fee, Simon McGhee, Patrick Dynamite, and more. It is there that I became “LeBrain”.  There was a daily contest…a near legendary contest…called the 4 O’Clock 4-Play.  Every day at 4:00, Craig would play four songs with a common theme.  Guess the theme, win the prize.  I started winning frequently, and had started submitting my own 4-Play quizzes for the show.  They numbered in the hundreds, I am certain.  Some have never been used.  Craig told me he had an email folder filled with my 4-Plays that hadn’t been used yet.

Photo0978

Craig Fee with some beard douchebag.

This led to features on the station such as “Stump LeBrain Week”, where I was in the studio every day for a week as listeners tried to stump me. (The only day I was not in the studio was the Wednesday, where I was live on air with Marko at Chicopee ski club.)  Other listeners sent in their own 4-Plays specifically to stump me, and Craig picked his five favourites.  That was followed by LeBrainuary – an entire month of my own musical 4-Plays.  They also did a final LeBrain Week before they finally shut the contest down.

I still hear about that contest.  Every once in a while I meet someone new who knows me only as “LeBrain” from the radio.  There was one at Sausagefest this year.  I always get asked, “When are they bringing that contest back?  It was awesome.”  I wish I knew!  I’ve bugged Craig about it too.

While it lasted, it was awesome. I became a D-grade local celebrity! But I wanted more. I pestered and bugged Craig Fee daily. I sent him my reviews, early chapters of the Record Store Tales, rock news, rants, anything and everything!

You know what happened next. It was the “lightbulb moment”.  Craig said the magic words: “You need to start your own blog.”  

And so I did, and that’s why you’re reading this today.

I knew immediately I wanted to finally publish the Record Store Tales.  I started writing them over 10 years ago.  I originally envisioned a book version of Record Store Tales.  I started writing it with that in mind, but most of it hasn’t been used, because I felt some chapters were a little too off-topic.   Instead I mined my extensive journals to create new content.  It took about 2 1/2 years to post all of the Record Store Tales, at an average of one every three days.

So here we are, at the end. I knew this day would come eventually. I thought at most I’d come up with 100 installments, tops.  Having said that, the number of stories that I chose not to tell exceeds this body of work greatly.  Believe it or not, I decided to be nice.  There are many things done and many things said that have been left out.  I’ve tried to be candid and maintain my own integrity, and just tell the story of a very cool time in my life.  Not everybody gets to work in a record store.

Positives and negatives aside, the writing experience for me has been mostly healthy, sometimes cathartic, and immensely fun. I hope you have had fun too.

Thank you for your support, inspiration, kind words and contributions: Mrs. LeBrain, Craig, Marko, Aaron, Uncle Meat, Iron Tom Sharpe (Meaford’s greatest athlete), T-Rev, Lemon Kurri, my parents, and everyone else who has ever contributed or told me not to stop.

A huge thanks to the owner at the old Record Store. You gave me a chance and taught me so much.  You have my number.

Sincerest apologies to those I have hurt or offended.

Finally, thanks to YOU – the people who have read this stuff, whether you were a one-timer or a regular. I thrive on feedback and you made this a very rewarding experience.

I hope you’ll stick around, as we launch the Post-Record Store Tales (official title to be announced soon) and continue on with the awesome reviews! Live long…and prosper.

The End.

SPOCK

Part 191 / REVIEW: Respighi – Pines of Rome

RECORD STORE TALES Part 191:  Respighi

In the early 2000’s I was very interested in growing a little bit of a classical music collection.  Classical music can be had in reasonably priced but expansive box sets, but I wanted to be a little more discerning.  There were some things I knew I wanted to get just based on reputation, such as Niccolò Paganini and Glenn Gould.  I knew the CBC had a lot of classical programming so I used to tune into them driving home from work after the night shift.

The first time I did so was a turning point.  I heard some music, but I didn’t have a clue what it was.  It sounded dramatic and soundtrack-esque to me.  I could picture a sprawling epic such as Spartacus unfolding in front of me.  It wasn’t until I stopped at the red lights that the announcer came back on the air and told me that the piece I heard was “The Pines of Rome” composed by Ottorino Respighi.  Respighi…Italian!  My countryman!

I went into work the next morning, and checked the computer for anything by Respighi.  Turns out, we had one in stock, a London Records recording of Pines of Rome.  It was my first true classical purchase, not counting movie soundtracks.  Working at a record store enabled me to cheaply expand into any genre of music I wished.  I’m strongly in favour of trying new music, no matter what section of the store you find it in.

RESPIGHI FRONTOTTORINO RESPIGHI – Pines of Rome / Fountains of Rome / The Birds (1969 Decca / London)

Reviewing classical music is tough for me because it’s way out of my zone of expertise.  All I know is what I like and what sounds good to my ears.  This old recording, conducted by István Kertész, fit the bill for me.  “The Pines of Rome” is such an incredible piece.  Apparently this is considered a “symphonic poem”.  In other words, the classical music equivalent of a concept album!  It has majestic moments that phase into romantic interludes; scenes, basically.  By the end, it is a triumphant anthem worthy of the most awe-inspiring movie soundtrack.  You can easily visualize the sun rising over the tall pines; apparently that was the composer’s intention.  It works!

“The Birds” starts as jaunty piece, perfect for a fancy dinner or event!  What I enjoy about music like this is that it enables me to travel back in time, in my mind.  It is easy to place yourself at the hearth of a warm fire, almost 100 years ago.  This piece’s different sections attempt to transcribe birdsong into a musical arrangement:  doves, hens, nightingale, and the cuckoo.  I can’t help it, I like the cuckoo best.  It’s whimsical.

“Fountains of Rome” is another symphonic poem, this one beginning at daybreak.  The second movement sounds like a summoning, as creatures begin to frolick.  The piece paints a picture, allowing the listener to really just sink in.

Great gateway album.

4.5/5 stars

Next time on Record Store Tales…

Do you still have the first mix CD you ever made?